An Evening With Greg Dulli- Concert Review-Brattle Theater

Yesterday was the moment I have been waiting for quite a while for a chance to see Greg Dulli live in concert, and even though it was an accoustic show, its a chance I have been waitng for since I first heard the Afghan Whigs 6 years ago (I was late to the party, I know)

Opening Act: Craig Wedren from Shudder to Think

Anyway doors were supposed to open at 7:00, they actually opened at around 7:20. First let me just say although the Brattle theater seems like an odd choice for a venue, for this show it worked at least, it was intimate, the sound was great, and everyone had a good view of the stage (which probably couldn’t hold more then 3 people). The opening act Craig Wedren ex lead singer (or current he didn’t seem that sure himself) of the band Shudder to Think. His set consisted of him with a guitar and a few pedals which he used masterfully. It was an experience in minimalism, and he really seemed to enjoy being on stage, all musicians do but he really seemed to relish the opportunity. I wasn’t familiar with his solo work or his work with Shudder to Think, but what I heard I liked, he defiantly falls into the singer-songwriter category of music, in fact for one Shudder to Think song he said here is the song ‘drastically reinterpreted’ and I got the feeling it was reinterpreted not only because of necessity of being the only man on stage, but because this was the song of he had envisioned, and that’s probably the best way to describe Craig Wedren’s music, it was solely is vision. Truth is Craig is just a very, very talented guy who was doing playing his songs, the way he wanted them to be played, and it worked, the set was strong and it set the mood for the main act.

B+

Greg Dulli Setlist

1. St. Gregory
2. God’s Children
3. Blackbird and the Fox
4. The Lure Would Prove Too Much
5. Bonnie Brae
6. Kings Only
7. Fourty Dollars
8. Hyperballad (Bjork Cover)
9. Step into the Light
10. Gunshots
11. If I Were Going
12. Summer’s Kiss
13. Follow You Down
14. The Stations
15. Never Seen No Devil

Encore
16. Candy Cane Crawl
17. Down The Line
18. Teenage Wristband
19. Twilight Kid.

Encore 2

20. Black Love

After Craig left at about 8:35 Greg Dulli and his back up band Twilight Singers guitarist Dave Rosser and multi-instrumentalist Rick Nelson of the Polyphonic Spree, took the stage at about 9:00. Throughout the show they seemed relaxed and was joking around with the audience. Greg told a story about the last time he was in the Brattle Theater, that was good for a laugh, and he called out someone in the front row for checking his email while he was playing, also good for a laugh. I guess my one problem is their should have been more audience interaction, the Brattle only holds about 235 people and Greg really could of turned it into an event, something like VH1-Story Tellers, except people would be watching this. Musically what can I say the man has his detractor’s, just before I left, I read something in Blender saying he was embarrassing himself now on this tour, me I thought he was great, his voice sounded strong, the band was in synch, the setlist gave the audience a nice career retrospective plus a little taste of some new material. Since it was an acoustic show everyone was in their seats the entire time, nobody got up until the encore, the atmosphere was very mellow, but the audience was composed of die hard Greg Dulli fans (tickets sold out in under a week) and Greg really put on a great live show, I know I left happy.

A-

Hunx and His Punx Sign To Hardly Art/ New Song!

Blurb from the Hardly Art website:
News headlines don’t lie! The titillating bubblegum pop outfit Hunx & His Punx have signed with Hardly Art, with a brand new full-length forthcoming in early 2011. The new lineup – featuring an all-girl all-star group in addition to Hunx – is currently in the studio in NY and will perform their last show of the year at the Hardly Art showcase at Shea Stadium in Brooklyn on 10/21. Find more details on their artist page, stream a handful of tracks over at the band’s MySpace, and stay tuned for more info on the band’s new LP!

Hardly Art is a sister label of Sub Pop Records.
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New song and music video alert:


Quote of the Day- John Brown

“I want you to understand that I respect the rights of the poorest and weakest of colored people, oppressed [to deny others their rights or liberty] by the slave system, just as much as I do those of the most wealthy and powerful. That is the idea that has moved me, and that alone.”

John Brown at his Virginia Court Hearing, 1858

And you Klyammy cats thought Jay Reatard was wild at Harpers Ferry, you should have seen John Brown in 1859!

Classic CD Review: The Rekoys [2003]

Band: The Recoys
Label: Troubleman Unlimited

1. “Song on the Paper Dolls” – A
2. “Shake Off Your Nerve” – A
3. “Over Your Shoulder” – A-
4. “That’s the Punchline” – A
5. “Blizzard of ’93” – A-
6. “Let’s Get Educated” – A
7. “Let You In” – A-
8. “Modern Art Museum” – A-
9. “Look Out Your Window” – A-
10. “Roy Orbison” – B
11. “Tribute: The Recoys” – A

Comments: As a big Walkmen fan, I’m impressed by the mere fact that Hamilton Leithauser was playing stuff this good when he was only 19 to 22 years old. You’ll be able to tell these guys had been playing in bands since middle school. Right off the bat, “Song of the Paper Dolls” is distinctively Hamilton. It’s clean garage/power pop — at least compared to most of the stuff I call that on this site. “Shake Off Your Nerve” has shakers and saxophones. It’s a dancer that’s more punk than most of anything that would end up coming out of The Walkmen catalog. Speaking of The Walkmen catalog, “Over Your Shoulder” starts a trend on this collection of tunes (The Recoys never released an LP) of “Walkmen” songs. “Over” has all the niceties that Leithauser and Bauer would wind up incorporating in their future band. Of course, “That’s the Punchline” and “Blizzard of ’93” (renamed “Blizzard of ’96) wound up on the Walkmen’s debut full-length Everyone Who Pretended To Like Me Is Gone. This has nothing to do with anything, but when Ham says “that’s a change of style” on “Punchline,” I realized that these songs actually do represent a change of style. “Blizzard” is sloppier and heavier on Rekoys. “Let’s Get Educated” is perfect garage rock revivalist material. It’s like the Strokes, but before the Strokes. Dirtier than the Strokes. Nice and dirty. “Modern Art Museum” is a passionate rocker. You can really hear it in Ham’s voice. “No one understands The Recoys” is sung on the very last song. Don’t worry, though, when their “ship comes in” you will understand them. What that means I don’t know! Fans of The Walkmen, definitely try to get your hands on this. You’ll appreciate this as a reference point in Hamilton Leithauser’s (and Pete Bauer’s, if you’re really looking) career. The Recoys broke up in 1999 after a three year stint.

Grade: A- (92)

The Afghan Whigs – Miles is Dead-live & The Afghan Whigs – 66

For me this is Greg Dulli at his best, when he was with The Afghan Whigs, who for many had two sides to them pre and post sell out the first video is from (in my opinion) one of the greatest albums ever made Congregation (although ‘Miles is Dead’ was a hidden track), the second song ’66’ is from the album they said Greg Dulli sold out for the fame he never achieved 1965. In any case the grunge and R&B infused Afghan Whigs were one of the most influential bands of the 90’s, even though they had two very different sound by the time they broke up, their influence will last for generations.

A Video Solely Of Dave Goldberg Drumming

For any of you folks who haven’t seen Dave Goldberg’s exercise approach to the art of drumming, I think now is the time. This is going to sound like old news to long time followers of KLYAM, but Dave plays keyboard and drums simultaneously. How is that possible? It often involves placing a drumstick in the mouth.

Watch: http://www.youtube.com/watch?v=wm7btH-C17k

Greg Dulli – Golden Boy

Beyond The Afghan Whigs, The Twilight Singers and The Gutter Twins, fat Greg Dulli (I am a fan, but the nickname came from people who really, really don’t like his music) released a solo album in 2005 called ‘Amber Headlights’ (which was really more of a collection of b-sides, some of which already were released in other forms). The album was self released but didn’t reach the commercial or critical success of his previous work. Still it was an album die hard fans like myself really enjoyed, and while admittedly not his best work, still a solid effort.

Classic Film Review: Nice Dreams

Full Title: Cheech and Chong’s Nice Dreams
Director: Tommy Chong
Year: 1981
Comments: WARNING: YOU MUST BE AT LEAST EIGHT BEERS DEEP, EXTREMELY HIGH AS A KITE AND IN LOVE WITH EVERYTHING IN ORDER TO VIEW THIS FILM. Otherwise you will probably detest it out of sheer boredom. I can’t imagine watching this sober. Yeesh. Naturally, after the original Cheech and Chong flick Up In Smoke (1978) the series started to plummet. But, all is well if you are twizsted, at least for me. I loved how fucked up and overtly aimless this stoner essential could be. With naked ladies, crazy coke snorting, and hilarious cameos from the likes of Timothy Leary and Paul Reubens (Pee Wee!) I can safely say this was not a waste of my time, in fact it felt like I had been watching it for days.

Grade: N/A- this would be an F for obvious reasons, but given the fact that I (and hopefully everyone) do not take this at all seriously, a grade is unecessary. KLYAM Recommended? Yeah sure, if you’re really baked!

Y’all know I love this scene.

Boston based shows/fests – DIY, punk, noise