People also ask, why are dreams so weird when sick. The first one is runaway like hardcore speed oven stuffer, the transporting nostalgia of when Reatard’s live band just took the fuq off. Fuq off. In Mike Mountain style and surely this is a defined style – Webster Worthy – the second one, and my favorite “Acid At The Funeral”, is cooling off. Taking a skinny dip into Acushnet river in the early to mid 90s off a noise rock on Popes Island. Mumblejumble screaming behind the band’s turn right screwdriver rhythms and meet in the middle spasms. I could spend a half a day on those rocks with a smartphone and headphones trying to transcribe the lyrics and associated meanings. This was a well rehearsed crew that was in spiritual unison with Mark E and any number of knowing wiseperson frontpersons. Three “Trash Bed” and Four “Creepo Fiendo” settle back to the urgency of Number One before an aberrant misremembered & altogether rewarding go at Rebel Jew. Gateway bridge back to motifs of moments prior: the transformation of bean bag toss to Cornhole in thirty rich years of exploration and higher level mountaineering, thinking, and winking to Netflix climber, Dirtbag. Someone says that was awesome and it was and it’s over. Move right along or revisit as some wise folks do.
All Music by Meyer Brown*
All Lyrics by Michael Montagano*
Recorded 2015 by Clinton Lisboa at the Wamsutta Mills, New Bedford, MA.
*Track 5 originally by David Berman & Silver Jews.
Vocals: Michael Montagano
Guitar: Meyer Brown
Bass: Tyrell Pina
Drums: Christopher DeSouza
i’ll check everything else out later but for now
Terminal Boredom ‘s Greatest Garage Band of 2014 or maybe 2013. It Not Memphis In September If Not Buck Biloxi and The Fucks
Three songs, every song sounds the same not a knock but just a sound. Take that seriously and the joke is on you
The heads knew it and liked it before it came out and it delivered. Again not a knock , knock who is there?
let’s smoke a joint outside the Hi Tone and miss a little of a set. not Buck tho. Giorgio without synths
The train wreck, The Hurricane/Alligator fingers
Two years ago today I was in Tuscany!
It is a Lou Miami
Take a listen to a Boston legend. About time we retire that phrase except when talking about Lou Miami. Steal your father’s (grandfather’s now?) records.
Hope everyone is healthy and hanging in there. We wanted to let you know that we are still here and active.
With no new shows to book, play, or attend, we’ve shifted gears to a new medium: the Podcast!
Link is up at the top of the website and here. These have been great – one to two (sometimes longer!) hours of catching up with old pals, artists, and musicians. We try to cover formative experiences in music whenever possible along with what’s going on currently and in the future.
2018: Evil Sword, Cleo Miao, Request Freebird, Lightning Pill – Dorchester Art Project
2019: RUSSIAN TSARLAG / EVICSHEN / Dan Talbot / Baby;Baby / CorpseFkrz – Deep Thoughts
2016: Kids Like You & Me Present: Cumstain, Pookie & The Poodlez, The Mardi Kings, Idiot Genes – Out of the Blue Too
2015: Kids Like You & Me and Rad Castle Present: The Barbazons, Miami Doritos, GBG – ZuZu
2014: Tacocat, Dylan Ewen/Teenage Springsteen, Miami Doritos, Dylan Ewen & The Sulk Scouts – The Womb [REVIEW]
2009: War on Drugs + The Drones + Tsui- TT The Bears
2019: Order 66, What Famine, The Bad Reminders (formerly Flatlager,Circus Battalion, Alan Richardson – Hong Kong Harvard Shows
2014: Lady Pilot (Tape Release),Vaporubs, GBG – O’Brien’s Pub [REVIEW]
2010: Beach House – Paradise (REVIEW)
2017: Kids Like You & Me and Rad Castle Present: Birthing Hips, -1, Body Meat, Johnnie and the Foodmasters – ZuZu
2013: Peach Kelli Pop, Fagettes, Scamps, Great Valley – Radio Up [REVIEW]
2010: Deerhunter/Spoon/Strange Boys – House of Blues (REVIEW)
2016: Nice Guys, GEPH, Beware the Dangers of a Ghost Scorpion, Vitamin sun – The Ratsnest