We are so blessed & excited that State Park in Kendall Square will be hosting us and our friends for a wild night of live music, DJ, and libations.
::::: THE DETAILS ::::::
** DOORS 7 PM / SHOW 8 PM ** * FREE * * ALL AGES * * KLYAM DJ spinning all sorts of stuff throughout the night *
::::: LINEUP (FROM FIRST TO LAST):::::::
THE SWETTES – one of our favorites pre-pandemic – got their start at Ladies Rock Campaign, bringing the Boston underground the kind of punchy punk we love and need – totally raw and compelling!
ADULT LEARNERS – very new band ft. Kathy Snax on vox/keyboard, Simon on drums (& amazing designer of this flyer), and bassist Joe (of the legendary Tampoffs). Short & sweet garage pop nuggets!
NICE GUYS – our buds – we released their first 7″ and have seen them play 109 times. the nice boys might be at the peak of their noisy rock n roll powers if their 10 yr anniversary show was any indication. new album on the way????
JOHNNIE & THE FOODMASTERS – KLYAM house band – if you can make it ’til the end of the debauchery and irreverent tributes to the ’50s and ’60s…you’ll get receipt. rumors of a totally new set???
Boston Groupie News and Boston Hassle recently chatted with us about our 10 year anniversary celebration Rama Lama Ding Dong. Click the links to check out the interviews and a 3 night pass to all three shows. The festival is happening this Thursday (Lilypad), Friday (Dorchester Art Project), and Saturday (Cambridge Elks Lodge). If you go for an advance ticket you’ll receive any KLYAM release of your choice!
Night One – THURSDAY, JULY 11 @ LILYPAD (CAMBRIDGE, MA) — TICKETS — Juan Wauters [NY], Boston Cream, The American Whip Appeal, The Glue 10 PM Sharp Doors – All Ages – $12-15
Night Two – FRIDAY, JULY 12 @ DORCHESTER ART PROJECT — TICKETS — Thighs, G. Gordon Gritty, Kremlin Bats 8:30 PM Doors – All Ages – $5-10
This is Boston’s House of the Rising Fuzz compilation. Who, what, when, where, and why. Well let’s see, read on! It’s a physical artifact, a tangible, audible documentary. It’s a beauty and it’s so mid-2010s, underground garage and punk and noise and dirty pop. A full effort coordinated by the inspiring bands on here and also 456 Records, Primordial Sounds, Theives Grotto, Boston Hassle, and Ben Semeta. It took a while to get here, but honestly is there a better time than now? Just days away (August 6th through 8th) is the Boston Fuzzstival – curated by the one and only Jason Treft’s Illegally Blind – and featuring most of the bands included on this compilation. Both the Fuzzstival and the release of House of the Rising Fuzz are dream come true events not only for the people directly taking part, but those slimers, those fanatics, like us, like You and Me, who can’t get enough of that F word.
From my perspective, I’ve seen all of these bands perform – some maybe just a couple of time, others a dozen or more – and a few (Barbazons, Nice Guys, and Miami Doritos) we are grateful to have released records and tapes for on our own label. We share a similar fondness for rock ‘n roll music that’s nicely being built up through the abovementioned proponents of underground culture here in Boston. There’s no reason why House of the Rising Fuzz can’t be our Casual Victim Pile. For those unfamiliar, that was a compilation of Austin TX rock ‘n roll bands released in 2010 by Boston area native Gerard Cosloy and his Matador Records. Where that album definitely had more innate spotlight given Austin’s reputation for live music and the big independent label distribution, House of the Rising Fuzz is a decentralized group effort that is very indicative of the spirit and community vibes in Boston. It’s one of those situations where the people that are fortunate to live here or tour through here can literally feel this energy, however, the larger, national music media sources don’t cover our bands anywhere near as much as groups from San Francisco, Los Angeles, or Memphis.
I can say for certain that House of the Rising Fuzz captures all the bands at their highest moments. I agree with Ben in his interview with Allston Pudding where he’s like for every band it’s “their best song yet”. In fact, his band Black Beach’s contribution “Kreep” is in the early lead for my favorite thing on this compilation. It is crunchy, punchy, slippery – an exhilarating blender of spacey garage punk tropes and odes. Bless its soul. I could get real nerdy and boring with descriptions and stuff, but the main thing I note is that I can toss this thing on and be like oh yeah That’s New Highway Hymnal. “Isolation” yup – I recognize Hadden’s vocals, Amelia’s bass, and Travis’ drumming style. They groovy. With The Monsieurs
“Shadow,” there’s also no mistaking. Except, they work over there in the blown out bubblegum punk department. There’s a reason why that group is universally revered around these parts. They make ya crazy with their memorable ramble and stampeding swagger.
The bands that I am least familiar with – Midriffs and Dinoczar – do a helluva job saying HI THERE… Midriffs offering “White Washed” is the longest journey at 5 minutes and 37 seconds, but one would be damned to call this a psych slowburner. It’s more comparable to what we know and love from NHH and The Televibes, the ole penchant for intoxicating instrumental freakouts. And speaking of which, the North Shore’s own Televibes “DMT” takes this style to every ticklish cavity of what has been revealed to us as psychedelic rock and roll music. Dinoczar might be the sludgiest and rawest talent on the compilation – their “Cream” unlocks the doors to the Slaughterhouse, if ya catch my drift.
It’d be a shame for me to not mention Miami Doritos and Nice Guys together. Subconscious and literal promotion and testimony to the greatness of their Splifft 7″ aside – they’ve lived together, toured together, and what not. I’ll tell you briefly the sonic difference. Miami Doritos is a guitar and drums duo but they make for a brutally concise, maximalist use of that nice fuzz, that nice noise. It’s intimidating, lovely on “Cut the Rope”. Now as for the “Chips” boys, the four Nice Guys. Their contribution is the previously UNreleased “Chips in the Moonlight” (though, if you’re keeping track – and you should be – they released an EP with this name. If you’ve never heard Nice Guys, you might want to start with this tune and work forwards, backwards, etc. At the heart, these fellas write catchy riffs. Also at the heart, they breakaway from these winner choruses and verses to what amounts to best-in-class dueling guitar breakdowns like in “Chips.”
This leaves us with Barbazons and Creaturos. Both have been around for some time now (Barbazons since 2010, formerly as Fagettes, and Creaturos since 2011) causing a racket but mainly making a name for themselves because they perform lush garage pop. Who am I to say, but if I’m trying to show someone whose only experience with Fuzz is the police what’s up, I might first direct them to Barbazons “Jake” which is surely many bits chaotic, but it is sunny and breezy and shiny. If they respond positively and I know they will, I’ll send them over to Creaturos “Bleeding Like A Stone,” which plays out as a psyched up slap to the best of good times ‘classic’ rock. I believe I’ve always felt this way with Creaturos and it is a compliment owed to their distinct playing.
Listen to these bands, support them at shows, book them. It might sound cheesy and everyone says it about everything, but seriously this is special. It’s super fun and rewarding for those who know and love these bands and the same for those who might be all ‘why should I care about Boston rock & roll in the year 2015’? I hope this reaches far beyond a local scope — it would not be nice for the thousands of appreciators of this kind of music to miss hearing this compilation!
That’s a loaded headline but we all know Tall Juan of Queens is worthy. For many, it’s an introduction to the man, the waste-no-time punk pop charmer. Falling Down is his latest single, out now on BUFU Records. To celebrate the occasion, he’ll be playing right here in Jamaica Plain house show style next Thursday, December 18. The openers couldn’t be more exciting and a little bit sad. Free Pizza will be playing their last Boston show before they move their inspiring homefront to the Miami area. They’ve been making it rain so to speak around here for the past few years, always being a most fun-loving live band and good people to boot. Wish ’em luck! Our partners in Wax and IceHouse, Nice Guys are on this thing, too, with your childhood friends Petey from North Carolina.
ACLU Benefit is on stage at the Weenie Hut, nothing new for Noah, whose been playing his bitingly honest music for decades. It’s only in the past year or so that I have had the fortune of discovering and seeing Benefit play. I say fortune because his performances are spectacles. No outrageous antics – more like a community, participatory atmosphere led by a tall, deep voiced dude on electric guitar. He guides fearless sing-a-longs “It’s a lonely lonely world, it’s a lonely lonely world” and “We will hold you when you fall down” and “BEEEERRRRRRRR” and “Everyone is going to die”. Written after the passing of Robin Williams. I typically feel uncomfortable in these situations and so do you, but there’s something about just not caring and enjoying life’s special moments. ACLU Benefit makes it all well and lively. If I had my way, I’d want him to play a set at every show. Every time I write about ACLU Benefit I have deja vu about writing about ACLU Benefit. I’m satisfied with that. This set was my favorite I have seen – the mixture of new songs and old standards and Lil B MIT lecture references. World music fans (not the genre but like everyone), there’s a real gem here. Old and young, college student or veteran Axis attendee – you’ve been missing out or you’ve been missing in. [BANDCAMP]
Back to their home after a tour with Sun Young…the Big Buck Hunter trio. Nah maybe foursome, thanks to Kurt’s trusty tape player that was somehow perfectly timed with the band’s set. Not really sure how that came to be, but it was a perfect addition. Buck Hunter’s all over the map stylistically speaking, comedic dissonant pop through and through. Something like “Garden” is a real big, big tune. A mover; it never lets you settle down. That’s admirable. Kurt transforms into guitar hero status early and often, economical playing in tough times. Keyboards hold things down for the most part, but even that dude isn’t afraid to venture off on his own. As long as there’s Couch (drums) powering through, always bearing an acute sense of timing and brute. There’s not really a Boston comparison to ’em though Sun Young (who we missed tonight, damn!) are outstanding complements. At times I felt like I was watching the Grateful Dead Pavement Redux and there ya go I never saw either of them, but pretty sure I’d have a good old time. [BANDCAMP]
In a hallway in a basement two nights a row seeing Nice Guys that’s what we do here at KLYAM. They even got a set-list this time. They’re “Legit”. Well, so the night before last, that was Friday Night at Thieves Grotto. I don’t know what they give the kids there, what’s in that magic marker that brandishes you a number upon entry. But for some good reason, it’s always packed and there’s always some serious moshing and fun when these Nice Guys start wailing. They can go up there and cover who knows, Kaufman’s “I Trusted You” with drummer Soul Eater on vocals and everyone goes ape shit all the same. Well, I think that review is coming soon from Chris, so I’ll stick with last night at the weenie hut. A bit more subdued affair at the hut but the sound and passion, the oozin rampant punk it’s slightly addicting if not more. For no bullshizz rock ‘n roll, these guys remain at top of the Pyramid around here. They’ve played a ton in 2014 so the word tight might come up but really anything can happen. No crowd member is ever safe as this is something of a lively bunch, willing to bring the show to your face. [BANDCAMP / KLYAM RECORDS 7″ ]
Illegally Blind is at it again, putting on Boston En Masse, four days of live music at Church, which is near Fenway Park. Each night offers something a little different (check out the FB event page for a listing of bands) and it is TOMORROW NIGHT, Thursday September 18, that we are most excited to share with you all!
Presented in association with local underground music advocates BUFU Records, Boston Hassle, Fast Apple, a couple KLYAM splifft singlers – Nice Guys and Miami Doritos – are in on the action along with Ben Katzman’s DeGreaser, Boogie Boy Metal Mouth, and The Monsieurs.
Nice Guys are just about a month fresh off the release of their most recent tape, L.A.P.D. Since forming in 2012, they’ve toured the East Coast a couple of times, played at Hassle, BUFU, and Starlab Fests, shared billings with garage slammers like FIDLAR and Ex-Cult, and released their first 7″, a split with Miami Doritos on our KLYAM Records label, earlier this year. Noisy punk chaos with a tendency for instrumental explosions, break-downs, and the like. We really dig this stuff and enthusiasts all over town and beyond are takin’ note, too!
Miami Doritos are like family with Nice Guys – if you haven’t noticed already – they share a home, a member, a television set, stuff like that. They also have a tape, that before mentioned 7″, a couple tours, and tons of sweet local shows in their name. They just a duo, though, and create quite a racket amongst themselves. Their noise is crunchy, their underbelly is tastily (not tastefully) poppy. Come on down.
Ben Katzman’s Degreaser is the latest and just maybe greatest band from Katzman. Dude’s all about chilling mad hard, rokin out, and Shredding, so let’s see you in action, broooooo!!! The band’s first album Degreaser was released digitally a brief time ago and it is a cok rok love affair. Gritty, positively recalling early rock ‘n roll along the way, charming surely. Right now all I can do is picture their queezy punk pop energy, soon I will see it in the flesh!!
Boogie Boy Metal Mouth‘s hip-hop in the punk spirit holds ya hostage, at least that’s the feeling I’ve gotten from their live performances. I’m not sure what else to feel – they’re the only hip-hop group I have seen or remembered seeing. Lotta movement and interaction at the Wilder Zangcraft that time. It’s still sinking in. What they are doing is not like much I’ve seen in the Boston underground; credit their unique set-up and experimental leanings.
Headlining this En Masse shabang are The Monsieurs, who have roots in the garage underworld that date much further than my time. At any rate and at any inclination, they are maybe the most straight ahead, hook filled, no seaweed, punk trio playing local stages and non-stages. Gather together the funnest rock ‘n roll of the past 60 years or, if you’re more myopic, the gunk punk greats of the past 20, and that’s just about Monsieurs style. Ya heard it before but now it’s right in front you, in fine fashion, uttering shit in one ear, while the other’s being damaged by thick loud amps. In good fun, though.
Date: Friday, April 25 and Saturday, April 26, 2014 Venue: Cambridge Elks Lodge
Yeah, I know this shit was like over a month ago. Get over it. The following is a recollection of April’s first annual BUFU Records Festival. Here are the bands that made me chill the hardest…
Night One:
Nice Guys – OOOHHHHH Nice Guys! Boston’s Nicest Guyzzzz. As soon as I enter the Elks these guys are getting ready to play. They blast through a fast, frenzied set that affirms my belief that I am one deaf bastard.
With this set there’s a solid chunk of new material or at the very least songs I’ve never heard before: “Whale,” “Rock ‘n’ Roll,” “Freedom,” “Pegger,” and “Stinker.” All bone crushing in their own eloquent way. Still, I get the biggest kicks from the regular chart toppers such as “Boxfort,” “Medical Envy,” and “Cop Walk.” During “Cop Walk” Alex rummages his way through the crowd in classic Alex fashion. A valiant way to wake up the stiff crowd and kick off BUFU Fest.
Yo, have you been staying up all night alone in your bed thinking “damn, I love those Nice Guys live if only I could own a piece of that magic on wax. Sigh.” Well partner, you’re in luck. Such a gem exists. Nice Guys have a splifft 7″ with fellow stasement boners Miami Doritos via KLYAM Records. Pick it up from here: http://klyam.bigcartel.com/product/nice-guys-miami-doritos-splifft-7 and then tell all of your friends about it. We’ll all laugh at your enemies together.
Set-List:
“Gary”
“Whale”
“Rock ‘n’ Roll”
“Freedom”
“Box Fort”
“Pegger”
“Medical Envy”
“Stinker”
“Cop Walk”
I collect Nice Guys set lists like a yuppie collects his Bill Joel ticket stubs. Dorks!
ACLU Benefit – This is my first ACLU Benefit. This isn’t the first time I’ve met Noah (the man behind ACLU Benefit) however. When I first met him he was dressed up as a juggalo at a Halloween show this past fall featuring Fat Creeps, Nice Guys, Guerilla Toss, and Designer. Actually, no wait we met on the train later that evening. Long story short, I had already heard the name ACLU Benefit tossed around these parts like the town whore, but at the time I didn’t realize I was speaking to the benefit himself. The low voice should have given it away. So, that night I looked up his bandcamp and I was correct. I went on to discover one of Boston’s most original voices.
Fast forward to tonight and I am delighted to finally be standing in front of Noah/ACLU Benefit in a musical setting for the very first time. It’s hard to write about his music because it evokes so many different emotions in me. That sounds like an excuse and it is, but I’ll do my best.
Noah stands alone with a guitar and that baritone voice you can hear from a 100 feet away. The crowd is building up, starting to get packed; it’s still pretty early in the fest. Noah introduces himself and begins to play. The performance is chilling, humorous, and all around entertaining in its own little way. Certainly one of the more engaging, inclusive performers I have come across over the last decade.
He has two distinct anthems in which he instructs the audience to sing along with him. In the aptly titled “Beer,” he informs us to sing “BEEEEEER!” after he sings “I’ve got a friend and his name is Beer.” So it goes like this…
Noah: I’ve got a friend and his name is Beer.
Crowd: BEEEEEEEER!
Noah: He loves me cause you’re not here.
Crowd: BEEEEEER!
It’s fun and interactive. There’s another song Noah plays entitled “Love Of My Life” and the performance operates in similar sing along fashion. This time as Noah sings “love of my life” the crowd sings “I’ll never get over you.” It’s one of those you had to be there kind of moments. You reading my description of it obviously doesn’t have the same effect. Case and point, go see ACLU Benefit. You’ll ponder life and wonder what went wrong. Don’t die wondering. http://aclubenefit.bandcamp.com/
Following the set, Glen, Ben, and I shake hands with Noah, complimenting him on a job well done. It’s worth missing the next band.
Funeral Cone – The lodge is rockin’ and the party is off the hook by the time Funeral Cone gets rollin. I saw these peeps at this exact spot here back in September and it left me bleeding. A nice little scar on my arm. A Funeral Cone memento if you will. This set is pretty much the same thing, minus the blood. Constant moshing from the punks, indeed, it’s a punker’s wet dream. Ramonesian tune (they may even cover some Ramones tunes? I’m fuzzy) with flashes of early hardcore punk a la Circle Jerks. With a diabolical keyboard in tow, it makes for a hardcore Okmoniks. Surely, the garage rawk klowns will foam at the mouth over this gunk. Slimy seconds err thirds, I’ll take em’.
P.S. Cory from SKIMASK, Ancient Filth, and Concrete Facelift also plays drums in Funeral Cone!
Gymshorts – This band’s music is as satisfying as their moniker. As I type this I’m comfortably sitting back in my own pair of gymshorts listening to Gymshorts. You know, I’m not really sure where I’m going with this, but trust me you want to hear this band. If you’ve ever trusted me before (I don’t know what you were thinking), trust me on this one. Loads of killer slop rock songs that stick to you for dayssss kidddddd. My new favorite band or at least the best band I’ve heard all year.
I just got into Gymshorts a few months back and from the looks of it most in attendance are unfamiliar with their music. They eagerly stare at the band, bopppin their heads and possibly other things… not really moving too much though, which is a damn shame. That’s ok, it almost makes it that much more hilarious when Sarah (vocals, guitar) bursts into the crowd barreling through a sea of stiffs. They never expect it haha. Regardless, after their set I overheard some kids praising their performance, so Providence’s best shorts have converted some Bostonian heads in the process. Listen to dis shit for weeks: http://gymshorts.bandcamp.com/
Free Pizza – Before Free Pizza begin their set, BUFU Records founder and BUFU Fest organizer, Ben Katzman announces that BUFU Records will be reissuing Free Pizza’s Boston, MA (previously released as a tape on BUFU) on vinyl alongside Feeding Tube Records. When I hear this, I can barely see Katzman’s face because I’m way in the back of the room, though I know it’s him up there because of his distinct voice and tone. The place is packed to the gills, but I have to get up front for this. The band launches into their set and Jesus Vio starts singing “I’m going forwardddd” (“Forward”) as I am literally moving forward to make my way to the front. The crowd eats it up and dances their asses off and it only gets better.
The next song is “Net Babes,” one of my favorites from the group and I’m not alone in this. I start singing along “We have no beaches, but baby we can surf …” and before I can even finish the line I notice Ben Katzman looks back at me, smiles and sings along with me, “but baby we can surf the internet!” Katzman’s enthusiasm is contagious and as I said the crowd is going bananas.
They continue to play some songs off their debut, such as “Freedom Pizza,” “Ducks,” “Porty,” and “Baby Girl” as well as some fresh cuts (I think) like “Keep on Moving,” and “2 Broke.”
The best part of not just Free Pizza’s set, but the pinnacle moment of all of BUFU Fest comes when the band closes with “Boston, MA” the final track off the album of the same name. The song alone encapsulates the feeling of inclusion, unity, rejection of the mainstream, and above all good old fashion fun aka “chilling mad hard” that BUFU Records, BUFU Fest, Free Pizza, and the Boston underground as a whole represent on a daily basis; here is just the perfect microcosm and it hits like an explosion. The band encourages everyone to sing along if they know the words and even if you don’t, it’s all good. A shirtless, sweaty Jesus triumphantly flings himself into the crowd as they dance along and sing into the mic with him “Living in Boston, Massachusetts, BOSTON, MASSACHUSETTSSSS!!!”
Definitely one of the greatest live experiences in my life. The whole set, but in particular “Boston, MA.” A rare feeling I struggle to put into words. If I could bottle it up and ingest it every morning I totally would. For what it’s worth, I’ve never been one for civic pride. It’s just not my style. I’m not ashamed of my town/city/state, but I’ve never felt any direct connection with Boston and it’s surrounding area. With that being said, Free Pizza’s “Boston, MA” is finally a New England anthem I can actually identify with and one that makes me happy and proud to live here. http://freepizzarocks.bandcamp.com/Can’t recommend this album enough.
Juan Wauters – With all of the excitement following Free Pizza’s set I almost forgot I’m seeing one of my favorite artists for the first time, well you could say that. Juan is the lead singer for Jackson Heights, Queens, New York’s The Beets, a band that co-KLYAMER Glen and myself have been fascinated with the past 4-5 years. We’ve seen The Beets a number of times now, but we’ve never seen Juan solo. In fact, before Juan even makes it to the stage/floor, we’re praising the man, shaking his hand, giving him big hugs, offering him beers. He’s overwhelmed by the love and support, I can tell he appreciates it or he’s a bit freaked out haha. Matter of fact, Juan actually interviewed Glen or I should say Gangbang Gordon for Allston Pudding. True story.
It’s all dark and quiet and the Juan begins (following another arousing introduction from Mr. Katzman). I can’t remember what the order is, but Juan and his acoustic guitar bust out some recent fan favorites form his debut solo effort N.A.P. North American Poetry. These include, but aren’t limited to “Water,” “Sanity,” “Continue To Be You,” and “Let Me Hip You To Something.” There are a lot of Juan fans in attendance, all sitting and standing, huddled around the Uruguayan singer. BUFU Records/Fest co-head honcho Chris Collins especially is digging the Juan, he always does. We all do. I’m confident Juan hipped many kids on to something haha, something special.
The Founding Fathers – Now, here’s a fine group of young, upstanding gentlemen that look awfully familiar. Call me crazy, call me wild, but they bear a striking resemblance to another local band you may remember as SKIMASK. Ehh whatever, must be me losing my mind.
Speaking of which, the lead vocalist seems to be off his rocker as well. He shrieks and flails about, barging through the moshers on a warpath, both physical and vocal. He’s an orator. An enigmatic performer of epic proportions. He crashes into the drum kit, he rolls on the floor, tossing his body to and fro in a possessed state of mind. Not wasting a second to rant and rave and proselytize the elks lodge inhabitants, when he’s not tearing the place to shreds. He spares no one, the audience is the target. He runs through the crowd as if he is engulfed in flames and burning to death. He stares into their eyes helplessly like he’s Carrie White covered in period blood, fiercely moving forward amid a chaotic atmosphere. It could all end at any second.
Electronic, spastic alien noise and fast, deafening drums provide the backbone to all of this pandemonium. It’s noise, it’s odd rock ‘n’ roll, and definitely one of the highlights of BUFU Fest.
Guerilla Toss – If any band could keep up with the the frenzy of the previous set then it’s Guerilla Toss. This is also one of my top sets from the entire fest. It’s always a trip, a party, a filthy mess when it comes to Gtoss and I wouldn’t have it any other way.
Hundreds of kids are up front, slamming into each other, if you can even move. It’s body to body, no open space. I’m hot as a motherfucker, perspiring all over the place. The crowd is one giant body, a sweatball that bounces back and forth to the band’s self-proclaimed fucked up dance music. It’s fun as always, though I would prefer some room for more hippie dancing/moshing, then again I love when it’s just a crazy mess too. One downside is that I can’t see everything and I can’t even hear everything. Kassie’s vocals seem a bit lower or it’s just me. I’m gone. My eardrums took a serious pounding tonight.
As the set wraps up, Simon Hanes bangs his two fists against his head several times like he’s Jake LaMotta or Andre the Giant or some other human animal. Gtoss is a bestial powerhouse, let em’ bring out the beast in you!
Night Two:
Gangbang Gordon – My homeboy Gangbang Gordon kicks BUFU Fest night two off with a BANG! As GBG and his Northshore barebackers crack into their set the crowd is slowly building up and taking notice.
GBG opens with “Life At The ABC” and “The Breeze” two tunes that will be featured on his upcoming cassette Culturally Irrevelerent coming out this Summer on none other than BUFU Records!
Among other rocking standards such as “Lost Touch With The Youths,” “I Can Testify,” and “Warm Warm Warm” that get some folks headbanging, there’s also a new cut known as “Not Your Average Professor Liberal Arts.” A tune only GBG could imagine.
The sound is a bit all over the place and not everyone sounds in sync with one another, which can be expected at a GBG show, but at least they’re having fun and that’s not always the case with a lot of ‘rock’ bands.
For some of the tunes including the Spanish rap number “Orguello De Rappers” there’s a blinding, seizure inducing disco ball light. They close the set with “Slide Paper,” which sounds like a teenager’s attempt at recreating a Van Halen song. It’s a good riff. http://gbgordon.bandcamp.com/
Set-List:
“Life At The ABC”
“The Breeze”
“Lost Touch With The Youths”
“I can Testify”
“Warm Warm Warm”
“Not Ya Average Professor Of Liberal Arts”
“Orguello De Rappers”
“Slide Paper”
Frank Hurricane – Damn, it’s been years since I’ve seen the one and only Frank Hurricane. Frank can captivate an entire room of gangstas with a few words. Frank aka Hurricanes Of Love will always hold a warm place in my heart, for the first basement/house show Glen and I ever attended was at the Dirty Douglas in Lowell and Frank opened the show. His kind, gentle, and humorous demeanor was the perfect introduction to underground music and the local music scene. That was a little over three years ago. Frank was on tour from Atlanta. He is a constant traveler and tonight he speaks of his various travels.
Frank sits back, plays some acoustic guitar, and rattles off hypnotic tale after tale of one amusing (or sometimes disturbing) anecdote to the next. He is a true raconteur, a rarity. http://frankhurricane.com/
Littlefoot – Littlefoot is a band from Providence that I’m starting to really get into a lot. I first saw them opening for Atlantic Thrills at their album release party at Dusk in Providence. This set had similar, dream pop vibes. Very relaxed, comforting, and insanely catchy. Almost too many people for me to truly enjoy it. I look forward to seeing them more in the future, especially in more intimate settings. http://littlefootlittlefoot.bandcamp.com/
Dylan Ewen & The Sulk Scouts – Ahh one of my favorite local bands. It’s always a fun time when these kids play. They wear sunglasses, Hawaiian shirts, and just let off a breezy, chill attitude. That isn’t to say they can’t rock out, because they most certainly do. Kooky klassics like “Us Girls Got It Tuff,” “Handcuffs,” and D.Ewen OG “Korean Girlfriend” are all on display.
The band also performs Madonna’s “Like A Virgin,” a fitting cover that complements their mixture of coyness and semi-deviance. It’s all for fun.
Set-List:
“*noise intro*
“Us Girls Got It Tough”
“Handcuffs”
“Cool Party”
“Like A Virgin” (Madonna Cover)
“Stoked To Be Sad”
“Korean Girlfriend”
“Fkuu Me”
Fat Creeps – This is the longest I’ve gone without seeing the Fat Creeps since… ever. Last time I saw them was on New Year’s Eve! Crazy, whack, son. Things have changed. They have a new drummer. Mr. Travis Hagan. My dude! You may have seen him in such local rock ‘n’ roll juggernauts as The New Highway Hymnal, Chill City Icon, Wakes, Radskull, and you may recall Travis’ brief stint as the drummer for The Migs. RIP Migs :(. Anywho, he’s behind the kit and he kills it.
If my memory serves me correctly they open with “Secrets” and it’s great to finally hear the song live again after all this time. Most of the set, however, features newer songs These tunes will appear on their upcoming full-length Must Be Nice on Gnar Tapes and Sophomore Lounge Records. I’m looking forward to it to say the very least.
All in all, as I said before great to see the Creeps again and it’s awesome to see a big crowd of kids devouring the various Creeps numbers, both old and new. http://fatcreeps.bandcamp.com/
Unstoppable Death Machines – This is the last band I remember truly hitting me over the head with their music. Or that may have been their fans haha. It’s a rowdy set for this NYC noise duo, think Lightning Bolt. I’m sure they get that comparison a lot, but that’s what comes to mind for me. There’s still a lot of people in the room, but it seems like less than before. Still a decent chunk, going apeshit to the ravenous sounds of Unstoppable Death Machines. My buddy Brian Hickey and myself are at the front of the pit, smashing into each other and everyone else. It’s lunacy! http://unstoppabledeathmachines.com/
So that’s that. BUFU Fest was an extraordinary experience. One of my top shows ever and definitely the best I’ve seen this year thus far. I can’t wait for next year. I hope you chilled as mad hard as I did. Peace.
The next night (which was 4/20 by the way) I saw White Fang who are The Band To See On 4/20™. That’s right, Boston was the lucky city to be graced by White Fang’s presence on that glorious day this year. Free Pizza were up first in this jam packed bill. This band is fairly new and I had never seen them before but I was quite impressed. They played power punk that I wouldn’t exactly call poppy. Their songs were for the most part short fast and not very sweet (by the way I mean that as a compliment). Next up were Boston’s version of FIDLAR, the Nice Guys. They like to party and rock hard. I am hoping for big things coming from them. Next up were Boston’s best synth punkers Earthquake Party! They recently recorded a bunch of new songs for an upcoming album and they played a number of them tonight. The one non local opener was Denney and The Jets from Nashville who at first I thought were gonna be an Elton John cover band or something. They were not. The name comes from the fact that their singer’s name is Denney. They played good ol’ fashioned rock n roll. They are homeboys of Natural Child who I saw the previous night with the Black Lips.
Now it was time for the mighty White Fang! Guitarist Kyle Handley, Drummer Jimmy Leslie and Bassist Chris Uehlein started playing with lead singer Erik Gage in the background. When he was ready to sing Gage stormed to the front of the stage and started jumping around like a madman. Their songs border between punk, hardcore, metal and hard rock with the band into it the whole time. Some of the funnier moments included when Gage backhumped the stage for about a minute and when Gage lifted Uehlein while he was playing bass and spun him around. I am planning on seeing Gage and Handley again later this month with The Memories, their mellower other band. After the show I saw for merch they had a number of gnarly Gnar Tapes.
Kids Like You & Me (KLYAM) 