Last week co-KLYAMER Glen saw the man man Ty Segall at Death By Audio; one of the final shows held at the Brooklyn venue before it closes its doors forever. I myself never had the pleasure of attending one of their shows, but at least I can live vicariously through this video of the one and only SKIMASK tearing shit up at DBA a few weeks ago. Shot by Sixdust NYC Music.
Category Archives: SKIMASK
BUFU Fest Recap (4/25-26/14)
Date: Friday, April 25 and Saturday, April 26, 2014
Venue: Cambridge Elks Lodge
Yeah, I know this shit was like over a month ago. Get over it. The following is a recollection of April’s first annual BUFU Records Festival. Here are the bands that made me chill the hardest…
Nice Guys – OOOHHHHH Nice Guys! Boston’s Nicest Guyzzzz. As soon as I enter the Elks these guys are getting ready to play. They blast through a fast, frenzied set that affirms my belief that I am one deaf bastard.
With this set there’s a solid chunk of new material or at the very least songs I’ve never heard before: “Whale,” “Rock ‘n’ Roll,” “Freedom,” “Pegger,” and “Stinker.” All bone crushing in their own eloquent way. Still, I get the biggest kicks from the regular chart toppers such as “Boxfort,” “Medical Envy,” and “Cop Walk.” During “Cop Walk” Alex rummages his way through the crowd in classic Alex fashion. A valiant way to wake up the stiff crowd and kick off BUFU Fest.
Yo, have you been staying up all night alone in your bed thinking “damn, I love those Nice Guys live if only I could own a piece of that magic on wax. Sigh.” Well partner, you’re in luck. Such a gem exists. Nice Guys have a splifft 7″ with fellow stasement boners Miami Doritos via KLYAM Records. Pick it up from here: http://klyam.bigcartel.com/product/nice-guys-miami-doritos-splifft-7 and then tell all of your friends about it. We’ll all laugh at your enemies together.
“Rock ‘n’ Roll”
I collect Nice Guys set lists like a yuppie collects his Bill Joel ticket stubs. Dorks!
ACLU Benefit – This is my first ACLU Benefit. This isn’t the first time I’ve met Noah (the man behind ACLU Benefit) however. When I first met him he was dressed up as a juggalo at a Halloween show this past fall featuring Fat Creeps, Nice Guys, Guerilla Toss, and Designer. Actually, no wait we met on the train later that evening. Long story short, I had already heard the name ACLU Benefit tossed around these parts like the town whore, but at the time I didn’t realize I was speaking to the benefit himself. The low voice should have given it away. So, that night I looked up his bandcamp and I was correct. I went on to discover one of Boston’s most original voices.
Fast forward to tonight and I am delighted to finally be standing in front of Noah/ACLU Benefit in a musical setting for the very first time. It’s hard to write about his music because it evokes so many different emotions in me. That sounds like an excuse and it is, but I’ll do my best.
Noah stands alone with a guitar and that baritone voice you can hear from a 100 feet away. The crowd is building up, starting to get packed; it’s still pretty early in the fest. Noah introduces himself and begins to play. The performance is chilling, humorous, and all around entertaining in its own little way. Certainly one of the more engaging, inclusive performers I have come across over the last decade.
He has two distinct anthems in which he instructs the audience to sing along with him. In the aptly titled “Beer,” he informs us to sing “BEEEEEER!” after he sings “I’ve got a friend and his name is Beer.” So it goes like this…
Noah: I’ve got a friend and his name is Beer.
Noah: He loves me cause you’re not here.
It’s fun and interactive. There’s another song Noah plays entitled “Love Of My Life” and the performance operates in similar sing along fashion. This time as Noah sings “love of my life” the crowd sings “I’ll never get over you.” It’s one of those you had to be there kind of moments. You reading my description of it obviously doesn’t have the same effect. Case and point, go see ACLU Benefit. You’ll ponder life and wonder what went wrong. Don’t die wondering. http://aclubenefit.bandcamp.com/
Following the set, Glen, Ben, and I shake hands with Noah, complimenting him on a job well done. It’s worth missing the next band.
Funeral Cone – The lodge is rockin’ and the party is off the hook by the time Funeral Cone gets rollin. I saw these peeps at this exact spot here back in September and it left me bleeding. A nice little scar on my arm. A Funeral Cone memento if you will. This set is pretty much the same thing, minus the blood. Constant moshing from the punks, indeed, it’s a punker’s wet dream. Ramonesian tune (they may even cover some Ramones tunes? I’m fuzzy) with flashes of early hardcore punk a la Circle Jerks. With a diabolical keyboard in tow, it makes for a hardcore Okmoniks. Surely, the garage rawk klowns will foam at the mouth over this gunk. Slimy seconds err thirds, I’ll take em’.
P.S. Cory from SKIMASK, Ancient Filth, and Concrete Facelift also plays drums in Funeral Cone!
Gymshorts – This band’s music is as satisfying as their moniker. As I type this I’m comfortably sitting back in my own pair of gymshorts listening to Gymshorts. You know, I’m not really sure where I’m going with this, but trust me you want to hear this band. If you’ve ever trusted me before (I don’t know what you were thinking), trust me on this one. Loads of killer slop rock songs that stick to you for dayssss kidddddd. My new favorite band or at least the best band I’ve heard all year.
I just got into Gymshorts a few months back and from the looks of it most in attendance are unfamiliar with their music. They eagerly stare at the band, bopppin their heads and possibly other things… not really moving too much though, which is a damn shame. That’s ok, it almost makes it that much more hilarious when Sarah (vocals, guitar) bursts into the crowd barreling through a sea of stiffs. They never expect it haha. Regardless, after their set I overheard some kids praising their performance, so Providence’s best shorts have converted some Bostonian heads in the process. Listen to dis shit for weeks: http://gymshorts.bandcamp.com/
Free Pizza – Before Free Pizza begin their set, BUFU Records founder and BUFU Fest organizer, Ben Katzman announces that BUFU Records will be reissuing Free Pizza’s Boston, MA (previously released as a tape on BUFU) on vinyl alongside Feeding Tube Records. When I hear this, I can barely see Katzman’s face because I’m way in the back of the room, though I know it’s him up there because of his distinct voice and tone. The place is packed to the gills, but I have to get up front for this. The band launches into their set and Jesus Vio starts singing “I’m going forwardddd” (“Forward”) as I am literally moving forward to make my way to the front. The crowd eats it up and dances their asses off and it only gets better.
The next song is “Net Babes,” one of my favorites from the group and I’m not alone in this. I start singing along “We have no beaches, but baby we can surf …” and before I can even finish the line I notice Ben Katzman looks back at me, smiles and sings along with me, “but baby we can surf the internet!” Katzman’s enthusiasm is contagious and as I said the crowd is going bananas.
They continue to play some songs off their debut, such as “Freedom Pizza,” “Ducks,” “Porty,” and “Baby Girl” as well as some fresh cuts (I think) like “Keep on Moving,” and “2 Broke.”
The best part of not just Free Pizza’s set, but the pinnacle moment of all of BUFU Fest comes when the band closes with “Boston, MA” the final track off the album of the same name. The song alone encapsulates the feeling of inclusion, unity, rejection of the mainstream, and above all good old fashion fun aka “chilling mad hard” that BUFU Records, BUFU Fest, Free Pizza, and the Boston underground as a whole represent on a daily basis; here is just the perfect microcosm and it hits like an explosion. The band encourages everyone to sing along if they know the words and even if you don’t, it’s all good. A shirtless, sweaty Jesus triumphantly flings himself into the crowd as they dance along and sing into the mic with him “Living in Boston, Massachusetts, BOSTON, MASSACHUSETTSSSS!!!”
Definitely one of the greatest live experiences in my life. The whole set, but in particular “Boston, MA.” A rare feeling I struggle to put into words. If I could bottle it up and ingest it every morning I totally would. For what it’s worth, I’ve never been one for civic pride. It’s just not my style. I’m not ashamed of my town/city/state, but I’ve never felt any direct connection with Boston and it’s surrounding area. With that being said, Free Pizza’s “Boston, MA” is finally a New England anthem I can actually identify with and one that makes me happy and proud to live here. http://freepizzarocks.bandcamp.com/Can’t recommend this album enough.
“Keep On Moving”
Juan Wauters – With all of the excitement following Free Pizza’s set I almost forgot I’m seeing one of my favorite artists for the first time, well you could say that. Juan is the lead singer for Jackson Heights, Queens, New York’s The Beets, a band that co-KLYAMER Glen and myself have been fascinated with the past 4-5 years. We’ve seen The Beets a number of times now, but we’ve never seen Juan solo. In fact, before Juan even makes it to the stage/floor, we’re praising the man, shaking his hand, giving him big hugs, offering him beers. He’s overwhelmed by the love and support, I can tell he appreciates it or he’s a bit freaked out haha. Matter of fact, Juan actually interviewed Glen or I should say Gangbang Gordon for Allston Pudding. True story.
It’s all dark and quiet and the Juan begins (following another arousing introduction from Mr. Katzman). I can’t remember what the order is, but Juan and his acoustic guitar bust out some recent fan favorites form his debut solo effort N.A.P. North American Poetry. These include, but aren’t limited to “Water,” “Sanity,” “Continue To Be You,” and “Let Me Hip You To Something.” There are a lot of Juan fans in attendance, all sitting and standing, huddled around the Uruguayan singer. BUFU Records/Fest co-head honcho Chris Collins especially is digging the Juan, he always does. We all do. I’m confident Juan hipped many kids on to something haha, something special.
The Founding Fathers – Now, here’s a fine group of young, upstanding gentlemen that look awfully familiar. Call me crazy, call me wild, but they bear a striking resemblance to another local band you may remember as SKIMASK. Ehh whatever, must be me losing my mind.
Speaking of which, the lead vocalist seems to be off his rocker as well. He shrieks and flails about, barging through the moshers on a warpath, both physical and vocal. He’s an orator. An enigmatic performer of epic proportions. He crashes into the drum kit, he rolls on the floor, tossing his body to and fro in a possessed state of mind. Not wasting a second to rant and rave and proselytize the elks lodge inhabitants, when he’s not tearing the place to shreds. He spares no one, the audience is the target. He runs through the crowd as if he is engulfed in flames and burning to death. He stares into their eyes helplessly like he’s Carrie White covered in period blood, fiercely moving forward amid a chaotic atmosphere. It could all end at any second.
Electronic, spastic alien noise and fast, deafening drums provide the backbone to all of this pandemonium. It’s noise, it’s odd rock ‘n’ roll, and definitely one of the highlights of BUFU Fest.
Guerilla Toss – If any band could keep up with the the frenzy of the previous set then it’s Guerilla Toss. This is also one of my top sets from the entire fest. It’s always a trip, a party, a filthy mess when it comes to Gtoss and I wouldn’t have it any other way.
Hundreds of kids are up front, slamming into each other, if you can even move. It’s body to body, no open space. I’m hot as a motherfucker, perspiring all over the place. The crowd is one giant body, a sweatball that bounces back and forth to the band’s self-proclaimed fucked up dance music. It’s fun as always, though I would prefer some room for more hippie dancing/moshing, then again I love when it’s just a crazy mess too. One downside is that I can’t see everything and I can’t even hear everything. Kassie’s vocals seem a bit lower or it’s just me. I’m gone. My eardrums took a serious pounding tonight.
As the set wraps up, Simon Hanes bangs his two fists against his head several times like he’s Jake LaMotta or Andre the Giant or some other human animal. Gtoss is a bestial powerhouse, let em’ bring out the beast in you!
Gangbang Gordon – My homeboy Gangbang Gordon kicks BUFU Fest night two off with a BANG! As GBG and his Northshore barebackers crack into their set the crowd is slowly building up and taking notice.
GBG opens with “Life At The ABC” and “The Breeze” two tunes that will be featured on his upcoming cassette Culturally Irrevelerent coming out this Summer on none other than BUFU Records!
Among other rocking standards such as “Lost Touch With The Youths,” “I Can Testify,” and “Warm Warm Warm” that get some folks headbanging, there’s also a new cut known as “Not Your Average Professor Liberal Arts.” A tune only GBG could imagine.
The sound is a bit all over the place and not everyone sounds in sync with one another, which can be expected at a GBG show, but at least they’re having fun and that’s not always the case with a lot of ‘rock’ bands.
For some of the tunes including the Spanish rap number “Orguello De Rappers” there’s a blinding, seizure inducing disco ball light. They close the set with “Slide Paper,” which sounds like a teenager’s attempt at recreating a Van Halen song. It’s a good riff. http://gbgordon.bandcamp.com/
“Life At The ABC”
“Lost Touch With The Youths”
“I can Testify”
“Warm Warm Warm”
“Not Ya Average Professor Of Liberal Arts”
“Orguello De Rappers”
Frank Hurricane – Damn, it’s been years since I’ve seen the one and only Frank Hurricane. Frank can captivate an entire room of gangstas with a few words. Frank aka Hurricanes Of Love will always hold a warm place in my heart, for the first basement/house show Glen and I ever attended was at the Dirty Douglas in Lowell and Frank opened the show. His kind, gentle, and humorous demeanor was the perfect introduction to underground music and the local music scene. That was a little over three years ago. Frank was on tour from Atlanta. He is a constant traveler and tonight he speaks of his various travels.
Frank sits back, plays some acoustic guitar, and rattles off hypnotic tale after tale of one amusing (or sometimes disturbing) anecdote to the next. He is a true raconteur, a rarity. http://frankhurricane.com/
Littlefoot – Littlefoot is a band from Providence that I’m starting to really get into a lot. I first saw them opening for Atlantic Thrills at their album release party at Dusk in Providence. This set had similar, dream pop vibes. Very relaxed, comforting, and insanely catchy. Almost too many people for me to truly enjoy it. I look forward to seeing them more in the future, especially in more intimate settings. http://littlefootlittlefoot.bandcamp.com/
Dylan Ewen & The Sulk Scouts – Ahh one of my favorite local bands. It’s always a fun time when these kids play. They wear sunglasses, Hawaiian shirts, and just let off a breezy, chill attitude. That isn’t to say they can’t rock out, because they most certainly do. Kooky klassics like “Us Girls Got It Tuff,” “Handcuffs,” and D.Ewen OG “Korean Girlfriend” are all on display.
The band also performs Madonna’s “Like A Virgin,” a fitting cover that complements their mixture of coyness and semi-deviance. It’s all for fun.
For mo’ Dylan Ewen: http://dylanewen.com/
“Us Girls Got It Tough”
“Like A Virgin” (Madonna Cover)
“Stoked To Be Sad”
Fat Creeps – This is the longest I’ve gone without seeing the Fat Creeps since… ever. Last time I saw them was on New Year’s Eve! Crazy, whack, son. Things have changed. They have a new drummer. Mr. Travis Hagan. My dude! You may have seen him in such local rock ‘n’ roll juggernauts as The New Highway Hymnal, Chill City Icon, Wakes, Radskull, and you may recall Travis’ brief stint as the drummer for The Migs. RIP Migs :(. Anywho, he’s behind the kit and he kills it.
If my memory serves me correctly they open with “Secrets” and it’s great to finally hear the song live again after all this time. Most of the set, however, features newer songs These tunes will appear on their upcoming full-length Must Be Nice on Gnar Tapes and Sophomore Lounge Records. I’m looking forward to it to say the very least.
All in all, as I said before great to see the Creeps again and it’s awesome to see a big crowd of kids devouring the various Creeps numbers, both old and new. http://fatcreeps.bandcamp.com/
Unstoppable Death Machines – This is the last band I remember truly hitting me over the head with their music. Or that may have been their fans haha. It’s a rowdy set for this NYC noise duo, think Lightning Bolt. I’m sure they get that comparison a lot, but that’s what comes to mind for me. There’s still a lot of people in the room, but it seems like less than before. Still a decent chunk, going apeshit to the ravenous sounds of Unstoppable Death Machines. My buddy Brian Hickey and myself are at the front of the pit, smashing into each other and everyone else. It’s lunacy! http://unstoppabledeathmachines.com/
So that’s that. BUFU Fest was an extraordinary experience. One of my top shows ever and definitely the best I’ve seen this year thus far. I can’t wait for next year. I hope you chilled as mad hard as I did. Peace.
Do the Cop Walk baby.
Video shot by Zurnoise
Woah! This is a clip of SKIMASK from last year’s Hassle (Homegrown) Fest. I can’t wait for this year’s event. It’s starting any minute now…
LP Review: Cute Mutant
Release: December 21, 2012
Labels: Infinity Cat Recordings/Sophomore Lounge/100% Breakfast
1. “Slap Me Silly”
2. “Creature Double Feature”
4. “4EVA LTD”
5. “Candy Cane”
6. “Every Week Iz Shark Week”
1. “Tempurpedic Mattress”
2. “Blow Up: Bubblegum”
3. “If Foolish Men”
5. “10 Speed”
6. “Favorite Flavor”
Comments: SKIMASK have been frightening ordinary people for years, but now is the time we finally get to hear a nice to see/feel/hear LP from the Boston trio. With capital and distribution provided by three reputable labels, this record will serve as a crucial source of discovery for many – both in the Boston area (where the band is a live staple) and outside (where the band has toured in venues both small and others significantly larger).
The best descriptions of the band that I’ve come across involve the words assault and primal. And, of course, no better place for that than three feet away from a pacing Profit Mohammad. But you get the gist of the insanity that is SKIMASK from the speakers in your home. Often times I do not know what Profit is saying, but his vocals are incredibly memorable, especially when he’s shouting things like”CREACHA, DAUBLE FEECHA!” and “IS IT VANILLA OR IS IT CHOCOLATE?????????” The critical base co-existing with our friend on vocals is a triple vocal mega-effects man and an unapologetic drummer, pounding away, astonishingly to the workings of that mega-effects man. Of course, I take it that you know SKIMASK visually, but in case you don’t, you might have already conjured up a stringed instrument or some guy on the ground pushing pedals. Or not. They aren’t your typical band and these aren’t your typical songs.
And that’s a great thing. I’m challenged listening to SKIMASK; I do not know many records that are this in your face. The presentation brings both the unexpected (“Tempurpedic Mattress) and the innately hooky (“Creature Double Feature,” “Candy Cane”). I’m swept away by such immediacy and it’s addicting “Blow Up: Bubblegum” is begging to be chewed all day. Never once in my listening to Cute Mutant do I ever want to step away for a moment. The Profit would get angry.
I’ve been delighted by a decent array of noise in my day, but I’m not sure if I have heard an album that tops Cute Mutant in its ability to be so fun and so very different. I very much appreciate and admire this band as a force of rock ‘n roll. So yeah, while I in complete honestly will not be able to immediately recall or recite a handful of these tracks, it is probably because they damaged my brain! In a good way!!!!!!!!!!!!
Instructions On How To Enjoy SKIMASK’s “Cute Mutant”
KLYAM instructs you to buy SKIMASK’s latest LP Cute Mutant out on Infinity Cat, Sophomore Lounge, and 100% Breakfast. You can enjoy it anyway you like, I only suggest that you’re not within the presence of fine china.
My Top Shows Of Twenty-Twelve
I saw more shows this year than any other (47 total) and all of them were FUN . The following is a list of my top ten (most fun) shows all year:
10) The New Highway Hymnal, Creaturos, Leamers, The Migs, Nice Guys @ Big Stink (10/6/12)
Damn, this was a solid night. I mean with the bands on this bill, how could it not be? Going in to this show I only knew NHH and The Migs, but I came out a fan of local stalwurts, Creaturos and Nice Guys, and our neighbors to the North, Montréal’s Leamers. Kids bashing and bopping around like they ought to. I’ll link you up to the KLYAM review: https://klyam.com/2012/10/09/concert-review-nice-guys-the-migs-leamers-creaturos-new-highway-hymnal-big-stink-10612/
9) The Migs, Nice Guys, Cult Fluorescent, Slimers, Chillcity Icon @ Wilder Zangcraft (11/24/12)
Best Migs show I’ve seen! Nice Guys played a sick set of Coachwhips covers and it was great to see the experimental one mon band Cult Fluorescent again. This show was also my introduction to the mighty Migsian two piece, Slimers and the twisted no wave/noise duo, Chillcity Icon. https://klyam.com/2012/12/06/concert-review-the-migs-nice-guys-cult-fluorescent-slimers-chillcity-icon-wilder-zangcraft-112412/
8) Hunx and His Punx, Heavy Cream, Radio Control @ Great Scott (4/2/12)
I’m a Hunx freak, so words can’t describe my excitement for this show. Having missed the past two Hunx Boston gigs :( I’ve waited for two and a half years to see the band live again. The first time back in October ’09 was opening for Jay Reatard and this served as my intro to Hunx. This time around was even better because I actually knew and loved all of the songs. Throw in Infinity Cat noise makers, Heavy Cream and Somerville rockers, Radio Control and you have one of the finest shows all year. https://klyam.com/2012/04/04/concert-review-hunx-and-his-punx-great-scott-4212/
7) Fat Creeps, Earthquake Party, Fedavees, Fagettes Halloween Show @ Rosebud (10/13/12)
2012 very well could be called the year of the Fat Creeps, especially on this site. We’ve seen a dozen Creeps shows this year, more than any other artist. In fact, I think I’ve seen them more than any other band I’ve seen. Every show has had its own special quality, but for Halloween they played a set of Ramones covers and the crowd ate it up. It was the marriage of two of my favorite bands, and on top of that there were stellar sets from Earthquake Party! (Nirvana), Fedavees (The Wipers), and The Fagettes (Nancy Sinatra & Lee Hazlewood).
6) On Broadway Fest 2008 @ Dirty Douglas/Ant Cellar (5/5/12)
I haven’t been to any music festivals, except this one, well and the first On Broadway Fest, but I arrived at night for that one. Therefore, this show was a unique experience. It was a blast seeing 15 or so bands all in one day, especially with memorable performaces from Fat History Month, Big Mess, The New Highway Hymnal (shit water yay!), and Guerilla Toss – I literally felt the Guerilla Toss, woooo. https://klyam.com/2012/06/08/concert-review-onbroadway-fest-2008-5512/
5) No Age, Make It Up @ Chum’s Coffeehouse (3/10/12)
KLYAM and No Age go way back, way back before there even was a KLYAM. The first show we saw at Middle East was No Age, and that took place in 2008. They were one of the first of our beloved, HONORARY KLYAMERS. As popular as No Age is, they still carve out their own DIY aesthetic and playing a little Coffeehouse in Waltham is a testament to that. Some of the best moshing/crowd surfing I’ve seen all year! https://klyam.com/2012/03/12/concert-review-no-age-chums-brandeis/
4) Ty Segall, Thee Oh Sees, K-Holes @ The Well (9/22/12)
This is one of the few shows I have seen outdoors. I need to experience more of these! Outside on a rainy night in Brooklyn with a thousand or more bodies. I usually prefer smaller gigs, but Ty Segall’s music is so gigantic it feels right in this setting. Of course, this show is also special because this marks my first and only experience with Thee Oh Sees, one of America’s greatest live bands. Can’t wait for the next NYC trip and/or Ty/Oh Sees show. K-Holes, stay solid. https://klyam.com/2012/09/23/concert-review-ty-segall-thee-oh-sees-k-holes-the-well-92212/
3) Ty Segall, White Fence, Strange Boys @ Space Gallery (5/14/12)
Ty it is again! You just can’t stop this guy from popping up on our year end lists. Ahh, our first Ty Segall show ever! An event in heavy anticipation for nearly two years. The Space Gallery is one of the finer venues in the New England area that I have attended: larger capacity without that corporate rock feel, art gallery, steady rock ‘n’ roll, and two dollar PBRs! Yeah, so if the show above at the Well felt like a big time House of Blues event, then this Space Gallery show was more akin to a rowdy, packed Black Lips show at the Mid East Downstairs. And of course, Strange Boys were better than ever!
2) King Khan & The Shrines, Hector’s Pets @ Brighton Music Hall (7/23/12)
As far as showmen go, you’d be hard pressed to find anyone that competes with King Khan. We were blessed this year to catch Khan and all the classic Shrines at a sweaty, fun filled show this past July. It’s just one big party y’all. https://klyam.com/2012/07/25/concert-review-king-khan-the-shrines-brighton-music-hall/
Who will be number 1?…..
1) Nobunny, Bad Sports, Xray Eyeballs, Liquor Store @ Living Bread (9/21/12)
For the past three years, the almighty Black Lips have filled the number one slot in this category. Alas, we did not see them this year, they had bigger plans – touring the Middle East. Beautiful, those kids need em’ more. Fortunately, we witnessed somebunny else on stage, this bunny we’ve also consistently seen the past 3-4 years, and he’s never let us down. 5 Nobunny shows deep and this was the best. I felt like I was watching Darby Crash or Keith Morris, but singing bubblegum and garage. I love that feeling, when you look up at a bunnyman in his underwear and say to yourself “this is the only kind of rock ‘n’ roll that matters.” https://klyam.com/2012/09/24/concert-review-nobunny-bad-sports-xray-eyeballs-liquor-store-living-bread-92112/
Ahh what a year, 2012, the best I’d say. In this year I saw the following exceptional/favorite bands for the first time (some of which I noted above): SKIMASK, Bleached, Smith Westerns, Dirty Virgins, Fat Creeps, The Migs, Ty Segall, Beach Boys, Bent Shapes (as Bent Shapes), Colleen Green (two nights in a row!), Thee Oh Sees, Nice Guys, The Fagettes, The Electric Street Queens, Yankee Power.
And now I’m off to bring in 2013 with Fat Creeps, The New Highway Hymnal, Color Channel, and Yale, MA at Great Scott. Peace.
Chris’s Top Songs Of Twenty-Twelve
As with every year, I’m listing off my favorite songs (in alphabetical order) and keeping to a three song maximum per band, because there’s just way too many to list all of them! And we’re off.
Adam Green & Binki Shapiro– “Here I Am”
Atlantic Thrills– “Foreign Lands” “Acid Rain” “Give It Back”
The Barbaras– “Breathing Underwater” “How Many Times” “Only One”
Bent Shapes– “Bites and Scratches” “Leave It Till You Need It”
Best Coast– “The Only Place”
Cumstain– “Ghost Love” “Rollin Wrong” “Sit and Twist”
Dangeresque– “Walking Dead”
Diamond Rugs– “Blue Mountains”
Dirty Virgins– “Cheap Talk”
The Electric Street Queens– “Beefcake Baby” “She’s Gotta Bruise” “Doncha Wanna Work At the Brewary”
Fagettes– “If I See Him Again” “On Drugs”
Fat Creeps– “700 Parts” “Nancy Drew” “Secrets”
Gangbang Gordon– “Life At the ABC” “QMI Fatties”
Ghetto Cross– “Still”
Gravys Drop– “Made to Love” “Runaway” “Happy Birthday”
Hunx– “Private Room” “Always Forever” “I’m Not The One You’re Looking For”
Jacques Le Coque– “Grow Up”
King Khan & The Shrines– “Bite My Tongue”
Maine Coons– “Ghetto Queen” “Tired and Inspired” “Uniform Choice”
The Migs– “You and Me” “Fuzzy Son” “Take Take Take”
Natural Child– “Faces of Death”
The New Highway Hymnal– “Hey Kid (Gotta Run)” “More” “Blackend Hands”
Nobunny– “Assholes” “At the Mall”
The Orwells– “Halloween All Year” “Mallrats (La La La)”
Peach Kelli Pop– “Panchito Blues II” “Dreamphone”
Saba Lou– “Until The End”
Shannon and the Clams– “Angel Baby”
SKIMASK– “Get U Back” “Fine China”
Slimers– “Spaghetti Ann”
Squall– “Repulsor” “No Life Here”
Ty Segall– “Thank God For Sinners” “You’re The Doctor”
Ty Segall Band– “Wave Goodbye”
Yankee Power– “Stray” “Adopted Love Doll” “Real Folk”
Band of the Week: SKIMASK!
This week’s Band of the Week is the ass kicking, mind bending, spellbounding, stupdendous SKIMASK, one of Boston’s greatest stars and noisemakers, no fakers. If you scroll down the KLYAM page, you can catch an interview we just conducted with thee SKIMASK drummer (Z). Okay fine, here’s a link, you lazy bastards. https://klyam.com/2012/11/04/check-out-this-sheeet-klyam-interviews-skimask/
SKIMASK’s forthcoming LP Cute Mutuant will be released on November 27, 2012 on Infinity Cat Recordings, Sophomore Lounge Records, and 100% Breakfast. Goddamn, that’s a delicious dish!
October Boston Compass Issue Release Show!
Issue #33 is coming soon and what better way is there to celebrate this than to have some good ‘ole bands play at TT The Bears?
That’s right. October 1st is the date. The bands? SKIMASK, Casanovas In Heat, Dolores Boys, and Beach Cops. This is happening at 8 PM.
There will be 15,000 copies they say — so you gotta get one. First hand. And watch good bands.
Concert Review: Natural Child, Liquor Store, SKIMASK @ Great Scott (7/30/12)
Bands: Natural Child, Liquor Store, Skimask
Venue: Great Scott
Date: Monday, July 30, 2012
Act One: SKIMASK – SKIMASK is a band that I think everyone should have at least checked out by now and by checked out, I’m talking LIVE. They now have a website (HERE) but you still got to do some digging for recordings so for right now, at this very moment, you need to see them. Upcoming shows (Boston area) are on their website. I find myself gaining more appreciation for SKIMASK each time I see them. On this night, vocalist Prof$t Mohamed isn’t as spontaneous and incendiary as I’ve seen him in the past, but he seems more in-tune with the music. Whatever he is saying is as forceful as the drums and effects behind and to the side of him. The chemistry amongst the trio and the sounds they emit is baffling. It doesn’t take too long to realize how good the drummer is at drumming and how good the effects man is at effects. Stuffing the face with three microphones is not something you see at shows these days. The other thing I’d like to say is that even though SKIMASK is not your typical rock and roll band – stylistically and so forth – they set the tone for a night of balls out RnR. They can fit in on any bill really and just pump up the audience for what’s to come (or finish things off right…if they are headliners).
Act Two: Liquor Store – Liquor Store fit in perfectly as openers to Natural Child. While Natural Child is a bit more stripped down and to the point, Liquor Store is more expansive on this night. They build their tracks up, making grand use of the old guitar. This isn’t always the case (“Manchild In Paradise” is a short, sweet, and twisted take on classic rock), but their performance makes it seem like they’ve been around for longer than they probably have. Judging from their set-list, they’ve been playing some of these songs for a while now and a good chunk is from Yeah Buddy, their 2011 2X LP. I’ve got to listen to that record. From what I’ve read, it’s killer. I guess some cynical person could come along and say they are reinventing the late ’70s punk wheel, but with Liquor Store’s passion and sloppy New Jersey precision…that cynical person would be guilty of oversimplification. I’ve taken note and really wanna hear some Yeah Buddy and drink some Narragansett, a beer previously unheard of to one of the guitarists in Liquor Store. But like that guy, you just gotta try it out even if you can’t pronounce it and you play in none other than a band called Liquor Store. Yeah, buddy.
1. Proud To Be An American Man
3. Manchild In Paradise
5. Big Wheels
6. Gas Station
7. Pile of Dirt
8. In The Garden
Act Three: Natural Child – The last time I saw Natural Child (abbreviated Natti Child for whatever reason in a lot of KLYAM postings) was in August 2010 on a packed yacht cruising up Hudson River near the Statue of Liberty. They were opening for Black Lips so needless to say my excitement for the show was through the roof. The members of Natural Child recall that show fondly, describing it as a lot of fun and quite memorable. The other day at Great Scott wasn’t a close replica to that event, we weren’t anywhere near water, there weren’t as many transvestites, and the show wasn’t close to sell-out capacity. Natural Child themselves though – the band, the myth, and the legend – treated the crowd with plenty of spirited numbers, ranging from 1971‘s “White People” to For The Love‘s “8 AM Blues” and “DTV” to 7″ classics “Crack Mountain” and “Dogbite”. It was these last two songs that came toward the end of their set and brought the most willies for me. The crowd was into Natti, but not on the scale as that NY show that finished off with guitarist/vocalist Seth crowd-surfing his way up to the boat’s balcony. There weren’t any moments like that at GS, but I think I was spoiled for that NY gig. Either way, it’s great to see these guys rising through the ranks and chugging out quality records every few months or so. I’ll make every effort to see them next time around and who knows what that show might bring. This was a fun night, but I surmise the most fun is yet to come!