CD Review: Sea of Cowards [2010]

Band: The Dead Weather
Release: 5/2010
Label: Third Man Records

1. “Blue Blood Blues” – B-
2. “Hussle and Cuss” – B-
3. “The Difference Between Us” – B-
4. “I’m Mad” – B
5. “Die By The Drop” – B
6. “I Can’t Hear You” – B
7. “Gasoline” – B-
8. “No Horse” – C+
9. “Looking at the Invisible Man” – C
10. “Jawbreaker” – B-
11. “Old Mary” – C-

Comments: These guys! I think I may have mentioned this in my review of Horehound: these songs (especially the first five) are really memorable, but not necessarily my cup of tea. If you like what they call ‘blues-rock’ then I could definitely see this as a suitable fit alongside a collection of Raconteurs, White Stripes, Black Keys, and Them Crooked Vultures records. The first single released in March “Die By The Drop” brings back crazy memories of Rage Against the Machine. Same with the next song.

Grade: C+ (79)

CD Review: Avi Buffalo [2010]

Band: Avi Buffalo
Release: 4/2010
Label: Sub Pop

1. “Truth Sets In” – A-
2. “What’s In It For” – A-
3. “Coaxed” – B+
4. “Five Little Sluts” – B+
5. “Jessica” – A-
6. “Summer Cum” – A-
7. “One Last” – B+
8. “Can’t I Know? – B
9. “Remember Last Time” – B+
10. “Where’s Your Dirty Mind” – A

Comments: Avi Buffalo the successor of the late Page France? That’s my initial impression. Catchy folk influenced pop binds this record together. Much has been written about the whipper-snappers who came up with this fun record. I won’t get into that. All I’ll say is that it’s really freaking impressive! “What’s In It For” has a particularly memorable ending…recalling a young (more epic) Built to Spill if you will. The heartfelt “Jessica” strangely gave me Weird Al vibes. That’s not a bad thing, but it’s strange. I like it. “I’ve got lost in your summer cum” sings young Avigdor on the fittingly titled “Summer Cum.” Haha! Laugh, damnit! It’s a funny song title and you know it. The song’s particularly more freaky than anything that came before it (no pun intended). Not to be real negative, but this record sort of loses its charm during the second half.

Grade: B+ (89)

Classic Film Review: Anarchism In America

Full Title: Anarchism In America
Director(s): Steven Fischler and Joel Sucher
Year: 1983
Grade: B
Comments:AIA is a good starting point for those that want to learn about Anarchsim, because (as displayed in the documentary) most people have little to no idea of what it really is. The doc does a good job of explaining to viewers that anarchism is a strong social, political, economic, and spiritual philosophy and/or movement built on individualist principles and the belief that society would be better off without the state. The filmmakers distinguish this from the narrow minded view that anarchists are just about chaos and throwing bombs, which unfortunately most folks believe. The film features various anarchsits including, Emma Goldman, returning to America after having been deported for years in rare video footage, veteran Murray Bookchin, tax resisting, “market” anarchist, Karl Hess, the Dead Kennedys (interview and performance), amongst other famous and unknown anarchists. The film also shows various implicit anarchists including American workers committed to the rugged individual ideals of America and they associate this with anarchism, or at least the filmmakers do as well as a sowing company in which the workers run the show a la Chomsky! Speaking of Noam, he is nowhere to be seen and other prominent anarchists and related groups/organizations like the trailblazing paper, Fifth Estate>. I suppose they can’t document everything, but still they focused too much on the implicit Americanism rather than the explicit characteristics; albeit a nice feature. In addition, we see footage of the Liberatarian Party and how this connects to the anti-government (or anti-state power) stance of anarchism, historical events such as the Spanish Civil War, Russian Revolution, and the execution of Sacco and Vanzetti. Lastly, my only other complaint is the fact that they didn’t include any anarchists that used violence or force as a political means, justified or not. Granted, this might reenforce the negative connotations of the philosophy that naive viewers have, but at the same time, it would be nice to provide a balanced picture, considering some anarchists are violent. Overall, it was worth a watch and I would recommend it, not for those who want an in depth history of anarchism, but rather for those who are curious or unaware of it and want to learn about the philosophy/movement, at least the American aspects up to the early 1980s.

The following site has a lot of information on this documentary as well the film itself, which can also be viewed on Youtube as seen below.

http://alexpeak.com/art/films/aia/

Here are some cool quotes from the movie, which also appear on the above site.

“Almost anyone, I suppose, can call himself or herself an anarchist, if he or she believed that the society could be managed without the state. And by the state—I don’t mean the absence of any institutions, the absence of any form of social organisation—the state really refers to a professional apparatus of people who are set aside to manage society, to preempt the control of society from the people. So that would include the military, judges, politicians, representatives who are paid for the express purpose of legislating, and then an executive body that is also set aside from society. So anarchists generally believe that, whether as groups or individuals, people should directly run society,” Murray Bookchin

“My understanding of anarchism has as part of its element a connection between ends and means. To me, if one is an anarchist, then, from my point of view, one also must be nonviolent, and if one is nonviolent, one must be an anarchist—I see the linkages very clear[ly]. A person who believes in nonviolence is a person who believes that the sort of society we want to achieve is a society without violence, without wars, and without injustice; and to use wars, violence, and injustice to achieve that society is to be counterproductive,” Ed Hedaman

“Well, it’s hard to tell on the basis of the Party’s rhetoric, after all they’re running for state office, but my experience is that most people who are in the Libertarian Party have pretty decent anarchist impulses, even if they do not say they are anarchists—most of them will say they are libertarians, at any rate. And one thing that is useful is that they have a fairly well-refined analysis of why they aren’t conservative. It took the New Left to do a proper analysis on American liberals, it seems to me, and I suspect that the libertarians are doing the best analysis of American conservatives. I think that they are quite good people, and that the Party contains within it probably more people of an anarchist tendency than any other organisation in the country,” Karl Hess

Here’s Part I

Chris

Wolf Parade Song Reviews

Both tracks are off their upcoming album Expo 86 (June 29, Sub Pop):

“What Did My Lover Say? (It Always Had To Go This Way)” –  Spencer Krug succeeded in his goal of penning a danceable song. Lyrically speaking, this song is filled with oddball lyrics, sort of like what we’ve come to expect from Sunset Rubdown. Like Deerhunter’s “Operation” the drum beat and bass are what makes this a so-called “dance rock” number. Sure, the organ fills and scratchy guitar riffs are nice, too. I wasn’t too impressed the first few listens, but this is definitely a grower. [Grade: A/A-]

“Ghost Pressure” – Dominating, at first, this song is the synthesizer, which sort of like an Editors song, darkens atmosphere and mood. The synth “brightens” up after a short keyboard part. The bridge “shake me up, shake me up” sounds awfully familiar, but I can’t quite recall what tune this reminds me of. Anybody? Boeckner sings the first half before Krug enters. They harmonize up until a short instrumental finishes the thing up. Like “What Did” I wasn’t really an immediate fan, but this is actually quite good. [Grade: A]

Listen to the songs at the Dork
!