
June 29th at PA’s Lounge in Somerville, Massachusetts.
It’s a 21+ show. Bummerrwtfrrrrr!!!!!!!!!!!

June 29th at PA’s Lounge in Somerville, Massachusetts.
It’s a 21+ show. Bummerrwtfrrrrr!!!!!!!!!!!
It seems like “Brian Eno” is a dividing jam. Maybe some electro-pop freaks are scared away by the so called “tinny garage rock” that is this track. It’s Congratulations best tune. Check it out:
Anyone else hear any influence perhaps from Jay Reatard, who would have turned 30 years old yesterday?
Very Hicksian here. Ahh what a better world it would be if beautiful women flocked to bands like Ween (and their fans :) instead of puerile, corporate cocksuckers.
Chris

Band: Thee Oh Sees
Release: 5/2010
Label: In The Red
1. “Warm Slime” – B-
2. “I Was Denied” – A-
3. “Everything Went Black” – B+
4. “Castiatic Tackle” – A
5. “Flash Bats” – B-
6. “Mega-feast” – B+
7. “MT Work” – B
Comments: Prolific in both quantity and quality, Thee Oh Sees have been kicking out jams for years at the rate of two or three albums a year. Maybe more. Damn, the phrasing in that first sentence is a little redundant, but it sounds good. Speaking of redundant, how about a 13 minute opener? That’s more than twice the length of Mark Sultan’s $ premier number “Icicles.” Damn, I hope Pitchfork doesn’t give Stephen Deusner the call-to-the-mound, so to speak, to review this album. That hater will just hate. So, anyway, if I am going to pitch in my two cents, I might as well do that at this time. It’s only appropriate. Around the 5:00 mark things slow down from consistent beats to an A Capella (but not really) repetition of some sentence that is not comprehensible to me. A speed up, of course, follows and is actually kind of awesome. The drums remind me of when I try recording myself playing drums on the computer. It’s just a sequence of loud bass drum bangs that sort of take center stage and make everything else… off-center-stage. That makes no sense. But I continue. Let’s be real here. In the age of the information superhighway and not of the vinyl long-player, this opener is hella skippable. Listen up, though. I could see if I was reading a book or something and popped this on the record player. Yeah, that’d be fun. But fucking eh! “I Was Denied” is a loud noise club bang her with a very simple progression and an irresistibly in your face chorus. “Everything Went Black” has another classic Oh Sees drum scheme. These drum schemes work to some degree, but don’t get me into some kind of frenzy. “Castiatic Tackle” is the shit! Hot shit! That’s the way I like it, dudes. To borrow a phrase from the great Cole Alexander (and thousands of others…thanks Google search), this shit is “psychedelic as fuck!” “Flash Bats” doesn’t keep pace with the one before it, but is very good. “Mega-feast” has a cool hook and all. What a fun closer “MT Work” is.
Grade: B (86)
This might be my favorite Clap Your Hands Say Yeah song:

“I DONT GIVE A FUCK”
“People are always going to rag on me and my music, but I believe in it and don’t give a f—,” he says. “Take my [recent] Pitchfork review for example, aside from an incredible lack of research and knowledge, it’s all a big joke. Had I made an album full of shorter tracks, the same reviewer would have asked for something else.”
Sultan might be unfazed by criticism, but he wishes music journalists weren’t so eager to tack the garage rock tag onto his latest batch of songs.
“I still love rock ‘n’ roll and garage and all of that, for sure, but I think this is easily something else,” he says. “People are lazy; I hardly think they actually listen [to my music]. The average knowledge of one of these f–king music dudes is like 1981 and up.”
God bless Mark for being the man.
——————–
Side note: Sultan is a big hit at college radio. $ got an impressive #3 spot on the Chart Attack top 50 last week.

Yo, Beethoven, less time in front of the mirror…more time on the piano.
Favorite band of at least two KLYAM writers, Black Lips don’t actually hate Beethoven, even if they say they do. It’s all good.
Spinner Talks W/ Jared + Cole: http://www.spinner.com/2010/04/28/black-lips-beef-wavves-ryan-seacrest/
Also, on a related note, check out this interview from about three years ago with Spinner: http://www.spinner.com/interface/black-lips. It includes three performances of tracks off Good Bad Not Evil and then a humorous Interface that has Joe asking Cole questions.

Advice To Wanna-Be Hustlers: Just keep making music as much as possible. Finish every idea you have or at least run the numbers on an idea to see if whatever cash you currently have will be enough to help you accomplish what you wanna do. Don’t wait for someone to give you what you want, just go out and take it. Don’t be afraid to beg, borrow or steal whatever you need to get the job done. At the end of the day, no one will hear your almost-finished demo. You need to have something completed, no matter how good you think the finished product it. You can always take what you learned from making the first song/record/project and apply those new ideas to the next song/record/project. People don’t expect you to be perfect right out of the gate, so you shouldn’t expect perfection either. Having room to grow is what being a full-time artist/hustler is all about. If your first thing kills it, people will only be expecting bigger and better things from you, which is rad. You always wanna have the next bigger better idea brewing in your head, no matter how crazy it might sound to you right now. Stretching your comfort zones will only mean that you are growing. Don’t be afraid to fuck up or fail. Nobody ever got what they wanted by sitting on the sidelines. You gotta get your hands dirty and make mistakes to know where you need to improve and get stronger.
Check Out The Complete Feature: http://hustleup.wordpress.com/


Full Title: Gummo
Director: Harmony Korine (first timer)
Year: 1997
Grade: A
Comments: Chilling. Distubring. Haunting. These are some of the words that best describe Korine’s cult masterpiece. In more simple terms, however, FUCKED UP! describes it more accurately. Truly fucked up. Not strange. Not weird. Not bizarre. FUCKED UP. To be blunt, if you were trying to be polite and didn’t want to curse, so instead you replaced it with “screwed up,” I do not think you would be getting the picture across or doing the film justice for that matter. So, why is it so FUCKED UP? now, that I have mentioned it 500 times. Well, Korine does not present us with a story or a plot in any linear or normal sense. But, rather he takes us on a journey to a town “we would never want to call home,” as the tagline states (I may be paraphrasing) through documentary style, vivid, eerie shots of peculiar (to say the least) images and characters living their day to day lives. The characters are residents of a small, tornado struck town in Ohio, and their activities include killing (sometimes beating) cats and selling their remains, burglarizing, wrestling with chairs, amongst other antisocial behavior. And yes, that was not a joke about the chair wrestling! It is humorous in its odd nature, but at its heart, highly disturbng and really sad. These characters are bored and simply have nothing else to do, but wait to die or be the subject matter of a Steve Albini creation. Korine said he wanted to make a completely different kind of film, with shots coming from any (or every) direction and he did just that, so kudos to him. Gummo may not be the kind of movie you sit back and stuff popcorn down your throat and play over and over again for the giggles, but rather a totally unique experience worth at least one voyeursistic endeavour for those that can handle a completely (for the final time!) FUCKED UP film and want to challenge their psyche to something new; it’s nothing like I have ever seen before.
Here’s the trailer-
Fun Fact!: It was this trailer that specifically got me into Madonna’s “Like A Prayer,” as it is the only song by her that I like.
Chris