Category Archives: Music

Concert Review: Black Lips, Natural Child, K-Holes [Live On A Boat In NYC] (8/2/10)

Date:  Tuesday, August 2, 2010
Bands: K-Holes, Natural Child, Black Lips
Venue: The Temptress

Act OneK-Holes – The cock-sucking K-Holes! The band of former Black Lips guitarist Jack Hines and four other people including a trumpet player AND a drummer who keeps it simple: a bass drum, a floor tom, and a cymbal. K-Holes were very explosive and offered a big sound. Matter of fact, a certain cross-dresser in a certain red dress enjoyed it so much that he/she was crawling on the floor, laying out on a table, and having a rhythmic seizure during the duration of K-Holes set. Fun times! Also, some whippersnapper (not a part of the band) felt like screaming into the microphone at random times during the set. It was all in good fun, but who does that?!

Act TwoNatural Child – The favorite band of Rachel aka Pop Jew was a great band, indeed! Wait a sec: Bawitdaba da bang a dang diggy diggy diggy said the boogy said up jump the
boogy. Okay, that out of the while. These guys had a song about people not understanding you, white people, and punks, a song dedicated to the Captain of the ship, and if I remember correctly, a song about fucking. All in the spirit of Kid Rock. They punk-rocked. The guitarist crowd surfed his way to the second floor to end their set. The bassist was having a great time and the drummer was doing his job in the background. I definitely will keep checking these guys out.

Act ThreeBLACK LIPS – Black Lips pretty much keep topping their previous best show ever. At this pace, all my favorite shows will be Black Lips shows, but I mean they are my favorite band after all. In terms of crowd participation, this show set the bar. The moshing got to the point where the one security guard all but gave up after five minutes of trying to protect Jared from the stampede at the front of the stage. The guitars got unplugged at various points during the set (probably from people falling down)…Jared had to move back and actually face away from the crowd (never saw this done before), although all seemed to be well with the other three members of the band! People were singing along loudly during every single song and there was just the whole vibe of Black Lips in Tijuana except in New York and on a boat. The set may have been trimmed a bit due to the chaos on stage or because time was up, but the roughly one hour the band played was just amazing! Funny things of note: some kid yelling out requests of old rarely (maybe never) played live cuts “Hope Jazz” and “Time of the Scab” and some big jock hollering “OOOOOOOUUUUUU WEEEEEEEE!!!” after every song.

Set-List:
1. Sea of Blasphemy
2. Drugs
3. Make It
4. Short Fuse
5. O Katrina
6. Stranger
7. Not A Problem
8. Ain’t No Deal
9. Dirty Hands
10. Cold Hands
11. Ghetto Cross
12. (A song resembling “I Want Candy”)
13. Too Much In Love
14. Bad Kids

Grade: A+ – Best show I’ve seen!

Bruise Cruise!!! Ft. Black Lips, Strange Boys

Cruises are the latest fad in Rock and Roll, it seems. And why not? They are great! Well, how about this:

Bruise Cruise Festival is an exclusive music festival on the high seas. It brings together today’s most prominent and influential rock bands on a three-day tropical vacation from Miami to the Bahamas.

The cruise offers true music fans a chance to witness their favorite bands in a unique, intimate rock festival atmosphere while being whisked away on an exotic vacation.  A special escape from the winter doldrums. This dream getaway will reward guests with a once-in-a-lifetime chance to experience a string of exclusive concerts against the backdrop of a completely inclusive, relaxing getaway.

The first Bruise Cruise will feature a who’s-who of the North American rock scene: The Black Lips, Vivian Girls, Strange Boys, Thee Oh Sees, Ty Segall, Quintron and Miss Pussycat, Turbo Fruits and – last but not least – one of New York’s most prominent soul DJs, Mr. Jonathan Toubin.   The cruise will include a kick-off party in Miami, multiple concerts at sea and Nassau in the Bahamas, open-bar cocktail parties and a soul dance-off with cash prizes.

Amenities featured on board include: gambling, resort-style pools, water parks, spas, fine dining and more. The price of one ticket will cover all entertainment, lodging, meals and some drinks.  In order to create a highly coveted experience, only 400 guests will be able to attend the first Bruise Cruise.

Concert review: Arcade Fire

Band: Arcade Fire

Venue: Bank Of America Pavilion

I had the EXTREME pleasure of seeing Arcade Fire live last night. And I was blown away. Everything about it completely had me reeling from beginning to end. Opening act Young Galaxy were probably the best opening act I’ve seen. Sounding like a mixture of MUSE and Arcade Fire, they played songs off their recent release Invisible Republic. About 30 minutes later, the Arcade Fire took to the stage to the roar of the sold out pavilion. Opening with The Suburbs’ Ready To Start the entire place was mesmerized by the band. My only complaint is that the band played too many tracks off The Suburbs when not many people knew the songs. However, the songs everyone knew (No Cars Go, Intervention, Neighborhood 1-3, Rebellion (Lies) etc.) everyone sang their hearts out. Overall, a phenomenal show which I would see again in a heartbeat.

Overall: A-

Set-list:

http://www.setlist.fm/setlist/arcade-fire/2010/bank-of-america-pavilion-boston-ma-1bd441dc.html

CD Review: That’s How We Burn [2010]

Band: Jaill
Release: 7/2010
Label: Sub Pop

1. “The Stroller” – A-
2. “Everyone’s Hip” – A-
3. “On the Beat” – A-
4. “Thank Us Later” – A-
5. “Summer Mess” – B+
6. “She’s My Baby” – A-
7. “Snake Shakes” – B+
8. “Demon” – B+
9. “Baby I” – B+
10. “How’s the Grave” – B+
11. “That’s How We Burn” – A-

Comments: Bringing to mind the likes of The B-52s and other pop, yet weird mainstream acts of yesteryear, Jaill’s all right. “The Stroller” is a post-punk revival jam with strong streaks of catchiness. Despite it being a fairly unoriginal jam, it still’s great on the ears. “Everyone’s Hip” reeks of ‘alternative’ genius. No complaints on the powerpop/post-punk flavored “On the Beat,” either. The Shins comparisons are justifiable on the vocal-centric “Thank Us Later,” surely one of the better songs on here. Some songs that I’d normally think are great just don’t have the memorable kind of chops I wish they had. What I thought may have been a near-the-top album for me turns out to be lost in the midst of above-average obscurity.

Grade: B+ (89)