Review: Fagettes & Nice Guys @ Lilypad (2/14/14)

Bands: Hallelujah the Hills, The Dazies, The Fagettes, Nice Guys
Date: Friday, February 14, 2014
Venue: Lilypad (Cambridge, MA)

Nice Guys – NICE GUYS! These Nice fucking Guys right here. And they truly are nice guys, that’s not a misnomer. It’s like you tell your buddy, hey you’re going to like this dude, he’s a nice guy, he’s a goodfella.

Christ,  if you haven’t heard the Nice Guys by now, I don’t know where the hell you’ve been man.  I’m going to break my fucking back, digging you out of that hole you’ve been in these last couple years. You missed out on boxforts, 420 John Freeman parties, and many a Jamaican Vacation. But, it’s okay dawg, your time has come. We’re going to make it through this. That’s what this is all about, it’s supposed to be a catharsis. It’s Friday night, it’s Valentines’ Day (no wait, fuck that), and the Nice Guys are playing Jamaican Vacation.

I get that tingle, you know, when they announce that the next song is called “Jamaican Vacation.” Before they even play, I’m getting a little stiff. I tell my erect buddy to STAY DOWN! STAY DOWN! Let’s not make a scene. Boy, my folks must be real proud right now. “Son, I love when you freeze your reviews to stop and talk to your dick. I’m so proud of you honey!” There’s love in the air. My love for the Nice Guys stretches far and wide. You can hear the smash hit “Jamaican Vacation” and it’s cannabis reeking  chum “Medical Envy” on a Splifft 7″ with fellow chart toppers Miami Doritos. You can order one here from KLYAM Records:  Do iT!

The Fagettes – After the Nice Guys set, I step outside for a bit, but not for too long, because within just a few moments my ears are dancing to the sweet, serene sounds of The Fagettes’ “When I’m With You – a tune I have been dying to hear live from the group 4eva.   Tis  in my top two favorite Fagettes numbers (special points for whoever guesses what my favorite Gettes song is. Hint: it’s also a live rarity). “When I’m With You” showcases the band’s softer side and brings to mind Beat Happening and early Best Coast, particularly in Melanie’s vocals. Seriously, it’s a live rarity, so as soon as I hear them playing I have to rush right in to the packed Lilypad space. Before me lies a series of bodies shaking, rocking, and sipping on their PBRs.

For this set, Jake Nice Guy joins the band on bass, reprising his role as a March 2013 Nice Guys/Fagettes Beast  Coast Tour champion. Way to go Jake. I’m positive you’re little Valentine’s Day mailbox was always overflowing with Secret Admirers.

Another stand out for me tonight is “You’re Destroying Me,” which features Ryan and Melanie rocking out with the crowd. I think it’s the set closer? Ahh PBR, you’re destroying me.

Check out Fagettes here:

The Dazies and Hallelujah the Hills also played on this fine evening of local rock ‘n’ roll music. Alas, we did not see them play :(.

My Top Ten LPs of Twenty-Thirteen

I know I’m a little late on this and I already ran my mouth off in my last post regarding my top shows of 2013, so I’ll do my best to keep this one short and sweet. Here we go…

10) Dylan Ewen & The Southern Gospel Gangbusters – Country Fried, Southern Pride (BUFU Records) – Gangbusters? More like Gangbangers! I really got into a lot of Dylan Ewen this year in his various projects and out of all of them this was my favorite. For my money, this has Dylan’s rawest, most in your face lyrics with a nasty, bad ass gangsta edge that puts him up there with Cube, Dre, and Mr. Big. So wild.  AND it’s all set to a full backing band (drums, guitar, bass, viola, banjo, mandalin, harmonica, you name it) busting out southern gospel, bluegrass, and country. I had the pleasure of catching the band live in the heart of JP last month and I errr uhh nearly wet myself. TOP SONG: “500 Days of Bummer”

9) Bent Shapes – Feels Weird (Father/Daughter Records) – I just received this record as a Christmas gift and I’m loving it. As a long time fan of Bent Shapes/Girlfirends this is a terrific mix of classics and some solid new jams. Every track is strong. On one hand, it feels like a greatest hits compilation and then on the other it comes across as a completely new entity. It works both ways. TOP SONG: : “I Was Here, But I Disappear”

8) Shannon And The Clams – Dreams In The Rat House (Hardly Art) – Shannon and The Clams  is a big favorite of mine, so this album was a serious treat this year. This one falls in line with all of their previous work: rock ‘n’ roll at its purest. 50’s doo wop, garage rock, Ramones styled punk rock, and some of the best voices you will ever hear. It may not be the most original music, but it’s rock ‘n’ roll. This is the plateau, this is the ideal, this is the benchmark. TOP SONG: “If I Could Count”
idiot genes pic
7) Idiot Genes – S/T (Self-Released) – The third (but not final!) Boston band on this list, Idiot Genes are one of the most recent bands I have listened to in 2013. I first caught them at a show at O’Brien’s Pub last August and I was enamored with their oddball sense of humor and surly, apathetic punk attitude. Subsequently, I hopped on their bandcamp and I was blown away by what I heard. I related to the band’s sloppy, lethargic, wasted narrative. The feeling of being fucked and fagged and shagged. I was frustrated and hearing the Idiot Genes reminded me why I hold rock ‘n’ roll so near and dear to me in the first place. It is my elixir, the temporary cure to all of life’s problems. They are almost like a different kind of party band, an after party band, a hangover band. This all sounds like one miserable hangover, and by miserable I mean extraordinary. Makes me want to drink too much and then regret some of it the next day, especially when the hangover doesn’t go away by 5 /6 PM like it usually does, so then you just drink more, until the next day after that when you’re even more hungover AND still a little drunk. So, what do you do? you crack open a beer and drink some more and then you listen to Idiot Genes, one of my new favorite rock ‘n’ roll elixirs for that temporary cure. Drunk Consistently. Listen here and join me in a nightcap. Cheers. TOP SONG: “The Charles Mansion”

6) Colleen Green – Sock It To Me (Hardly Art) – Sock it to me? Ok. Ms. Green is one cool cucumber with all her Richard Nixon and True Romance references on her latest album Sock  It To Me. Much like Shannon and the Clams, with this album Colleen maintains the same rock ‘n’ roll flavor she’s always had, it’s just stronger than ever. Just a great example of how pop music doesn’t have to be a big mass machine product, instead it can be as simple as a guitar, a drum machine, and passionate vocals. TOP SONG: “Number One” (The Queers cover)

The Monsieurs 2
5) The Monsieurs – Rock The Night (Self-Released) – Damn son, this past October I had the enormous fortune of cumming across my legs when I came across The Monsieurs at the Brighton Music Y’all opening up for the holy King Khan & The Shrines. I’ve heard plenty of great garage spunk this year, but this new release from The Monsieurs was/is a real dessert, a dish best served cold. A cold, sudden punch right in the nads that is. Seriously though, these dudettes and dude really fucking rock and pack in the punches. This band has all the bells and whistles and bubblegum and grit that you and your buddies get off on every time you listen to Hunx  and Nobunny and hopefully Fagettes at home on your dad’s worn out stereo, BUTT Monsieurs turn it up to 11. From the first few seconds of “Shadow” to the last gasping breaths of “At the Hop,” this record is garage pop on steroids. Lead singer Andy Macbain is a beast, a force to be reckoned with, and his vocals are out of control, off the wall. It’s all sludgey and thuddy and LOUD. If you like rock ‘n’ roll with a rambunctious ummphhh up your ass then here ya go – yet, it’s still as sweet as a little old lady taking 20 hours to cross the street with her little old cane? So sweet it helps that sludge go down smoother… I see big things for The Monsiuers in Twenty Fourteen. In 2014, let their album Rock the Night become your musical lubricant! TOP SONG: “Kari Ann”

4) King Khan & The Shrines – Idle No More (Merge) – It’s always a great year whenever one of our Honorary KLYAMERS releases an album and King Khan is among our top OG’s. You could say he helped make us who we are today to paraphrase a line in the tune “So Wild,” a song dedicated to the late, great Jay Reatard. RIP Jay forever and ever.  For once your wild spirit may rest in peace… the chaos of the world so foreign, yet so familiar, you feel this tone on King Khan & The Shrines’ Idle No More, their first album since 2007. It’s a very personal album, the most mature to date. Highly spiritual as ever, yet it still maintains that fantastic Khan spirit of ubiquitous joy. Love. And coming back to the KLYAM, that’s one thing I love about rock ‘n’ roll (as we see it),  all the bands we rep, and this record. No matter how torturous the world can be, there’s still a light. Khan and his crew take the misery, the darkness, and they turn it on its ugly head, ultimately receiving a boisterous, fun filled album as ever been conceived by the Shrines.  TOP SONG: “Bite My Tongue”

3) Nobunny – Secret Songs (Goner) –  Nobunny continues the trend on this list of artists releasing albums that preserve their raw, rock ‘n’ roll character and yet augment their craft at the same time.  Secrets Songs is stacked with smash hit after smash hit haha; every tune is a blast, no filler. Love Visions will probably always be my favorite, but I have to send my accolades to Mr. Bunny here. This LP has the most variety ever on a Nobunny record lyrically, musically, and aesthetically. There’s several fast poppers, screeching hardcore punks odes, and a batch of soft gentle numbers for the ladies and in particular for the Birthday Girl. NO NO 4 LYFE! TOP SONG:  This is a toughie, but for now I’m going to go with “Bye Bye Roxie”

2) Peach Kelli Pop – Peach Kelli Pop II (Burger) – I know this came out in 2012, but I heard it in its entirety in 2013 and I loved it so damn much that I just couldn’t leave it off the list! This is one of the greatest pop records I have ever heard. Like I said earlier regarding Colleen Green, pop music  doesn’t have to be mass produced and this certainly applies here. I was in love with PKP’s first album and I didn’t think it could be topped at the time. What was I thinking?! As awesome as her debut is, it doesn’t have anything on its sequel. Holy shit, this thing is incredible. PKP II is like Terminator 2, if it was a movie. A full blast of immediate, catchy pop songs from start to finish is what we have here. Peach Kelli Pop – Allie Hanlon channels bubblegum, garage, and 60’s Girl Groups in all of these short, but ever so sweet songs. It’s like injecting yourself with bubblegum pop music and feeling that instantaneous sugary high! This record always puts me in the best mood. Cheers. TOP SONG: “Red Leather”

And the weiner is…

1) Hunx and His Punx – Street Punk (Hardly Art) – I know, I know I’m a Hardly Art whore. Haha, that should be a marketing trend. Labels should pick up on this. I can picture it now “I’m a Burger Whore!” or “Be a Burger Whore!” Shirts, pins, posters, let’s do it! I say this all with love. Anywhooo, since the dawn of KLYAM five years ago, Hunx and His Punx is one of the only, if only (possibly?) band that has consistently put out new, exceptional releases each year. With this album, Hunx and his cronies have snarled their way into the bowels of the rock ‘n’ roll/garage/punk landscape. I just adore and admire the way the band mixes up early hardcore punk (Germs, Misfits, Black Flag) with their classic garage rock style. Half of me says it’s an affectionate satire and the other says this is the real deal, this is the music itself. It feels like Circle Jerks or whoever comes to mind. When Hunx says he wants to beat you with a baseball bat, his screams are terrific and serve as a true homage to the aforementioned punk legends, but let’s not forget he’s saying this all because of his BAD SKIN! That’s part of the fun. I’m glad someone finally made (I could be wrong here and I very well may be missing out on loads of great, similarly styled albums) a piece of work that connects the dots in these various styles of pure rock ‘n’ roll music, which is not very pure to begin with. It’s so satisfying. I’ve always felt like that early wave of hardcore punk was like garage rock’s weird, fucked up cousin. It’s all coming from the same place essentially. It’s all about total and agonizing frustration and partying your ass off to cure that frustration. Hunx and His Punx get it. By the way, some of Shannon Shaw’s finest vocals! TOP SONG: “Mud In Your Eyes”

So, that’s it. That’s my list, but before I depart I have to give some mo’ shout outs. Here are some honorable mentions.  Ben Tan – Inside Out, The Memories – Love Is The Law, Kal Marks – Life Is Murder, Saralee –  S/T, The Gabba Ghouls – S/T, Kaviar Special – S/T, and last but certainly not least Lust Cats Of The Gutters – S/T , an album that was released in 2012, but nonetheless one of the best albums I heard all year.

2013 was also the first year of our record label KLYAM Records. We were/are extremely proud that our first release was one of our favorite records from 2012: Fat Creeps S/T EP

I chose not to include it on this list, because A) It was one of our own releases, B) It was originally released in 2012 and that’s when we heard it and loved it, and so forth, and C) It’s an EP and this is a list of my top LPs. Still, I couldn’t go without repping this record in a year end list of top records. Furthermore, if you haven’t picked up this album yet, then do yourself a favor and grab one now before it’s too late You can order it from KLYAM Records here: The record is also available at Weirdo Records and Armageddon Records, both in Cambridge, MA.

We look forward to 2014 as we have more records and shows and reviews then can be imagined! Stay tuned, then turn on, and then drop out, and we’ll meet up and listen to records or something.

Peace 2013!

My Top Ten Shows of Twenty-Thirteen

So, here we are again. 2013 feels like a blur, a fun blur though. It just seemed to truck on by so damn fast. It didn’t feel like it was all that long ago when I was making my year end lists for 2012. I must say, every year gets better around here and 2013 was definitely our best year. We met tons of people and went to more shows than ever before (significantly more). With that in mind, I will leap off into my top ten favorite shows from the greatest year KLYAM has experienced thus far…

Storm or Howl
Storm or Howl

10) TIE!: Boston Underground Summit VI @ Cambridge Elks Lodge (9/15/) & The Beets @ The Whitehaus (11/26) – I would start a top ten list with a tie. I simply could not leave out either of these shows from my top ten, so fuck it here’s both. Firstly, this was my first Boston Underground Summit and it was a totally unique live experience for me. The show was set up as a round robin in which a band would play one song and then as soon as they were done another band would play a song and so forth until about 9 different bands had played a song, and then it went back to the first band. My head’s getting dizzy just writing this – it was indeed a dizzying experiment; constantly walking back and forth between all 3 spots in the Elks Lodge (where 3 separate bands were each set up). I compare it to an aggressive wine tasting meets a live, physical playlist/mix. In any situation, it was refreshing and broke down any hint of monotony that may have been creeping in on my fairly consistent show going consumption. My favorite bands/performances included Storm or Howl, Funeral Cone (this one left me bleeding!), Dylan Ewen, and R. Nordac’s Crying Lessons.

Holy shit, the mighty Beets. It took us two hours to get to the holy Whitehaus, but we made it just in the nick of time to catch Los Beets who came all the way from Jackson Heights, Queens, New York!! As you may or may not know, The Beets are one of our beloved KLYAM bands and this year we caught them in the flesh twice within two weeks! This was a strange show for several reasons. We were running late and I feared that we would miss The Beets, having journeyed so long for nuffin. When we arrived at the Whitehaus (for our very first time, by the way) there were few if any hellos and it was near darkness – plus we’re half blind anyway. Seconds pass and those smooth, transcendent Uruguayan voices rang through my ears and down into the depths of my bloody soul. All the blood I have puked since I found out I have gas in my veins. When the set finished, we had to flee once again to catch that dirty old train. It all happened so quickly, like a drug, The Beets drug. I know y’all would like a piece of that! REVIEW

Nice Sinclair
Nice Guys

9) FIDLAR, The Orwells, Nice Guys @ The Sinclair (10/23) – This was a nice slammer.  It’s always fun to see a local favorite (Nice Guys) dazzle an audience of newcomers and it’s all the more exceptional when they are sixteen and rambunctious! The Orwells make my liver shiver and quiver OR that’s all the alcohol? Anyway, we’ve loved these dudes for years and they put on an excellent show. They have this real clean cut exterior to them kind of like The Strokes and Arctic Monkeys, real polished rock ‘n’ roll, but beneath there’s a slimy underbelly that represents some of the bands (Black Lips, Jay Reatard) we grew up and threw up on ourselves. And FIDLAR, I’m just happy you and your fans didn’t break my nose. REVIEW

Clams Great
Shannon and the Clams

8) Shannon and The Clams, The Fagettes, Atlantic Thrills @ Great Scott (11/20) – This list is a testament that we’ve been blessed with a plethora of excellent shows this year, but I can honestly say only a select few are what I would dub a “stacked line-up” and this here is one of them. Our two favorite New England based rock ‘n’ roll bands (The Fagettes and Atlantic Thrills) on the same stage as one of the best in the whole land, the fabulous Shannon and The Clams. I saw the Clams earlier this year and, while that was a great performance, this time around the crowd went a lot crazier and that always makes the difference. The band’s cover of Del Shannon’s “Runaway” alone made my night :). REVIEW

7) Guerilla Toss, Fat Creeps, Nice Guys, Designer Halloween Show @ Cambridge Elks Lodge (10/19) – Halloween is usually a good excuse for everyone to let loose, get wasted, and eat a shit ton of candy. Oh yeah, and to dress up like their favorite bands and play a set full of bizarre covers. That’s my favorite part. G Toss took to the role of one Meatloaf, Designer dropped down to their skivvies and cranked out a noisy set of Blink – 182 numbers, and Fat Creeps destroyed as the legendary Cramps. My favorite performance by far was the Nice Guys as The Mummies. Being somewhat of a garage junkie, I’d kill to see The Mummies and I felt like this came inches away from the real thang. Alex Mum demolishing his keyboards was priceless. Poor keyboards, they never had a chance. REVIEW


6) Wavves, King Tuff, Jacuzzi Boys @ The Sinclair (10/1) – Wavves is one of those bands I’ve cherished over the years. One of the few bigger bands I still enjoy. I wasn’t overly enthusiastic with their latest record, Afraid of Heights, but it has grown on me. Studio work aside, this band still kills me live. It’s as if these songs were made to be heard exclusively live. From Wavves’ inception, there’s been a great anthemic feel to their music and this show at Sinclair is enough evidence for me that they can still kick out the jams like the best of them. It was also a pleasure to finally see King Tuff and Jacuzzi Boys, bands we’ve been aching to see for a few years now. And on a personal note, I was happy to chat with Wavves’ members Stephen Pope and Alex Gates about their past (and future) in the magnificent Memphis bands The Barbaras, Girls of the Gravitron, and Cretin Stompers. REVIEW

Ty Bowery
A photo of three sexy men

5) Ty Segall @ The Bowery Ballroom (8/30) – What up New York City? We voyage to NYC once or twice a year to see some of our favorite bands. This time it was the man, Ty Segall, the global ambassador for rock ‘n’ roll. If rock ‘n’ roll had a representative at the UN it would be this man. For this show/tour Ty and his bodacious band played an all acoustic set, performing the album Sleeper in its entirety as well as some old classics such as “Girlfriend.” I’ve never seen kids (including myself) mosh and stage dive to acoustic music before and I may never again. Only you Ty, only you. REVIEW

Hunx and His Punx

4) Hunx and His Punx, Hunters, The Fagettes @ Brighton Music Hall (8/23) – Let’s face it we’re fairly predictable around here –  but that’s NOT a bad thing! because we are consistently enthralled with gorgeous music, at least I think so. It’s true! Hunx is a long time KLYAM favorite and a must see live band (seriously do it!). Just writing about Hunx gets me all revved up and ready to go. This year the band morphed into ultra punx with the release of their epic, early hardcore punk ode Street Punk, and they brought all the piss and vinegar with them when they destroyed our fair city last August.  The set’s most memorable moment actually came from a couple of kinky crowd members, when a young man was accosted by a topless middle aged woman and the two proceeded to slobber over one another for the remainder of the show. I will never be able to listen to “Lover’s Lane” the same way ever again. “Just gotta touch you and squeeze you, and make you mine/I want to hold you til the end of time.” Yeesh, did they have to take it so literally?! Stellar set from Fagettes as always. Hunters were cool too. REVIEW

atlantic thrills bbq

3) Ravi Shavi, The New Highway Hymnal, Atlantic Thrills “Rock ‘n’ Roll BBQ With Psychedelic Sauce” – We saw quite a bit of shows in Providence, RI this year and every single time we came to see our chief punk slime animals in Atlantic Thrills. Mix them up with fellow Providence soul machines Ravi Shavi and our Boston psych creatures The New Highawy Hymnal and I’m one happy camper. All of this madness was set to the background of the TRIPPY Lysergic Factory Light Show! I don’t think I’ve ever “danced” more in my life,  charming some attendees, perhaps frightening most. Those were fucked times, fun times. I woke up the next morning covered in dirt and blood and my dick hurt a little bit (only a little bit).  In hindsight, it was the perfect summer night. REVIEW

2) The New Highway Hymnal, Atlantic Thrills, Polaroids, The Real Tom Hanks @ Wilder Zangcraft (2/23) – Once again, The New Highway Hymnal and Atlantic Thrills throwing straight up wild shows! This show took place at one of my favorite DIY spaces, a tiny basement in Lowell that was overwhelmingly consumed by 50 or more plastered college kids all accompanied by the perpetual, visual mindfuck that is the Lysergic Factory Light Show. NHH demolished my skin and bones as can be expected at Lowell basements shows. But, on this night my sweet, sozzled eyes have never seen such a fantastic, frenetic show from Providence’s finest, Atlantic Thrills. It was great to sing/scream along to all the songs, slam back pbr after pbr, and smash into my peers for a couple hours. In my primitive state of mind, I think I screamed “Lies” and “Demolicion” at the band about two hundred times. Lunacy at its most depraved. The Real Tom Hanks and Polaroids were both exciting and ethereal in their own rights. A memorable night in my life to say the very least. REVIEW

1) Hassle Fest 5 @ Cambridge Elks Lodge (11/7-11/8) – How could this not be number 1? This was/is the pinnacle of local underground music. A two day festival showcasing some of the best, most groundbreaking, and above all invigorating bands both at home and across the nation. So, as I’ve said before, it’s pretty much a microcosm for everything the Boston Hassle promotes all year long. Every single day. And we couldn’t salute y’all enough. I’ve found that several local music fans (some of which played the festival themselves) walked away with similar feelings as my own. I know we KLYAMERS have never seen anything else like it, just a constant barrage of band after band after band. It felt intimate and gigantic all at once. Unforgettable. My favorite sets included Fat Creeps, Guerilla Toss, Lightning Bolt, The Beets, and Kal Marks. REVIEW

So, that’s that. Top albums of the year coming up next.

Review: Shannon and The Clams, The Fagettes, Atlantic Thrills @ Great Scott (11/20/13)

Clams Great
Picture from Treat Yo Self

Bands: Shannon and the Clams, Fagettes, Atlantic Thrills
Date: Wednesday, November 20, 2013
Venue: Great Scott (Allston, MA)

Atlantic Thrills – It’s kind of crazy how life works sometimes. Take for instance these rock ‘n’ roll shows we go to. When we discover that a fantastic national band such as Shannon and the Clams is coming to town, we say to ourselves “gee whiz, wouldn’t it be swell if Atlantic Thrills and Fagettes opened?! What a fine bill that would be.” Fortunately, the stars have aligned for us, and here we are with the perfect bill! A casual reader might come across these words and say “wow, this dude’s reallyyy sucking these band’s dicks.” But, anyone that reads this site on the reg knows that Fagettes and Atlantic Thrills are two of our favorite bands, bands that we have repped hard for the last couple years. SO HATERS FUCK OFF!

Anyway, it’s awesome to see Atlantic Thrills on ye olde Great Scott stage. I’ve seen the band a gazillion times, but this is the first time I’ve seen them here at Great Scott, and it is ever so great. Old Glen caught the dudes here about a year ago with fellow Providence kingpins Ravi Shavi – yeah check out those dudes too! The sound is amazing and this is one of the best sets I’ve seen from the foursome. The sound definitely amplifies the Thrillz’  typically passionate, heartfelt, and above all beer  chuggin’, beer spittin’, balls out fun set. The group’s, gang styled doo wop vocals come through clearer and more powerful than ever. And they’re starting to really bring out a lot more doo wop in these newer tunes.

The band also unleash a steady batch of cuts from their classic catalog – many songs we’ve come to practically memorize over the years. All fast, psychedelic garage punk songs with memorable choruses and admirable musicianship. To quote a sagacious young man I know, it’s better to play music drunk, loose, and sloppy – as long as you know what you’re doing. This quasi paradox could certainly apply here.

Now, The Thrillz have played many a Boston show, but with this show they surely charmed some fresh faces on to their punk slime cult. I saw some of you new kids buying seven inches and tee shirts, that’s right!  And if you haven’t done so. Pick up Atlantic Thrills’ “A Day At the Beach” 7″ from Almost Ready Records:

Keep your eyes peeled for an upcoming full length also to be released on Almost Ready Records on February 4th! Lastly, Atlantic Thrills will be playing at the Middle East Upstairs for The Televibes’ tape release show on January 22 w/ The Guru and Vundabar. Do it up.

Set – List:
“Almost Anything”
“Bed Bugs”
“So Long”
“Drugs In It”
“Bone Rattle”
“Light Shines”
“Foreign Lands”
“A Day At the Beach”
“Mind’s Eye”
“Acid Rain”
“Salvaje” (Los Saicos cover)

Fagettes – The Fagettes are up there with Atlantic Thrills when it comes to the cream of the crop of New England rock ‘n’ roll. They hold a special place in our slimy hearts.

This Fagettes set is a lot of fun and people are dancing more than usual, which is always a good thing. The place is packed as fuck, making it difficult to get to the front of the stage, but I do my best. After all, I need to clutch my set lists, being a rampant set list devourer.

As of late, Fagettes have been playing a steady slew of old and new tunes. They play one song called “Stems and Seeds,” which they have only performed three times in the past: in Philly, in Ohio, and in Cambridge (I believe this was at the May 16, 2013 Middle East Upstairs Fagettes show, yeah I know I’m solidifying my status as the ultimate rock ‘n’ roll nerd with these obscure facts…).

My favorite song from tonight is “The AA Took My Baby Away,” a sad jam that always puts a smirk on my face, go figure. By the way, I never knew that the AA had the authority to take away babies!

Now go forth and listen to Fagettes my pretty child, my sweet one:

P.S. Did I see Matt wearing a Black Lips shirt? Looking sharp nice guy! Hahaha.

Set – List:
“Street Queens”
“On Drugs”
“Gonna Die Out Here”
“Mystery Pills”
“The AA Took My Baby Away”
“Bad Catholic”
“Stems and Seeds”

Shannon and the Clams – What kind of music do you like? “Rock ‘n’ Roll,” “Punk Rock,” “Pop.” Those are my top three answers to that dreadful question. But, as you all know those words mean different things to different people. For some clowns, 12 hour guitar solos = rock ‘n’ roll, this is time that would have been better spent shaking hands with the unemployed. When I mean rock ‘n’ roll, punk rock, and pop you damn well know I mean bands like Shannon and the Clams. I don’t own the definition of rock ‘n’ roll et al, but in my heart of hearts this is it. A buffet of distinctive, varied, and utterly sincere art and entertainment that stretches far and wide through the rock ‘n’ roll gamut. To get a better taste of the Shannon and The Clams dish, think Rosie and the Originals, Roy Orbison, Ramones, The Cramps, Circle Jerks, and the best of the best of both old and new garage spunk. FOR FANS OF HUNX AND HIS PUNX AND NOBUNNY FO SHO.

Our proud rock ‘n’ rollers roll out the soft and ever so sweet “Done With You” as tonight’s opener. A sweetie from the group’s 2011 mind mutilating LP Sleep Talk. The sound of Shannon and the Clams is bone crushing, shivers down my spine, slithering all the way down to my testes, so slimy it makes my balls drop. It’s an intimidating, gargantuan sound and presence. The vocals are easily some of the greatest in modern rock ‘n’ roll. Shannon’s and Dan’s voices are lunatic, we’re talking crazy good. The judges on Idol and Voice would wet their panties and spill out their guts if they were ever in its vicinity, except they won’t because those shows suck  ass. It’s still worth noting, since most rebel rousers in this line of work scream and shout their little hearts out, true, but few actually have professional pop singer voices (and that’s usually a good thing). In this instance, it works. Shannon and Dan are up there with the all time greats: Ms. Kline, Mr. Cooke, Mr. Orbison, and that charming Canadian fellow, Mr. Sultan.

Thee Clamers (not KLYAMERS ha!) rip through a searing batch of tunes from Sleep Talk (2011), Dreams In The Rat House (2013), and beyond. One of my favorite moments is when the trio performs a cover of the Del Shannon classic “Runaway.” I told you these punks have a soft spot. Speaking of punks, there is plenty of feisty enthusiasm on display from both the  band and the audience. Patrons dance and mosh and slam all around. It’s a solid time had by all. One of the best shows I’ve seen all year. Read the set – list below and then cry like a stupid, weak, little baby if you were one of the sad saps that missed out on it. Look at the weak little baby! You’re stupid! You stupid, weak baby!

Set – List:
“Done With You”
“Hey Willy”
“You Will Always Bring Me Flowers”
“Warlock In The Woods”
“Oh Louie”
“King Of The Sea”
“Rip Van Winkle”
“Into A Dream”
“Runaway” (Del Shannon cover)
“You Can Come Over”
“Tired Of Being Bad”
“The Cult Song”
“Rat House”

Music Video: Shannon and the Clams – “Rat House”/ Show Tonight @ Great Scott!

Check out the new video for Shannon and the Clams‘ “Rat House” and then go see them live tonight at the Great Scott with our top dawgs, Atlantic Thrills and Fagettes! Remaining tour dates listed below.

Tour Dates:
11.21.13 – Philadelphia, PA – Kung Fu Necktie
11.22.13 – New York, NY – Mercury Lounge
11.23.13 – Brooklyn, NY – 285 Kent
11.25.13 – Toronto, ON – Silver Dollar
11.26.13 – Oberlin, OH – Dionysius Discotheque @ Oberlin
11.27.13 – Detroit, MI – Trinosophes
11.29.13 – Indianapolis, IN – Do317 Lounge
11.30.13 – Chicago, IL – Subterranean
12.01.13 – Milwaukee, WI – Cactus Club
12.07.13 – San Francisco, CA – The Bay Brewed @ Public Works

Fagettes and Atlantic Thrills Opening For Shannon & The Clams!

So, we already informed you that the amazing Shannon and the Clams are coming back to Great Scott on Wednesday, November 20. Cool. Ohh, but it gets wayyy cooler than that…
Nov2012 032
Our Providence dawgs, Atlantic Thrills are kicking things off with their psychedelic, Peruvian punk slime.

MARCH2013 008
They will be accompanied by Boston’s rowdiest garage/rock ‘n’ roll band, The Fagettes!

Our two favorite New England based rock ‘n’ roll bands opening for one of the best national rock ‘n’ roll bands today – this is the bill we have been dreaming for!

Review: Hunx and His Punx, Hunters, Fagettes @ Brighton Music Hall (8/23/13)

Bands: Hunx and His Punx, Hunters, Fagettes
Date: Friday, August 23, 2013
Venue: Brighton Music Hall (Allston, MA)

Fagettes – Fagettes be slaying the stadium settings, first with Middle East Down and now Brighton Music Hall, before you know it they’ll be playing the Garden, and when I go to snag a set list at the end of the show some big ass body guard douches will kick the shit out of me. Until then! I will live to steal more and more Fagettes set lists. I have so many band set lists now, it’s becoming a problem. I have a folder at home and it’s overflowing. You’d think tons of set lists = tons of women by my side. “He likes Fagettes, he likes hip thinking man music, I’m going to sleep with him.”  Some day soon.

Besides the luring of potential babes, there is a far more superior reason for my Fagettes set – list ingest; this quintet fucking rocks! Seriously, one of my favorite bands right now. If you haven’t seen/heard Fagettes, then you’re missing out. Much like the headliner tonight, Fagettes are a fun rock ‘n’ roll band with a fantastic 60’s spirit that is simultaneously 2013 ready. In  other words, they play garage psychish pop, but are still appealing to those that aren’t too familiar with those gritty stylings.

This evening’s set is an adequate mish mash of old and new jams with “Gonna Die Out Here,” being my overall favorite. This song exemplifies what I love about this band: simple, but pummeling drums, groovin’ guitars, slick basslines, and the dual vocals of Ryan and Melanie. The whole band rocks out and the crowd is generally receptive, albeit a little stiff, almost as stiff as my limp dick after too much Johnny Walker, which doesn’t really make any sense. I promised myself I would cut back on phallic (or lack thereof) imagery in my my reviews, ahh well maybe next year.

Anywho, The set reaches its finale with Fagettes classic “I Wanna Feel Good,” in which vocalist/guitarist Ryan Major leaps on a stage monitor with mic in hand, shouting the titular lyrics at the Brighton Music Hall attendees in front row; he’s a suave motherfucker, that’s for sure.

Set – List:
“Bad Catholic”?
“The AA Took My Baby Away”
“On Drugs”
“My Girl Looks Like Johnny Thunders”
“Street Queens”
“Gonna Die Out Here”
“I Wanna Feel Good”

Do yourself a favor, quit the bullshit and listen to Fagettes RIGHT NOW. Drop everything else and just listen.

Hunters – Not too familiar with dem Hunters, but from what I can gather aha no pun intended, they are a favorite among many a indie rock enthusiast or so. I’ll be square, I didn’t do my research on this one, but I have heard their name pop up a few times. I am not overly immersed in this performance, but generally entertained. It’s noisy and loud and fun, I can definitely see the attraction. The lead singer keeps her hair below her eyes and appears to be in some sort of trance, that’s pretty cool. The  whole show kind of reminds me of early Deerhunter like Turn It Up Faggot (2005), perhaps a little Cryptograms (2007), if you feel me. Yeah, I think you do.

Set – List:
“It’s True”
“Thin Twinzzz”
“She’s So”

Hunx and His Punx – HUNX AND HIS PIZZZZUNNNXXXXXXX!!!!! Yes, few bands bring out that exaggerated reaction in me, but Hunx is one of them. When Hunx and His Punx are up on stage, I just want to destroy everyone in front of me, everyone’s a pussy, ya know? I just want to mosh and dance and break stuff aka spill pbr all over my shirt and down my legs and crash into the person in front of me. The crowd is a little stiff, Boston crowds tend to be as I noted earlier,  but Hunx is so entertaining that it’s hard not to get excited. After a few songs, the crowd starts to get moving. Ohh shit, I meant to give a little history before I dove into the present. If you don’t give a fuck about my/KLYAM’s history with Hunx, then by all means skip the next paragraph and don’t fucking call me fabulous, bitch.

KLYAM began four years ago, a time when Jay Reatard was at the top of his game, sadly dying shortly thereafter. We were lucky enough to catch Jay three times before he passed away, and one of those shows was particularly special because it featured at least three future KLYAM stars: Nobunny, Box Elders, and none other than Hunx and His Punx! Like the other two, Hunx was unique and in your face, not something you could easily dismiss. I had never heard of the band before, so when I suddenly saw a dude waving his junk in front of my face and pouring beer down his chest, singing songs about his boyfriend not coming back, it left a a lasting impression on me. This same show took place at Harper’s Ferry, which later became and to this day remains Brighton Music Hall.  Four years and three records later, Hunx and His Punx is back and better than ever.

Last year we did have the pleasure of experiencing a Hunx show at Great Scott and that was terrific, you can read about it here: but this performance packs in a few more punches. Much of this greater exuberance can be attributed to the new sound/style the band has adorned in their current release Street Punk (Hardly Art), an album that is fixing to be KLYAM #1 Album of the Year, but we’ll see about that. Nonetheless, with this new album the band mixes early 80s hardcore (Germs, Misfits, Black Flag, Circle Jerks, Jabbers) with their vintage take on 60s pop (doo wop, girl group, garage, bubblegum). Hunx and His Punx are not however a mere retro band, and tonight’s set is further confirmation that they are one of the most dynamic and fine tuned bands in all of rock ‘n’ roll.

Some of my favorite moments tonight is when the bands blasts through the ultra fast new cuts like “Bad Skin,” “Everyone’s A Pussy (Fuck You Dude),” “You Think You’re Tough,” (which feature some of Shannon Shaw’s greatest vocals!), and “Don’t Call Me Fabulous.” Hunx aka Seth Bogart (funny, I haven’t called him by his real name till now) is typically a fiery front man, but he and the band as a whole really take it up a few notches;  his vigorous screaming and body motion reminds me of some of the punk greats like Iggy, Darby, and my favorite Nobunny!  A Nobunny/Hunx tour would be fabulous, oops poor choice of words!

The band is touring behind the aforementioned Street Punk, but they also dish out a fair amount of older material.  Gay Singles classics like my favorite “Cruising” and “Gimmie Gimmie Back Your Love” are some highlights from the set. “Bad Boy,” “The Curse of Being Young,” and “Too Young to Be in Love” are also on dis play, all of which appeared on their 60s girl group themed sophomore effort, Too Young to Be In Love. Hunx busts out the guitar to perform one of my favorite tunes from last year, “Private Room” off his solo record Hairdresser Blues.

Hunx and His Punx’s music speaks for itself, but with a group this glamorous and flashy, there’s bound to be extraneous forms of entertainment at one of their shows. Besides the humorous in between song banter coming from Hunx, some of the venue’s wackier attendees get a little rowdy toward the end of set. At one point two women suck on Hunx’s feet, while another woman drops her top, exposing her bare breasts as she makes her way to the front of the stage, where she proceeds to make out with my partner in crime, KLYAM’s own Glen aka Gangbang Gordon. Naked women are making a come back at KLYAM attended shows I’ve found as of late! To place a perfect image over all this slimy love, Hunx drops his pants and writhes around the stage in his thong and bashes out a stellar version of the slow dance number “Lovers Lane” (Too Young to Be in Love).

Until next time, I’m going to keep on rocking out to Street Punk and I highly recommend you do the same. This is the best song off the new record or at least my favorite.

Review: Boston Fuzzstival (8/10/13)

Bands: Nice Guys, Fagettes, Moniker, Guillermo Sexo, CreaturoS,  The New Highway Hymnal
Date: Saturday, August 10, 2013
Venue: Middle East Downstairs (Cambridge, MA)

I’m not the right person to be writing about the Fuzztival… and I assure you no one else will make that claim right off the bat to you in any other “review.” I also assure you that no one else has the the right to review this show more than me either. Reviews are pointless to begin with, don’t listen to reviewers, nothing but trouble. Never done me any good. But, I am going to write about this show anyway because that’s how it goes, that’s how it’s always been. The Middle East Downstairs, fuck man, this brings back memories. No other venue compares. KLYAM attended shows at Mid East Down way before there even was a KLYAM!  We saw Black Lips, No Age, The King Khan & BBQ Show, and Box Elders (opening for Black Lips) here. Here. These suckers, these fuckers, these icons were inches away from us; their saliva smoothly sailed down my beat up, gray Ramones shirt.  The next day at school I would brag about what I saw, oh boy! “Girlfriends” would feign interest, it was a glorious time to be alive. But, the fun can only last so long. Soon I would realize that they just thought I was cool because I read Noam Chomsky and Malcolm X, and indeed those men are cool, but these femmes never wanted me, they never wanted us, they never wanted rock ‘n’ roll . They just saw my slick, leather jacket and assumed I was cool. KLYAM began on the concept that cool was death, we were anarchists, rebels, nerds, dorks, sociopaths, retards,  reatards. Reatards. We didn’t know (and still don’t know) how  things work. Late at night/ early in the morning, you could listen to Black Lips, Jay Reatard, King Khan & The Shrines, The King Khan & BBQ Show or even that psycho gorgeous band Deerhunter and for two seconds it made sense! The world was a fucked up place, but these dudes were fucked up too and they loved it and they drank their own piss and  that was okay that gave us hope, honestly.

And with that lovely introduction, here are Nice Guys! Woooooo Nice Guys woooo. How many shows has it been? Fuck it, you been counting? Me neither (yeah right) have I, I don’t fucking know, calm down. NIce Guys are a funny band though they play this abrasive, semi-hardcore, quasi garage style of music that just makes the hairs on my testes jet up and dance, It’s fucking loud and fun and noisy. They shit out various hits y’all oughta know like “Herb Chambers,” “Cop Walk,” and “Burrito Boner,” which is a favorite among dental receptionists.

I’ve seen my fair share of Nice Guys sets, yeah yeah yeah yeah, and they typically rock, but this one is a comparatively exceptional rocker. Cam Slays on the drums, up on that little drum riser thing like a Greek God –  must be new to the Mid East Down, cuz I’ve never seen it before. Jake, Matt, and, Alex jolt back and forth on the guitars, bashing into one another, crawling over their bandmates’ sweaty skin, tangling in wires and such. My favorite moment in the set is when Cam rushes up from his drum set and tackles Jake to the floor. That’s what I like to see, I love aggression, I guess I am just a sick guy. Nah, metal folk are sick, I am just having fun. Nice Guys are fun and sweet!

Set – List:
“Herb Chambers”
“Unholy Sacrifice”
“Cop Walk”
“Burrito Boner”
Watch Nice Guys play “Draggins” at the Fuzzstival HERE:

Nice Guy Matt Garlick is back again in The Fagettes and he’s joined by Ryan, Melanie, Peaches, and Joe. Fagettes are a KLYAM fave, only a fool couldn’t tell you that. They lean toward the nastier side of rock and roll that we cherish. Besides delivering humorous and informative weather reports, they unleash many essentials including “My Girl Looks Like Johnny Thunders,” “On Drugs,” “Water, Tea, and Alcohol,” “Tsunami,” and “Gonna Die Out Here.” In addition to the gunky classics, the fivesome also bash out some new numbers with “Bad Catholic” being my top jam for this holy evening. I too was a bad catholic, drank the holy water, bopped the bishop, and licked plenty of peanut butter.

A cool breeze just splashed over me, it’s a sign that Fagettes are the future of American pop music OR a favorite band of mine, Either way the future looks bright.
Watch The Fagettes play “On Drugs” at the Fuzzstival HERE:

Moniker – I catch flashes of  Moniker’s set, I dig, but I need to hear more to judge.  Find out for yo self here:

Now to Guillermo Sexo. Not as sexy as I would have thunk; not enough gunk punk in thee old junk. That’s okay though, I think some of y’all would dig them. For the first ten minutes or so, I’m feeling sexy, but then it just drags and my psyche yearns for some “Light Shines,” but that’s another band for another day, Ultimately, this is a decent band, just not exciting enough for my tastes.

CreaturoS are a psych outfit that often pop up on local listings and rightfully so.  While, I can’t say that they are the right kind of punk slime dish that I prefer,  they do rock pretty hard, enough so to garner an onslaught of fuzzstivalers, friends, and fans up on stage moshing and boppin’ about.  A killer way to conclude a set.

During CreaturoS’ and Sexo’s sets, I”m clutching on to the monitors and dreaming about a three way between Betty Rubble, Wilma Flintstone, and myself. Gee whiz, that would be a swell time, but I must be at least a tad bit insane in the old membrane for me to conjure up such images. Ironically, The New Highway Hymnal put me in my place. Arguably, The NHH are the freakiest of the bands tonight and that works to their  advantage. Vocalist/guiarist Hadden Stemp utters “Let’s give it up for CreaturoS,” receiving very little crowd response. “That sucked,” Stemp accurately asserts.  He gives the Boston crowd one more chance and with a slight improvement we segue way into the New Highway Hymnal’s diabolic set. The trio, which includes Travis Hagan on drums and Amelia Gormley on bass and vocals, open with “Whispers,” the title track off their epic LP released last year on Vanya Records.  The fuzziness continues with the grimy album opener “Through Stained Glass,” and then my memory is fuzzy after that (yes just a few hours later). I think there’s some new cuts tossed at us or just stuff that’s fresh to my ears. Last I remember is “Hey Kid” and then Hadden i s suddenly on the floor with us in the audience, jumpin’ around and what not, and then he’s back up on stage like a ninja. He’s quick and I’ve had too menty, a deadly combination. In any setting, listen to The New Highway Hymnal’s Whsipers LP here:

Review: Fagettes, Sun Lions, Earthquake Party, The Migs @ Mid East Upstairs (7/31/13)

Bands: Fagettes, The Sun Lions, Earthquake Party!, The Migs
Venue: Middle East Upstairs (Cambridge, MA)
Date: Wednesday, July 31, 2013

This is the kind of bill that should easily draw loads of local attention, any day. And it did. Eager onlookers slowly packed into the Middle East as my kinda band – The Fagettes – started playing their music. Sometimes these reviews can sound awfully repetitious, especially when describing some KLYAM faves, but singing the praises of Fagettes never gets old for me. Their sublimely catchy garage/pop is highly stimulating, more so than most bands in this ole Boston scene. They stick out visually – two stand-up drummers is pretty uncommon – and of course audibly; three singers trading words and ba ba ba’s more often than not. Entertainment. Tonight they play a couple cuts from last year’s impressive 7″ If I See Him Again (“On Drugs” and “My Girl Looks Like Johnny Thunders”), which along with “Gonna Die Out Here,” really showcase the Fagettes sound – sweet guitar tones bleeding from the amps of Ryan and Matt. They toss in a couple of brand new, full battery jams that oughta be trademarked soon. And then there was “I Hear Noises”. Not sure if I remember the last time I heard them play this, but it’s one of those tunes that calls for the late arrivals to be slapped around a little for missing out. People who’ve seen Fagettes live know what I’m trying to get at here. If you haven’t, they are playing a big show: August 23 opening for Hunx and His Punx at Brighton Music Hall. Can’t recommend that one enough. And remember to show up way early.

Next, we hear from The Sun Lions – formerly The Images. By either name, I was unfamiliar with their music. They had some passionate fans constantly dancing near the front of the stage. The first half of their set quite honestly didn’t too much for me. They sounded like any number of vocal-centric pop-rock alternative groups that had their heyday in the ’90s. That kind of familiar sound obviously has appeal to some, but around this site, you know, the slimier, the better. So once a second guitarist jumped on stage and joined the group, Sun Lions’ set became night and day to my ears. They transformed into a looser band, showing a knack for ’60s pop (covering “Heatwave”) and garage (another cover was “Have Love, Will Travel”…I think). I had much more fun rocking out to this side of the band and I wish the whole set would have been of this variety.

Earthquake Party! is a trio that like Sun Lions dabbles toward the more accessible fringes of pop ‘n roll. Their set consists of many very very brief tunes that are wild explosions of noise, fuzz, but most importantly melody. The guitarist Justin moves around the stage passionately while playing. So while he’s frantically singing and blasting away, Mallory (keyboard) and J-Raff (drums) keep things relatively in check. The energy of Earthquake Party! is perhaps their greatest attribute. They capture my attention immediately and always. I’ve seen them a few times before. This was the most fun I’ve had seeing them. To me they’re like a more catchy, snappy, ADD, Lost Sounds.

Last and hopefully not literally last (show) is New Hampshire’s pride and soul, The Migs. Kicking off with a cover of Rolling Stones “The Last Time” (remember they finished off their set at Great Scott with this a few weeks ago?), tonight felt like a cumulative continuation of all the good time vibes these guys have created over the years. Out of all the local-ish bands I’ve seen, it is the MIGS that capture the sonics of psychedelic garage nuggets the best. They nail this to a tee. I recently bought a compilation called Teenage Shutdown which features some gunk from young ’60s bands. If the Migs were around back then, you’d find them included. No doubt at all. “You and Me” is my nomination. Revved up and rowdy rockers. When Keven frequently takes off from the stage into the crowd while still hammering away on his guitar, it’s only natural to join in on the fun, shoving your neighbors around to the sounds of “Follow Me Home” and “We’re The Migs”. Moshing, freaky dancing, jumping up and down. A Migs show for the ages. For the thirty or so minutes they were up there, everyone was all smiles. Just incredible stuff.

Fagettes added to Hunx show @ Brighton Music Hall (8/23/13)

One of our favorite Boston bands The Fagettes are opening up that awesome upcoming Hunx and His Punx show we’ve been raving about for months now. The show is at Brighton Music Hall on Friday, August 23. Hunters and 2pretty are also playing.

Oh yeah and listen to Hunx’ latest LP Street Punk (Hardly Art). It’s the punkest album of 2013!

Listen to Fagettes here: