Category Archives: Ben Tan

Show Review: The TeleVibes, Future Spa, CHARLIE, Ben Tan @ Cantab Lounge (1/16/15)

Charlieee
Bands: CHARLIE, Future Spa, The TeleVibes, Ben Tan
Date: Friday, January 16, 2015
Venue: Cantab Lounge/Club Bohemia (Cambridge, MA)

KLYAM is back at the old Cantab Lounge, specifically the basement known as Club Bohemia, where all the action and then some happens. It’s dark, it’s dank, and looks like a leftover from the 70s, but that’s just the way we like it. As Carl on The Simpsons says, “The dank Moe, the dank!” You’re never going to get rid of the dank, don’t even think about it. It’s in the basement where all of the best stuff is born and wreaks havoc. Case and point, this evening’s show.

CHARLIE –  CHARLIE is a three piece consisting of Dan on vocals and bass, Tim on vocals and guitar, and Steve on drums. I haven’t seen these dudes since last April’s BUFU Fest or possibly at a rambunctious Robot Death Kites basement show last Summer, twas so rambunctious, both beer cans and brain cells have been diminished. Suffice it to say, it’s been too long.

“MAXIMUM VOLUME YIELDS MAXIMUM RESULTS” – CHARLIE’s bandcamp. Very true. CHARLIE lives up to this motif in their music and that is especially true live. I usually like to stand as close to the bands as possible, but I held back a little for this set. I want to preserve whatever is left of my eardrums, I lost my ear plugs to boot. I’m one deaf bastard and these are LOUD MOTHERFUCKERS. I love it. Even though, it’s so heavy, it’s not noise. It’s tough for me to describe these fellas. You can hear the vocals quite well, actually everything, every nuance of each instrument. It’s different.

If I had to compare them to somebody I’d liken them to Shellac, but with some more grooves in there. They’ll throw in those grooves and weird ass soundz to spice it up. My bro compares Dan’s vocals to those of the dude in Dillinger Escape Plan. I haven’t thought about that band since 9th grade or something like that, so maybe. I’m positive I would have dug this band as a ranting, pimply faced, anarchisto angst driven teenager. There’s definitely a healthy amount of aggression in CHARLIE, an undeniable aggression, but it’s also calm and controlled at the same time. And maybe schizo like their potential namesake, Mr. Charlie Kelley. This may be the kind of music people huff glue to, dunno, that was never my thing. They did cover a Flipper song though. I’ll be seeing CHARLIE again very soon.
http://charlieisgnarly.bandcamp.com/

Set-List: Titled “CHARLIE Rok ‘n’ Roll Set” and written in sharpie on the back of the cover of Linda Ronstadt’s Heart Like A Wheel record…
“Peru”
“Recall (Total”
“Mothers”
“Ha Ha Ha” (Flipper cover)
“Daved Linch”
“CHARLIE”
“Hard Carpet”

Future Spa  –  Oh yeah pal, KLYAM goes way back with Future Spa. We first had the pleasure on a cold evening in the basement of the Starlab. Mark Sultan was in town that night and we were ready to take off into his cursed world. Future Spa played before the BBQ and as I recall I was impressed with their jittery, snotty take on garage punk. It was like a garage band actually in the garage, practicing Black Lips and No Age tunes. I’ve seen them a couple of times subsequently, they’ve grown substantially. It’s still muddy though and that’s the way I like it. In fact, actually the last time they played and the last time I saw them was six months ago at Starlab Fest. Alas, I only caught a couple of songs of that performance, but here we are now and I’m ready to go.

Some of the dudes are decked out in costumes with bandannas and afros and other shit. Contrary to their own claims, Future Spa doesn’t suck and they garner some of the best crowd reception all night. They play a batch of old and new tunes including a haphazard, but lovable cover of Roy Orbison’s “Oh, Pretty Woman.” The newer songs definitely have some psychedelic taste and add a bit more of a pop sense to the loony garage mish mash. And by newer I mean like seven or more months old. I lost all sense of time. I hit my head on the DeLorean and now I don’t know if it’s 2015 or the alternate 1985.

Fortunately, it doesn’t matter what year it is, because the sounds are coming from all over the ages and beyond. Future Spa is certainly an underrated Boston band and one that is keeping the punk slime flowing around these streets. Catch them lurking around Somerville or your town or on here: http://futurespa.bandcamp.com/

The TeleVibes – Yes, definitely one of my favorite bands around town. Here’s a band that just puts you right in the mood to freak up and fuck out. It’s all that time spent on Salisbury Beach or the lean streets of Rowley; we could use some sweet Summer night music in the midst of the icy cold January. Short story: riveting, smooth, yet heavy psychedelic pop cradled with modern day garage punk. If you dig Ty Segall, Thee Oh Sees, and any surf band, then you need to hear this. Long story: the rest of this “review.”

If the music didn’t speak for itself already, The Lysergic Factory Lightshow amplifies the sensations of enormous 60s psychedelia. As the Tellies play flashes of every purdy color you can think of is projected behind them. You know it. To the right of me, Mr. Charlie Loring is smoking one of those E Cigarettes or Vapes or whatever. Haha, I thought at first they added a smoke machine, until I moved up closer to the front of the room. Indeed, with the light show and smoke and people starting to move and groove a little, the night shifts into a euphoric atmosphere resembling the 60s in some fashion.

But, it is 2015, I think and The TeleVibes are playing. The Tellies. I jolt back and forth between their proper moniker and my vaguely established nicknames. Admittedly, I am not exactly a professional writer, but I am a professional. I just don’t like writers. I wouldn’t even call this a review, except I don’t know what else to call it. A reader, a critic may gripe “don’t you think it is wise for a young man to stick to one topic instead of bouncing from one to another to another?” Perhaps, but the show must go on. I know what I’m doing, I just haven’t steered the boat in it’s direction, let me steer the boat in it’s direction and we’ll arrive safely back to shore, the Northshore, where The TeleVibes await us.

They are an animated bunch, but not in a ridiculous way. I feel you could definitely bring these kids home to mom and dad and they would be cool with it. “Ohh, you play in a band? That’s great.” But, maybeee something else is up. They’re not quite hippies, but they look like they could be on the road (no pun intended) to becoming hippies. Scott’s beard, Charlie’s frosted hair, oh and the music. That’s probably the dead give away.

Whatever it is, this trio, ohh yes they are a trio in case you wanted to know: vocals, guitar, bass, and drums, you gotit – whatever it is, this band generates a feeling of warmth deep down in the bowels of my dirty soul. Splash to and fro in these waves, let them engulf you, you won’t drown here. http://thetelevibesofficial.bandcamp.com/

Ben Tan – My main man, Mr. Billy Joel. OHH GOD NO! Thankfully, Billy Joel couldn’t make it and I’m currently dating Christie Brinkley. More importantly, my buddy Ben Tan is closing this evening’s festivities and he brought along a pal of ours, Brian Hickey on drums. I’ve seen Ben several times now and this is the first time he’s been accompanied by a drummer. Ben is seated, masterfully plucking away at the keyboards like Brian Wilson or any other madman. Brian is a steady drummer, always great, but I feel the drumming doesn’t work as well with some of Ben’s softer pop numbers. This isn’t a knock against Brian as I feel this would be the case with any drummer. But, with some of the speedier tempos (not too speedy though) the drums are fitting. Regardless, it’s still a pleasure to see Brian behind the kit tonight.

As with every Ben Tan show, the gentleman busts out a random hit or two, past or present. I think he mutters “TURN DOWN FOR WHAT!” So, it must be that song. I don’t really know that one, but I’ve heard it in passing. It gets some of the crowd moving though, even a mini break dance competition. We went from Woodstock to 24 Hour Party People, where has the time gone? Huh?

Next time, I’m going to request, NO, DEMAND, Ben plays “You Light Up My Life.” That song gives me shivers and makes me feel sick in a very awesome way. http://bentan.bandcamp.com/

A MASSIVE THANKS TO CHARLIE, FUTURE SPA, THE TELEVIBES AND BEN TAN FOR PLAYING, LYSERGIC FACTORY LIGHT SHOW FOR MELTING OUR MINDS, ALL OF YOU SWEETHEARTS THAT ATTENDED, AND TO THE CANTAB LOUNGE/CLUB BOHEMIA, MICKEY BLISS AND CREW! WE’LL BE SEEING ALL OF Y’ALL VERY SOON…

NEXT KLYAM SHOW IS TONIGHT!!!: https://www.facebook.com/events/813886121991254/?ref=70

 

KLYAM SHOW TONIGHT: The TeleVibes, Future Spa, CHARLIE, Ben Tan @ Cantab Lounge!

Cantab
Flyer by Cody Pettingil

Hey all you punk slime freaks! It’s Friday night and if you don’t have any plans tonight come out to the Cantab Lounge (Club Bohemia) in Central Square, Cambridge. If you have plans, erase em’. This is much better. We’ve got all the bells and whistles and psych and punk and surf and snot to keep you up all night. The TeleVibes, CHARLIE, Future Spa, and Ben Tan all on one smokin’ hot bill. Oooohhh ahhhhh.
FB Event: https://www.facebook.com/events/375101495991229/

Show starts at 9! Get there at 8:30. 21+ :( sorry kids. $8.

The TeleVibes
http://thetelevibesofficial.bandcamp.com/
https://www.facebook.com/TeleVibes

CHARLIE
http://charlieisgnarly.bandcamp.com/
https://www.facebook.com/charlieisgnarly

Future Spa
http://futurespa.bandcamp.com/
https://www.facebook.com/futurespaboston

Ben Tan
http://bentan.bandcamp.com/

Kids Like You & Me (KLYAM)
https://www.facebook.com/pages/Kids-Like-You-Me-KLYAM/184682771542274

ALL KLYAM RECORDS RELEASES WILL BE AVAILABLE AT THIS SHOW AND ALWAYS!!!

KLYAM Presents: The TeleVibes, CHARLIE, Future Spa, Ben Tan @ Cantab Lounge (1/16)

Jan 16
Flyer by Cody Pettingil
Hey all, just a reminder that this glorious show is happening in 11 short days. Some of my favorite people all on one bill: Psych surf nuts, The TeleVibes, garage gunk gurus, Future Spa, one man classic pop machine, Ben Tan, and just recently added to the bill experimental punk trio, CHARLIE. It’s all going down on Friday, January 16th at the Cantab Lounge/Club Bohemia (basement) in Central Square, Cambridge. 21+ sorry kids :(. Be there at 8 PM or be somewhere significantly less awesome.

The TeleVibeshttp://thetelevibesofficial.bandcamp.com/
CHARLIE http://charlieisgnarly.bandcamp.com/
Future Spahttp://futurespa.bandcamp.com/
Ben Tanhttp://bentan.bandcamp.com/

UPCOMING KLYAM PRESENTS SHOWS!

Cantab
Hello to all you handsome devils and dominatrices out there. We the KLYAM have cooked up some spicy, sassy KLYAM Presents shows for y’all in January and February. Just oozing punk slime, the way we like it…

Friday, January 16th – The TeleVibes, Future Spa, Ben Tan, and 1 MORE TBA @ Cantab Lounge (basement) in Cambridge.$8, 21+, sorry kiddies :( 8 PM. Check out the slick flyer above from Future Spa’s own Cody Pettengil.  https://www.facebook.com/events/375101495991229/

Saturday, January 24th – The Monsieurs, Atlantic Thrills, Feral Jenny, ACLU Benefit @ Lilypad in Cambridge.
$7-10 Sliding Scale, ALL AGES!, 10PM-1AM. Flyer coming soon. FB EVENT: https://www.facebook.com/events/813886121991254/

Monday, February 9th – KLYAM Presents w/ RAD CASTLE: Fire Retarded (Wisconsin, members of The Hussy), The Fagettes, Miami Doritos, Gangbang Gordon @ ZuZu (Middle East) in CambridgeFREE! (donations are accepted for the touring band) 21+, sorry kiddies :( 10 PM. Flyer and FB event page coming soon.

COME OUT TO ALL OF THESE! YOU WON’T BE DISAPPOINTED. THREE NIGHTS OF BARE BONES ROCK ‘N’ ROLL AT ITS FINEST.

Live Review: Gangbang Gordon, Miami Doritos, Ben Tan @ Club Bohemia (11/28/14)

klyam 28
Bands: Gangbang Gordon, Miami Doritos, Ben Tan
Date: Friday, November 28, 2014
Venue: Club Bohemia/Cantab Lounge (Cambridge, MA)

Ben Tan – It’s been exactly a year (well shave off five days) since I’ve seen my homie Bad Boy Tan play a solo set. Welcome back brother. He begins the show with his guitar in arms and tapping away with one foot behind the bass drum. I think it’s a new tune or simply one I’m less familiar with, who knows?

Following the first number, he abandons the drums altogether and comes closer to the crowd; BBT upfront and personal. He strums away on the guitar, singing a song about “Marielle” and life with the “Upper Lower Middle Class Blues.” Classic BBT.

Next up are the keys, the core of BBT’s work. This is where he truly hones in on his Brian Wilson influence. I sound like frigging Patrick Bateman describing his music. The guy from American Psycho. This is where the sweet, softer songs kick in, tunes such as “Come Out” and “Dance The Night Away.”

As in my previous BBT experiences the last few songs are reserved for cover songs and any other special audience requests, within reason. Much to my amusement and pleasure, the bad boy belts out covers of The Carpenters’ “Superstar,” The Beatles’ “Martha My Dear,” and R. Kelly’s “Ignition (Remix).” With the last song, he even has the lyrics down to a tee, including the opening lines: “Now, um, usually I don’t do this but uh….” Sharp, sharp guy. http://bentan.bandcamp.com/

 Miami Doritos – Well, look who it is, couple of doritos on the loose from Miami, eh? Yes, yes sir. Whenever I tell people that I have a band on my label (KLYAM Records, in case you’re a wiener and didn’t know) named Miami Doritos they usually chuckle and say “that’s a good name,” those exact words. They roll over and laugh and nearly die due to the unending hilarity that ensues. One fella even said to me “boy, I’d sign them based on the name alone.” True story.

Alright, now that we all had a laugh or a wince, let’s get down and dirty, if not outright filthy. Kurt (throat & axe) and Alex (skins) are the savage duo behind this mess. Ancient Greek gladiators. These two can cause a real commotion, you’d think there was three, four, or five guys tugging away. A mini mosh pit even erupts, a quick little pick me up, that’s right.

Miami Doriots are a metal machine, it’s as if Metallica and Slayer molested Phil Spector. You see what I did there, haha haha, what a funny guy.

Among the chart topping bangers in the Miami Doreets catalog, I request “Bike Cops,” I in fact scream it at the band as an encore. It’s simply one of those tunes that makes me feel okay with the world, even though it’s a totally shitty world. Yeah. Others request “Price 2 Pay,” a tune that appears on the Miami Doritos Splifft 7″ w/ Nice Guys on KLYAM Records. Hey! check it out here: http://miamidoritos.bandcamp.com/album/splifft-7\

Gangbang Gordon – Is the name Gangbang Gordon inherently offensive? I don’t think so, but that’s not my problem. I mean who is Gordon anyway? That’s part of what makes the name NOT offensive to me. If it was just Gangbang, maybe. Probably not though. Then again, I was under the impression that a gangbang was a bunch of people fucking a lone, but willing participant. I thought when it was rape it was called a Gang Rape. Recently, I looked up the term Gangbang and apparently it could go either way. Regardless, it’s understandable if you feel uncomfortable by the name (feeling uncomfortable is part of the GBG charm), but rest assured no harm was intended. GBG (we’ll just go with that) is so oblivious to everything anyway. That brings me to my main point or at least one of them. I have no interest in actual music reviews.

Oblivious, yeah I like that. Awkward perhaps. Nauseating maybe? Or just plain old fun. GBG is self-described “outsider tard rock ‘n’ roll.” One man’s ambition to make rock ‘n’ roll music within the confines of limited technique, inability to “properly” sing, and somewhat ignorance in terms of the history of the music he is trying to emulate. Picture it on stage (or floor): GBG squeals and huffs and jerks off his gutiar, whilst his co-gangbangers drop loads of magic on “noise guitar,” bass, and drums. Ben Tan returns as Mr. Tambourine Man or better yet Benny the Bunny(he slaps on a pair of bunny ears). Nobenny! Haha!

Ahhhh right, going back to the weirdness, it’s crucial, a GBG set is like no other. Think or say whatever you wish, but you can’t say you’ll see this same performance somewhere else, at least I never have. The typical mantras spouted in the underground (and sometimes aboveground) world is “hey you can do this too!” “anyone can make music!” Whether it’s The Kingsmen, Ramones, Beat Happening, Black Lips – the idea is a few blokes get together, make some noise, bash away till they can adequately play… to be able to play a show and so on and so on. Most of the time, it’s something shitty, but they have their shit together. They really do. They’re adequate as hell, even if it’s incredibly shitty. You’ve seen this band before, you saw them five years ago, you may have seen them five days ago, you’ll see them again, you’ll probably see them five years from now. They never stop. Same band, different name, different faces. NOW, GBG is not this band.

They do not have their shit together. It’s as if every member, every banger, is playing their own individual show. Don’t get me wrong there are songs, this is music. Eschew any nonsense GBG spews about it being non-music, that’s a cop out for the music sounding odd, which it does. Trust me, I’m friends with the guy. The man, the myth, the legend. Well, it could be considered non-music, I suppose, but it’s not some lame, ironic, art house project. Fuck that. It’s entertainment, there’s songs, they are played for your entertainment. GBG flops to and fro in a peculiar fashion in front and frequently within the audience for their enjoyment. He’s well aware that there are people in front of him watching, paid their money, and have other things to do. You often see bands (like the shitty ones I alluded to earlier) that are up their playing and they’re not moving or saying anything or doing much at all. Damn, did I miss something? Do you owe someone money? Is some miscreant sticking a 45 to your head and saying GET UP THERE AND FUCKING PLAY. What a bore. GBG’s music may be comparatively inept, but he sure is an entertainer. He’s quite aware of what he’s going through.

Seemingly, anything can happen during a GBG show. There’s this, dare I say BEAUTIFUL element to a GBG show. It’s a certain atmosphere rarely tapped into by other lads. Everyone stares, perhaps head bobs, Mario Epstein dances his ass off, but legitimately anything could happen and it wouldn’t interrupt the show, the show would keep going on. Someone could waltz over in the middle of the band, drop their trousers and take a steaming dump right in the middle of the set and it wouldn’t stop the show. It may result in some glares and naturally people will pinch and/or cover their noses… but it wouldn’t ruin the moment. It would just be like ohh that’s Bill. Bill comes in around 14:32 and takes a dump. That’s part of the show. Similarly, songs often abruptly end OR they don’t know when to end. Regardless, the crowd typically has no clue when one is beginning and one is finishing.

Let’s hope they never finish. GBG: http://gangbanggordon.com/

So, that’s that. This was a KLYAM Presents show and we are more than grateful for all of you fine individuals that played this show, attended it, or even if you wanted to make it, but couldn’t or didn’t, whatever! WE THANK YOU. And of course a big thanks to Mickey Bliss and the Cantab/Club Bohemia for having us. We’ll be back very soon! Keep your eyes peeled…

KLYAM SHOW TONIGHT: MIAMI DORITOS, DURT DOG, BEN TAN, GBG @ CLUB BOHEMIA!

klyam 28
HEY ALL, feeling stuffed after Thanksgiving dinner, eh? NO WAY! It’s Friday night, make extra room for this wild ass punk rock ‘n’ roll, KIDS LIKE YOU & ME (KLYAM) show at Club Bohemia (Cantab Lounge basement) in Central Square, Cambridge. Featuring the mighty Ben Tan, Gangbang Gordon, Durt Dog The Band, and KLYAM Records’ own Miami Doritos. Damn, after all that punk slime, if you’re not totally stuffed, then helll, that’s one Punk Slime eater there!!!

FB EVENT HERE, GO!:https://www.facebook.com/events/580285072118132/?ref_newsfeed_story_type=regular

MIAMI DORITOS: http://miamidoritos.bandcamp.com/
DURT DOG THE BAND: http://durtdogtheband.bandcamp.com/
GANGBANG GORDON: http://gangbanggordon.com/
BEN TAN: http://bentan.bandcamp.com/

Review: Ben Tan, Alex Marantz, Jasaon Zavala, Yankee Power, Só Sol @ Smokey Bear Cave (11/23/13)

BBT
Hi, I’m BBT. I come in peace.

Bands: Ben Tan, Alex Marantz, Jason Zavala, Yankee Power, Só Sol
Date: Saturday, November 23, 2013
Venue: Smokey Bear Cave (Allston, MA)

So yeah, as you can probably tell by the date above, this is EXTREMELY LATE.  However, as you may or  may not know, it’s okay, we here at KLYAM try to write about every single show we attend. Lately, we have been sucking at this! Too many shows, too much booze, too much school, too much work, and then not enough booze. Alas, I won’t waste anymore of your time droning on about our woes. Just dance to the music, and for a good cause might I add. This show here was a party to raise money for those suffering and starving in the Philippines. So bear with me (no pun intended) while I begin a series of dust blowing mini reviews and here we go…

Só Sol – Só Sol. So sick is more like it. They kill it. They kill it dead. Which, I haven’t decided how I feel about that phrase. It seems redundant. If you kill it, can’t we assume that it is already dead? But, in this instance,  the usage simply feels right. That extra confirmation that Só Sol in fact killed “it” and that “it” is in fact dead. What is it? It is any hint of monotony, tranquility, or apathy. On a freezing November night, this Latin, folk based trio permeate sweaty, sexy, sultry vibes and dance throughout the crowded, yet still comfy basement space.  I’ve seen these cats once before at  P.A.’s Lounge, but this place is a lot cooler. Then again, most places hosting music is superior to P.A.’s Lounge. Either way, catch these people anywhere you can, including PA’s. http://sosol.bandcamp.com/

Yankee Power – Ahh Yom Kipour, the holiest. I mean Yankee Power, so holy. Radically different from Só Sol, but just as sexy. This is a change of pace for these yankees. I am more accustomed to seeing these gentlemen in above-ground settings such as Middle East, Rosebud, and Precinct.  It’s certainly a different experience and an enjoyable one at that. They rock just as hard, but this time around I am not actually looking up to them on a stage or anything. There’s less breathing room. Bassist/vocalist Mark Fallon can attest to that as vocalist/guitarist Jeff Gallagher shreds on his guitar and shakes his booty in classic Jeff fashion, slowly planting himself on top of an uneasy Mark, with nowhere to go. They’re a fun bunch and my favorite song from this evening is “Because It’s Hard,” a Mark tune that always reminds me of Thanksgiving dinner at my house, which is a mere fours days away. Also, on this very night I bought myself a copy of the group’s bodacious rock beast: Zoo Traffic. And I got it on vinyl ooh la la, aren’t you jealous? Well, you can be just as cool as me starting today, starting right now: http://www.theyankeepower.com/

Jason Zavala – I was promised that Jay Z was playing this shindig and I won’t leave until Jay Z plays! I actually don’t even like Jay Z, but if I did then maybe I would belligerently shout this. Maybe. Jason Zavala, on the other hand, is a one man folk machine unleashing songs with his powerful, impassioned vocals. He truly is naturally gifted, which I can’t always say is true about most performers I see up to and including many of my own personal favorites. That aside, this sort of stuff isn’t exactly my thing, it’s too conventional and mainstream for my tastes. Some, if not all, of the songs are political in nature, but frankly half way through the set I find myself more enamored with the socialist, quasi lecture/rant my fellow Wakefieldian Chris Morrill is delivering elsewhere in the house. Still, here’s a shout out to Jason: http://jasonzavala.bandcamp.com/

Alex Marantz – This fucking guy, this fucking guy here. Haha, I don’t know why I just wrote that. It just felt like a “this fucking guy” moment. Often, you’re cocked and twisted and you point at some motherfucker from across the room and you say “this fucking guy.”  It’s a swine’s way of saying “hi, this is Alex. Alex, so and so. So and so, Alex.” Alex is a prolific singer-songwriter dude, a professed “lover of tape recordings and lo-fi bliss,” a fume hood, and a future day. That is to say he is a member of the bands Future Days and Fume Hood, both of which I have seen live. But, this is a solo effort and it’s a bit poppier than his work in those outfits. The set is relatively calm, soft, and dream like. Spacey – musically and lyrically. It’s accessible and not particularly controversial in any way. You could take your mother to see him, if she was hip. Yep, Alex does his thing and does it well, he’s still no Jeremy Piven though. http://alexmarantz1.bandcamp.com/

Ben Tan – Last and if you think least then I’ll knock you right square in the nads TWICE… BEN TAN!!!! Ben Tan, one of my best buddies and a talented multi-instrumentalist closes the show. One man pop guru. He cranks out BBT (Big Ben Tan) classics such as “Marielle,” “Upper Lower Middle Class Blues,” among others. Sadly, most at the party are not present for most of Ben’s performance and there is only a few of us remaining. This has nothing to do with Ben’s music itself, but rather the fact that by the time he goes on it’s  nearing 3 AM. The set skids its way into a peculiar jam session and better yet an impromptu Revivalists reunion. The Revivalists were a high school band in my hometown (Wakefield) featuring Chris Morril, Liz Sullivan, Brian Hickey, and of course Mr. Ben Tan. Check out Ben’s solo work here: http://bentan.bandcamp.com/album/inside-out

My Top Ten LPs of Twenty-Thirteen

I know I’m a little late on this and I already ran my mouth off in my last post regarding my top shows of 2013, so I’ll do my best to keep this one short and sweet. Here we go…


10) Dylan Ewen & The Southern Gospel Gangbusters – Country Fried, Southern Pride (BUFU Records) – Gangbusters? More like Gangbangers! I really got into a lot of Dylan Ewen this year in his various projects and out of all of them this was my favorite. For my money, this has Dylan’s rawest, most in your face lyrics with a nasty, bad ass gangsta edge that puts him up there with Cube, Dre, and Mr. Big. So wild.  AND it’s all set to a full backing band (drums, guitar, bass, viola, banjo, mandalin, harmonica, you name it) busting out southern gospel, bluegrass, and country. I had the pleasure of catching the band live in the heart of JP last month and I errr uhh nearly wet myself. TOP SONG: “500 Days of Bummer”
http://dylanewen.bandcamp.com/album/country-fried-southern-pride


9) Bent Shapes – Feels Weird (Father/Daughter Records) – I just received this record as a Christmas gift and I’m loving it. As a long time fan of Bent Shapes/Girlfirends this is a terrific mix of classics and some solid new jams. Every track is strong. On one hand, it feels like a greatest hits compilation and then on the other it comes across as a completely new entity. It works both ways. TOP SONG: : “I Was Here, But I Disappear”


8) Shannon And The Clams – Dreams In The Rat House (Hardly Art) – Shannon and The Clams  is a big favorite of mine, so this album was a serious treat this year. This one falls in line with all of their previous work: rock ‘n’ roll at its purest. 50’s doo wop, garage rock, Ramones styled punk rock, and some of the best voices you will ever hear. It may not be the most original music, but it’s rock ‘n’ roll. This is the plateau, this is the ideal, this is the benchmark. TOP SONG: “If I Could Count”
idiot genes pic
7) Idiot Genes – S/T (Self-Released) – The third (but not final!) Boston band on this list, Idiot Genes are one of the most recent bands I have listened to in 2013. I first caught them at a show at O’Brien’s Pub last August and I was enamored with their oddball sense of humor and surly, apathetic punk attitude. Subsequently, I hopped on their bandcamp and I was blown away by what I heard. I related to the band’s sloppy, lethargic, wasted narrative. The feeling of being fucked and fagged and shagged. I was frustrated and hearing the Idiot Genes reminded me why I hold rock ‘n’ roll so near and dear to me in the first place. It is my elixir, the temporary cure to all of life’s problems. They are almost like a different kind of party band, an after party band, a hangover band. This all sounds like one miserable hangover, and by miserable I mean extraordinary. Makes me want to drink too much and then regret some of it the next day, especially when the hangover doesn’t go away by 5 /6 PM like it usually does, so then you just drink more, until the next day after that when you’re even more hungover AND still a little drunk. So, what do you do? you crack open a beer and drink some more and then you listen to Idiot Genes, one of my new favorite rock ‘n’ roll elixirs for that temporary cure. Drunk Consistently. Listen here and join me in a nightcap. Cheers. TOP SONG: “The Charles Mansion” http://stupidpants.bandcamp.com/album/idiot-genes


6) Colleen Green – Sock It To Me (Hardly Art) – Sock it to me? Ok. Ms. Green is one cool cucumber with all her Richard Nixon and True Romance references on her latest album Sock  It To Me. Much like Shannon and the Clams, with this album Colleen maintains the same rock ‘n’ roll flavor she’s always had, it’s just stronger than ever. Just a great example of how pop music doesn’t have to be a big mass machine product, instead it can be as simple as a guitar, a drum machine, and passionate vocals. TOP SONG: “Number One” (The Queers cover)

The Monsieurs 2
5) The Monsieurs – Rock The Night (Self-Released) – Damn son, this past October I had the enormous fortune of cumming across my legs when I came across The Monsieurs at the Brighton Music Y’all opening up for the holy King Khan & The Shrines. I’ve heard plenty of great garage spunk this year, but this new release from The Monsieurs was/is a real dessert, a dish best served cold. A cold, sudden punch right in the nads that is. Seriously though, these dudettes and dude really fucking rock and pack in the punches. This band has all the bells and whistles and bubblegum and grit that you and your buddies get off on every time you listen to Hunx  and Nobunny and hopefully Fagettes at home on your dad’s worn out stereo, BUTT Monsieurs turn it up to 11. From the first few seconds of “Shadow” to the last gasping breaths of “At the Hop,” this record is garage pop on steroids. Lead singer Andy Macbain is a beast, a force to be reckoned with, and his vocals are out of control, off the wall. It’s all sludgey and thuddy and LOUD. If you like rock ‘n’ roll with a rambunctious ummphhh up your ass then here ya go – yet, it’s still as sweet as a little old lady taking 20 hours to cross the street with her little old cane? So sweet it helps that sludge go down smoother… I see big things for The Monsiuers in Twenty Fourteen. In 2014, let their album Rock the Night become your musical lubricant! TOP SONG: “Kari Ann” http://themonsieurs.bandcamp.com/album/rock-the-night-8-song-digital-album


4) King Khan & The Shrines – Idle No More (Merge) – It’s always a great year whenever one of our Honorary KLYAMERS releases an album and King Khan is among our top OG’s. You could say he helped make us who we are today to paraphrase a line in the tune “So Wild,” a song dedicated to the late, great Jay Reatard. RIP Jay forever and ever.  For once your wild spirit may rest in peace… the chaos of the world so foreign, yet so familiar, you feel this tone on King Khan & The Shrines’ Idle No More, their first album since 2007. It’s a very personal album, the most mature to date. Highly spiritual as ever, yet it still maintains that fantastic Khan spirit of ubiquitous joy. Love. And coming back to the KLYAM, that’s one thing I love about rock ‘n’ roll (as we see it),  all the bands we rep, and this record. No matter how torturous the world can be, there’s still a light. Khan and his crew take the misery, the darkness, and they turn it on its ugly head, ultimately receiving a boisterous, fun filled album as ever been conceived by the Shrines.  TOP SONG: “Bite My Tongue”


3) Nobunny – Secret Songs (Goner) –  Nobunny continues the trend on this list of artists releasing albums that preserve their raw, rock ‘n’ roll character and yet augment their craft at the same time.  Secrets Songs is stacked with smash hit after smash hit haha; every tune is a blast, no filler. Love Visions will probably always be my favorite, but I have to send my accolades to Mr. Bunny here. This LP has the most variety ever on a Nobunny record lyrically, musically, and aesthetically. There’s several fast poppers, screeching hardcore punks odes, and a batch of soft gentle numbers for the ladies and in particular for the Birthday Girl. NO NO 4 LYFE! TOP SONG:  This is a toughie, but for now I’m going to go with “Bye Bye Roxie”


2) Peach Kelli Pop – Peach Kelli Pop II (Burger) – I know this came out in 2012, but I heard it in its entirety in 2013 and I loved it so damn much that I just couldn’t leave it off the list! This is one of the greatest pop records I have ever heard. Like I said earlier regarding Colleen Green, pop music  doesn’t have to be mass produced and this certainly applies here. I was in love with PKP’s first album and I didn’t think it could be topped at the time. What was I thinking?! As awesome as her debut is, it doesn’t have anything on its sequel. Holy shit, this thing is incredible. PKP II is like Terminator 2, if it was a movie. A full blast of immediate, catchy pop songs from start to finish is what we have here. Peach Kelli Pop – Allie Hanlon channels bubblegum, garage, and 60’s Girl Groups in all of these short, but ever so sweet songs. It’s like injecting yourself with bubblegum pop music and feeling that instantaneous sugary high! This record always puts me in the best mood. Cheers. TOP SONG: “Red Leather”http://peachkellipop.bandcamp.com/

And the weiner is…


1) Hunx and His Punx – Street Punk (Hardly Art) – I know, I know I’m a Hardly Art whore. Haha, that should be a marketing trend. Labels should pick up on this. I can picture it now “I’m a Burger Whore!” or “Be a Burger Whore!” Shirts, pins, posters, let’s do it! I say this all with love. Anywhooo, since the dawn of KLYAM five years ago, Hunx and His Punx is one of the only, if only (possibly?) band that has consistently put out new, exceptional releases each year. With this album, Hunx and his cronies have snarled their way into the bowels of the rock ‘n’ roll/garage/punk landscape. I just adore and admire the way the band mixes up early hardcore punk (Germs, Misfits, Black Flag) with their classic garage rock style. Half of me says it’s an affectionate satire and the other says this is the real deal, this is the music itself. It feels like Circle Jerks or whoever comes to mind. When Hunx says he wants to beat you with a baseball bat, his screams are terrific and serve as a true homage to the aforementioned punk legends, but let’s not forget he’s saying this all because of his BAD SKIN! That’s part of the fun. I’m glad someone finally made (I could be wrong here and I very well may be missing out on loads of great, similarly styled albums) a piece of work that connects the dots in these various styles of pure rock ‘n’ roll music, which is not very pure to begin with. It’s so satisfying. I’ve always felt like that early wave of hardcore punk was like garage rock’s weird, fucked up cousin. It’s all coming from the same place essentially. It’s all about total and agonizing frustration and partying your ass off to cure that frustration. Hunx and His Punx get it. By the way, some of Shannon Shaw’s finest vocals! TOP SONG: “Mud In Your Eyes”

So, that’s it. That’s my list, but before I depart I have to give some mo’ shout outs. Here are some honorable mentions.  Ben Tan – Inside Out, The Memories – Love Is The Law, Kal Marks – Life Is Murder, Saralee –  S/T, The Gabba Ghouls – S/T, Kaviar Special – S/T, and last but certainly not least Lust Cats Of The Gutters – S/T , an album that was released in 2012, but nonetheless one of the best albums I heard all year.

2013 was also the first year of our record label KLYAM Records. We were/are extremely proud that our first release was one of our favorite records from 2012: Fat Creeps S/T EP


I chose not to include it on this list, because A) It was one of our own releases, B) It was originally released in 2012 and that’s when we heard it and loved it, and so forth, and C) It’s an EP and this is a list of my top LPs. Still, I couldn’t go without repping this record in a year end list of top records. Furthermore, if you haven’t picked up this album yet, then do yourself a favor and grab one now before it’s too late You can order it from KLYAM Records here: http://klyam.bigcartel.com/ The record is also available at Weirdo Records and Armageddon Records, both in Cambridge, MA.

We look forward to 2014 as we have more records and shows and reviews then can be imagined! Stay tuned, then turn on, and then drop out, and we’ll meet up and listen to records or something.

Peace 2013!

Review: Miami Doritos, Free Pizza, Gangbang Gordon, Ben Tan @ Radio Down (10/11/13)

KLYAM Presents
Bands: Miami Doritos, Free Pizza, Gangbang Gordon, Ben Tan
Date: Friday, October 11, 2013
Venue: Radio Down (Somerville, MA)

Ben Tan – This ain’t BBT’s (that’s Big Ben Tan for your information) first rodeo, aww hell no.  Ben Tan’s been rocking and shocking dance halls, basements, back alleys, and Vince McMahon’s private parties for over a decade now and he’s not stopping any time soon; he can’t he has that contract with the “dubbya dubbya E” aka WWE as he puts it in the folk anthem “Upper Lower Middle Class Blues.” It’s a Bob Dylan ode if I’ve ever seen one, what with the raspy voice, acoustic gee tar and harmonicai in tow.  You know, if you have a younging in the house and are looking for an alternative to the typical clown/magician spectacle than look no further than Ben Tan. Kids love Bob Dylan.

Ben continues with other signature originals including “Inside Out” and a song about a very special gal entitled “Marielle.”  These cuts showcase Ben’s natural talent as a singer – songwriter (God, I hate that term, but trust me it works here) and his incredible ability to imitate the pop music of the 60s with The Beach Boys and The Beatles being his top two objects of duplication. If you’re looking for the most original music in the world, then I’d say look elsewhere. At the same time, Ben is his own person and stands out in just about any setting.

After having enough fun with the guitar, he makes his way to the piana, where he busts out a few more OGs. He closes his set, asking for any crowd requests.  This leads to mershy pop numbers, R. Kelly’s “Ignition Remix” and Cee Lo Green’s “Fuck You,” much to the crowd’s delight.  BBT’s back in the saddle again. http://bentan.bandcamp.com/album/inside-out

Gangbang Gordon – Following Big Ben Tan’s set is rock ‘n’ roll’s last tru gangsta, Gangbang Gordon himself and he is accompanied by my brother Justin on drums. This is GBG’s fifth show and his second with Justin, and with all biases aside I think this is his/their best set so far.

Alas as the two are about to run through the beginnings of an epic GBG set, the amp dies on them. Eh, well whatever doesn’t kill you only makes you stranger, right? Luckily, Ben lends GBG his amp and all is well. The gangbang begins with an all instrumental jam that mixes surf and noise and sounds like The Ramones, Nobunny, and Fat Creeps. Then they slide into “Lost Touch With The Youths,” a song about being young and lost and feeling out of touch with those who are young and lost.

The show goes on for more and more  grotesque Gangbang Gordon tunes that make most cheer, some cringe, and then you have Ben Tan, who wants to start a riot. At one point he yanks my naragansett out of my hand, chugs it, and flips me the bird. I immediately rip the beer out of his hands, but he’s out of control as he swings some sort of cables around frantically dancing to the Gangbang.

The Gangbang slops over into its filthy climax with the Spanglish rapcore number “Orgullo de Rappers” in which GBG paces around the packed crowd, rapping in everyone’s face and hucking beer cans in the air. As GBG lays his axe to rest in a whirlwind of feedback, Justin piles through with a vicious drum solo that leaves the crowd thirsting for more. More Gangbang to come in the future…
http://gbgordon.bandcamp.com/

Free Pizza – Free Pizza is among one of the many fantastic artists I have come across in the Boston underground music scene this past year. They’ve been kicking around for a couple years now, but I only recently got turned on to them this past Summer. This is my second time seeing them and I am really digging their sweet, summery, surf sounds. How’s that for alliteration?

Recently, tragedy struck the band in the form of a skateboarding accident resulting in vocalist/guitarist Jesus Vio breaking his clavicle, leaving him unable to play guitar. But, the mighty Free Pizza soldiered on! Jesus keeps rocking on vocals and they have enlisted friend, Ben Katzman on guitar. Ben rocks. EVERYBODY ROCKS!

I am still learning Free Pizza songs, but right now my favorite is their signature bandcamp available tune “Net – Babes.” It’s a catchy little number and every time Jesus sings “we have no beaches” I hear “we have no bitches.” Haha, that’s just what I hear. It’s BEACHES folks, and Free Pizza will be surfing through your skull on a daily basis. Get with the times. http://freepizzarocks.bandcamp.com/

Miami Doritos – By the time Miami Doritos hit the mini stage I am feeling no pain. Who needs pain when you have Miami Doritos? Kurt (vocals/guitar) and Alex (vocals/drums) find the one kid in the audience that is feeling pain and they serenade him/her back to safety with their psychedelic thrash testosterone fueled noise.

Indeed, two pieces are fun. Just to throw that out there. I typically prefer a full band, but Miami Doritos stretch beyond the common limitations that two pieces meet every day. I mean there’s just two of them, but it takes two to tango, so why do you need more than two people in a band anyway?

If you’re looking for a swift kick in the balls and you’re sick and tired of being let down by indie rock losers, then go out and see Miami Doritos and you won’t be disappointed. http://miamidoritos.bandcamp.com/

This was a Kids Like You & Me/KLYAM show and Glen and I are thankful for all of the bands that played, everyone that came out, and the Radio for having us. We also want to thank Storm or Howl, who was originally scheduled to play, but could not make it. They are amazing and you should all check out their beautiful music here: https://www.facebook.com/stormorhowl

KLYAM Presents: Miami Doritos, Free Pizza, Gangbang Gordon, Ben Tan @ Radio Down THIS FRIDAY!

KLYAM Presents
Hey all, Kids Like You & Me/KLYAM are throwing one helluva show this Friday, October 11 at Radio DOWN in Somerville featuring…

Miami Doritos
http://miamidoritos.bandcamp.com/

Free Pizza
http://freepizzarocks.bandcamp.com/

Gangbang Gordon
http://gbgordon.bandcamp.com/

Ben Tan
http://bentan.bandcamp.com/track/inside-out

Be there or be somewhere else significantly less cool…