Category Archives: Local Music

Art, concert review, Local Music, Music, pictures, Punk, reviews

Concert Review: Dirty Virgins, Slimers, Krill, ABADABAD @ Great Scott (12/18/12)

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Eye Design Presents: Treat Yo Self Christmas Edition With Music From:
Dirty Virgins, Abadabad, Krill and Slimers
Date: Tuesday, December 18, 2012
Venue: Great Scott (Allston, MA)

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Act I: Slimers– Ahh, it’s good to be back in ye olde Great Scott. Tonight, the place is looking festive, decked out in various Christmas decorations. For those that don’t know (you oughta be ashamed of yourselves), Slimers is Lukas Goudreault (vocals, guitar) and Keven Lareau (vocals and drums/percussion) of The Migs and MMOSS  and they are dressed in equally festive raiment: some badass Cosby looking Christmas sweaters. Da Slimers start their sound checkin’ and for a few brief moments I feel like we’re at some house show. No, I don’t mean house as in a basement, living room, DIY sorta thang. I mean house as in electronic, trance, dubstep, etc. It’s trippy, loud and intense brah, where are the glowsticks and euphoric blockbusters? Nowhere to be found, because  Slimers aren’t a hair cut band and more importantly this is just their sound check.  Christ, why am I reviewing sound checks? That would be pretty funny though if we at KLYAM  just reviewed sound checks from here on out. Fuck the set tonight, I just want to hear a killer sound check, man. Good lord. In all seriousness though, when Slimers are sound checking, they start playing for a little bit and I’m fucking immersed in all their sliminess. I look to my right at Glen and I can see in his eyes that he feels the same way. Then I look behind me and I notice that we’re the only ones in front of the stage. I’m thinking “what is a matter with all of these jokers?” Then the band immediately stops like a car going 90 slamming on the breaks. They walk off the stage, and Glen and I look at each other, both thinking the same thing: “fuck, we’re idiots!”  We were both thinking that that was the beginning of their actual set, not just a sound check.  Aww man, this sound check is like the pre-cum that cums out before the real cum. No worries, the real cum arrives shortly and better than I expected.  Slimers produce a blast of noise, psych, and the kind of  rock ‘n’ roll we consistently champion here, the only kind.  It’s a fun, loud set and in fact the best of the night. I’m still acclimating myself to their songs, but I find it hard not to sing along to “SPAGHETTIANN,” a catchy number that draws comparisons to early Ty Segall.  The duo close their set with a cover of “Louie,  Louie.” YEAH YEAH YEAH YEAH YEAH!  Get  yer ya-ya’s out with Slimers here: http://slimerz.bandcamp.com/

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Act II: Krill– Krill is a three piece from Somerville that I am not particularly fond of, but it appears as though others in attendance are digging them. They seem to have some noisy garage vibes like  the other bands on the bill this evening, but they don’t diddle my twat the way Slimers diddled my twat. This is just my first impression, sometimes I change my mind, so I plan on giving them more listens. Here’s their bandcamp page, check it out : http://wheretheresakrilltheresaway.bandcamp.com/

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Act III: ABADABAD– At this point in the evening, the Great Scott is pretty packed. I mean actually throughout the whole show, the turn out for a Tuesday night has been spectacular. ABADABAD, what a name for these dudes! ABADABAD is a band I have never heard of until now.  I enjoy their set for it’s mellow, danceable, power pop quality. And yes indeed some dancing emerges during their peformance, which is always positive.  Click on their bandcamp page, they have plenty of releases you can dance your ass off to: http://abadabad.bandcamp.com/

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Act IV: Dirty Virgins– It’s been an excellent year in music, each year seems to get better, but what makes this year so special for KLYAM is the fact that we have had more exposure and experience with local- Boston/ New England based music more than ever before. Dirty Virgins are certainly a part of the Boston underground music scene and definitely one of the best local bands I’ve seen all year. I saw them before at the Dirty Douglas and that was a bastard of a show. Good times.  Tonight, the Dirty Virgins are just as fun as before, if not more. The crowd dances and moshes (a little bit) and in general all are in high spirits. They deliver a ball busting, rocking set filled with several great tunes. I especially dig the headbanging inducing anthemic rocker, “Cheap Talk” as well as the country droolin’ ballads in “Bar Rot” and “Company Store,” two jams that make the band earn the description in the first half of their moniker. The latter number in particular is a terrific sing-a-long. Listen to all their punk slime here: http://dirtyvirgins.bandcamp.com/

Adam Green, Art, Atlantic Thrills, Bent Shapes, Best Coast, Best Of 2012, Black Lips, Bradford Cox, Cole Alexander, Cumstain, Dangeresque, Diamond Rugs, Entertainment, Fat Creeps, Gangbang Gordon, Ghetto Cross, Gravys Drop, Honorary KLAYMERS, Ian St. Pe, King Khan, King Khan and the Shrines, Lists, Maine Coons, Music, Natural Child, New Highway Hymnal, Nobunny, Peach Kelli Pop, pictures, Punk, Saba Lou, Shannon and The Clams, SKIMASK, The Barbaras, The Electric Street Queens, The Fagettes, The Migs, The Orwells, Ty Segall, Yankee Power

Chris’s Top Songs Of Twenty-Twelve

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The Barbaras – these dudes created some of my favorite songs released in 2012

As with every year, I’m listing off my favorite songs (in alphabetical order) and keeping to a three song maximum per band, because there’s just way too many to list all of them! And we’re off.

A:

Adam Green & Binki Shapiro– “Here I Am”
Atlantic Thrills– “Foreign Lands” “Acid Rain” “Give It Back”

B:

The Barbaras– “Breathing Underwater” “How Many Times” “Only One”
Bent Shapes– “Bites and Scratches” “Leave It Till You Need It”
Best Coast– “The Only Place”

C:

Cumstain– “Ghost Love” “Rollin Wrong” “Sit and Twist”

D:

Dangeresque– “Walking Dead”
Diamond Rugs– “Blue Mountains”
Dirty Virgins– “Cheap Talk”

E:

The Electric Street Queens– “Beefcake Baby” “She’s Gotta Bruise” “Doncha Wanna Work At the Brewary”

F:

Fagettes– “If I See Him Again” “On Drugs”
Fat Creeps– “700 Parts” “Nancy Drew” “Secrets”

G:

Gangbang Gordon– “Life At the ABC” “QMI Fatties”
Ghetto Cross– “Still”
Gravys Drop– “Made to Love” “Runaway” “Happy Birthday”

H:

Hunx– “Private Room” “Always Forever” “I’m Not The One You’re Looking For”

J:

Jacques Le Coque– “Grow Up”

K:

King Khan & The Shrines– “Bite My Tongue”

M:

Maine Coons– “Ghetto Queen” “Tired and Inspired” “Uniform Choice”
The Migs– “You and Me” “Fuzzy Son” “Take Take Take”

N:

Natural Child– “Faces of Death”
The New Highway Hymnal– “Hey Kid (Gotta Run)” “More” “Blackend Hands”
Nobunny– “Assholes” “At the Mall”

O:

The Orwells– “Halloween All Year” “Mallrats (La La La)”

P

Peach Kelli Pop– “Panchito Blues II” “Dreamphone”

S:

Saba Lou– “Until The End”
Shannon and the Clams– “Angel Baby”
SKIMASK– “Get U Back” “Fine China”
Slimers– “Spaghetti Ann”
Squall– “Repulsor” “No Life Here”

T:

Ty Segall– “Thank God For Sinners” “You’re The Doctor”
Ty Segall Band– “Wave Goodbye”

Y:

Yankee Power– “Stray” “Adopted Love Doll” “Real Folk”

Art, Bent Shapes, Local Music, Music, pictures, Punk, reviews

Single Review: Bent Shapes – “Panel of Experts”/ “Bites and Scratches”

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Band: Bent Shapes
Songs: “Panel of Experts” and “Bites and Scratches”
Release Date: 12/12/12

I’ve had the pleasure of seeing Bent Shapes live a couple of times this fall and in both instances nearly every song had at least one memorable quality. In fact, their Bandcamp page (http://bentshapes.bandcamp.com/album/demo) contains some of these fine pop tunes. With this release, the trio further this reputation, adding two more catchy, jangly numbers to their catalog.  The first song “Panel of Experts” kicks off with some simple, steady drumming from Andy Sadoway and soon vocalist/guitarist Ben Potrykus and vocalist/bassist Supriya Gunda chime in with sunny guitar riffs that remind me of Weezer. I know I’ve compared Bent Shapes to Weezer before, and believe me they extend beyond that comparison, but I can’t help but note the easy on the ears, direct hooks that both bands possess. “Panel” is a catchy song, for sure, but I prefer the second half of this single – “Bites and Scratches.” This is a really killer tune. I distinctly remember this song sticking out during the live performances, so it is exciting to hear the final version. “Bites” is instantaneous, wrapping you in from the first few seconds – and Lord knows I’m a sucker for such pop songs. I hear a lot of pop songs about couples holding hands, but the words usually don’t mean much to me. And I’ll be honest, I don’t pay attention to lyrics that much anyway, but in this song Ben’s vocals are so strong I can easily picture him (or the character in this song) grabbing a girl’s hand and sharing in their mutual feeling of self-disgust or “damaged goods” as they call it. “Bites” exemplifies what I love about Bent Shapes: fun, but not the kind of fun you would have with Black Lips or The Migs. More along the lines of feeling sad, frustrated, and moody (don’t worry I’m getting to my point) – but not in an emo, stay alone in your room and listen to sad music sort of thing. More like, I feel like shit, but I’ll go to this party anyway, and stay up to watch the sun rise. And a hazy feeling of euphoria, “it will be alright,” takes over. I guess that means fun to me. If you can evoke those emotions in me in less than two minutes, then you get an A in my book.

klyamrecommended

Art, Band of the Week, Local Music, Music, pictures, Punk, The Electric Street Queens

Band of the Week: The Electric Street Queens!

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ESQ

Our current Band of the Week is the notorious Electric Street Queens!  This ain’t your grandaddy’s dry music, this is the real shit, “Sweaty, salty, never dry.” ESQ are a brutal two piece that roam the (electric) streets of Boston and features Melanie of The Fagettes. Ya dig them too if  you don’t already.  For fans of  scum, puke, and roadkill, check out The Electric Street Queens.
http://electricstreetqueens.tumblr.com/


Shot by Avi Paul Weinstein, you can find all of his videos from that night on You Tube as well!

Art, concert review, Local Music, Music, Nice Guys, pictures, Punk, reviews, The Migs, Uncategorized

Concert Review: The Migs, Nice Guys, Cult Fluorescent, Slimers, Chillcity Icon @ Wilder Zangcraft (11/24/12)

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YEAHHHH
Bands: The Migs, Nice Guys, Cult Fluorescent, Slimers, Chillcity Icon
Date: Saturday, November 24, 2012
Venue: Wilder Zangcraft (Lowell, MA)

Act I: Chillcity Icon – The chillest of city icons, Travis and Kevin are two good heads you can find around the city of Lowell and tonight’s first band. I don’t even know where to begin here: my description will not even come close to doing justice to their performance, you just have to see it for yourself.  But, what the hey, since this is a “review,” I’ll throw in some of my thoughts and reactions. Well, firstly, you have to know about the visual: there’s a table in the middle of Travis and Kevin and upon this table are various objects such as a big bicycle wheel, which the drummers (ohh yeah, I forgot to mention they are both sick drummers) use to get some zounds with their drumsticks. There’s plenty of electronics as well. You could say this is a noise affair, I’m going to say that, despite its quiet, mellow charm. I can’t say that I could watch this over and over again, but for someone that typically doesn’t like 80-90% of music that doesn’t contain immediate pop hooks, I honestly walk away impressed. During the set, I find myself locked in a trance, rarely able to escape it, and that, my friends, usually never happens. It’s cool to watch a performance every now and then that defies the conventional, song begins, songs ends, everyone claps for approval, song begins, song ends, etc. Instead this experience is akin to one colossal vomit session – just hurling out the music until it’s over, feels fresh.  I also really dig how there’s complete silence (or no spoken words) from the two performers until the end when they wish everyone a HAPPY THANKSGIVING! Well, after Chillcity Icon, I feel stuffed for sure.

Act II: Slimers– Some slimy punkers right here – Migs/Mmoss men Keven and Lukas in a two man musical attack on all the senses. The pair are decked out in matching army jackets, it looks like they are fresh off a hunting trip, ahh these two fine lads couldn’t hurt a fly, or could they? They take it all out on their drums and guitars, with Keven shouting vocals and slamming away on the drums and Lukas up front strumming thee olde 12 string and screaming his pipes off as well. If you dig Migs, you will probably be down with Slimers, they have that gah ridge feel like Migs, but the songs are stripped down and a bit more intimate. These fellas know the meaning of punk slime (they ought to, being Silmers), which is great because I have no idea what the fuck that means. Little help? Here’s my grandmother’s favorite Slimers stain, “Spaghetti Ann,” when the band was briefly known as Heroin Mom, ahh those were the days. http://www.youtube.com/watch?feature=player_embedded&v=XOdRrox28ew

Act III: Cult Fluorescent– Saw this motherfucker last February at the Dirty Douglas, alongside New Highway Hymnal, Big Mess, and Dirty Virgins. Easily one of the most memorable sets all year. Now Now, you may be thinking that that is some cheesy stock line and granted the syntax and lack of more enticing adjectives may make it appear as so. Let me assure you that’s the truth and several AIM chat convos w/ Gangbang Gordon have occurred since then discussing that very performance; yep we still use AIM, cuz Facebook chat just doesn’t feel right. Why have nostalgia when you could just constantly relive your life experiences over and over again? Well, I’d certainly love to relive that show experience again, and in a way I can and so can you, here take a gander: https://klyam.com/2012/03/13/concert-review-new-highway-hymnal-lowell-7-release-show-dirty-douglas-21712/ Back then he was known as Between Tall Saints and Sinners, and now Brad is back as Cult Fluorescent. Just like last time, he is a unique performer, simultaneously permeating chaotic, yet gentle vibes. This time around, the songs seem more accessible, but still retain the same atmospheric, dreamlike quality I felt before. [My memory is a bit fuzzy, longgg week, then and now] Brad Cult Fluorescent concludes his set by slamming his keyboards to the floor and removing his shirt (or some variation of that, use your imagination). Do something for good once in your useless, moronic life and like him on facebook: http://www.facebook.com/CultFluorescent?fref=ts

Act IV: Nice Guys– Holy smokes! Batman, we’re at Act IV!!! NICE GUYS!!! Throw your panties in the air, these upstanding gentlemen deserve it. Nice Guys are the Nice Whips tonight, because they play a set full of Coachwhips covers. Y’all know Coachwhips, right? Well, if you don’t check out a fun video of them playing at a Boston basement in 2004, right here: http://www.youtube.com/watch?v=DcgwMO23obA  Nice Guy Matt Garlick was nice enough to post this vid on the event page, what a nice guy! I myself am not too familiar with The Coachwhips, though I know them because of the John Dwyer/Oh Sees connection. I’ve been listening to them a little bit now and they are pretty sick (with Dwyer on board, how couldn’t they be?), so seeing a solid band like Nice Guys cover the Coachwhips is an absolute pleasure. My fellow KLYAMER Glen is a big Coachwhips fan and so he’s as hard as Chinese arithmetic during this set. We both agree the guys’ version of “You Gonna Get It” is a stand out (listen to the OG here: http://www.youtube.com/watch?v=99w92KScdac). This is definitely the most rocking, pumped up set so far and some moshing ignites during their performance, leading up the explosion of The Migs, the fifth and final act. Got some links for ya to gobble up as a post Thanksgiving Dinner dinner,  be thankful for all these KLYAM bands or I should say KLYAM beloved bands.  http://niceguys666.bandcamp.com/ http://www.facebook.com/niceguys666?fref=ts

Act V: The Migs–
“”I’ve seen The Migs six times my boy, six glorious times. Magic really.”
“Mister, I don’t even know who you are.”
Manager walks over…
“Sir, I’m going to have to ask you to leave Chuck E. Cheese immediately.”
Ahh fuck em. No, that didn’t happen. But, I have seen The Migs six times and it’s been like Christmas morning each time. And I’m not just saying that to suck their dicks, if I wanted to suck a dick, I could just lean forward and break my neck performing a little bit of the old autofellatio (hey, that’s a word don’t give me that red squiggle line WordPress!), okay I just looked it up, I guess it’s two words. Auto Fellatio or could be combined as Auto-Fellatio. I learned something today. Haha, I love that word fellatio; its meaning aside, I always thought Bill Shakespeare should have named one of his characters, fellatio. Prince Fellatio. Ohhh well, I’ve dived into yet another digression, “I get so lost inside the rooms inside my mind.” MIGS! That’s where we were heading before all this blowjob business reared its ugly shaft into my review! Goddamn, I’ve been listening to way too much Hunx. Speaking of Hunx, y’all like a sweaty, slimy rock ‘n’ roll set? Migs deliver it. Better than ever, for real, in my experience anyway. The audience reaction and/or participation is top notch as well. The moshing continues and never really stops, not even for a breather. Kids are just bashing around to all the classics, “Follow Me Home,” “You & Me,” “Fuzzy Son,” and more. “Fuzzy'”with its waves catchin’, bird doggin’ appeal particularly captures the ears of one Gangbang Gordon. As I mentioned before, best/funnest Migs show I’ve experienced: pants fall down, shirts fly off, and Keven (in classic Migs fashion) bolts into the crowd with his gee tar, as relentless as ever. They close the show with a cover of “Louie, Louie” (the greatest song of all time according to vocalist/guitarist Lukas), but they ask for a little help with the words. To quote Nice Guys, fuck if I know! My dad- Big Guy or Big G as he’s known in hip hop circles- the guy who’s dick would plop right up if he heard The Migs (read here under Migs section: https://klyam.com/2012/10/28/concert-review-sic-alps-fat-creeps-bent-shapes-the-migs-radio-102512/) he used to play in a band in the mid-late 60s known as The Pacers (before the Basketball team) and they would cover “Louie, Louie” at school dances. He told me as a kid that that was the “baddd song” “the song your principal didn’t want your band to play.” Tonight,  The Migs made it bad again, in a good way.
When all is said and done, Craig, my main man, hands me the set list without me even asking for it. He knows the routine by now. I have a set list fetish – any ladies out there share in this bizarre, quasi psychotic, sexual infatuation? KLYAMERS need love too. So yeah, Craig comes through with the set list, Craig knows best. That should be a show, Craig Knows Best on ABC Family. I’d watch it. That channel could use some subversion.

Set List:
“We’re The Migs”
“Follow Me Home”
“Gravestoned 666”
“When She Says My Name”
“You & Me”
“Pretty Ricky”
“Fuzzy Son”
“Take Take Take”
“Cosmo Nots”

LOOK NEW SHEEEET!!! http://soundcloud.com/the-migs/he-aint-so-great
AND
http://themigs.bandcamp.com/
and for fuck’s sake, here’s da fascist book page: http://www.facebook.com/pages/The-Migs/114318615312674?fref=ts
Now, please put your goddamn wiener back in your pants son, before someone gets hurt!

Art, concert review, Fat Creeps, Honorary KLAYMERS, Local Music, Music, pictures, Punk, reviews, The Electric Street Queens, Video

Concert Review: Fat Creeps, 28 Degrees Taurus, Secret Lover, Electric Street Queens @ PA’s Lounge (11/17/12)

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Bands: 28 Degrees Taurus, Fat Creeps, Secret Lover, The Electric Street Queens
Date: Saturday, November 17, 2012
Venue: PA’s Lounge (Somerville, MA)


Act I: The Electric Street Queens– I have seen countless two pieces in my day, but I don’t think I’ve ever seen a two piece consisting of two ladies. I’ve seen two dudes, one dude and one dudette, but never two dudettes. Electric Street Queens, where have you been all of my life?! Electric Street Queens is Melanie Bernier ( also of Fagettes- I admired her drumming in the past) on drums and vocals and Coco Roy on bass and vocals, so basically the greatest duo of all time. Simon & Garfunkel ain’t got shit on you! This is some real good shit, don’t walk away…. if I could hold a live LP from these gals in the palm of my hand, I’d be a happy man. But, for now I have to cherish the moment. And indeed it was a great moment. Like The Coathangers, but better and sassier. Simple, stripped down songs- very catchy, fun, playful/nasty sense of humor. I can relate to that, being a sick bastard myself. They don’t seem to take themselves too seriously, which is always refreshing to see. Like I said, funny songs about beefcakes and bruises, puke and scum, you know the usual Thanksgiving family dinner convo. There is also plenty of in between song banter, such as cracking jokes about diapers and other sexualized comments that I love to hear.  The band’s closer “Doncha Want To Work At The Brewery” is an amusing, macho, testosterone drippin’ anthem that demands the universal question stated in the title. During the song, Coco makes her way out to the crowd, rockin’ right up against KLYAM’s very own Glen! I’m sure he’s now looking for employment in one of our local breweries.

Set List (written on a brown paper lunch bag, no lunch though):
“Roadkill”
“She’s Gotta Bruise”
“Brew ha-ha”
“Beefcake”
“Puke”
“Molly Brown”
“Divorce Court”
“Scum”
“Brewery” (“Doncha Want To Work At The Brewery”)

Some links: http://www.facebook.com/pages/The-Electric-Street-Queens/454252407931289?fref=ts
http://www.youtube.com/watch?v=AoRyl_S9z-k&feature=relmfu


Act II: Secret Lover–  The whole band sounds delightful, for lack of a better adjective, okay we’ll go with peachy keen, sure that works, I prefer that. Secret Lover sounds fairly dynamic, especially the lead vocalist. I enjoy watching her slither on and off stage, twirling the mike with ease. She has a loud, powerful voice that sounds familiar, but I can’t quite explain what or who it is. I recognize the last song they play, “Rubber.” It’s a catchy, little number and the backing vocals (“bahhh buppp bah bah bah”) are memorable.  Check out their music here: http://secretlover.bandcamp.com/


Act III: Fat Creeps– This is my first time seeing the Fat Creeps at PA’s Lounge. YAYYY!!!!  Before this moment in time, I had to solely rely on You Tube videos (http://www.youtube.com/watch?v=YkFImOf5kZI) Tonight, they switch things up by opening with what are in my opinion (and I can imagine others) their strongest songs “Nancy Drew” and “700 Parts”. These are tunes that typically fall towards the end of their sets, but I must say I like seeing them at the front of the set, starting the show on a solid note. In general, the sound is excellent, and much of this is a debt to PA’s sound system, but it’s not just that. I think this is simply one of the Creeps’ best shows, at least one of the best I’ve seen. I announce this 700 times on the ride home as Glen can testify. Okay Chris, settle down, have another Narragansett please. My favorite part of their performance is the transition from “Dad Weed” to “Daydreaming,”  it’s practically one big ass pop song, it’s continuous, one right into the next. Creeps stand outs, “Fooled” and “Secrets” and two new numbers “Go to the Party” and the cute, little instrumental closer “Back to School” round out the set. The latter can be seen below, shot by good old Bernie.

P.S. I can’t forget to mention that there is a brief “O-o-h Child” (Five Stairsteps) interlude at some point during their set. I’d love to hear a full fledged cover! Whenever I hear this song I think of the movie Over The Edge (1979), y’all know this flick? No? Know it.

http://fatcreeps.bandcamp.com/

Act III: 28 Degrees Taurus–  Our second two piece of the evening, 28 Degrees Taurus headlines tonight’s show. The band consists of  Karina Dacosta on drums and vocals and Jinsen Liu on guitar and vocals. They have a very atmospheric/pop song dynamic to them that I liken to that of No Age, and no not just because they are also a vocals/drums  and guitar duo. I mean there certainly is that element,  but the mellow, atmospheric  meets hard edge punk feel strikes me more. Glen hears this as well and makes a comparison to early Wavves, particularly the live show circa September 2009 when it was just Nathan Williams and Zach Hill in the band. I do not walk away with this impression as much, but I guess that’s because I wasn’t cool enough to catch that Wavves show way back when brah. Anyway, I dig the first few songs, but after a while they start to fade on me and I feel a little bored. Listening to their bandcamp page now, I feel less bored though and I enjoy some of their songs much more. Overall, the set just seems too long, but the band appears to be having a lot of fun and that’s all that matters. Not to mention, various attendees are intensely fascinated by their set. Lastly, I am just finding out now that this group has been active since 2005, which is pretty rad, what’s also rad is the fact that they list artists as diverse as The Carpenters to Lightning Bolt as influences on their facebook page. Right on!
Check out their bandcamp here, you can listen to a shit ton of releases from over the years: http://28degreestaurus.bandcamp.com/

Most of this review was written under the influence of Genesee, Busch Light, and The Cardigans’ “LoveFool” on repeat.