Review: Gymshorts, Durt Dog the Band, Couches, Sneeze @ Wilder Zangcraft (4/16/14)

durt
Bands: Couches, Sneeze, Gymshorts, Durt Dog the Band
Date: Wednesday, April 16, 2014
Venue: Wilder Zangcraft (Lowell, MA)

Durt Dog the Band – Ahh back in Lowell, my old stomping grounds. It’s nice to be back here and with Durt Dog the Band, a Lowell based trio (at least tonight) fronted by Brian Donovan. Brian’s got his durt dog on, he’s durt doggin’ it like it’s nobody else’s business. He’s a folk hero.

I’ve been a Durt Dog fan for a year now, but I’ve never actually had the pleasure until tonight. The set’s sloppy and garagey and that’s alright with me. Guitar feedback, mumbly vocals, and Brian’s ubiquitous grin. I feel it.

“Ashes” and “Things I Do Care About” are just a couple of personal favorites and they play them on this holy evening. The songs come to life more in a live setting and the band sounds thicker, muddier, like a garage punk version of Pavement. Either that or I’ve lost my mind.

Before the final song, Brian quips “We still have to kill your dog,” blasting into a rocker that buries us all. Keep Durt Doggin it until the day you die. http://durtdogtheband.bandcamp.com/

Gymshorts – I promised you in my last post that there would be a butt fuck load of Gymshorts coverage on here and I am a man of my word. For Durt Dog , the crowd is still building up, though let’s face it if you have even five people it feels crowded at the Wilder Zangcraft. Toss a gazillion bodies in the place and it’s stuffed. That’s part of the fun! And for the Gymshorts  the bodies are a plenty. More importantly, people are washing down their first forties, cracking open their second, starting to possess a one eyed sailor squint. Hey, Gymshorts are the perfect soundtrack to twisted, drunken youth debauchery. College kids start moshing and hurling each other to and fro.

The shorts shred through a series of gut busting numbers that we KLYAMERS have grown to love in the past few months. I too want to get high and get stoned! I wish every day could be daylight savings, and you bet your fucking ass my favorite republic is banana! Let me tell you about it. That’s how my parents talk. Not the banana thing, but they begin every sentence with “And let me tell you about…” instead of just telling me about whatever topic. “And let me tell you about pre-ejaculatory fluids leading to pregnancy.”  I imagine I’ve lost everyone at this point. I lost myself around banana. I am not a journalist, I don’t trust journalists. Music journalism sucks.

LISTEN: http://gymshorts.bandcamp.com/

Sneeze – First and last time I saw these dudes was here at the Wilder Zangcraft nearly two years ago. They aren’t exactly what I’m into, but I don’t hate them either. Of all the bands, they are definitely the heaviest and during the set the crowd is rowdier than ever. It’s hard to stay in one spot. One girl even plummets straight to the floor. SHE’S OKAY, THOUGH! I especially dig the Deftones White Pony tattoo on the drummer’s leg. Nice undies by the way.  http://sneezeus.bandcamp.com/

Couches – This band is on tour from California. They are a long, long way from home. Let’s make it feel like home for them. Still some moshing, but it’s a bit more mellow man. Couches definitely have that laid back, West Coast vibe to them. I spoke to one of the Couches after the show and he said I talk really fast. Couches always tell me I talk too fast. http://couchessf.bandcamp.com/

Heavens to Betsy!  The boys in blue had nothing else better to do and this little festivity had to come to a close. No New Highway Hymnal :( .

 

 

 

 

Review: Big Mess, Kal Marks, Frankie Teardrop, SUNS, Tawny Peaks, and Heavy Petals @ Wilder Zangcraft (1/6/13)

Big Mess

Bands: Heavy Petals, Big Mess, Kal Marks, Frankie Teardrop, SUNS,  Tawny Peaks
Date: Sunday, January 6, 2013
Venue: Wilder Zangcraft (Lowell, MA)

Act I: Heavy Petals – I am excited to say this is the first show I am seeing in 2013. Overall 2012 was the best year for shows, each year seems to get better.  Anywho, Heavy Petals (I hope I have this name right, please inform me if I don’t) is a last minute addition to this bill, so I’ve never seen their name in writing.  They are a five piece and they deliver a sick, rocking set drenched in folk-country mixed with a little bit of punk. This reminds me of Those Darlins, especially with two female vocalists.  In fact, I’d specifically recommend them to fans of Those Darlins –  a lot of traditional country vocals.  I also notice that they expand beyond these elements and feature a more sinister side, bearing resemblances to Sonic Youth. All in all, a fun set.

Act II: Big Mess– Big Mess as always is a flat, sonic death punch to the gut.  I never get sick of hearing those catastrophic guitars and heart pounding drums.  Seriously, someone has to synch up these songs to a slasher/horror flick.  I can’t say this Big Mess set is particularly unique from any other Big Mess performance, but that’s not necesarily a bad thing. I consistently look forward to their high quality sets and they have never let me down.  I’m also glad to hear that some of the touring bands are fans of Big Mess now. Indeed, more kids need to experience this colossal band. You can start here: http://bigmessma.bandcamp.com/album/big-mess

Act III: Kal Marks –  Kal Marks have made a name for themselves in the Boston underground, charming us along the way- https://klyam.com/2011/06/01/concert-review-peach-kelli-pop-problem-house/ Unfortunately, unlike Big Mess, I (we) haven’t seen Kal since May 2011, opening for Peach Kelli Pop at the Problem House as can be read in the link above. I remember thinking they were a diverse group, able to capture various styles and sounds all at once.  I still feel that way, and I especially admire their latest EP Piss of the Century.  Lead vocalist Carl has a highly distinctive, high pitched voice with a certain drawl that oddly reminds me of Kurt Cobain.  Tonight, Kal Marks is a two piece (in need of a bassist), but GOOD NEWS! AS OF WRITING THIS THEY HAVE FOUND A BASS PLAYER NAMED MIKE. WORD.  Though, they still sound awesome as a two piece.  Can’t wait to see them back in action again as a full band.  It’s a good set for the most part, but in some of the louder songs, I can barely hear the vocals, while on the softer tunes those sick pipes come through a bit clearer. http://kalmarks.bandcamp.com/ So, I hear Big Mess and Kal Marks are going to tour together in March, GO SEE EM KIDS!

Act IV: Frankie Teardrop – Going into this next performance, I don’t know what to expect. And I’ve professed before that’s how I like it. I like the unexpected. Frankie isn’t just one dude (it’s funny, up until now, I had this image in my head of this sad lounge singer in a tuxedo with a whiskey bottle, though I was positive it wouldn’t be like that and for everyone’s sake, it is not). Frankie’s a full band. One dude on vocals/guitar in the front area where attendees stand and the rest of the members in the conventional band space in the back. The man on vocals and guitar, Frankie perhaps, flails and flings about as he rocks through his frenetic set. He looks possessed. It’s noisy and somewhat amateur, but I like it a lot. I can’t not fixate on this dude and his weird movement. I’ll have to listen to more of their music, because I can’t pin down any specific idea or style, but it’s satisyingly peculiar, that’s for sure. By the way, Frankie Teardrop is on tour from Ohio, and in fact they also played with Fat History Month and Pile at O’Brien’s Pub. Sounds like one helluva tour fellas, excellent! http://frankieteardrop.bandcamp.com/

Act V: SUNS – These dudes have a pop punk sound to them, but they sound better than most folks with that label.  Still,  not the kind of music that sets my rocks off, but maybe it will turn you on. Check it out here: http://sunsmusic.bandcamp.com/

Act VI: Tawny Peaks– Like their tourmates SUNS, not really a Chris DeCarlo kinda band. Can’t remember too much, sorry. But, they play emo that is similar to Slurred Speech, so if you dig that, maybe you will enjoy Tawny Peaks. Check em’ out: http://tawnypeaks.bandcamp.com/

Concert Review: The Migs, Nice Guys, Cult Fluorescent, Slimers, Chillcity Icon @ Wilder Zangcraft (11/24/12)


YEAHHHH
Bands: The Migs, Nice Guys, Cult Fluorescent, Slimers, Chillcity Icon
Date: Saturday, November 24, 2012
Venue: Wilder Zangcraft (Lowell, MA)

Act I: Chillcity Icon – The chillest of city icons, Travis and Kevin are two good heads you can find around the city of Lowell and tonight’s first band. I don’t even know where to begin here: my description will not even come close to doing justice to their performance, you just have to see it for yourself.  But, what the hey, since this is a “review,” I’ll throw in some of my thoughts and reactions. Well, firstly, you have to know about the visual: there’s a table in the middle of Travis and Kevin and upon this table are various objects such as a big bicycle wheel, which the drummers (ohh yeah, I forgot to mention they are both sick drummers) use to get some zounds with their drumsticks. There’s plenty of electronics as well. You could say this is a noise affair, I’m going to say that, despite its quiet, mellow charm. I can’t say that I could watch this over and over again, but for someone that typically doesn’t like 80-90% of music that doesn’t contain immediate pop hooks, I honestly walk away impressed. During the set, I find myself locked in a trance, rarely able to escape it, and that, my friends, usually never happens. It’s cool to watch a performance every now and then that defies the conventional, song begins, songs ends, everyone claps for approval, song begins, song ends, etc. Instead this experience is akin to one colossal vomit session – just hurling out the music until it’s over, feels fresh.  I also really dig how there’s complete silence (or no spoken words) from the two performers until the end when they wish everyone a HAPPY THANKSGIVING! Well, after Chillcity Icon, I feel stuffed for sure.

Act II: Slimers– Some slimy punkers right here – Migs/Mmoss men Keven and Lukas in a two man musical attack on all the senses. The pair are decked out in matching army jackets, it looks like they are fresh off a hunting trip, ahh these two fine lads couldn’t hurt a fly, or could they? They take it all out on their drums and guitars, with Keven shouting vocals and slamming away on the drums and Lukas up front strumming thee olde 12 string and screaming his pipes off as well. If you dig Migs, you will probably be down with Slimers, they have that gah ridge feel like Migs, but the songs are stripped down and a bit more intimate. These fellas know the meaning of punk slime (they ought to, being Silmers), which is great because I have no idea what the fuck that means. Little help? Here’s my grandmother’s favorite Slimers stain, “Spaghetti Ann,” when the band was briefly known as Heroin Mom, ahh those were the days. http://www.youtube.com/watch?feature=player_embedded&v=XOdRrox28ew

Act III: Cult Fluorescent– Saw this motherfucker last February at the Dirty Douglas, alongside New Highway Hymnal, Big Mess, and Dirty Virgins. Easily one of the most memorable sets all year. Now Now, you may be thinking that that is some cheesy stock line and granted the syntax and lack of more enticing adjectives may make it appear as so. Let me assure you that’s the truth and several AIM chat convos w/ Gangbang Gordon have occurred since then discussing that very performance; yep we still use AIM, cuz Facebook chat just doesn’t feel right. Why have nostalgia when you could just constantly relive your life experiences over and over again? Well, I’d certainly love to relive that show experience again, and in a way I can and so can you, here take a gander: https://klyam.com/2012/03/13/concert-review-new-highway-hymnal-lowell-7-release-show-dirty-douglas-21712/ Back then he was known as Between Tall Saints and Sinners, and now Brad is back as Cult Fluorescent. Just like last time, he is a unique performer, simultaneously permeating chaotic, yet gentle vibes. This time around, the songs seem more accessible, but still retain the same atmospheric, dreamlike quality I felt before. [My memory is a bit fuzzy, longgg week, then and now] Brad Cult Fluorescent concludes his set by slamming his keyboards to the floor and removing his shirt (or some variation of that, use your imagination). Do something for good once in your useless, moronic life and like him on facebook: http://www.facebook.com/CultFluorescent?fref=ts

Act IV: Nice Guys– Holy smokes! Batman, we’re at Act IV!!! NICE GUYS!!! Throw your panties in the air, these upstanding gentlemen deserve it. Nice Guys are the Nice Whips tonight, because they play a set full of Coachwhips covers. Y’all know Coachwhips, right? Well, if you don’t check out a fun video of them playing at a Boston basement in 2004, right here: http://www.youtube.com/watch?v=DcgwMO23obA  Nice Guy Matt Garlick was nice enough to post this vid on the event page, what a nice guy! I myself am not too familiar with The Coachwhips, though I know them because of the John Dwyer/Oh Sees connection. I’ve been listening to them a little bit now and they are pretty sick (with Dwyer on board, how couldn’t they be?), so seeing a solid band like Nice Guys cover the Coachwhips is an absolute pleasure. My fellow KLYAMER Glen is a big Coachwhips fan and so he’s as hard as Chinese arithmetic during this set. We both agree the guys’ version of “You Gonna Get It” is a stand out (listen to the OG here: http://www.youtube.com/watch?v=99w92KScdac). This is definitely the most rocking, pumped up set so far and some moshing ignites during their performance, leading up the explosion of The Migs, the fifth and final act. Got some links for ya to gobble up as a post Thanksgiving Dinner dinner,  be thankful for all these KLYAM bands or I should say KLYAM beloved bands.  http://niceguys666.bandcamp.com/ http://www.facebook.com/niceguys666?fref=ts

Act V: The Migs
“”I’ve seen The Migs six times my boy, six glorious times. Magic really.”
“Mister, I don’t even know who you are.”
Manager walks over…
“Sir, I’m going to have to ask you to leave Chuck E. Cheese immediately.”
Ahh fuck em. No, that didn’t happen. But, I have seen The Migs six times and it’s been like Christmas morning each time. And I’m not just saying that to suck their dicks, if I wanted to suck a dick, I could just lean forward and break my neck performing a little bit of the old autofellatio (hey, that’s a word don’t give me that red squiggle line WordPress!), okay I just looked it up, I guess it’s two words. Auto Fellatio or could be combined as Auto-Fellatio. I learned something today. Haha, I love that word fellatio; its meaning aside, I always thought Bill Shakespeare should have named one of his characters, fellatio. Prince Fellatio. Ohhh well, I’ve dived into yet another digression, “I get so lost inside the rooms inside my mind.” MIGS! That’s where we were heading before all this blowjob business reared its ugly shaft into my review! Goddamn, I’ve been listening to way too much Hunx. Speaking of Hunx, y’all like a sweaty, slimy rock ‘n’ roll set? Migs deliver it. Better than ever, for real, in my experience anyway. The audience reaction and/or participation is top notch as well. The moshing continues and never really stops, not even for a breather. Kids are just bashing around to all the classics, “Follow Me Home,” “You & Me,” “Fuzzy Son,” and more. “Fuzzy'”with its waves catchin’, bird doggin’ appeal particularly captures the ears of one Gangbang Gordon. As I mentioned before, best/funnest Migs show I’ve experienced: pants fall down, shirts fly off, and Keven (in classic Migs fashion) bolts into the crowd with his gee tar, as relentless as ever. They close the show with a cover of “Louie, Louie” (the greatest song of all time according to vocalist/guitarist Lukas), but they ask for a little help with the words. To quote Nice Guys, fuck if I know! My dad- Big Guy or Big G as he’s known in hip hop circles- the guy who’s dick would plop right up if he heard The Migs (read here under Migs section: https://klyam.com/2012/10/28/concert-review-sic-alps-fat-creeps-bent-shapes-the-migs-radio-102512/) he used to play in a band in the mid-late 60s known as The Pacers (before the Basketball team) and they would cover “Louie, Louie” at school dances. He told me as a kid that that was the “baddd song” “the song your principal didn’t want your band to play.” Tonight,  The Migs made it bad again, in a good way.
When all is said and done, Craig, my main man, hands me the set list without me even asking for it. He knows the routine by now. I have a set list fetish – any ladies out there share in this bizarre, quasi psychotic, sexual infatuation? KLYAMERS need love too. So yeah, Craig comes through with the set list, Craig knows best. That should be a show, Craig Knows Best on ABC Family. I’d watch it. That channel could use some subversion.

Set List:
“We’re The Migs”
“Follow Me Home”
“Gravestoned 666”
“When She Says My Name”
“You & Me”
“Pretty Ricky”
“Fuzzy Son”
“Take Take Take”
“Cosmo Nots”

LOOK NEW SHEEEET!!! http://soundcloud.com/the-migs/he-aint-so-great
AND
http://themigs.bandcamp.com/
and for fuck’s sake, here’s da fascist book page: http://www.facebook.com/pages/The-Migs/114318615312674?fref=ts
Now, please put your goddamn wiener back in your pants son, before someone gets hurt!

Review: Big Mess, Pissbath, Slurred Speech, Haldol, Regret, the Informer, Districts @ Wilder Zangcraft (11/9/12)

Bands: Big Mess, Pissbath, Slurred Speech, Haldol, Regret, the Informer/Districts (12 inch release)
Date: Friday, November 9, 2012
Venue: Wilder Zangcraft (Lowell, MA)
Comments:
Act I: Big Mess- I’ve never been huge on strictly instrumental music, but in the past year, my ears have had the pleasure of being jostled by Boston behemoths, Big Mess. As I’ve said before, this here is a band you need to experience live. Sometimes I fall in love with a band’s studio (or bedroom) work,  but when I see them in person, the songs don’t translate as well. This isn’t the case with Big Mess; quite the opposite. Live, they are a sonic beast, a total wall of headbanging inducing noise. Much of their music is heavy, but there’s also a quiet, intimate quality to the band that can be best appreciated at a nice, little basement spot like Wilder Zangcraft. I can honestly say tonight’s show is one of the best I’ve seen, with the band sounding as fierce and intense as ever. In particular, I want to note the drumming of Nick Egersheim, which is one of the first things that struck me about the band. There’s an undeniable frenetic character to his style; he smacks the drums so hard, it’s as if his sticks are his fists and the drums are a body, like a fistfight and each smack is another punch. I don’t know why I always conjure up violent images when I listen to Big Mess, I guess I am just a sick guy. In any case, they’re a badass band and I heavily recommend them to all of y’all. http://bigmessma.bandcamp.com/album/big-mess

Act II: Pissbath– I love this name, especially coming after Big Mess. Well, I can imagine the pissbath would come first and then it would be a big mess, for sure. But, not tonight. This Nashville quartet plays fast, hardore punk inspired jams. In the traditions of  old school hardcore, this group blasts through each cut in a matter of seconds, keeping it short, but sweet. You can listen to their demo tape here: http://funkyfrankenstein.bandcamp.com/album/pissbath-demo-tape

Act III: Haldol– Unfortunately, we missed these fellow Nashville punkers, but you can check out their bandcamp here: http://haldol.bandcamp.com/releases

Act IV: Slurred Speech– Slurred Speech is one man powerhouse Josh Tracy. Tracy’s music  consists of one man, one guitar, and a fine set of pipes. He sings with a lot of emotion and is able to get a crowded, sweaty basement full of drunken students to sing along with him. Slurred Speech may not be my cup of tea, but I genuinely enjoy the intimate, interactive charm of Tracy’s performance/music and overall sense of humor. I especially love when he mentions feeling badass about listening to System Of A Down and how everyone else most likely had the same reaction as a youngster. Well, I felt badass listening to System Of A Down, I still do. Check out Josh’s jams here: http://slurredspeech.bandcamp.com/

Act V: Regret, The Informer– Regret, The Informer has embarked on tour all the way from Missouri and tonight they are here alongside Districts (the band up next) in honor of the release of their split 12″.  Regret shares the same hardcore sound as some of the other bands on the bill tonight, but they seem to  permeate a slower, more melodic sound. If you want hear Regret, The Informer, click here: http://regrettheinformer.bandcamp.com/

Act V: Districts– Lowell’s own, Districts close this fun filled evening of diverse local and national music. Districts play energetic screamo/hardcore and it looks like they have some dedicated fans in attendance singing along to their impassioned vocals. It seems like Districts have made a name for themselves around town and beyond, catch em’ if you can or start by listening to them here: http://districts.bandcamp.com/

Concert Review: Fat Creeps & Migs @ Wilder Zangcraft (6/4/12)


Photo by the Metro

Artists: Fat Creeps, The Migs, Spook Houses, Bad Sound
Date: Monday, June 4, 2012
Venue: Wilder Zangcraft (Lowell, MA)
Comments:
Act I: Fat Creeps– In the past couple of months Fat Creeps have slowly risen to the status of KLYAM faves, ever since we saw them play one helluva show with Fat History Month, Big Mess, and Onslo at O’Brien’s Pub back in April. After that show I started listening to the Fat Creeps on a regular basis. Just last Thursday, Glen and I saw them open for The Coathangers at Great Scott, and it was mind blowing. Tonight, I get to see the trio in a small, intimate setting: the Wilder Zangcraft, the premiere basement venue in Lowell. Zangcraft is a cozy, little space, perfect for the catchy, easy to sing along to style of the Fat Creeps songs. Tonight the group is comparatively underdressed, though vocalist/guitarist Gracie Jackson is rocking a sweet, blue poncho, a wise choice on this rainy evening. I love pretty much all of the Fat Creeps songs and they rock through all the classics, so I am a happy camper. The Fat Creeps open with “Horoscope,” which they actually closed with last week at the Great Scott; it is good to switch things up, keep it fresh. “Horoscope” is a strong opener and sets the mood for the rest of the performance. I adore Gracie’s singing, reminds me of Kim Gordon, but the best is when fellow singer/bassist Mariam Saleh’s vocals also come in and they sing simultaneously.  In general, I think I appreciate that aspect of their music the most. And of course, cannot forget about Jim Leonard on drums! Solid job dude. This song also features a special guest appearance from a cute, little dog that ran around the Fat Creeps as they rocked out. That dog has some good taste in music. “Leave Her Alone” and “Nancy Drew” are awesome as usual. The latter is one of the best/catchiest songs I have heard all year. The lyrics are hilarious and always get stuck in my head. Live, the song is definitely amplified and I am always  excited when they rock into the “Do do do doo, hey Nancy Drew.” The guitars are simple, but effective and the way they repeat the line several times and then again at the end of the song just reinforces its memorabe quality. “Kerry” is a favorite of mine as well. I don’t know what it is, but I find this song to be quite amusing and I can picture my brother awkwardly dancing to it in his hilarious Justin way. I know this means nothing to most people, but fellow KLYAM administrator/co- conspirator, Glen knows exactly what I am talking about! Anyway, it is a nice little ditty. Gracie’s vocals on “700 Parts” is another stand out for me personally. All the songs are sound, it is funny because when I see them live it feels more like a band playing all of their “hits”  from throughout their discography, not just singles and demos. I cannot wait to hear a full length LP from these guys. KLYAM Luvs You!
To any readers I am sure you will love them too: http://fatcreeps.bandcamp.com/

Act II: The Migs– The Migs, everybody’s favorite New Hampshire based garage rock band! The Migs are kind of like KLYAM buddies Atlantic Thrills (RI): pure, no bullshit, rock and roll. Last (and the only) time I saw the Migs was here at the Wilder Zangcraft, the 420 show, which proved to be a spectacular show. On that great evening and tonight, Migs bring out their best and destroy. This time around, New  Highway Hymnal’s Lukas Goudreault is a full time member and he kills it on bass. The band opens with their signature “We Are Da Migs” and everything gets off on the right foot. The Migs are all about having fun, which is what true rock and roll is about anyway. The music of the Migs reminds me of why I love most of the music that is near and dear to me in the first place, because it is FUN! During the Migs set, singer/guitarist, Kevin Lareau and bassist Lukas spend most of the performance  rocking through the crowd, getting people exicted and encouraging eveyrone to dance their asses off. At one point  Kevin’s pants even fall down, but he does not seem to give a flying fuck whatsoever, the right attitude bro. This is what I love about the Migs, their enthusiasm; their devotion to communicating the joy of rock and roll through their music to the audience.  Towards the end of the show, fellow New Highway Hymnal member, Travis Hagan (drums) joins in on tambourine. Gotta love that guy! My favorite Migs tune is a slow ballad known as “You and Me.”  Folks seem to  respond the best to this number with lots of kids dancing in all sorts of unique ways. Indeed, the kids like you and me. I just had to toss in a horrible joke, it would not be a show review without it. In both Migs shows I have seen now I feel like 2012 is thown out the window for a half hour or more and it is 1965 again. An intoxicating and rare feeling.

http://themigs.bandcamp.com/ Don’t be a square, check it out!

HEY!!! Guess who also loves da migs?!  While I was googling images for the Migs, I  stumbled upon Nu Rave Brain Wave’s love for the Migs: http://nuravebrainwave.com/2011/06/introducing-the-migs/

Nice!

Unfortunately we missed the last two bands,  Spook Houses and Bad Sound :(

Here are their band camp pages respectively:

http://spookhouses.bandcamp.com/

http://badsound.bandcamp.com/