Getting Ready! I love how this version is so different from its studio counterpart.
Tag Archives: Wavves
Nathan Williams Commands You…

1) TO DOWNLOAD King of the Beach: “Our record leaked today, so go download it. Don’t pay for that shit.
2) TO BRING GOODS + PARTY: “BRING US a) WEED b) ALIEN AND OR GARFIELD STUFF c) MIX TAPE. COME AND PARRRTTTTYYTT.
CD Review: King of the Beach [2010]


Band: Wavves
Release: 6/2010
Label: Fat Possum
1. “King of the Beach” – A+
2. “Super Soaker” – A+
3. “Linus Spacehead” – A++
4. “When Will You Come” – A-
5. “Baseball Cards” – A+
6. “Take On The World” – A
7. “Post Acid” – A
8. “Idiot” – A
9. “Green Eyes” – A-
10. “Mickey Mouse” – A-
11. “Convertible Balloon” – A-
12. “Baby Say Goodbye” – A
Comments: Ye gods, the production quality on this is fantastic. Nathan Williams goes from being a lo-fi tape hissing noise punk on his first two records as Wavves to a pop punk extraordinaire on this one. Count me in on The Impressed Club. These songs are simply warm-weather chilled out re-playable classics. For obvious reasons, Wavves does a much better job at this than any of those ’90s/early ’00s hype summer pop rock bands that birthed hit singles. Wavves is much more real. Thank God they got a nice studio to kick around and experiment. It seems like they really took advantage of that setting by trying out new sounds: a light organ and sleigh bells (reminiscent of something in between Panda Bear and Christmas music) on “When Will You Come,” snapping, more vocal samples, synths, and all around Panda Bear esque psychedelia on “Baseball Cards,” and uncontrollable laughter on “Idiot.” A song built around laughing behind someone’s back? There you go. Like I said before, I’m truly impressed that this is the same guy who recorded simple, but only sometimes really catchy tunes in his bedroom. This isn’t selling out folks. It’s exploring and expanding. It’s…surprising and unexpected. A stripped down “Mickey Mouse” would have fit in Wavves catalog fine a few years ago, but it would have had only two or three layers. The “Mickey Mouse” on here has at least six different layers and every single one of them truly makes a world of difference. “Baby Goodbye” might be really awesome live, but damn that ending is far too long. The first three minutes or so are just fantastic. This record is tied for being my favorite of the year. I really don’t see that changing much. The quality and immediate impact of these songs is currently blowing my mind, but that might be because I’m looking outside it’s 90 degrees and sunny. This kind of weather just works this sound. Good work, Wavves.
Grade: A (94)
Song Review: “Post Acid”

Band: Wavves
Label: Green Label Sound
Upcoming Album: King of the Beach [8/2010]
Comments: It’s clean and clear blah blah blah blah blah blah. Wavves has fun with this song clearly and it has a what/the/fuck-i-heard-this-in-the-1990s-on-pop-radio verse-chorus dynamic. It’s brief enough that I do get some pleasure from listening to it. It’s nice to know that this just wasn’t Nathan Williams fucking around on his computer to make this. Or was it? At any rate, it seems like quality mattered on this one. Was the band going for the 1990s pop-rock card or does it just sound that way? It’s memorable, but it fades fast.
Grade: B+
Wavves @ Great Scott

Wavves is coming through town on June 22, 2010. They’ll be playing at Great Scott, where they played in September (KLYAM was in attendance). That show was pretty solid…I mean I only recognized “So Bored” and “No Hope Kids,” but still was pretty solid. Is it worth ten singles? It may be worth ten singles just to see semi-new members Billy Hayes and Stephen Pope, formerly of Jay Reatard. I can’t really picture them playing along to noise.
Band Change-Up Weirdness
Stephen Pope (bass/lead spitter) and Billy Hayes (drums), formerly of the band Jay Reatard, found a new band: Wavves.

Question of the Week…?

This question is entirely influenced by The Needle Drop, as is this entire segment. Here it is:
What does Punk Rock Mean to You? Examples?
Just to get the ball rolling, here’s what I think. Punk Rock means to me, freedom to act, sound, look, smell, or taste however you like. The elements of attitude, integrity, and passion are clearly displayed. Artists are NOTsigned to major labels, with exceptions to early “Punk” artists. Lastly, music that is cutting edge and/or distinctive. For modern examples, my favorite punk bands are The Black Lips, Jay Reatard, The King Khan & BBQ Show, No Age, Mika Miko, and Wavves.
Pleaseeeee Comment!
Chris
Kanye West Just Stepped In

Kanye West just stepped in to say, “Black Lips and Wavves, I’mma let you finish, but Chris Brown and Rihanna’s fight was the best fight of all time.”
Swilley vs. Williams
LA Weekly
The two don’t like each other, apparently so much that when both bands played last month’s FYF Fest in LA, intermediaries feared that fisticuffs might erupt at any moment. The two never crossed paths in LA, though. That changed Saturday night, when both were at Daddy’s Bar in Brooklyn. Someone apparently served someone else a knuckle sandwich.Williams of Wavves, in a MySpace post, describes Swilley as “just looking for a fight at 4 in the morning talking shit to my face and his girlfriend is spitting in the face of all my friends.” Swilley begs to differ, and says a cowardly Williams relied not on his fists but his posse’s: “I’ve never ‘come after’ that kid, it wasn’t four a.m., that wasn’t my girlfriend, no one was spitting, and I didn’t attack him. .. The only thing I did was walk up to him and say ‘You’re that faggot from Wavves and I don’t like you.’ He smiled a bit but didn’t say anything.”
Later in the night Swilley stumbled into Wavves turf, where he “saw their tour manager hanging around with some guys. They started getting all chuckles with me and so I told them I wasn’t gonna have it. After that, Wavves tour manager hit me square in the face with a bottle. Blood started pouring out and six dudes fucking started kicking me until I blacked out.”
How about no violence! Both seem like cool dudes. But wait:
“We’re gonna set up a boxing match between the two kids. We’re getting sponsors now. Jared from The Black Lips told us he’s 100% down to do it and we’re waiting to hear back from Nathan but from what I’ve heard he’s down too. The event itself is gonna be held in Los Angeles, in an actual boxing ring, will be filmed and the winner will not only win a “Buddyhead Title Belt” but he’ll win a large cash prize.”
Keller describes the bill thusly: “Two skinny white dorks with boxing gloves on trying to punch each other.” He also wants them to do a split single on Buddyhead Records: “Diss tracks!”
Swilley has maybe a foot advantage on Williams, who is truly incredibly tiny…Then Swilley just had to be a complete immature asshole:
He’s coming to Atlanta October 3rd and we’re gonna get ugly on him. We’re gonna destroy their van, we’re gonna destroy their faces, we’re gonna get crazy on em’. Nasty style.”
Concert Review: Wavves, Ganglians, Many Mansions @ Great Scott (9/27/09)
Bands: Many Mansions, Ganglians, Wavves
Venue: Great Scott (Allston, MA)
Date: Sunday, September 27, 2009
Many Mansions
This band embodies what has become of the psychedelic trance/drum and bass genre. Their set up was different for sure: one man controlling the drum and bass machine, the effects pedals, and singing while the other dude was just on stage to (apparently) play with the visuals on the projector. And the visuals were weird as hell. Some of the images: an African boy running in a field, an African guy nailed to a cross and decaying, trees, a bunch of people moving away from a building, people break dancing, and an African woman doing a dance in the forest. These images did all sorts of crazy things like spin, flip, illuminate, and fade. The visual arts component was better than the music. I felt bored by the music, at least initially. A few of the electronic drum schemes were catchy and maybe one song was actually “good,” but other than that this band just didn’t do too much for me.
Ganglians
The best I can describe Ganglians is proto-Wavves. They played a lot of catchy noise-pop that certainly the crowd was into. There was definitely an element of their music (the bass lines, probably) that really allowed for dancing and grooving. The lead singer was rocking out and everyone in the band looked like they were having a blast. I sensed a lot of Jay Reatard garage-pop, especially in the drumming and singing. There was one number in particular that had a near identical drum part as “Blood Visions.” A song I highly recommend checking out that they played is “Blood on the Sand.” “Hair” had me mistaking this band for the War on Drugs with its active keyboards. Overall, this was a really good second band!
Wavves
After ten minutes of “technical difficulties,” the crowd got a little antsy. Like…maybe Nathan Williams consumed Valium and E before the show and couldn’t figure out which amp to plug his guitar into. Or maybe not since the only amp on stage was a huge Marshall double-stack mammajamma. Safe to say that no public breakdown happened last night. Williams, with his New York Death Adders hat and tee, welcomed the crowd saying “Hi, we’re Wavves” before blasting into “So Bored,” my favorite song! Everyone easily recognized this song because it’s Wavves’ biggest and just started going nuts, singing along, dancing, etc. The next set of seven or eight songs potentially ended with the word “Goth” or “Demon,” I just can’t remember. That’s because there was, at least for me, an unexpected amount of moshing. The first I got hit I was kind of like wtf okay that’s cool. But then I looked behind me and people were getting pushed around like crazy, bumping into each other. So the next twenty minutes turned out to be an awesome re-visitation of old No Age shows, because of both the music (noisy punk) and the crowd response (moshing). The final song they played was “No Hope Kids,” an awesome song to end the show! Pure pop beneath the massive wall of noise. Unfortunately they only played for 30 minutes, but it was a lengthy 30 minutes. After sweating my ass off from all the moshing and losing track of time, it felt like just enough.
Final Comments: Wavves put on a great show and the experience of watching them play was very top notch. Wouldn’t it have been better if I knew a majority of the songs performed? Probably. I didn’t let them bug me and in the end I walked out of Great Scott knowing that I had a shitload of fun. That said, this show is not comparable to some of the best shows I’ve seen. I would give it somewhere in the B+/B range.

