Puerto Rican greats Davila 666 are gaining more recognition — this time via a Taco Bell commercial!!! The song is “Obsesionao,” off Tan Bajo (In The Red, 2011). This isn’t their first audio commercial appearance — you all might recall that Northface one that featured “Basura”. Hopefully 2012 brings some more Davila 666 to this area of the country.
It looks like another year in concerts has concluded for me. I made it out to 19 shows (22 in 2010) at quite a few different venues around Boston/MA (including more basement/non-traditional club shows than ever) and three non-Massachusetts shows (all Black Lips).
1. Black Lips, Night Beats @ Bowery Ballroom – July
2. Black Lips, Vivian Girls @ Paradise Rock Club – April 3. Black Lips, Davila 666, X-Ray Eyeballs @ Webster Hall – October 4. Nobunny @ Church – June 5. Mark Sultan @ Magic Room Gallery – December
Favorite Bands That I Saw For The First Time In 2011: Atlantic Thrills, White Wires, Peach Kelli Pop, Sara Lee, Night Beats, and Davila 666.
1. Black Lips – Arabia Mountain – My excitement for this album grew steadily once the news came out that they were working on one in early 2010. The original release date set for “when school gets back in” was pushed back once Ronson joined as co-producer. As we all know by now, the band had a delightful time working with him. So it’s no coincidence that Arabia is filled with some of the catchiest songs I’ve heard in a while. The sound production is not as muddy and psychedelic as the band’s previous effort 200 Million Thousand; instead, it’s clean and clear. The songs themselves cross the kind of rock and roll terrain that the Lips have always found themselves in, including but not limited to: clangy, jangly, country, punk. This stuff is addicting (for people with an ear for it like me) and tough to remove from the record player. I guess that’s a quality that the best album of the year should possess.
2. Ty Segall – Goodbye Bread – This is another one that I was counting the days until release. Ty’s last record Melted received an ‘honorable mention’ in my Best of 2010, but would have comfortably cracked the Top 5 if I redid my list a few months later. Goodbye Bread was a quintessential summer listen and still holds the test of time as this part of the country is freezing over. The thing that Ty does so well (and has always done so well) is arranging his songs. There’s optimal fuzz, hard-pounding drums, and a lingering bass line in nearly every song at some point and a lot of it is unexpected and fresh. I love the opening of “You Make the Sun Fry,” and the ever so crunchy chorus in “My Head Explodes,” in particular. Goodbye Bread affirms Ty’s status as one of the most talented song writers in modern rock and roll. At the least, it goes to show that noisy relatively straight-forward garage isn’t all the dude is about.
3. Atlas Sound – Parallax – Last year (as I just said above) I made the folly of overlooking some records. Another one of them was Halcyon Digest. Sure, it was among my Top 10, but I didn’t really appreciate as much in 2010 as I should have. With Parallax, I gave it several listens before reviewing it and over the course of listening the real beauty of it really came out. It’s mainly a light affair with several streaks of brilliance that some could dub ‘experimental’ or ‘odd’, but to me is just as pop as anything typically labeled that. Bradford knows catchy better than most. The by product of this is a mass of songs that are inspirational and healing.
4. The Beets – Let The Poison Out – The Beets are one of those bands that I regret not getting more into earlier on in my KLYAM career. After seeing them open for No Age at Wellesley College back in April 2009, I failed to do significant follow up research. Well, now I’d say I’m fairly well versed on the Beets; all the credit to them for infectious releases and superb live performances. Let The Poison Out works so well because it’s just so hard to not be hooked on the Beets raw rock, pop, n’ roll . It makes me want to start pounding on some drums while blasting it loudly. “Doing As I Do” and “I Think I Might Have Built A Horse” are sing-alongs like none other.
5. Mikal Cronin – Mikal Cronin – You can tell this guy has spent some quality time hanging around Ty Segall. Not to say he hasn’t spent quality time with other musicians. The Moonhearts are nice. Well anyway, this album really captivated me as it fits in perfectly on a scale of Ty and Thee Oh Sees. Like those folks’ records, Mikal Cronin is quite instantaneously hooky (with like two exceptions, but those are still real good). Picking favorites is a challenge. I love “Situation” a great deal, because right from the get-go it is extremely fun. The San Fran rock ‘n roll region had quite a 2011.
Shannon and the Clams – Sleep Talk The Orwells – Remember When Thee Oh Sees – Castlemania Girls – Father, Son, Holy Ghost Natural Child – 1971 Mark Sultan – Whatever I Want The Hussy – Cement Tomb Mind Control Davila 666 – Tan Bajo
Davila 666 of Puerto Rico is going on TOUR. They will make several stops in the U.S. Check the list here: http://www.myspace.com/davila666/shows. For Boston area folks, the dudes will be playing at Charlie’s Kitchen in Cambridge on April 18. Now, it’s 21+, but according to the venue site, underages may enter if with a parent. This is a good provision!
I was on the computer and I heard Davila 666’s “Basura” playing on a TV from the other room. What the fudge I thought, since when is that Scion Garage Documentary airing on TV? But that was not the case. It’s used in a commercial for The North Face, you know the maker of winter jackets and stuff like that.
Watching this documentary, you might feel like you are reading this website. There are shots of living and deceased (literally/not literally) KLYAM regulars like Black Lips, Jay Reatard, King Khan & BBQ Show as well as shots and interviews with other great musicians and performers like Ty Segall, Thee Oh Sees, Davila 666, The Dirtbombs, The Magic Kids, Hunx and His Punx and Box Elders. What is garage rock? For Jay Reatard, it was about grossing people out. For Joe Bradley, “it’s about keeping it simple, stupid. That’s what we’re [Black Lips] are trying to do. It’s about fun and entertainment.”
VICE goes around interviewing some of the most notable and downright prolific names in garagerock. Part 1 examines the scenes in Memphis and Detroit.
Description: Pure fun. No shock that this is one of Cole’s favorite modern bands. They sound really really similar to Black Lips — except they sing in Spanish — so they should be an essential listen for any fans of garage and trash pop. I really dig, at least.