concert review, Entertainment, Music

Concert Review: Kurt Vile, Real Estate, Sore Eros @ Harper’s Ferry (7/23/10)

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Technically Difficult

Bands: Kurt Vile/Real Estate/Sore Eros
Date:  Friday, July 23, 2010

Act One – Sore Eros – Chris likened them to Deerhunter. They fall in that sort of experimental ambient rock category that Vile and, to a more considerable degree, Here We Go Magic, fall into. The lead singer and guitarist was really using effects to his advantage to derange his vocals and guitar. I think he also made use of looping, but it was tough to tell. His vocals were brief and incomprehensible. The noises that did come out of the amps were relaxed. There were moments of rocking out — and these were my favorite moments — but for the most part Sore Eros’ set was bigger-than-thou stand and stare kind of fare.

Act Two – Real Estate – These guys were pretty much what I expected. I was pleasantly surprised by the lead guitar parts (my favorite) as they were loud and precise. Sure, there was a moment of technical difficulty at the end of their set, but the songs that preceded this disturbance were entertaining. There were a few people dancing and that was understandable with this form of surf rock. I can understand the “they were boring” arguments, but as a fan of Real Estate’s “hit” songs –“Beach Comber,” “Fake Blues,” “Atlantic City,” and “Basement” — I can tell you I had a great experience during those.

Act Three – Kurt Vile – Kurt was a disappointment. My expectations totally differed from what actually happened. I expected a mostly acoustic slow set with a few electric guitar ditties thrown in the mix. What actually happened was an array of hard rocking vocally incomprehensible so-so tunes. I couldn’t hear the man except on maybe one or two songs. The lead guitarist was playing what seemed to be the same reverb drenched notes over and over on every single song. There were individual components of individual songs that were decent, but for the most part it was a disappointing noise jam. Get rid of the Violators and just have Kurt up there or something.

Grade: C+

Art, CD Review, Classic CD Review, Entertainment, Films, Music, pictures, Punk, Video

Classic Album Review: Beat Happening

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Artist: Beat Happening
Full Title: Beat Happening
Year: 1985
Label: K
Track List
1) Our Secret– 8/9
2) What’s Important– 9
3) Down At the Sea– 9
4) I Love You- 8
5) Fourteen- 8
6) Run Down the Stairs– 9
7) Bad Seeds (Live)- 5
8) In My Memory-8/9
9) Honey Pot- 8
10) The Fall- 7/8
11) Youth- 8
12) Don’t Mix the Colors- 8
13) Foggy Eyes- 8
14) Bad Seeds– 9
15) I Let Him Get to Me- 8
16) I Spy– 9
17) Run Down the Stairs– 9
18) Christmas- 7/8
19) Fourteen- 8
20) Let’s Kiss– 9
21) 1, 2, 3- 7
22) In Love With You Thing- 7/8
23) Look Around- 8
24) Untitled- Ungraded

Comments: This is the unflinching, incredible debut from the seminal “twee pop” group Beat Happening. You can call it twee, lo-fi, noise, etc. but ultimately it is Punk Rock- at its finest. In this record, BH, known for their amateur quality/attitude, are at their most primitive; the production is about as lo-fi as it gets before it becomes simply rubbish. On this LP, most songs are astonishingly decent pop tunes, with passion taking the front seat over musicianship. One can hear a lot of 60s surf rock influence as well as the outsider feel of The Shaggs and Half Japanese. Lyrically, most numbers are innocent in nature- “Down at the Sea,” ” Run Down the Stairs,” etc. There are also more than a fair share of love ballads- “Our Secret,” “I Love You,” “Honey Pot,” and the classic “Let’s Kiss.” Admittedly, not every track is good and some do suffer from the lack of “quality” recording and perhaps would have sounded better with a finer studio. My two favorite tracks are definitely “Bad Seeds” ( the guitar riff reminds me of the music in the James Bond Films; a very bad ass song!) and “I Spy.” All in all, this is a pretty nice debut from Beat Happening and it certainly is amongst the annals of “YOU CAN DO IT TOO!” records.

Grade: B+

“Bad Seeds” with clips from Over the Edge (1979)

Black Lips, Entertainment, Music, News, Nobunny

“The Underground Is Rewinding To Revive The Cassette”

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Awesome article in today’s Boston Globe. Mentions include Burger Records, the king of tapes, great local band Girlfriends, Black Lips, and the background of the screen you are looking at…Nobunny!

“…The story is the same for Burger Records, a music shop and tape label based in Fullerton, Calif., that just released the new MMOSS tape. It tends to do runs of 250 with handmade artwork, though high-selling tapes have earned repeat pressings. The lo-fi rock ’n’ roll Nobunny’s “Raw Romance’’ tops the discography at 1,000 copies to date, but that hasn’t stopped it from becoming a collectible already.

“One of those has sold for $40 on eBay,’’ says label head Sean Bohrman.

Bohrman got into releasing tapes just for kicks when he saw a friend’s band do it a few years ago. “We made CDs of two of our albums,’’ he says. “We still have hundreds and hundreds of copies of them. But we sell tons of tapes, so go figure.’’

Word has spread, and bigger labels are starting to complement wide releases with small runs of cassettes. Indie giants Sub Pop and Vice Records have started working with Bohrman to coordinate tape releases of bands like the Black Lips, Happy Birthday, and Jaill. The reason isn’t just to boost sales. Having a tape, especially one with homemade artwork, can reconnect with fans and ever-more-influential bloggers.”

Read the entire article: http://www.boston.com/ae/music/articles/2010/07/23/the_underground_is_rewinding_to_revive_the_cassette/?page=1

Art, Entertainment, Film Review, Films, pictures, reviews

Film Review: Inception

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Full Title: Inception
Director: Christopher Nolan
Year: 2010
Comments:
Let me begin by stating that Hollywood, the mass media, and the film viewing community as a whole seriously needs to stop hyping films up as the next big thing or the “greatest film since…” I walked into this movie expecting to see something on par with the likes of Nolan’s previous work, The Dark Knight (2008), which I had a massive hard-on for, but alas, like many overrated pictures these days, it did not come close to delivering the wonderful package I anticipated. Seriously, nearly everyone on IMDb and several other patrons had built this up as one of the greatest movies of all time and blah blah blah. Well, for me the first half of this film was decent and had an interesting premise: A man can create dreams in other people’s minds and interact in them. I really dug those first few times they illustrated how the dream process worked i.e. when Cobb (Leonardo DiCaprio) shows Ariadne (Ellen Page) the tricks of the trade. Overall, the acting is pretty good and the plot holds my attention for the first half. Once they start the actual “job,” the inception, I’m totally severed from the story. I simply felt bored and lost all concern for the characters. SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS!
The movie became too confusing with dreams within dreams within dreams within his dream within her dream to the point of extreme ridiculocity. And my friends and I noticed various similarities between this and Shutter Island (2010), DiCaprio’s previous film. Mainly because of the whole alternate reality/dream like world and the attempt to be with one’s deceased wife again and take care of their children. We questioned whether it was pure coincidence or directly capitalizing on the success of Shuter; I think a little bit of both. All in all, I felt really dissapointed about this flick and at the same time I acknowledge it’s not my cup of tea and perhaps I didn’t fully understand it.

Grade: B

Classic CD Review, Entertainment, Music

Classic Review: You’re Living All Over Me [1987]

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Band: Dinosaur Jr.
Label: SST

1. “Little Fury Things” – (A+) – A long-time favorite, I love the smothering of distortion and pop at the beginning of the tune. Of course, the rest of the tune is just as amazing; the solo toward the middle really stands out.

2. “Kracked” – (A-) – Interesting solos, but rather dull verses. I do like the proto-grunge chorus.

3. “Sludgefeast” – (B+) – Another heavy battering of noise! Of course, a little teaser of a slowdown leads to an even more massive outbreak of…sludge. Mascis’ vocals fit snug on here.

4. “The Lung” – (B+) – A tiny bit toned down from the two tracks before it, this is a more relaxed interpretation of distortion.

5. “Raisans” – (A-) – Unfortunately not really note-worthy, but it’s still quite listenable. The final long shred is impressive. The best of its kind on here so far, I’d wager.

6. “Tarpit” – (A) – Would probably work best as an album closer because it’s just that great and has that whirlpool of noise that gives me a sense of closure.

7. “In a Jar” – (A-) – Reminiscent of Pavement in its clean, yet lo-fi ways — at least at first.

8. “Lose” – (B+) – A little bit of a hassle to appreciate, but Barlow meant well.

9. “Poledo” – (C-) – An unnecessary “sound collage” as Wikipedia dubs it. Really not necessary. For throw-aways in the grand scheme of throw-aways, I guess this isn’t terrible.

10. “Show Me the Way” – (A+) – Awesome! An instant favorite!

GRADE: A-/B+

Boston based shows/fests – DIY, punk, noise