Category Archives: Music

Concert Review: Ravi Shavi CD Release @ Firehouse 13

Bands: Ravi Shavi, Atlantic Thrills, The Rice Cakes, Napoleon
Date: Saturday January 26, 2013
Venue: Firehouse 13 [Providence, RI]

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Act INapoleon – Things get started right with Napoleon from Brooklyn. This four piece played a dark and danceable set that included some memorable tracks from their latest record, Success. They had their act together, showing some nice moves that ought to be appreciated by more than New York basement attendees. The songs themselves are very New York, which is sort of a weird thing to say, but if you are familiar with dudes like mid 2000s Walkmen, Interpol, and their oversea counterparts, Editors, you might get what I mean. There also was some upbeat jangle in there – so I’m not talking a totally dark experience; I enjoyed these clingers a bit more than the rest. And the hi-hats were nice, as testified by an enthusiastic man who related his feelings to the drummer after the set. I used to be way more into this style of rock and roll, but I found myself really appreciating this young group and the way that they played since it is not really what I hear often at shows I usually attend.

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Act II Atlantic Thrills – The Thrills, I will state off the bat, are the kind of band that makes me always want to drive down to Providence. Providence/Boston, not too far apart, but only for truly special bands do we like to go out of our way. The Thrills are special – I mean they are not musically unique by most measures, but they’ve held the torch of messy, fuzzy, fuckitall r n r pretty high since it was handed to them by wild teens from Peru. Seeing them on the stage tonight brings to mind some great show moments, a handful now involving these guys. I’m going nuts the whole time and hey, fellow KLYAMer Chris seems to be enjoying himself a good deal as well. The increasingly packed crowd gets more and more into Atlantic Thrills as the set progresses.  The Thrills’ set nowadays is as impressive as ever – there are the perennial classics, “Acid Rain” and “On My Mind,” a re-energized “Ain’t Enough,” and a handful of newer songs that I am sure will find their way on the Thrills upcoming LP. The energy of these guys is outstanding, climbing on amps, spewing mouthfuls of Jim Beam on the crowd, spilling more than half of that bottle of Beam on the ground. Not caring.  If you live remotely close or far from Providence – it is well worth a journey to see the Thrills. Do it!

Set-List
Ain’t Enough
Holy Mountain
Booze
Beach
On My Mind
Try & Try
Blindfold
Lies
Light Shines
Drugs
Shotgun
Acid Rain
Hold Your Tongue

Act III – The Rice Cakes – I didn’t know what to expect from The Rice Cakes, but certainly they made good with their output! Their tunes tended to be lengthy and melodious. A more folky take on rock and roll. A cover of Pixies “Gigantic” surprised me as they certainly put their own three-piecy sspin on it. Another tune that particularly remains with me is “Magma”. It drew a more than pleasant response from the crowd and like I said – it’s memorable!

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Act IV –
Ravi Shavi – At last, we see the arrival of Rafay Rashid and his three band-mates onto the stage. This ain’t no ordinary show for Ravi Shavi – it’s their record release show. A big deal for a band that’s certainly been making a name for themselves for some time now. They have a very strong following of devoted fans, at least from what I’ve witnessed each time I have seen them. And the reason is clearer than ever this evening. They play pop rock that is loose and messy. While their references might be more along the cleaner side of power pop and garage rock, Ravi Shavi created a raucous and positioned themselves far from safety. I wasn’t really expecting a mosh pit of any kind, but it happened and it was awesome. Everyone reacted to Ravi in some way… how could one not? I can’t really pick any one highlight, it was just one of those situations where I felt extremely satisfied throughout.  Everyone can agree.

The Orwells East Coast Tour Dates/ T.T. The Bears (2/27)!

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Damn, first Colleen Green, now The Orwells! We’ve been following Orwells and anticipating this moment for two years now, so this is a real treat. They’re hitting up T.T. the Bears on Wednesday, February 27 and then touring the rest of the East Coast, check the dates below and see them when they come to your city!

Feb 27 2013 – TT the Bears – Cambridge, MA
Mar 01 2013 – Santos Party House – New York, NY
Mar 02 2013 – North Star Bar – Philadelphia, PA
Mar 03 2013 – DC9 – Washington, DC
Mar 05 2013 – The Basement – Columbus, OH
Mar 06 2013 – The Hoosier Dome – Indianapolis, IN
Mar 08 2013 – The Vernon Club – Louisville, KY
Mar 10 2013 – Masquerade – Purgatory Stage – Atlanta, GA
Mar 11 2013 – One Eyed Jacks – New Orleans, LA
Mar 12-16 2013 – SXSW – Austin, TX
Mar 17 2013 – SPILLOVER 2013 – Dallas, TX
Mar 20 2013 – The Waiting Room – Omaha, NE

Review: Big Mess, Kal Marks, Frankie Teardrop, SUNS, Tawny Peaks, and Heavy Petals @ Wilder Zangcraft (1/6/13)

Big Mess

Bands: Heavy Petals, Big Mess, Kal Marks, Frankie Teardrop, SUNS,  Tawny Peaks
Date: Sunday, January 6, 2013
Venue: Wilder Zangcraft (Lowell, MA)

Act I: Heavy Petals – I am excited to say this is the first show I am seeing in 2013. Overall 2012 was the best year for shows, each year seems to get better.  Anywho, Heavy Petals (I hope I have this name right, please inform me if I don’t) is a last minute addition to this bill, so I’ve never seen their name in writing.  They are a five piece and they deliver a sick, rocking set drenched in folk-country mixed with a little bit of punk. This reminds me of Those Darlins, especially with two female vocalists.  In fact, I’d specifically recommend them to fans of Those Darlins –  a lot of traditional country vocals.  I also notice that they expand beyond these elements and feature a more sinister side, bearing resemblances to Sonic Youth. All in all, a fun set.

Act II: Big Mess– Big Mess as always is a flat, sonic death punch to the gut.  I never get sick of hearing those catastrophic guitars and heart pounding drums.  Seriously, someone has to synch up these songs to a slasher/horror flick.  I can’t say this Big Mess set is particularly unique from any other Big Mess performance, but that’s not necesarily a bad thing. I consistently look forward to their high quality sets and they have never let me down.  I’m also glad to hear that some of the touring bands are fans of Big Mess now. Indeed, more kids need to experience this colossal band. You can start here: http://bigmessma.bandcamp.com/album/big-mess

Act III: Kal Marks –  Kal Marks have made a name for themselves in the Boston underground, charming us along the way- https://klyam.com/2011/06/01/concert-review-peach-kelli-pop-problem-house/ Unfortunately, unlike Big Mess, I (we) haven’t seen Kal since May 2011, opening for Peach Kelli Pop at the Problem House as can be read in the link above. I remember thinking they were a diverse group, able to capture various styles and sounds all at once.  I still feel that way, and I especially admire their latest EP Piss of the Century.  Lead vocalist Carl has a highly distinctive, high pitched voice with a certain drawl that oddly reminds me of Kurt Cobain.  Tonight, Kal Marks is a two piece (in need of a bassist), but GOOD NEWS! AS OF WRITING THIS THEY HAVE FOUND A BASS PLAYER NAMED MIKE. WORD.  Though, they still sound awesome as a two piece.  Can’t wait to see them back in action again as a full band.  It’s a good set for the most part, but in some of the louder songs, I can barely hear the vocals, while on the softer tunes those sick pipes come through a bit clearer. http://kalmarks.bandcamp.com/ So, I hear Big Mess and Kal Marks are going to tour together in March, GO SEE EM KIDS!

Act IV: Frankie Teardrop – Going into this next performance, I don’t know what to expect. And I’ve professed before that’s how I like it. I like the unexpected. Frankie isn’t just one dude (it’s funny, up until now, I had this image in my head of this sad lounge singer in a tuxedo with a whiskey bottle, though I was positive it wouldn’t be like that and for everyone’s sake, it is not). Frankie’s a full band. One dude on vocals/guitar in the front area where attendees stand and the rest of the members in the conventional band space in the back. The man on vocals and guitar, Frankie perhaps, flails and flings about as he rocks through his frenetic set. He looks possessed. It’s noisy and somewhat amateur, but I like it a lot. I can’t not fixate on this dude and his weird movement. I’ll have to listen to more of their music, because I can’t pin down any specific idea or style, but it’s satisyingly peculiar, that’s for sure. By the way, Frankie Teardrop is on tour from Ohio, and in fact they also played with Fat History Month and Pile at O’Brien’s Pub. Sounds like one helluva tour fellas, excellent! http://frankieteardrop.bandcamp.com/

Act V: SUNS – These dudes have a pop punk sound to them, but they sound better than most folks with that label.  Still,  not the kind of music that sets my rocks off, but maybe it will turn you on. Check it out here: http://sunsmusic.bandcamp.com/

Act VI: Tawny Peaks– Like their tourmates SUNS, not really a Chris DeCarlo kinda band. Can’t remember too much, sorry. But, they play emo that is similar to Slurred Speech, so if you dig that, maybe you will enjoy Tawny Peaks. Check em’ out: http://tawnypeaks.bandcamp.com/

LP Review: Cute Mutant

Band: SKIMASK
Release: December 21, 2012
Labels: Infinity Cat Recordings/Sophomore Lounge/100% Breakfast

Side A
1. “Slap Me Silly”
2. “Creature Double Feature”
3. “Igloo”
4. “4EVA LTD”
5. “Candy Cane”
6. “Every Week Iz Shark Week”

Side Z
1. “Tempurpedic Mattress”
2. “Blow Up: Bubblegum”
3. “If Foolish Men”
4. “Problemhouse”
5. “10 Speed”
6. “Favorite Flavor”

Comments: SKIMASK have been frightening ordinary people for years, but now is the time we finally get to hear a nice to see/feel/hear LP from the Boston trio. With capital and distribution provided by three reputable labels, this record will serve as a crucial source of discovery for many – both in the Boston area (where the band is a live staple) and outside (where the band has toured in venues both small and others significantly larger).

The best descriptions of the band that I’ve come across involve the words assault and primal. And, of course, no better place for that than three feet away from a pacing Profit Mohammad. But you get the gist of the insanity that is SKIMASK from the speakers in your home. Often times I do not know what Profit is saying, but his vocals are incredibly memorable, especially when he’s shouting things like”CREACHA, DAUBLE FEECHA!” and “IS IT VANILLA OR IS IT CHOCOLATE?????????” The critical base co-existing with our friend on vocals is a triple vocal mega-effects man and an unapologetic drummer, pounding away, astonishingly to the workings of that mega-effects man. Of course, I take it that you know SKIMASK visually, but in case you don’t, you might have already conjured up a stringed instrument or some guy on the ground pushing pedals. Or not. They aren’t your typical band and these aren’t your typical songs.

And that’s a great thing. I’m challenged listening to SKIMASK; I do not know many records that are this in your face. The presentation brings both the unexpected (“Tempurpedic Mattress) and the innately hooky (“Creature Double Feature,” “Candy Cane”). I’m swept away by such immediacy and it’s addicting “Blow Up: Bubblegum” is begging to be chewed all day. Never once in my listening to Cute Mutant do I ever want to step away for a moment. The Profit would get angry.

I’ve been delighted by a decent array of noise in my day, but I’m not sure if I have heard an album that tops Cute Mutant in its ability to be so fun and so very different. I very much appreciate and admire this band as a force of rock ‘n roll. So yeah, while I in complete honestly will not be able to immediately recall or recite a handful of these tracks, it is probably because they damaged my brain! In a good way!!!!!!!!!!!!

THE KING KHAN & BBQ SHOW- SHAVED ANUS USA MEGA JAUNT/ SINCLAIR (4/10)

KKBBQ Tour

TUE 4/9 MONTREAL, QC Il Motore w/ Vomit Squad*
WED 4/10 BOSTON, MA Sinclair*
THU 4/11 NEW YORK, NY Santos Party House*
FRI 4/12 BALTIMORE, MD Ottobar*
SAT 4/13 NEW YORK, NY Glasslands*
TUE 4/16 LOS ANGELES, CA Troubadour
WED 4/17 SAN DIEGO, CA Casbah
THU 4/18 SANTA ANA, CA Constellation Room
FRI 4/19 SAN FRANCISCO, CA Slims
SAT 4/19 TBC!!!!
MON 4/22 ATLANTA, GA The Basement
TUE 4/23 NEW ORLEANS, LA Siberia
WED 4/24 HOUSTON, TX Fitzgerald’s
THU 4/25 MCALLEN, TX Cine El Rey
SAT 4/27 NORMON, OK Norman Music Festival
SUN 4/28 AUSTIN, TX Austin Psych Fest
http://www.facebook.com/events/154611484688807/

* Bloodshot Bill

HOLY SHIT!!!! I can’t wait for this show, KKBBQ is one of the OG KLYAM bands, one of the best shows we’ve ever seen. It’s been 3+ years since the dudes played in Boston and now they’re back, fuck yeah!

Concert Review: The New Highway Hymnal, Color Channel, Fat Creeps, Yale, Massachusetts @ Great Scott (12/31/12)

NHH NYE
Bands: The New Highway Hymnal, Color Channel, Fat Creeps, Yale, Massachusetts
Date: Monday, December 31, 2012
Venue: Great Scott (Allston, MA)

Act I: Yale, Massachusetts– Yale, Massachusetts play a sort of familiar, pop punk sound that isn’t too harsh on the ears.  It’s not really my style, but I don’t hate it either.  They remind me of Weezer and Bent Shapes, and not just because of the glasses. Hell, Rivers Cuomo isn’t even wearing glasses in the “Buddy Holly” music video! You know, I think someone even yells out “Weezer!” I could just be making that up though, ohh well.  A former bassist of the band joins them on stage for a quick song filled with impassioned vocals.  Check out their bandcamp page here: http://yalemassachusetts.bandcamp.com/

Act II: Fat Creeps– You’d think after nearly a dozen  Fat Creeps show reviews, this process would feel stale or vapid, but it honestly doesn’t.   The Creeps are one of my favorite bands, so naturally I want to see them live as much as possible. When Glen and I started KLYAM we didn’t really have any specific directions or intentions, we simply wrote about our passions, our experiences, our thoughts and reactions, and specifically our tastes, with music playing a bigger and bigger role as time went on. It slowly evolved into its own thing as we started attending and reviewing more of our favorite bands’ shows.  Alas, back when we started we had to wait another year or so to catch the next Black Lips or No Age show. But, of course, as excess is in our nature, we reviewed all of them. In the time since then we started to pay more attention to local music and now we have the opportunity to see some of our favorite bands quite frequently. So now, I see it as our privilege to see and write about the Fat Creeps on a regular basis.  After all, why wouldn’t you want to see one of your favorite bands over and over again? Alright, I’ve babbled again, to the show. Both Glen and I feel like this is one of their best performances. I know that also sounds like a stock line.  I assure you, it’s not.  I could tell you which shows were superb and which were just solid.  This can easily be detected by a line such as “this was one of the best Fat Creeps shows” like the one I wrote earlier. So anyway, what makes this show stand out above all is the sound.  I love the PA at the Great Scott. Generally speaking, I think most bands simply sound better here.  The songs come through clear and hit me with this massive wall of sound.  They open with what I see as their signature song, the quirky, Beat Happening  esque, “Nancy Drew”  and follow it with their best song, the ominous ballad, “700 Parts.”  They play several Creeps standards like “Secrets” in which Mariam belts out one of my favorite lines “COME CLOSER I CAN’T HEAR YOU!” with a commanding howl that stacks up there with the harsh delivery of Kim Gordon (though I actually prefer Mariam’s voice). What makes this moment even more memorable is Ben Tan standing behind me, screaming out his lungs along with Mariam.  Haha, you wild child you.  Overall, this set seems heavier than usual, which is never a bad thing.  This is notable during one of their new songs, “He Comes In Loudly” and a nasty cover of X’s “Nausea” (seen below). Lastly, the visual, which is often a key ingredient in an unforgettable Creeps show- green hair, black leather jackets, early 20th century dresses, Laconia tee shirts, etc, is outstanding.  The Lysergic Factory Light Show’s psychedelic/acid trippy colors reflect nicely over Mariam’s and Gracie’s red, velvet attire. I’m pumped for the next show!

Set List (from what I can remember):
“Nancy Drew”
“700 Parts”
“Secrets”
“Fooled”
“Dad Weed”
“Daydreaming”
“Go To The Party”
“Back To School”
“He Comes In Loudly”
“Nausea” (X cover)

http://fatcreeps.bandcamp.com/

Act III: Color Channel– Never heard of Color Channel until tonight. They are pretty cool, electronica/power pop is the best way to describe their music. I see elements of Head Automatica in them with all of the excitement and dancing, and perhaps more mainstream tendencies.  This transfers well into the audience which is packed, more people are up front dancing than for any other band on the bill.  Color Channel do a decent job of keeping everyone amped up and ready to bring in the new year.  In fact one dude hops into the audience, bashing away at the tambourine.   It is during this set when the clock strikes 12.

HAPPY NEW YEAR!!!

Silly string, balloons, kisses, and champagne galore.  Then Color Channel continues their set.  It’s an entertaining performance, no doubt, but not really my bag baby, a little bit longer than I needed. http://colorchannel.bandcamp.com/

Act IV: The New Highway Hymnal– The NewHighway Hymnal at the Great Scott, ahh an awesome way to kick off the new year.  Lead guitarist/vocalist Hadden Stemp notes this as well, saying they are happy to be everyone’s “first band of 2013.” This is technically my first time seeing them as a trio and they sound just as sick.  This is also my first time seeing them on a bigger stage, P.A.’s Lounge doesn’t really count.  In the past, I have seen them mostly in basements and one time awkwardly alone, behind a screen glass window at WUML. Point is, they’ve played so many clubs/bars over the years, especially Great Scott,  it’s nice  to finally see them in this larger setting.  I think they open with “More,” yeah let’s go with that.  A favorite of mine from their LP Whispers, live this song is a beast- loud, fiery, and anthemic. Alas, the crowd has dwindled. I thought there would have been way more people. But, for those of us that stick around, it is a fucking blast and some light moshing ensues. By this point in the night on New Year’s Eve, I can barely stand already, so this is pretty fun.  Also, I can’t  forget to mention just how thrilling it is to have Hadden Stemp hurl his body (guitar in arms) off stage at you. Definitely best New Years Eve I’ve had in quite some time. http://thenewhighwayhymnal.bandcamp.com/