Category Archives: Music

Song Reviews: No Age/Nobunny

Band: No Age
Label: Sub Pop
7″: Glitter

“Glitter” (A/A-) – No Age has always liked themselves some samples and atmosphere. Weirdo Rippers was ripe with what critics have termed “experimental” sounds. Nouns had a fair share of these tunes as well, but was more “punk” oriented, espesically on the album’s very best tunes: “Teen Creeps,” “Eraser,” and “Ripped Knees” just to name a few. 2009’s Losing Feeling was a mix of atmospheric sounds and straight up rock, but pretty much involved a heavy appetite of samples on every song. If “Glitter” is any indication of the direction of Everything in Between, No Age is aiming at a continuance of their Losing Feeling vibe. I don’t think this recording does too much in terms of how great this song could be. The sample in the background can be a little much at some times, but actually I really like how everything comes together on the latter part of the song.

“Inflorescence” – (A) This one is neat. It reminds of The Pains of Being Pure at Heart kind of twee pop plus, of course, an extra sample or two. Good stuff.
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Band: Nobunny
Label: Goner Records
Album: First Blood

“Motorhead With Me” – (A+) – This one’s been kicking around for over a year and will make its LP debut on…this LP! It is chaotic powerpop/punk genius.

“Blow Dumb” – (A+) – What a stellar song this one is, too. Fucking A! It’s got cowbell, a stellar rhythym and high energy written all over it.

New Nobunny LP: “First Blood” !!!

Previously Known As: ONO

Track Listing:

1 Ain’t It a Shame
2 (Do the) Fuck Yourself
3 Blow Dumb
4 Gone For Good
5 Pretty Please Me
6 Breathe
7 Live It Up
8 Motorhead With Me
9 Never Been Kissed
10 Pretty Little Trouble
11 I Was On (the Bozo Show)

Release: September 21, 2010

Label: Goner Records

Midheaven Description: Hail! Hail! America’s favorite loopily leporine rock ‘n’ roller, Nobunny, is back with a new album, First Blood, and it’s his catchiest batch of tunes yet. The melodious masked man kicks it off with “Ain’t It a Shame,” a bittersweet tale of a rocky romance in which Nobunny’s lover has no choice but to endure his frequent indiscretions. He’s just that damned charming. “Blow Dumb” is a Velvet-y tribute to all the things that make life worth livin’–“smokin’ Copenhagen,” make-out sessions and “burger breaks.” In fact, First Blood never overstays its welcome and lasts about as long as a particularly adventurous mid-party burger run.  “(Do the) Fuck Yourself” immediately jumps to the top of the list of onanistic rock songs along with the Who’s “Pictures of Lily,” Devo’s “Praying Hands” and the Gizmos’ “Pumpin’ to Playboy.” Have fun trying not to sing this infectious little number in inappropriate situations. Sure, we all know that Nobunny can deliver a raunchy, good-times number like no one else, but can our floppy-eared fop get sophisticated? Let the contemplative vibe and beautiful strings on “Breathe” answer that. “Live It Up” is the most optimistic of a collection of upbeat songs. Nobunny is so happy, he makes the 1910 Fruitgum Co. sound like Joy Division. On “I Was On (The Bozo Show),” Nobunny dreamily recalls a moment from his childhood where he actually shared the stage with the late, great clown-god Larry Harmon. In under half an hour, Nobunny goes through every worthy rock ‘n’ roll subgenre–bubblegum pop, garage, rockabilly and psych–and still beautifully articulates every single human emotion with ease.

Classic Film Review: The Devil and Daniel Johnston

Full Title: The Devil and Daniel Johnston
Director: Jeff Feuerzeig
Year: 2005
Comments:
Before I go any further, I must warn you if you are planning on watching this documentary, then you will be possessed by the Devil… Did you hear me?! I said the DEVIL. SAYTUNNN!!! Now, if you think I should be locked up in the looney bin before I harm others and myself, then you are probably right, but this is not about me (The Devil and Chris DeCarlo will hit theaters in years to come) this is about the one and only Daniel Johnston. In this gentle, affectionate, film we see how Dan is an enthusiastic, earnest, artist, in spite or because of his various mental and/or social problems. Initially, he is simply a slacker, eshewing work and school for his art, much to the chagrin of his family; his parents in particular are objects of his animostity. Alas, as he grows older his mental capacity deteriates (hence his obsession with the Devil) and he is diagnosed with Bipolar Disorder causing him to be in and out of mental institutions and a serious threat to himself and those around him. I’ll stop here before I give away anything else, unless of course you know Dan’s bio… What I really like about this documentary is the fact that it stays personal via old home movies, tape recorded interviews, animation (coming straight outta Dan’s drawings, literally!), and of course interviews with his family, friends, and collaborators. The doc never strays off into a Michael Moore performance art sorta thang or a hidden agenda drenched picture. The agenda is clear: Daniel Johnston, love him or hate him, was and still is an incredible, gifted man with more passion in his art than most other artists one cares to name. Overall, this is a rollercoaster of emotions ranging from sad, humorous, fascinating, disturbing, entertaining, and ultimately touching- fans and non-fans unlike should see one of the finest documentaries of the last ten years.

P.S. excuse the “rollercoaster of emotions” cliche, but since Dan worked at an amusement park, I think it fits.

Grade: A-

This Show Actually Happened #1

Random new feature that tells of shows that happened in Boston (because that’s what we’re familiar with) that look highly unusual or unbelievable in hindsight.

#1 – BLACK LIPS Opening for THE PONYS @ TT THE BEARS – MARCH 27, 2007

There are a few oddities in this one! Obviously, Black Lips opening for The Ponys just wouldn’t sound right today. Since this gig, they’ve played a show at the Bank of America Pavilion opening for Raconteurs (reasonable) and three at the Middle East Downstairs. As for the Ponys, they’ve only been back here once and that was later in 2007 opening for Spoon. The Ponys did “breakthrough” before Black Lips with their March 2007 release of Turn the Lights Out on Matador. Black Lips would get their big break in September with their Vice studio debut Good Bad Not Evil. And finally…this was at TT The Bears, the little venue for national bands just starting to make the rounds across the country! Black Lips were doing their thing for 7 years before this show and The Ponys for at least 6!

Online Press – Black Lips Rocks Off Cruise 8/2

Here are some articles and things that I’ve found relating to this wonderful event:

My (Paul’s) Photos: LINK

Video of “Short Fuse”: LINK – Displays the craziness that was the crowd: crowd surfers, bumping into band members, useless “stage” guard, etc, etc. Also, you can hear the bass and guitar get cut out to the point where it’s basically Joe drumming and singing for a minute or so.

Metromix Photos: LINK – 109 photos that do a great job at capturing the actual show and the personalities on the boat. 

CMJ: LINK – Great recap of the show. It does allege that the Lips played “Veni Vidi Vici,” but I could almost swear they didn’t.

If you have any pics or write-ups or videos or anything relating to this event, then comment away!

CD Review: Lisbon [2010]

Band: The Walkmen
Release: 9/2010
Label: Fat Possum

1. “Juveniles” – A-
2. “Angela’s Surf City” – A+
3. “Follow The Leader” – B
4. “Blue As Your Blood” – B+
5. “Stranded” – A-
6. “Victory” – A
7. “All My Great Designs” – A-
8. “Woe Is Me” – A
9. “Torch Song” – A
10. “While I Shovel the Snow” – B+
11. “Lisbon” – B+

Comments: Probably the most anticipated album of the year for me besides maybe No Age’s new one. I’m telling you The Walkmen are somewhere safely in my top five favorite bands. “Juveniles” is not really as amazing as it was on the first few listens (KLYAM’s Premature Evaluation, if you will), though I must say it’s definitely a fringe A so I gave it an A-. Not a favorite of the year, but memorable and catchy as freak. The surf-y pre-chorus and actual chorus are stunning animals. As some have commented, The Walkmen seem to really do the opening song thing well. “Donde Esta,” “Louisiana,” “What’s In It For Me?” great stuff. “Angela’s Surf City” is probably an A-, but I gave it an A because the explosion of drums and instrumentation in general PLUS high volumes make this their newish answer to “Tenleytown” MINUS the ’80s DC hardcore influence. Got that? “Follow The Leader” sounds like a song that should be :20 long. Now, no song should actually be that short ideally, so I actually take it back. I strangely like how this song is included. I was really convinced it was unnecessary. “Blue As Your Blood” is nice, but is the first real song on here that has only certain parts that are great. The orchestral “Stranded” is really outstanding. At first I was like “oh yeah this is just really good…nothing major,” but now I’m thinking it’s top tier on this record. “Victory” gets nice at the end. After the first set of light vocals in “All My Great” that song becomes high quality. It really does. That little segue into my favorite song on here “Woe Is Me” works out so nicely. Like I’ve said before, I love the surf of “Woe Is Me” and its flow. Immaculate flow. I’m thinking “Torch Song” is top tier material as well. It’s got those light vocals as well as a soft little melody that’s just perfection toward the end. “While I Shovel” is along the same lines, but its slow waltz attribute doesn’t do much in the department of awesomeness. “Lisbon” is quite the album closer. While this isn’t my favorite Walkmen album (that probably belongs to Bows + Arrows), it’s definitely in a class of its own. Gone are the days of straight-up rockers along the lines of “The Rat” and “Thinking Of A Dream”…in is this new sound that was captured on You & Me and taken to a new level on Lisbon. I do much prefer the rock and roll, but this is what it is.

Grade: A- (90)