Category Archives: Lists

Classic Album Review: III

Artist: Sebadoh
Full Title: III
Year: 1991
Label: Homestead
Grade: A-
Tracks:
1) The Freed Pig- 9
2) Sickles and Hammers (Minutemen)- 7
3) Total Peace- 8/9
4) Violet Execution- 9
5) Scars, Four Eyes- 9
6) Truly Great Thing- 10, Best Sebadoh Track, Hands Down!
7) Kath- 8
8) Perverted World- 8/9
9) Wonderful, Wonderful- 8
10) Limb By Limb- 8
11) Smoke A Bowl- 7/8
12) Black-Haired Gurl- 9
13) Hoppin Up and Down- 8
14) Supernatural Force- 8
15) Rockstar- 9
16) Downmind- 7
17) Renaissance Man- 8
18) God Told Me- 8
19) Holy Picture- 8
20) Hassle- 8
21) No Different- 8
22) Spoiled- 10
23) As the World Dies, the Eyes of God Grow Bigger- 9

Comments: This album is the definition of Lo-Fi! This is just about as low as it gets. We hear very raw recordings of what some slick shit would masacre into a clean, traditional pop song. Not Sebadoh! This enormously influential group/album unleash a lengthy LP of noisy, loud, quiet, and everything in between sounding numbers. Singer/Guitarist, Lou Barlow (formerly, at the time, now presently, of Dinosaur Jr) and crew utilized a Portastudio cassette tape recorder to achieve this distinct, lo-fi sound and it absolutely gives the album a certain feel/vibe. I’ll admit, this is the kind of record, you don’t listen to track by track over an over again, but there is much to be appreciated here. With that being said, there are many notable tracks. From the get go, “The Freed Pig,” is rather catchy and serves as a memorable opener. “Violet Execution,” “Scars, Four Eye,” and others continue in this fashion. Then, you have your bizzarre, quiet, incredibly lo-fi tunes in “Total Peace,” “Kath,” “Smoke A Bowl,” and several others. Lastly, there’s the “low pop” songs, as I have dubbed them lol. Two strongly stand out and thefore I have granted them the highest of scores, with a 10. First, we have “Truly Great Thing.” One of the most passionate, yet simple songs I have ever heard. First thing that came to my noggin, THIS IS A FUCKING ELLIOT SMITH SONG! Seriously, this sounds just like ES. Being a fan of him, this works very well. You could say, it is a truly great thing ;) Secondly, we have the classic, “Spoiled,” as seen/heard in Larry Clark’s disturbing film, Kids. If I was asked to point to the best example of Sebadoh’s lo-fi style, I would have to place the Burger King hat on “Spoiled”‘s little dome. The final track, “As the World Dies, the Eyes of God Grow Bigger,” showcases Barlow’s wide vocal range: from line to line he SCREAMS and then softly sings, back and forth. It’s also a very humorous ditty, my favorite line is, “EVEN MY GRANDMOTHER LOVES TO GET HIGH!” He shouts this with all his might. Overall, some songs are better than others, but it is worthy of at least one listen and has become a respectable addition to my record collection.

Chris

Classic Album Review: At Action Park

Artist: Shellac (of North America!)
Full Title: At Action Park
Year: 1994
Label: Touch and Go
Grade: A
Tracks:

1) My Black Ass– 10, Open up a can of whip (black) ass!2) Pull the Cup- 7
3) The Admiral- 8/9
4) Crow– 9
5) Song of the Minerals– 9
6) A Minute– 9
7) The Idea of North- 8
8) Dog and Pony Show– 9
9) Boche’s Dick– 9
10) Il Porno Star– 9

Comments: Steve Albini is Killing Me Slowly with His Songs! At Action Park delivers a full blast of audio assault and yet it’s so soothing to my ears. Albini and crew whip you with their guitars, so brutal you are wetting yourself in Kim Gordan’s panties. But, it aint rape man ahaha, it’s a fucking fix! Most artists I adore are very pop like in nature. With Albini, it’s a whole other kitten to tackle. The Albini “sound” is heavily guitar driven, mean fucking guitars complemented by pounding drums (“Crow” is a great example of this). The record opens with the beloved, fan favorite, “My Black Ass,” an immensely catchy number and one of the best guitar riffs in all of Rock music. There’s a spectacular groove that just rolls through your headphones and slides down your skin; it feels better than sex… ok, I have no authority to say that :( but, it will one day feel better than sex :). This groove thang is commonplace throughout AAP, but is best exemplified in the closing track, “Il Porno Star,” which highlights one of Albini’s greatest talents: Dark, strangely humorous, and often malevolent lyrics. Albini shouts, “Porno Star Arrives… No English… No Money.” Go Figure. Overall, I highly recommend this classic to all Albini fanatics and newbies as well. If you don’t like it, you can kiss MY (BLACK) ASS!

Chris

My MAIN Influences

Of course I have encountered several diverse voices over the years that have influenced me in various ways, but there are a select few that have strongly shaped my specific perspective/philosophy. With that being said, technically my environment has been my biggest influence, but just for fun here’s some real people in no particular order.

Bill Hicks: Biting, caustic social/political satire. Love KO Fear!



Noam Chomsky
: Dissent of mainstream American media and American foreign (as well as domestic) policy. Basic anarchist ideas such as the necessity of the state to justify its actions or it should be dismantled.

Rage Against the Machine: Perhaps my oldest influence; their music drew me to such topics and increased my cynicism/hatred for the American government. They also led me to discover Chomsky.



John Lennon
: “Give Peace a Chance” :)



Howard Zinn
: Brought new meaning to the words “history,” “patriotism,” and “resistance,” for me. Helped me understand that the people on the bottom rung of society make the fundamental changes and not those on top.

Ralph Nader: It is possible to create change within the system and run honest campaigns, even if you don’t win them! Often refer to him for current politics.

Timothy Leary: Fantastic propagandist and overall champion of social change through new ways of experimentation.

The Yippies!: Chiefly Abbie Hoffman (right) and Jerry Rubin (left). Their wacky/bizarre media tactics and dissection of Amerika has been one of my biggest influences on both my writing and philosophy. I adore the equal importance of fun and revolution. After all, how can you have liberation without some kind of joy?

Hunter S. Thompson: Sarcastic social commentary; major influence on my own writing/sense of humor and early social/political influence.

Malcolm X: Provided with the great insight into the hardships of blacks in America and how we raped them of their culture. This doesn’t mean I can relate to this personally, but it does offer me a perspective and has shaped my opinions on these matters. His speeches, writings, etc. have also stood as great examples of how to make an argument with integrity and also how what the institution teaches you is usually false with the complete opposite intent. So, for Malcolm it was White is NOT right and Black is beautiful. For me it’s the media’s purpose is to (Mis)inform the public.

Emma Goldman: The beauty and basic principles of Anarchism.

Dave Dellinger: One of the greatest models of a nonviolent revolutionary; he was the American Gandhi. Stressed the importance of love and social justice in all movements. I’m proud to say one of the most inspiring Americans shares the same hometown as me!

Jello Biafra: Culture Jam! Pranksterism. Perhaps some of my first glimpses at anarchism. Similar to Yippies! but with more serious objectives: Anti-War, end War On Drugs, and so much more. Like Chomsky, Nader, and others, Jello is one of my key political references. For many that probably sounds frightening haha!

Judge James P. Gray: I owe much of the factual basis for my arguments for bringing down this filthy machine known as the War on Human Rights, excuse me, excuse me, I mean the War on (certain!) Drugs to my boy Jim. My views on this topic were basically already there, but I can sharply back them up with the help of the judge’s wise and so obviously reasonable suggestions. Since, he falls from the center-right on the political spectrum, he and I would more than likely disagree on a host of issues. With that being said, he is spot on with his indictment of our current prohibition and I highly recommend his book, Why Our Drug Laws Have Failed and What We Can Do About It.



Mumia Abu-Jamal
: His strikingly accurate views on a plethora of issues, particularly race relations and constant investigation of this corrupt and sick government. His story serves as one of the best arguments for how fucked up our criminal/prison system really is. FREE MUMIA NOW!



Steve Albini
: Tearing down major labels and any other faggedy artist in sight in the most offensive way. Merciless satire at its finest!

Ian Mackaye: DIY Punk Ethic/Aesthetic. You can’t put a dollar sign on your art and if you do then you should be in a different business!

Chris

Best of Jay: No Reatardation This Time: Jay Reatard Concert Review

Artist(s): Jay Reatard, Nobunny, Hunx and His Punx, Box Elders, and Useless Eaters
Location: Harpers Ferry, Alston, MA
Date: October 2, 2009

Pre-Show Activity
: Doors opened at 8, so we arrived at 8, but that was not good enough apparently. Doors were now to open at 8:30. In the meantime we shot the shit with Billy, drummer for Nobunny, whom would later play before Jay Reatard. Billy was a great guy and provided Glen and myself with insight on the real world of garage rock: Grueling tour schedules (driving in vans to and fro, none of that pussy bus shit), partying, and fun fun Rock and Roll! Having played with Jay for some time, Billy voiced his admiration for the band, particularly the incredibly fast guitar playing. He also mentioned the light and dark sides of Mr. Reatard (calm at one moment and gonzo the next); no surprise.

The Show:
Useless Eaters:
Chris: This duo composed of Reatard on bass with a fierce, energetic comrade on guitar and vocals. Clearly, guitar-driven music; vocals were weak. But, I thought it was decent, a good start to the show. I am glad to see Jay keeps busy with side projects.

Glen: Played hard punk-influenced garage rock that sounded at times like early Jay Reatard. Jay’s bass play is what made this band, but I got to complement the guitarist on his fine solos. The last song, which was at leat over five minutes long, stood out in my mind as the group’s best. Jay played the same bass line over and over again while the guitarist went through a few different effects.

Box Elders:
Chris: With this group we see a slight progression in crowd reaction. This progression would sharply follow with each group up to and including Jay Reatard. Anyway, Box Elders (I thought they were “Box Cutters” until just now haha) offered me a rare experience. Only once in a blue moon, if that, do I see a live band, especially an opening act and almost immediately find myself singing along to their tune. So, props to Box Elders for that. They displayed plenty of passion and high energy, particularly the drummer, who stood up the entire and simultaneously played keyboards the entire set! He also made goofy faces and body movements, which was funny and entertaining, to say the least. The guitarist sported a fancy, double guitar, which I have never seen in person, so that was cool. Well, I can really see their music appearing on my ipod in the future.

Glen: Really really catchy. Old sounding garage-pop, fun for the entire family! The drummer made this band in my opinion. He was quite the character, doing aerobics and stretches all whilst playing the drums with one hand and using the other to hit some organ keys. The two singers voices went well and definitely this is a band I’ll keep a fine eye on in the future. Their best two songs in my opinion were “Jackie Wood” (brought back memory of Ramones + arm aerobics!) and “Librarians” (awesome little keyboard part).

Hunx and His Punx
:
Chris: Wow! Bruno Live! Which I’m sure disgusted or irritated, or possibly enticed many. For me, I just laughed my ass off in bewilderment. If you think you have seen homocore or queercore, then look again. Hunx and His Punx is just about as gay as it gets and unabashedly so. I will admit, the music was fine, but nothing special. Wit that beings said, singer Hunx (? lol) demonstrated fabulous showmanship, albeit in tight spandex, which he disrobed until her was down to a thong. The guy next to me had his face planted in the singer’s crotch…. it looked like he enjoyed it though haha. By the way, he looked like Cole Alexander.

Glen: When it comes down to it, Hunx and His Punx played some pretty awesome good music. That’s beside their stage presence which made everyone in the audience except for one guy feel really awkward. A homo-punk band taken to the most literal sense, the singer chanted about how he “likes [his] boys like meat – juicy and raw.” The singer actually reminded me of a really flamboyant Dean Allen Spunt plus an intense lisp.

Set List:
1. You Don’t Like Rock & Roll
2. Hey Rocky
3. Cruisin”
4. Teardrops
5. Do the Makeup
6. GOOD Kisser
7. Gimme Gimme Back Your Love

*On October 1, 2009, Hunx and His Punx arrived at the Holiday Inn in Montreal. How much did it cost to accommodate five individuals? Why 126.99, in case you wondering. Seth Bogard made the reservation. Yeah, next time don’t put your set list on the back of your hotel invoice. Good times.

Nobunny:
Chris: Perhaps the best band to play straight before Jay. These wild bunnymen, (yes there was a bunny!) continued the trend of charisma Hunx created. Playing loud, fast, garage punk, they garnered the crowd in to intense dancing, moshing, pogoing and just about any -ing you can think of. The guitarist (drummer, Billy’s bro) spent most of their set at the very front of the stage with and sometimes in the audience. I even grabbed one of his fluffy bunny tails, which he proceeded to Jay(ha!) with. The set concluded with some good old fashion Pyrotechnics! Unfortunately, the security stomped them out merely after seconds of ignition. I dug the last line of their performance, right after the pyro was put out, “We still have seven more songs to play.” Something to that effect.

Glen: The crowd really got into Nobunny. They fuckin’ rocked the place. Their formula for success was essentially the same as the other bands, except they just seemed to have a little something extra. The singer was really interactive, jumping into the crowd on a few occasions. The bassist also didn’t hate going up to the crowd. We met the drummer Billy! Such a cool dude…besides him dressing in only underwear. That’s what the singer did too and a bunny mask too. Apparently, the lead singer of Hunx is the lead singer of Nobunny, but I can’t confirm this. They pulled similar antics on stage, except Nobunny was far less gay. “BoneYard” was probably their biggest hit.

Jay Reatard!!!!:
Chris: Looking back at my earlier post, “Jay Hopes and Expectations,” I can say most were ultimately satisfied in this great concert. He played over half of the favorites I envisioned him playing. He did not get pissed and leave abruptly. There was no animosity between the audience and the performers. His set was about forty minutes I believe that is the exact time or longer than I expected. Unfortunately, he did not play all of my favorites; these are songs I wish he would have played: “Blood Visions,” “Waiting For Something,” “Screaming Hand,” “Always Wanting More,” “DOA,” “No Time,” “You Were Sleeping,” and “Rotten Mind.” It seems like he will never play those really soft songs like “No Time,” “You Were Sleeping, and even one of his latest, “There Is No Sun.” Nahh, Jay has to maintain that unrelenting, brutal, live assault. His music live is much different than on record. I know this true of all artists, but especially true of him. Live, sometimes you cannot even tell which song it is, even if it is a number you would normally recognize if you heard the recording; it’s all heavy, great for rocking out, moshing, crowd surfing, stage diving, etc. And our crowd certainly did so. We Reatards had tons of fun bashing around and singing along to his malevolent, anti-social lyrics. “My Shadow,” “It’s So Easy,” and “See/Saw” evoked tremendous crowd response, more than any other tracks. Fans, self-included, got a massive kick out of screaming “IT’S SO EASY WHEN YOUR FRIENDS ARE DEAD! IT’S SO MUCH EASIER WHEN YOU DON’T EVEN CARE! ALL THESE FACES MEAN NOTHING TO ME! ALL THESE FACES MEAN NOTHING TO ME! ALL THESE FACES MEAN NOTHING TO ME!” Just taking a quick gander at the set list (which is featured below) one will notice most of the songs were from Reatard’s earlier albums, Blood Visions (7) and Singles ‘06-’07 (8, though some of those are BV tracks). This is another indication that he plays mostly raw, heavy, guitar fuzz-driven songs in his concerts, since these albums feature such music much more than his past two releases: Matador Singles ‘08 and Watch Me Fall

Glen: I was pleasantly surprised that the crowd was 10X more into Jay this time around than they were in July. He played all good ones. He’s rocked for a while and probably will for years to come. “See/Saw” certainly got me the most excited.

The following is Jay’s set list for the night; in parentheses is the album/compilation of which the song appears:

An Ugly Death (Matador Singles ‘08)
Nightmares (Blood Visions and Singles ‘06-’07 but under the name “Haunting You”)
Fading All Away (BV and S0607 as “Searching For You”)
It Ain’t Gonna Save Me (Watch Me Fall)
Trapped Here (MS08)
Greed Money Useless Children (BV)
_*_*_- Switch To Acoustic- _*_8_
All Over Again (S0607)
I Know A Place (S0607)
I’m Watching You (MS08 and WMF)
–_*_*_-Switch Back-_*_*_–
It’s So Easy (BV and S0607)
Not A Substitute (BV)
MY Shadow (BV)
Oh It’s Such A Shame (BV and S0607)
See/Saw (MS08)
Hammer I Miss You (S0607)
Faking It (WMF)
A Whisper (demo)
Let It All Go (S0607)

Final Thoughts:
Chris: My 3rd favorite concert! Behind Black Lips, King Khan & The Shrines and just ahead of good old No Age. Four solid opening bands, a lot of charisma/energy, highly entertaining. I always get really exited when I see my ABSOLUTE FAVORITES and Jay is #4 for me, so this was big time. Pure Rock And Roll Fun!

Glen: Overall the experience was similar to the best concerts I’ve gone to…and that’s always awesome!

Grade: A

Chris

My Top Five Favorite Sequels


Shot of young Vito Corleone (Robert De Niro) gaining his first taste with murder as he is about to shoot public enemy Don Fanucci in the Godfather Part II

1) Terminator 2: Judgment Day (James Cameron, 1991)- Perhaps the greatest action flick of all time and certainly a milestone for special effects. An overall fun time by all!

2) The Dark Knight (Christopher Nolan, 2008)- One of the greatest (summer) blockbusters of modern times. You couldn’t turn your head without hearing a patron poorly imitating the Joker’s, “why so serious?” Action was entertaining, characters were well developed, dialogue was memorable, and the story closely followed the original comics. All in all, far more enjoyable than it’s predecessor. RIP Heath Ledger

3) Clerks II (Kevin Smith, 2006)- Quite frankly, I was shocked this film was so marvelous! Being a huge fan of the original Clerks (1994) (# 3 on my list of all time favorites), I honestly did not anticipate Smith’s sequel to the live up to the first film’s greatness, but I was dead wrong. The unlikely duo of Dante (Brian O’ Halloran) and Randal (Jeff Anderson) are just as funny and pathetic (perhaps more pathetic!) in their 30s as they were in their 20s. Smith maintains the witty raunchiness we love in our View Askew joints and simultaneous creates a heartfelt masterpiece.

4) The Godfather Part II (Francis Ford Coppola, 1974)- How do you top The Godfather (1972) arguably the greatest film in cinematic history? Well, you can’t! On the other hand, audiences fell in love with this sequel and many fans favor it over numero uno. In fact, it was awarded Best Picture at the Academy Awards, I believe the only sequel to do such a thing. Anyway, this picture continues the disturbing story of Michael Corleone and follows him into his darkest hour. By the end of the film, Michael is truly all alone with his sinister self.

5) Star Wars Episode V: The Empire Strikes Back (Irvin Kirshner, 1980)- The darkest and for many the greatest of the original Star Wars Trilogy. There are no victories, no happy endings and no cuddily ewoks. This time the good guys don’t win, but it leaves we, the viewers lingering for more, like any good story should. With the introduction of the incredibly small, but sagacious Jedi Master, Yoda, the shocking revelation that Darth Vader is actually Luke Skywalker’s papa, and the badassness of Boba Fett, Empire is Fantasy Drama at it’s finest.

Note: Technically, Kill Bill Volume 2 (Quentin Tarantino, 2004) should be number one, but I do not think of it as a sequel, rather I view both Volume 1 and 2 as an entire, epic masterpiece.

Chris

Upcoming Classic Reviews!

I’m not sure if I am going to be able to listen to a lot of new music at college; fortunately, I did just receive a generous gift of several discs. I’ll be listening to them and reviewing them soon!

– Drive-By Truckers A Blessing and A Curse
Counting Crows August and Everything After
– Mojo Presents Abbey Road Now!
– Rolling  Stones Steel Wheels Outtakes + Stripped
– Genesis Live 1974
Bob Dylan Live @ Paris 1978
– Roger McGuinn (Byrds) Solo Live 1989
– The Cure Live

Quote of the Day

The....who???

In response to a Best of 2009 album list that included mostly obscure artists (most of which I’ve never heard of, except a few like Strange Boys, Ganglians, and Thee Oh Sees, in addition to Animal Collective):

I mean really. Nice of you to throw in Animal Collective so that no one thought you were getting too crazy. But who has the capacity, let alone the time and desire to seek out this many completely unknown bands/artists and rank them accordingly on a message board. WHO THE $#@! ARE THESE PEOPLE? How do you find them? How did you find the time in your year to obtain and listen to all of these with a critical mind/eye? Do you only seek out artistic works that are completely removed from anything even resembling the main stream? I know that things that are popular are not necessarily good and vice versa, but how many people own the albums of all these artists combined? Are these really “good” albums, or are you just listing the most obscure $#@! you can find based on some internet search?

AND DID YOU KNOW THAT VIRTUALLY NONE OF THESE MOTHER $#@! BESIDES ANIMAL COLLECTIVE HAS A WIKIPEDIA PAGE? YOU MEAN TO TELL ME THAT NEITHER YOU NOR ANY OF THE OTHER UNDERGROUND HAND JOBS THAT LISTEN TO THESE BANDS IN DARK CLUBS AND COFFEE SHOPS FOUND TIME TO WASH THE HAND STAMP OFF AND COBBLE TOGETHER A SIMPLE WIKI ENTRY? CHRIST!!

Nice Overplayed List, WMBR!

As the DJ noted, the list isn’t about good or bad…it was about what was played a bit much in 2009. Turns out a few personal favorites were included like:

#97 – Nobunny – “Nobunny Loves You”
#73 – Black Lips – “Short Fuse”
#40 – Big Pink – Dominoes
#31 – Box Elders – “Alice & Friends”
#13 – Sonic Youth – “Leaky Lifeboat (for Gregory Corso)”
#12 – Jay Reatard – “It Ain’t Gonna Save Me”
#10 – Pains of Being Pure at Heart – “Young Adult Friction”
#4 – Mission of Burma – “1, 2, 3, Partyy!”