I figure as school is coming around the corner this is the perfect song for you kiddies.
Category Archives: Entertainment
High Praise for High Art

This is somewhat of a Question of the Week sorta… Ok, so can anyone think of a band or an artist that has consistently put out high quality, evolving music for decades? For my money, Sonic Youth probably beats them all. In fact, I have often proclaimed them to be the most “successful” band of all time, but that’s a whole other story. Certainly some SY albums are stronger than others, but overall, they have an initimidating discography consisting of nearly thirty years worth of material. Very, very few bands can boast such a claim. So, what do others think? What other artists do you feel should be mentioned? Do they rank higher than SY and Why? You know where the comment section is. Peace.
The Simpsons!
Classic Review: Locust Abortion Technician

Artist: Butthole Surfers
Full Title: Locust Abortion Technician
Year: 1987
Label: Touch and Go/Latin Buggerveil
Tracks:
1) Sweat Loaf– 9
2) Graveyard- 8
3) Pitsburg to Lebanon- 7/8
4) Weber- 5
5) Hay- 7/8
6) Human Cannonball- 8
7) U.S.S.A.- 8
8) The O-Men-7
9) Kuntz– 9
10) Graveyard- 8
11) 22 Going on 23- 8/9
Comments: Early Butthole Surfers equals Music made for, by, and of heavy psychedelic drug use and Locust Abortion Technician is no exception. This is the pinnacle of the Buttholes’ highly experimental music. They dabble in Punk, Heavy Metal, Noise Rock, and definitely psychedlia. Without a doubt this is the group’s best offering up until then and since. I really dig the humor and chaos of “Sweat Loaf,” it is certainly a fantastic opener and really sets you up for what is to come. “Kuntz,” a remixing of an old Thai song and “22 Going On 23,” a disturbing/awkwardly amusing recount of a sexual assault case and its effects on the victim, round out my favorite tracks on this record. Overall, this is the kind of album that should be heard for its experimentation and the overall sound collage, oh and yeah, also for you and your pals to giggle and say “WTF?!!!” Turn it up at loud volumes, blast it as high as you can and freak out the whole neighborhood! In short, I feel like this serves better as a handbook for those who want to make experimental music, rather than an album you listen to again and again. With that being said, it is quite listenable and worthy of praise for it’s somewhat brave and unquestionably unique style. Basically, the Buttholes entered the studio and fumbled around with what they had (which was limited), took tons of acid (amongst other substances I can imagine) and ultimately created a really cool, trippy experience for all of us music lovers.
Grade: B
Hicks Vid of the Day
“What do you say we lighten things up and talk about abortion.”
CD Review: Interpol S/T [2010]

Band: Interpol
Release: 9/2010
Label: Matador Records
1. “Success” – B+
2. “Memory Serves” – B
3. “Summer Well” – B
4. “Lights” – B+
5. “Barricade” – A-
6. “Always Malaise” – B-
7. “Safe Without” – C+
8. “Try It On” – B-
9. “All of the Ways” – B-
10. “The Undoing” – B
Comments: I started listening to Interpol a few short years ago, a few short years after their so called glory days. Paul Banks’ crazy voice was really great and the band basically shit out a bunch of excellent tracks over a two year span. Then they signed to Capitol and people accused them of sucking. The songs on their major label debut didn’t suck; they just weren’t as good. Now, the band is back on Matador. Last year Banks recorded a solo album Julian Plenti Is Skyscraper, which had a couple of really awesome songs. I think Interpol have had their day by now. They’ve already gotten to the outer reaches of their musical limit. If you can’t stand this band to begin with, good luck trying to like this! Fans will probably find a few songs particularly worthy of attention. It’s not as terrible as the online community is making it out to be. It’s exhausted and boring with a few somewhat catchy hooks here and there. It drags. I’ve always been able to tolerate Interpol at their weakest, which may be why I’m attempting to stick up for them here. “Lights” has a good build-up and becomes pretty solid. “Barricade” is the most memorable and most catchy tune on this album.
Grade: B- (83)
Classic Album Review: Superfuzz Bigmuff

Artist: Mudhoney
Full Title: Superfuzz Bigmuff plus Early Singles
Year: 1988 (recorded), 1990 (released)
Label: Sub Pop
Tracks:
1) Touch Me I’m Sick– 10
2) Sweet Young Thing (Ain’t Sweet No More)– 9
3) Hate the Police (The Dicks)- 8
4) Burn It Clean- 8
5) You Got It (Keep It Outta My Face)– 9
6) Halloween (Sonic Youth)- 8
7) No One Has- 8/9
8) If I Think- 8
9) In “N” Out of Grace– 9
10) Need- 8
11) Chain That Door- 7/8
12) Mudride- 7/8
NOTE: “The album contains the entire Superfuzz Bigmuff EP, the A-sides and B-sides of 2 singles, and 2 covers from split singles with Sonic Youth and The Dicks.”- Wikipedia.
Comments:
For those of you youngsters out there that are strugglin’ with the ladies, here’s a new pick up line for y’all to try out. Tell em’ “Touch Me I’m Sick!” So, after you get clocked in the face, grab a case of beer and get rowdy with this sucker. Here we have the legendary Mudhoney at their muddiest. Loud, fuzzy, muzzy guitars, pouding drums and the distinctive, apathetic drone of singer, Mark Arm. These songs have that filthy feel to them, but at the same time the riffs are memorable/catchy and Arm’s vocals are pretty damn clear, especially for this kind of music. As we all know this became the template for the Seattle Scene and what would become known to the rest of the world as “Grunge” (yes, I hate the term too, but it’s useful as a point of reference). This record and this band are without a doubt influential, but a tad bit overrated. Don’t get me wrong, most of the songs on here are good, it’s a very good record, but there are only a few great, stand out tracks, and yes they are exquisite. “Touch Me I’m Sick,” is fucking great for headbanging and I can imagine moshing; as a whole Mudhoney is great for an intoxicated state, particularly “Touch.” It’s a classic for a reason, well many reasons. Of course sonically it showscases the garagey Seattle sound better than any other tune in their catalog, but for me, the lyrics and presentation of those lyrics are also extremely vital. It’s a song I can relate to, a different kinda love ballad, if you will. You see it’s the honest male emotion that’s key here- “I’m a creep and I’m a jerk”- Arm’s nastiness and brutal delivery turns girls off, while spineless blokes like John Mayer sing about your daughter and tell the females exactly what they want to hear, so they can love him, at least they used to. But enough of that ranting and raving, “Touch” is complemented by its B-Side, “Sweet Young Thing,” which is the second track on this compilation, making it one of the greatest singles of all time. “In ‘N’ Out of Grace” is certainly one of my favorite tracks and exemplifies the group’s excellent guitar playing; one of the best riffs I have ever heard. All in all, this is a really good record, but not exceptional. I feel like Mudhoney is more of a “sound” band, like they have a great sound to almost all of these songs, but for me to love this thang, I need more fabulous tracks. It’s definitely worth a few listens and if you like “grunge” music, then well, you suck if you haven’t heard this and shouldn’t call yourself a fan of said style, but I’ll give you a break and let you listen to this and impress your average mainstream listening friends.
Grade: B+
“Sinking” – Bobby Ubangi

Bobby Ubangi looked death in the eye for months. He was supposed to die in a timetable of six…he lasted nine. Somewhere in there, he recorded his last full length. It’s a cunning work, especially considering the circumstances. Even though death was forming for Ubangi, he never let its imminent approach eat away what he wanted to get done. That’s admirable and inspirational. After eleven straight dirty lo-fi gems, including my favorite “Another Girl Like You,” there’s “Sinking,” an introspective of what’s nearing. Here are the words:
Sinking.
Everybody knows that I’ve been sinking.
Everybody knows that I’ve been sinking.
Nobody can turn me down.
Sinking.
Everybody knows what I’ve been thinking.
Everybody knows what I’ve been thinking.
Everything’s been bringing me down.
Standing out and S.O.S is my last sign of distress.
Maybe there’s somebody near who can save me from this mess.
Sinking.
Everybody knows that I’ve been sinking.
Everybody knows that I’ve been sinking.
Everybody’s watching me drown.
Everybody’s watching me drown.
Everybody’s watching me drown.
Dick Dousche
As always random and bizarre skits from Tim and Eric Awesome Show
How Popular Are The Bands?
This by no means is an official indication of popularity…that’s something that can only roughly be estimated. This looks at number of last.fm listeners around the world.
– Radiohead: 2,872,982
– Bob Dylan: 1,511,558
– Pixies: 1,336,206
– Arctic Monkeys: 1,717,157
– Editors: 1,062,559
– Sonic Youth: 1,000,586
– Spoon: 924,767
– Morrissey: 746,011
– Animal Collective: 725,900
– Hot Hot Heat: 714,748
– Elvis Costello: 633,258
– Built to Spill: 538,664
– Dinosaur Jr: 459,611
– The Walkmen: 451,744
– Head Automatica: 299,834
– Deerhunter: 299,689
– Psychedelic Furs: 295,214
– Paul Weller: 294,751
– Louis XIV: 273,512
– The Rifles: 239,431
– Meat Puppets: 224,973
– The Pains of Being Pure at Heart: 215,931
– Sunset Rubdown: 206,829
– Girls: 202,386
– Black Lips: 190,777
– No Age: 152,179
– Mission of Burma: 152,216
– High Places: 117,942
– Handsome Furs: 102,755
– Wavves: 102,375
– Cymbals Eat Guitars: 94,518
– Real Estate: 81,680
– Jay Reatard: 80,453
– Here We Go Magic: 70,184
– The Feelies: 63,382
– The Warlocks: 63,041
– Harlem: 53,371
– Trevor Hall: 47,675
– Kurt Vile: 44,522
– King Khan and the Shrines: 42,623
– Dum Dum Girls: 42,483
– Strange Boys: 30,882
– King Khan & BBQ Show: 29,590
– The War on Drugs: 19,583
– Mark Sultan: 11,798
– Nobunny: 6,413
– Hunx and His Punx: 5,185
– Box Elders: 4,334
– TV Smith: 4,106
– Uninhabitable Mansions: 3,334
– The Dig: 2,561
– Faces on Film: 1,080
– The Big Big Bucks: 598
– The Maine Coons: 67
Cole Talks About New Black Lips Record
Recap:
1. More Country
2. More Ian Singing
3. More Commercial
4. The Skull
5. More Pedal Steel Guitar