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Concert Review: Colleen Green, Plateaus, Bent Shapes, Bugs and Rats @ Middle East Upstairs (9/9/12)

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Artists: Colleen Green, Plateaus, Bent Shapes, Bugs and Rats
Date: Sunday, September 9, 2012
Venue: Middle East Upstairs (Cambridge, MA)

Comments:

Act I: Bugs and Rats– These motherfuckers diminish what is left of my eardrums, which is great. Bugs and Rats are a powerhouse band, a three piece that is LOUD and guaranteed to wake up the neighbors. They would serve as a terrific alarm clock, I must say. I’ll admit much of the music I listen to is of the “wimpy” variety so I’m not as big into Bugs and Rats, but damn they are a solid band and they rock pretty hard. Their music is easy to head-bang to – in fact I would find it hard not to. Though it’s not necessarily my cup of tea, I can definitely recommend it. I also admire the band’s overall enthusiasm, which makes this performance even more fun. The drummer looks like he is going berserk! Lastly, I notice there is a picture of Anne Frank on the guitarist’s guitar, I do not know why, but I find this interesting. I mean I think it is Anne Frank. Either it is her or I am a fucking idiot.
Go nuts http://bugsandrats.bandcamp.com/


Act II: Bent Shapes–  So, y’all know Bent Shapes were formerly known as Girlfriends, right? Alright good. Speaking of which, I haven’t seen this band since they opened for Harlem at Great Scott back in April 2010, so it is a real pleasure to see them tonight.  I was always struck by their music before and I have been meaning to see them again for quite some time now, but for whatever reason it just never worked out. Fortunately, tonight is my night and I get a chance to see this excellent band.  Bent Shapes definitely has some outstanding pop hooks and they remind me of one of my favorite bands, The Pains of Being Pure At Heart.  I also hear a lot of pop punk a la Wavves in their music. Glen concurs on this point. Without a doubt my favorite moment is when they play “I Was Here, But I Disappear,” a favorite of mine. Not just a favorite from the band, but one of my favorite songs of all time. I did not expect them to play this song at all, so this is a real treat. Admittedly, I need to listen to more of their material and I plan to. You should too! http://bentshapes.bandcamp.com/

Set List:
Public
Brat (“Brat Poison”)
Panel (“Panel of Experts”)
Bites (“Bits and Scratches”)
Big M (“Big Machines”)
Space
Bhead?
Disappear (“I Was Here But I Disappear”)
Hex (“Hex Maneuvers”)
Leave (“Leave It Till You Need It”)
Boys (“Boys to Men”)


Act III: Plateaus– Before tonight’s performance I have never heard of Plateaus, but now I am convinced they are a sound band and I plan on checking out their music. Their songs are not as stripped down and catchy as those of Bent Shapes, but they keep up the same power pop/ pop punk sensibility. I am also feeling some strong garage vibes and in this way I can see them fitting well with the kind of music we typically champion on KLYAM. Their set is definitely fun and gets me pumped up for Colleen, even more so than I already was. http://plateausband.bandcamp.com/


Act IV: Colleen Green– Before I start my little babbling, I am going to take a mini trip back to April 2011. April 29, 2011 to be exact. Glen and I had had little exposure to basement venues (a couple of shows in Lowell and that was about it) and so when we arrived at the Starlab in Somerville to see one of Ottawa’s finest, The White Wires, we were a bit perplexed. As I recall we paid the seven bucks or so for admission (which included a stamp of the word “fuck” on my hand) and then we left the venue momentarily to smoke a bowl. One of the dudes running the show caught up with us and said that it was cool for us to smoke inside. So, we did. More importantly, why am I telling this story?! What I forgot to mention was that Colleen Green was headlining this bill, but at the time we had no idea who Colleen Green was, we came to see White Wires as I had mentioned earlier. I remember sitting down Indian style in the basement of the Starlab, waiting for the band to play- actually the dudes from Luau (also on the bill that evening) were setting up their equipment and I began to aggressively converse about G.G. Allin and Charles Manson the way I often do when I’m left unsupervised. Around this time, Colleen approached Glen and me, oh and Dan, damn I forgot that motherfucker came with us, he’s the man! She sarcastically said something to the effect of “You aren’t those guys that are smoking weed are you?” She then politely introduced herself as Colleen and within seconds I began vigorously raving about my favorite bands as I tend to do if given even the slightest opportunity. I stated that my top three current favorite bands were/are 1)Black Lips 2)Deerhunter, and 3) Hunx and His Punx. This led to a brief discussion of the Hunx tune “Cruisin,” a fabulous song indeed. Alas, we weren’t able to stay long enough to catch Colleen’s set that night, but I remember thinking anyone that appreciates greats like Hunx and His Punx is worth checking out. So, I YouTube’d a few songs and live vids and I was instantly hooked. But, between 21+ shows and lack of transportation we KLYAMERS missed out on all the remaining Colleen Boston gigs :( Until now! Ahh shit, it’s 4:20 (I didn’t plan this btw) why am I still writing this? Why am I still up? I need to be awake and alert in a vapid classroom setting within four hours. Oh well. So yeah, tonight is very exciting on the account that not only do Glen and I get to see Colleen Green live for the first time, but with a whole band including members of Plateaus. The Colleen Green Band opens with a cover of the fine Descendents tune, “Good Good Things,” before moving into what may just be my favorite Colleen number “I Wanna Be Degraded,” goddamn that song is catchy! The whole set is spectacular. Colleen can be pure rock ‘n’ roll and totally mellow all at once. It’s like she doesn’t have to shout, but you can hear every little nuance of her vocals. I don’t know what I’m talking about- to quote a friend of mine-“I don’t know art, but I know what I like!” One of my other favorites is “Dance the Night Away,” a killer tune that surely stood out as one of 2011’s finest. Colleen and crew close the set with “Nice Boy (I Want A),” another classic that leaves me in great anticipation for tomorrow night’s performance in Lowell. I can’t wait! http://colleengreen.bandcamp.com/

Art, concert review, Fat Creeps, Honorary KLAYMERS, Local Music, Music, pictures, Punk, reviews

Concert Review: Fat Creeps, Muck and the Mires, Electric Mess @ Precinct (8/17/12)

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Artists: Fat Creeps, Electric Mess, Muck and the MIres, Paul Collins Beat
Date: Friday, August 17, 2012
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Act I: Fat Creeps– Fuck, this past week I have been blasting the Fat Creeps EP I purchased last Friday and I have just been in this Fat Creeps zone for a while now. It takes me back to when I caught Black Lips fever back in ’08, and you can see how that turned out…  Intensely listening to the FC recordings has made me love their music  even more. Perhaps I have not painstakingly analyzed every line of their lyrics like some jokers I know (haha jk!) but I definitely have gained a bigger appreciation for these tunes. So yeah, hearing the songs live tonight is just another shot of Fat Creeps in my life. It is funny cuz when I hear “Leave Her Alone,” (especially towards the end) all I can think of is John Travolta injecting heroin into his arm, a lovely image. “Sex Beat,” The Gun Club cover you motherfuckers ought to know by now is definitely beefed up tonight, the band rocks pretty fucking hard and it is zee best rendition I have heard from them. Jim Leonard pounds those damn drums. I am paying close attention to his drum-work like a wacky detective and I like it, dude keeps a steady beat. Man oh man, the whole band rocks… a little too good. Like I was given some drug ahead of time (minus the drugs already in my system), that’s the way I feel when I see/hear these Creeps. You can’t deny the power of a fantastic pop song like “Nancy Drew,” another cool detective. Earlier in the evening I had a conversation with some lads about the excitement of seeing bands live and how I get a boner every time I get to see a favorite of mine; a No Bunny or a Black Lip or a Deer Hunter, if you will. Well sir, I go bananas whenever I can see a fat creep (or three) and it has been six times now and it’s just as splendid, I am grateful for that. Seriously, cannot wait for the next show. Until then, take it easy, where we’re going we don’t need roads… http://fatcreeps.bandcamp.com/


Act II: Electric Mess–  Electric Mess came all the way from New York and I am glad I got a chance to catch their set. I enjoy their straight up rock ‘n’ roll  sound, delivery, and overall attitude- who can’t forget their dress; ties, Beatles-esque hair doos, and the whole nine. Electric Mess have a slick, garage sound, wow I don’t think I have ever used those two words in the same sentence before! EM is a fun, energetic band and they keep up the momentum Fat Creeps initiated. The lead singer is especially outgoing, dancing in the crowd during one of their songs. Not as solid as their openers, but still a cool group to check out, here’s their BandCamp page:  http://theelectricmess.bandcamp.com/


Act III: Muck and the Mires–  Hell yeah, the rock ‘n’ roll continues with Muck and the Mires!  These dudes seem to generate the most reaction, with plenty of dancing  from various femmes in the audience. In fact, I would say that Muck  and the Mires brings out the MILFS at a Boston rock show or at least the overwhelmingly attractive older women at a rock show. Muck’s set is filled with fabulous odes to The Beatles  and they really just capture the good time vibes of that era altogether. I cannot say I am as spastic  as a  schoolgirl in Liverpool  1963, but hey Muck and the Mires can put on damn  fine show and for that KLYAM salutes you. (Raises PBR as a token of appreciation). http://www.muckandthemires.com/muckhome.html

Act IV: Paul Collins Beat–  Aww shucks we missed it :(   Check it – http://thepaulcollinsbeat.com/

Art, concert review, Fat Creeps, Fat History Month, Freak Flag, Local Music, Music, pictures, Punk, reviews, The Migs, Video

Concert Review: Freak Flag Presents Fat Creeps, Migs, Fancytramp, Pile @ Moe’s Lounge (8/10/12)

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Artists: Freak Flag Presents- The Migs, Fat Creeps (EP Release), Fancytramp, Pile
Date: Friday, August 10, 2012
Venue: Moe’s Lounge (@ Radio) (Somerville, MA)
Comments:
Act I: The Migs!–   Alright hotshot you think you know your rock ‘n’ roll? You don’t know shit if you don’t know the Migs. The Migs are Dover, New Hampshire’s greatest creation and one of thee finest rock ‘n’ roll/garage/punk slime bands KLYAM has had the privilege to see live. Not to mention our Band of the Week (month). Tonight is my third time seeing these fine gentlemen, but Glen has never had the pleasure and part of my excitement stems from observing Glen’s reaction to their fun filled performance. Surely, Migs on recording is peachy keen, but Migs in the flesh rubbing up against you is a whole other beast.  From the first few seconds of the band’s perennial chant “WE’RE THE MIGS!” to the final, frantic moments of guitar feedback, The Migs put on one helluva show, a real physical performance of never ending enthusiasm and joy.  I seriously cannot think of too many other  bands that are having as much fun on stage as these guys. Their energy and rock ‘n’ roll spirit is fun to experience and in particular what I love about the Migs is how they make their show interactive with the audience. Singer/guitarist Kevin Lareau spends most of the set lurking around the crowd, which is always great!  I dig his display of showmanship, the whole band truly put their balls into this performance, making the loose, garage styled music they champion come all the more to life. Alas, the spectators do not seem to give back the energy the Migs offer them, but these dudes don’t give a fuck, they just keep rockin like true party animals. In fact fuck garage, call it “party rock.”  If it was 1960 they would all be in jail.
Hey Burger Recrords or any other amazing record label click this: http://themigs.bandcamp.com/

P.S. Hope y’all have a swell tour :)

Act II: Fat Creeps-  To put it simply, over the past few months Fat Creeps have become a massive KLYAM fave, not just one of best around Boston, but one of best bands in general. I know that may sound crazy to some readers, but it is true. Their songs are stripped down, no filler, instant pop gems. I stress the instant quality. Each number has a clear and catchy hook(s) that rests smoothly in my gulliver for hours at a time, often making work significantly less painful. Tonight, the Creeps are releasing their EP, which contains most of the classics, including my personal favorite, “Secrets.”  Much like the Migs, the Fat Creeps are awesome in the studio, but the live experience is outstanding. I know I am really sucking the band’s  dick (which would actually only be one dick), but I am truly flabbergasted by their performance. Mariam Saleh’s vocals on “Secrets” are even more powerful live, and it hit me during this show that her voice reminds me of Sara’s from local fave SARALEE. I don’t know if anyone else hears this, but I definitely see some resemblances. Or maybe I am just really fucked up? Which is a definite possiblity (reality). The band introduces us to some new tracks entitled “Dad Weed” and “Daydreaming,” which can be seen in the You Tube clip below.  They also play two kickass covers in the form of Gun Club’s “Sex Beat” and Devo’s “Gates of Steel,” both of which have become  Creeps  classics in their own right.  Overall, this is the best show I have seen from them, each time gets better! Or I have become more of an excessive fan.  I think it is a little bit of both.
Here is the tracklist for the EP:
1) Secrets
2) Horoscope
3) Fooled
4) Leave Her Alone
5) Cherry
6) 700 Parts
LISTEN TO IT HERE! http://fatcreeps.bandcamp.com/

Act III: Fancytramp– Cool band name! Fancytramp are fresh out of Nashville, Tennessee- a place which has unleashed several fine bands in the past few years and these dudes are no exception to that. They have a nice blend of garage rock and noise, and I am definitely feeling Sonic Youth vibes. What I really like about Fancytramp is the way they communicate with the audience, making jokes and praisng the other bands on the bill, amongst other in between song banter. Their set certainly does a number on my ears and this serves as a healthy reminder that I need to pick up some earplugs soon. The volume of their music is not a bad thing though. I also want to note the fact that one of the member’s mothers came out to the show (well for the whole tour I presume), which is great! I would like to see that kind of parental support more often at rock shows.  Check out Fancytramp’s new EP Singing Tower At Sunset: http://fancytramp.bandcamp.com/

Act IV: Pile– Pile is a band that frequently comes up in conversation when discussing noteworthy Boston bands; hell they toured with Fat History Month! That right there is enough to spark my interest. Admittedly, I do not know too much about Pile coming into this show and honestly I cannot remember most of their performance. BUT! I do notice that they garner the biggest crowd response the whole evening, with some moshing erupting during their set. Listening to their Bandcamp now, I can defintely see what folks are raving about,  check it out here: http://pile.bandcamp.com/ I will have to see the band again in the future and give them the attention they deserve.

So, this was KLYAM’s first time seeing a show at  Moe’s Lounge and it was a blast! It’s a cool, little, “basement” esque venue, I’d recommend the place. I was also glad to see some familiar faces, I think this show gets the award for most kids from my hometown haha. More importantly thank you to FREAK FLAG (Cory, Ellie, Anya) for being totally rad and putting on this show!!! Their DJ’n was superb and fit really well with the music and mood of Moe’s Lounge on this particular evening. I especially loved hearing Black Flag’s “TV Party” (the EP version)!

concert review, Music, Natural Child, SKIMASK

Concert Review: Natural Child, Liquor Store, SKIMASK @ Great Scott (7/30/12)

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Bands: Natural Child, Liquor Store, Skimask
Venue: Great Scott
Date: Monday, July 30, 2012


Act One: SKIMASK – SKIMASK is a band that I think everyone should have at least checked out by now and by checked out, I’m talking LIVE. They now have a website (HERE) but you still got to do some digging for recordings so for right now, at this very moment, you need to see them. Upcoming shows (Boston area) are on their website. I find myself gaining more appreciation for SKIMASK each time I see them. On this night, vocalist Prof$t Mohamed isn’t as spontaneous and incendiary as I’ve seen him in the past, but he seems more in-tune with the music. Whatever he is saying is as forceful as the drums and effects behind and to the side of him. The chemistry amongst the trio and the sounds they emit is baffling. It doesn’t take too long to realize how good the drummer is at drumming and how good the effects man is at effects. Stuffing the face with three microphones is not something you see at shows these days. The other thing I’d like to say is that even though SKIMASK is not your typical rock and roll band – stylistically and so forth – they set the tone for a night of balls out RnR. They can fit in on any bill really and just pump up the audience for what’s to come (or finish things off right…if they are headliners).


Act Two: Liquor Store – Liquor Store fit in perfectly as openers to Natural Child. While Natural Child is a bit more stripped down and to the point, Liquor Store is more expansive on this night. They build their tracks up, making grand use of the old guitar. This isn’t always the case (“Manchild In Paradise” is a short, sweet, and twisted take on classic rock), but their performance makes it seem like they’ve been around for longer than they probably have. Judging from their set-list, they’ve been playing some of these songs for a while now and a good chunk is from Yeah Buddy, their 2011 2X LP. I’ve got to listen to that record. From what I’ve read, it’s killer. I guess some cynical person could come along and say they are reinventing the late ’70s punk wheel, but with Liquor Store’s passion and sloppy New Jersey precision…that cynical person would be guilty of oversimplification. I’ve taken note and really wanna hear some Yeah Buddy and drink some Narragansett, a beer previously unheard of to one of the guitarists in Liquor Store. But like that guy, you just gotta try it out even if you can’t pronounce it and you play in none other than a band called Liquor Store. Yeah, buddy.

Set-List:
1. Proud To Be An American Man
2. Kiss
3. Manchild In Paradise
4. Vodka
5. Big Wheels
6. Gas Station
7. Pile of Dirt
8. In The Garden


Act Three: Natural Child – The last time I saw Natural Child (abbreviated Natti Child for whatever reason in a lot of KLYAM postings) was in August 2010 on a packed yacht cruising up Hudson River near the Statue of Liberty. They were opening for Black Lips so needless to say my excitement for the show was through the roof. The members of Natural Child recall that show fondly, describing it as a lot of fun and quite memorable. The other day at Great Scott wasn’t a close replica to that event, we weren’t anywhere near water, there weren’t as many transvestites, and the show wasn’t close to sell-out capacity. Natural Child themselves though – the band, the myth, and the legend – treated the crowd with plenty of spirited numbers, ranging from 1971‘s “White People” to For The Love‘s “8 AM Blues” and “DTV” to 7″ classics “Crack Mountain” and “Dogbite”. It was these last two songs that came toward the end of their set and brought the most willies for me. The crowd was into Natti, but not on the scale as that NY show that finished off with guitarist/vocalist Seth crowd-surfing his way up to the boat’s balcony. There weren’t any moments like that at GS, but I think I was spoiled for that NY gig. Either way, it’s great to see these guys rising through the ranks and chugging out quality records every few months or so. I’ll make every effort to see them next time around and who knows what that show might bring. This was a fun night, but I surmise the most fun is yet to come!

Art, concert review, Gentleman Jesse and His Men, Honorary KLAYMERS, King Khan, King Khan and the Shrines, Music, pictures, Punk, reviews, Video

Concert Review: King Khan & The Shrines & Hector’s Pets @ Brighton Music Hall (7/23/12)

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Bands: King Khan & The Shrines, Hector’s Pets
Venue: Brighton Music Hall (Brighton, MA)
Date: Monday, July 23, 2012

Act One:Hector’s Pets – Hector’s Pets is an exciting five piece rock and roll band. Excitement comes in many forms, but with Hector’s Pets, my major source comes from the oddity of the group. They are an interesting visual: a front-man singing and clapping with a tambourine, a surfer-type dude on vocals and guitar, a Ty Segall look-a-like on bass, a ’70s glam rocker on lead guitar, and a cool as an autumn breeze drummer with sunglasses. Those are rough descriptions; I am not trying to aesthetically diss the guys. Musically, I recognize one song towards the end of their set. I am surprised that I recall it, because I only saw a few clips of the band weeks before the show. The song is “Station Wagon“. It’s good. The rest of the songs — I couldn’t quite get into them as much as I wanted to. I’m not incredibly hard to please so this was surprising, but they seemed in a bit of a rock and roll middle ground; heavier than stand-still groups like Real Estate, but considerably slower than an all-out blitz a la Jay Reatard. On an optimistic front, maybe they will become a 2012 Brighton Music Hall version of 2009’s Box Elders at the old Harpers Ferry. By that I mean to say I found myself more curious about the band’s on-stage persona than the music itself. I came around to the Elders and I was hooked by the time I saw them for a second time opening for Black Lips at Middle East Downstairs in March 2010. I keenly anticipate listening to more of Hector’s Pets.

The Final Act: King Khan and the Shrines – It sure is humorous to recall the mysticism surrounding the first time I saw King Khan and the Shrines. Reading about Jared Swilley’s premier experience was a bit like cracking open Fear and Loathing — there’s a bunch of vivid imagery about wild times, but it’s hard to make sense of them until they’ve happened to you. Needless to say, Khan and crew clicked on all levels that very May night at the Paradise Rock Club – their biggest Boston gig by far at that time. The sound was superb, the crowd went extra crazy, and the Shrines still had Bamboorella as their lead dancer. Fast forward a little more than a year to October 2010. The Shrines are back in Boston, this time at the Royale. The event is undersold, but features a fantastic opening line-up of Red Mass and Gentleman Jesse and His Men. The show is a great one, but it’s a toned down event, in sound and in performance. Now, it’s July 2012 at the Brighton Music Hall. Upon announcement, the choice of venue is surprising given the past two much larger locales, but with a lot of college kids gone for summer, it makes more sense for the Shrines to play Brighton. As the days draw closer to the event, I smirk as I do before all shows involving my favorite bands. An incredible time is ahead! And it was quite the show! No Bamboorella, one less man on horns, one less man on guitar. These are just some minor things I noticed. The sound wasn’t quite as solid as it was during the previous two shows. Opener “(How Can I Keep You)” felt less ‘complete’ this time around for sure. But what suffered in sound was made up for in practically every facet of the performance. You could tell King Khan was especially grateful for the audience’s reaction of singing along, dancing crazy, jumping up and down, etc. He did his part as well, especially in the encore as he wrapped the front-row in his cape and high-fived several people. Others in the band leaped into the crowd at various junctures, sometimes playing their instruments, sometimes just soaking in the fun. I remember thinking to myself, “wow, they keep playing hit after hit,” at one point and then thinking the same thing a couple of songs later. Great. A good chunk of the band’s live material was taken from Supreme Genius and What Is?!, but there was a nice bit of new and old — the old being “Stoned Soup” (for example) and the new being “So Wild” (a tribute to Jay Reatard) and “Bite My Tongue,” both of which will be released on an upcoming LP. The classics for me (and for others..judging by reaction) were “Took My Lady To Dinner,” “Welfare Bread,” and “I Wanna Be A Girl”. It was nice to see a lot of familiar faces having loads of fun. A moment of weirdness came after the band finished playing. An older gentleman with a saxophone in his hand climbed on stage and started playing solo. Most people were confused, but we seemed to embrace this peculiar occurrence. His performance lasted five or so minutes longer than I would have liked if I had a choice, but I did not. He kept playing. Eventually and fortunately, the Shrines made their way back on stage (thanks to percussionist Ron Streeter, who is a master of bringing the band out of the green room) and ripped into a few more tunes. There was hope for a second encore after several moments of silence and darkness and pleas from Streeter, but the PA music came back on and the show was officially over. The Shrines will be back soon. I was assured of this after the show by Shrines trumpet player Simon Says. Just when… we’ll see!

All Photos courtesy of KLYAM’s soul brother Glenn Delrossi. Thanks buddy!

Art, concert review, Girlfriends, Honorary KLAYMERS, Mark Sultan, Music, New Highway Hymnal, pictures, Punk, reviews

Concert Review: Mark Sultan,Banditas,NHH, and BFs @ PA’s Lounge (5/12/12)

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Artists: Mark Sultan, Bent Shapes (formerly Girlfriends), The Banditas, New Highway Hymnal, The BF’s
Date: Saturday, May 12, 2012
Venue: PA’s Lounge (Somerville)
Act I: The BF’s– The BF’s or the Boyfriends play a noisy, power-pop fueled set. Alas, the band announces in between songs that they are missing one of their guitarists. Missing as in they literally do not know where he is. Despite the abscence of a key player, the BFs manage to prevail and bash out some solid numbers. Towards the end of their performance, their guitarist finally pops up and joins his bandmates on stage. I cannot say I am blown away by these guys, but their songs are catchy and I can recommend them for sure. Check it http://thebfs.bandcamp.com/

Act II: The New Highway Hymnal– I saw New Highway Hymnal for the first time last September at the Ant Cellar in Lowell. I had never seen or even heard of them before (if you can believe that!), but their performance had a truly lasting power that kept me thurston for moore.* Five Lowell basement shows later, I can say with thee utmost sincerity that New Highway Hymnal are one of the greatest live bands I have seen in the past year. In particular, I adore the group’s ability to just let go and often go nuts! freak out if you will, which you should. Okay. In previous shows, I have noted this chaotic character to their music and at first I think the change of setting from underground basement to conventional establishment (P.A.’s Lounge) would perhaps curtail this charming feature to their live shows, but fortunately for madmen like myself, all is well. In fact, I am going to say this is the best I have seen them. The sound is top notch (quite loud per usual) and the band is as energetic as ever. What I love about NHH is how every member provides their own special flavor to the mix. Hadden Stemp is a mezmorizing singer; his vocals and performance as a whole evoke the likes of Jim Morrison. He always appears to be in some sort of trance when he is on stage, and these vibes seem to spread throughout the whole band. Badass guitarist Lukas Goudreault freaks out in the form of creative moving and shaking that reminds me of John Dwyer of Thee Oh Sees. This enthusiasm coupled with their harsh brand of psychedelia is infectious and hooks me in like few other bands can. Travis Hagan is a powerhouse drummer, constantly slamming those damn things to death! The whole band is excellent, but musically, bassist Amelia Gormley steals the show. In fact, her bass playing was one of the first things I admired about NHH and it sounded phenomenal at the P.A.’s Lounge. All around stellar set!
Check out their new single, “Out With The Lights” http://soundcloud.com/vanyarecords/the-new-highway-hymnal-out

*Poweranimal- “Thurston for Moore”

Act III: The Banditas– The Banditas continue the evening’s strand of fun filled rock and roll, only a bit lighter than the New Highway Hymnal. Banditas certainly can rock though and their set is chock full of  power pop blast after blast. My favorite part of their performance is when the singer/guitarist has to make some chord changes and so she suddenly flips off her top revealing a very patriotic bra covered in the stars and stripes of America! She insists this is only to serve as a distraction while she deals with the technical difficulties. I concur with the dude that shouts “nice distraction!”  Here’s a link to their bandcamp page: http://banditasboston.bandcamp.com/

Act IV: Mark Sultan– Glen and I- Kids Like You & Me love attending and reviewing  shows and over the past few years this has become a major part of our lives. We have the privilege of seeing endless intriguing and inspiring artists on a regular basis, but it is an even rarer privilege when we have the opportunity to witness an honorary KLYAMER. Mark Sultan is just that, one of our favorite artists, whether it be The King Khan & BBQ Show, The Almighty Defenders, The Spaceshits, Les Sexareenos, or his amazing solo work, which is what we are being served tonight. We first witnesed Mark Sultan in concert when he opened for fellow Montreal bretheran, King Khan & his sensational Shrines at the Paradise Rock Club on May 7, 2009. I remember being blown away by Mark’s musicianship and how he could create such a sonic force all by himself. Over the years I have grown to love most of his solo output, so seeing the man live is just a further extension of my admiration for his work. The PA’s Lounge is pretty packed by the time the BBQ begins to play and everyone appears to be excited. Mark rips through his classic “Beautiful Girl” and euphoria spreads through the room.  I think this is my favorite, there’s something really special about it. Obviously, much of his music is channeling various forms of early rock and roll, but if I had to choose one song that best exemplifies this quality it would have to be “Beautiful Girl.”  It is right up there with any other great love song from that era. The song has strong pop hooks and it is hard not to get wrapped up in it; which is basically true about most of Mark’s tunes. I know this has been said before, even by me, but part of what makes Mark Sultan live a sight to see is the fact that he is playing everything by himself, but he does NOT sound like a solo act. This is not just some wimpy dude with a wimpy guitar singing boring, exhausting songs. Instead, Mark is able to unleash a fun, vibrant, and sweaty show. Unfortunatley, towards the end of his performance, some dumbass started heckling him. These kind of people should cease attending rock and roll shows or simply cease existing.

Act V: Bent Shapes (formerly Girlfriends)- We missed :(

Art, concert review, Fat History Month, Local Music, Music, pictures, Punk, reviews, SARALEE

Concert Review: SARALEE, Elephant, Masingo, Elephants @ Ant Cellar (5/16/12)

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Flyer by Lauren Garant (of Elephants)

Artists: SARALEE, Elephant, Masingo, Elephants
Date: Wednesday, May 16, 2012
Venue: Ant Cellar (Lowell, MA)
Comments:
Act I: Elephants– Elephants play simple, mellow music that is easy to enjoy. They give off similar vibes as SARALEE at least to me, so it is nice to see them on the same bill. Like SARALEE they are a duo, except this band strictly consists of two members on vocals and guitars. They play off each other really well and I appreciate their guitar work. It is a cool, intimate performance. I wish I could provide a bit more info or insight, but to be honest my memory of this evening is starting to fade, excuse the extremely late arrival of this write-up. I figure better late than never! Anyway, here is Elephants’ Bandcamp page: http://those-elephants.bandcamp.com/album/the-sea-ep

Act II: Masingo– Masingo is a fun band and they tend to be more on the heavier side than their predescessors on this evening. The vocalist/guitarist is pretty energetic as he jumps around and off his amp from time to time. I love when he informs the audience how they can “like” them on facebook or fuck it… here’s their page, do it! http://www.facebook.com/masingomusic

Act III: Elephant– Perhaps the strangest of all the bands tonight, Elephant (not to be confused with the first band, no s!) is an intriguing, experimantal, psychedelic, outsider esque outfit. I enjoy their performance, but I do not remember being overly enthusiastic about it either. Now, listening to their Bandcamp page I am more impressed and find their bizarre, off kilter music to be fascinating and unique. It is not for everybody, but what is? Nothing. And even if there was an artist for everybody, they would probably suck. Check out Elephant here: http://laughablerecordings.bandcamp.com/track/ostrich-egg

Act IV: SARALEE–  In the past year I have seen numerous mind expanding, truly riveting rock and rollers, but few can compete with SARALEE.  Their demo is fantastic pop music. Maybe not pop in the conventional sense, but nonetheless catchy and inclusive.  In other words, the songs are not hard to get into, they rope you in and toss you right back out with their satisfying brevity. That is SARALEE on record. For those who have not caught one of their shows, do it!  Live, the songs are even more astounding. Their performances always put me in this ethereal, wonderous state of mind.  Much of this is due to the chemistry between vocalist/guitarist Sara and drummer Lee. With the exception of noise pop champions, No Age and local favorites, Fat History Month, I have not seen a two piece so in touch with one another’s approach to music as SARALEE.  The songs all sound solid per usual, but one of my favorite moments is in between one of the tunes when Lee asks the crowd “what’s the difference between your mom and five cocks?…. Your mom can’t take a joke!”  And then he proceeds to do that little drum thing that drummers do after they crack a joke. I get a big kick out of that, I think I am the only one.  Here is a link to their glorious bandcamp page, seriously cannot advocate it enough. http://saralee.bandcamp.com/

Art, concert review, Fat Creeps, Local Music, Music, New Highway Hymnal, pictures, Punk, reviews

Concert Review: Fat Creeps & Migs @ Wilder Zangcraft (6/4/12)

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Photo by the Metro

Artists: Fat Creeps, The Migs, Spook Houses, Bad Sound
Date: Monday, June 4, 2012
Venue: Wilder Zangcraft (Lowell, MA)
Comments:
Act I: Fat Creeps– In the past couple of months Fat Creeps have slowly risen to the status of KLYAM faves, ever since we saw them play one helluva show with Fat History Month, Big Mess, and Onslo at O’Brien’s Pub back in April. After that show I started listening to the Fat Creeps on a regular basis. Just last Thursday, Glen and I saw them open for The Coathangers at Great Scott, and it was mind blowing. Tonight, I get to see the trio in a small, intimate setting: the Wilder Zangcraft, the premiere basement venue in Lowell. Zangcraft is a cozy, little space, perfect for the catchy, easy to sing along to style of the Fat Creeps songs. Tonight the group is comparatively underdressed, though vocalist/guitarist Gracie Jackson is rocking a sweet, blue poncho, a wise choice on this rainy evening. I love pretty much all of the Fat Creeps songs and they rock through all the classics, so I am a happy camper. The Fat Creeps open with “Horoscope,” which they actually closed with last week at the Great Scott; it is good to switch things up, keep it fresh. “Horoscope” is a strong opener and sets the mood for the rest of the performance. I adore Gracie’s singing, reminds me of Kim Gordon, but the best is when fellow singer/bassist Mariam Saleh’s vocals also come in and they sing simultaneously.  In general, I think I appreciate that aspect of their music the most. And of course, cannot forget about Jim Leonard on drums! Solid job dude. This song also features a special guest appearance from a cute, little dog that ran around the Fat Creeps as they rocked out. That dog has some good taste in music. “Leave Her Alone” and “Nancy Drew” are awesome as usual. The latter is one of the best/catchiest songs I have heard all year. The lyrics are hilarious and always get stuck in my head. Live, the song is definitely amplified and I am always  excited when they rock into the “Do do do doo, hey Nancy Drew.” The guitars are simple, but effective and the way they repeat the line several times and then again at the end of the song just reinforces its memorabe quality. “Kerry” is a favorite of mine as well. I don’t know what it is, but I find this song to be quite amusing and I can picture my brother awkwardly dancing to it in his hilarious Justin way. I know this means nothing to most people, but fellow KLYAM administrator/co- conspirator, Glen knows exactly what I am talking about! Anyway, it is a nice little ditty. Gracie’s vocals on “700 Parts” is another stand out for me personally. All the songs are sound, it is funny because when I see them live it feels more like a band playing all of their “hits”  from throughout their discography, not just singles and demos. I cannot wait to hear a full length LP from these guys. KLYAM Luvs You!
To any readers I am sure you will love them too: http://fatcreeps.bandcamp.com/

Act II: The Migs– The Migs, everybody’s favorite New Hampshire based garage rock band! The Migs are kind of like KLYAM buddies Atlantic Thrills (RI): pure, no bullshit, rock and roll. Last (and the only) time I saw the Migs was here at the Wilder Zangcraft, the 420 show, which proved to be a spectacular show. On that great evening and tonight, Migs bring out their best and destroy. This time around, New  Highway Hymnal’s Lukas Goudreault is a full time member and he kills it on bass. The band opens with their signature “We Are Da Migs” and everything gets off on the right foot. The Migs are all about having fun, which is what true rock and roll is about anyway. The music of the Migs reminds me of why I love most of the music that is near and dear to me in the first place, because it is FUN! During the Migs set, singer/guitarist, Kevin Lareau and bassist Lukas spend most of the performance  rocking through the crowd, getting people exicted and encouraging eveyrone to dance their asses off. At one point  Kevin’s pants even fall down, but he does not seem to give a flying fuck whatsoever, the right attitude bro. This is what I love about the Migs, their enthusiasm; their devotion to communicating the joy of rock and roll through their music to the audience.  Towards the end of the show, fellow New Highway Hymnal member, Travis Hagan (drums) joins in on tambourine. Gotta love that guy! My favorite Migs tune is a slow ballad known as “You and Me.”  Folks seem to  respond the best to this number with lots of kids dancing in all sorts of unique ways. Indeed, the kids like you and me. I just had to toss in a horrible joke, it would not be a show review without it. In both Migs shows I have seen now I feel like 2012 is thown out the window for a half hour or more and it is 1965 again. An intoxicating and rare feeling.

http://themigs.bandcamp.com/ Don’t be a square, check it out!

HEY!!! Guess who also loves da migs?!  While I was googling images for the Migs, I  stumbled upon Nu Rave Brain Wave’s love for the Migs: http://nuravebrainwave.com/2011/06/introducing-the-migs/

Nice!

Unfortunately we missed the last two bands,  Spook Houses and Bad Sound :(

Here are their band camp pages respectively:

http://spookhouses.bandcamp.com/

http://badsound.bandcamp.com/

Art, Big Mess, concert review, Entertainment, Fat History Month, Local Music, Music, New Highway Hymnal, pictures, Punk, reviews

Review: OnBroadway Fest 2008 (5/5/12)

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Date: Saturday, May 5, 2012
Venue(s): Dirty Douglas & Ant Cellar (Lowell, MA)
Artists:
Inspector 34 @ Ant Cellar– We missed :(  http://inspector34.bandcamp.com/

Crinkleface @ Dirty Douglas– Crinkleface starts the show off (at least for me) with a loud, rocking set filled with 90s esque metalcore tunes. It is not my personal taste, but the band is good at what they do and they sound pretty tight today, so for that I will commend them. Also, the vocals are remarkably memorable. As I am typing this now, nearly a month later, when I listen to their music I can instantly identify the singer’s voice. I have to say that that is a rare stand out for me, especially since it is not a voice I particularly enjoy hearing, with all due respect because the vocals ARE in fact strong, just not my thing. It is funny though because I feel like this is the kind of band I would have adored in sixth or seventh grade, when I attended my very first shows. Glen thinks they have more of a Nirvana feel, with the whole “loud/quiet/loud dynamic.” I get what he is saying, but I do not think it all boils down to just that. In general, I feel like people use that line way too often. Ahh well, here is Crinkleface’s bandcamp page, take a look: http://crinkleface.bandcamp.com/

Friendship @ Ant Cellar– Friendship is a cool trio from the heart of Lowell. Every Friendship show (at least the two I have seen) shares two distinct features: a hanging, inverted American flag and a little tape recorder that unleashes all of your favorite pop hits. This time around the show opens with Ace of Base’s “I Saw the Sign,” before they rock into their noise fueled set. I am still getting into Friendship’s music, but I am always impressed with their unique performances. There is a charm to their prescence that I can’t quite articluate, but I do not see it in most bands. They end the set with the tape recorder playing Berlin’s “Take My Breath Away” and a fantastic, serene vibe flows through the ant cellar, just a stellar ending to a fun set.

Styk @ Dirty Douglas– We missed this :(

Necklacing @ Ant Cellar– Necklacing plays heavy, hardrcore/death metal and if you know KLYAM well, then you know that really is not our thang. But, it is always nice to see an energetic, screaming frontwoman, so here’s to more ladies in the rock world! http://necklacing.bandcamp.com/

Ponds @ Dirty Douglas– Ponds play a similar style of music as Necklacing, but the crowd appears to be a bit more enthusiastic as some moshing and dancing emerges in the middle of the set. Being a short dude, I do not have to worry about thee unfortunately low ceiling like most dirty douglas desciples and I am a grateful for this, one of the few benefits to being short. I bring up this point because during Ponds’s set, another form of headbanging occurs when one  enthusiastic lad rocks so hard, he knocks his head against the pipes and plummets to the floor. Sorry dude, but I just think this is too hilarious not to mention! Rock show scars and injuries aside, here is Ponds’ Band Camp page: http://ponds.bandcamp.com/

Host @ Ant Cellar– We missed :(

Guerilla Toss @ Ant Cellar–  Ahh yes Guerilla Toss, a name I have heard literally tossed around these parts for several months now. Finally, I have the opportunity to see what other music lovers have christened as “amazing.” And I must say I truly did not anticipate them to be as awesome as they are.  Guerilla Toss’ set is filled with walls of noise, weird time signatures, insanely danceable grooves, and the  lead vocalist’s unending shrieks. I have seen countless vocalists scream their hearts out, but this frontwoman totally steals the show. Her enthusiasm is unlimited as she bops around, up and down, demolishing through the sausage fest that consumes the Ant Cellar; she turns all the men into boys in two seconds. I usually am not a huge fan of this kind of screaming in vocals, but her yalps just seem more genuine, like they are coming from some deep, dark place. It sounds as if she is being bludgeoned to death, I love it!  I also have to note the slick, stylish, bright red, “Beat It” era Michael Jackson leather jacket being worn by the guitarist, looking good my man, looking good.  Guerilla Toss’ performance is one that will stick with me forever (literally Glen says this to me during the show, and he is correct at that, though I remember all the shows!) for my favorite moment in their set is when the vocalist leaps toward me, grabs my skull and hurls my wee body back into the crowd. This jostling, trance-like  gesture of showomanship sends the pre-pubescent boy in me into paroxysms of ecstacy. When the set finally hits its conclusion, I notice that there is some blood pouring down my arm. In fact, as I am writing this now, I can still see the little dent in my arm from which the blood flows. If I could frame that  teeny scar as a mini Guerilla Toss @  the Ant Cellar memento I would. Though that seems unecessary because after this KLYAM debut the band will be rocking in my psyche anyway. FUN!!! http://guerillatoss.com/

Motel Mattress @ Ant Cellar– I am not going to lie, I do not remember too much of Motel Mattress’ set, but I do remember enjoying it very much. I also recall my good friend Justin Cole being blown away and possibly purchasing a record? Either way, Mr.Cole is typically a  solid barometer for excellence in musical taste, so here’s a shout out to Motel Mattress!  I plan on checking out their music a bit more in the future. http://motelmattress.bandcamp.com/

Big Mess @ Dirty Douglas– Big Mess is always a great big kick in the balls, just right in the nads. The Dirty D is the best place to see Big Mess, or at least my favorite, and I am sad to see it go. I am also sad to hear that this is most likely the last time I will see bassist Josh Tracy with the band.  Tonight, the charismatic musician is bare chested and bearing a surgeon’s mask, I dig. In the past six months or so, I have come to love Big Mess and they never have dissapointed me live or in the studio. This evening is no exception and the trio destroy per ususal. The guitars are heavy, the drums roar, and it all adds up to one gigantic explosion of classic rock and roll. As I have noted before, the sound of Big Mess is one of familiarity, but these guys make it sound fresh. You can hear the hard rock of Black Sabbath and the noise  rock of Shellac, but it does not sound anicent at all. You can really hear their appreciation for music in these songs. Big Mess might also win the award for best band to headbang to!  Whether it be headbanging, moshing, or any -ing one desires, do it to Big Mess: http://bigmessma.bandcamp.com/

Atlas the Atom Smasher @ Ant Cellar– Atlas the Atom Smasher brings out the most attendees by far. The place is packed with bodies all the way and through the exit and it is not hard to see why; Atlas has served  as punk rock stalwurts in Lowell for years and sadly tonight is their final performance. I am fairly new to their music, hearing them for for the first time last fall, but I can appreciate their musical chops and lightning fast delivery. Drummer Tyler Bisson is pounding on his drum kit like a madman. His and the entire band’s charisma is as admirable as their DIY ethics. I am glad I caught Atlas the Atom Smasher while I did and I hope every member has an equally gratifying future in music and all other endeavours. http://atlastheatomsmasher.bandcamp.com/

Districts @ Dirty Douglas–  We missed :(  http://districts.bandcamp.com/

Fat History Month @ Dirty Douglas– Fat History Month are like the Black Lips of Boston for me. Which means we suck their dicks digitally on KLYAM. In other words, they are a beloved favorite worthy of the highest praise. Tonight, Sean Historymonth (I guess that is what the kids are calling him nowadays) informs Glen and I that Mark and himself  were painting all day before they arrived in Lowell.  Hard working men on all accounts!  Indeed. This performance is filled with laughs, cheers, and Naragansett beers; loads of fun. Fat History Month are at ease as they rock through many of their classics including, but not limited to “No Safe,”  “Thing I Enjoy,” “Fucking Despair,” “Free As A Cat On A Leash,” and “Old Lady Smokers,” which is played twice by request.  I do not know about you, but this is the best Fat History Month show I have seen in 2012 and the last one at the Dirty Douglas.
Hey shithead, check this out if you haven’t! http://fathistorymonth.bandcamp.com/album/june-tour-tape-bad-history-demos

New Highway Hymnal @ Ant Cellar– One of the best Boston bands right here and certainly one of my favorites. I have seen NHH several times now and it seems to get better, honestly, not just saying that for no reason. Glen, on the other hand, has not experienced NHH up until this point. The group is a tour de force live and it is great to see what the bands sounds/looks like through a new set of eyes. Tonight, people are moshing to the wild, psychdelic zounds of the music whilst singer Hadden hops into the crowd.  He has a crazed look on his face, it is as if  he is staring right through my soul. Their performance is easily one of the funnest from the whole fest. The set climaxes in destruction as bodies and instruments are tossed around like a town whore. Then in what  feels like a split second I hear an explosion, I am covered in water, and the room reeks of feces. Fortunately, I am not covered in actual shit,  just shit water. So, drummer Travis and I essentially are shit brothers! A lovely way to conclude OnBroadway Fest 2008.
http://thenewhighwayhymnal.bandcamp.com/

Matahari @ Ant Cellar– We missed :(  http://matahari.bandcamp.com/

I would  like to thank Anthony Richerdz , Nick Egersheim, and Gregory Ragnio for putting this shindig on as well as all the bands that played OnBroadway Fest 2008. KLYAM loves you all long time.

concert review, Fat Creeps, Local Music, SKIMASK, The Coathangers

Concert Review: The Coathangers, SKIMASK, Fat Creeps @ Great Scott

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Bands: Fat Creeps, SKIMASK, The Coathangers, Casanovas In Heat
Date: Thursday, May 31, 2012
Venue: Great Scott (Allston, MA)

Pre-Show: The pre-show was lengthy due to the late arrival of scheduled headliners The Coathangers and openers Casanovas In Heat. Ultimately it was decided that Casanovas would play last instead of first. It’s too bad we couldn’t stay to see Casanovas (unfortunately). Sometime soon.

Fat Creeps: Fat Creeps are quickly becoming a local favorite and actually they’d be right up there in the rankings even if they weren’t from around this way. There’s a lot to like about Fat Creeps: the aesthetic (on this night it was multi-instrumentalist Mariam Saleh dressed in black raiment [first use of that word since 11th grade English] and multi-instrumentalist Gracie Jackson wearing all white. Thematically speaking, I’ve seen/heard Plymouth Plantation and Titantic tossed around from spectators. Either way, it was an interesting sight. Let’s not leave out drummer Jim Leonard. He was in casual attire. They got the show rolling with “Secrets,” a relatively new track that exemplifies the vocal harmony that you might have read about in the Metro. I really dig how they play so casually..just let the music do the talking. I realized very quickly that what I was witnessing was something special and actually was way more satisfying than Best Coast or Vivian Girls. There’s this charm of outward simplicity under the guise of inner complexity. Know what I mean? The rest of the set featured all of the hits, namely “Leave Her Alone” — great solo and bass line, “700 Parts” — the ending “ooo-ooo–aahh-aahh” is superb,” and closer “Horoscope,” which I think Calvin Johnson would enjoy immensely. I’m not sure what Fat Creeps plans are, but I see they are already developing a strong local fan base. Pretty soon they’ll be headlining Great Scott like the Vivs have. I predict. They should.

Setlist:
Secrets
Leave Her Alone
Fooled
“Sex Beat” [Cover]
Kerry
Nancy Drew
700 Parts
Horoscope

SKIMASK:”This is one of the strangest and most entertaining bands I’ve ever seen live.” And YouTube commenter hits the nail on the head! If you haven’t seen SKIMASK, you probably haven’t seen anything like SKIMASK. Fronted by the great social commentator and Swiz Beatnik poet Prof$t Mohamed, SKIMASK is in the red with energy and explosiveness. They activate the inner primal side in people according to one devotee. And it rings true. The crowd doesn’t really know what is going on, yet the pit remains quite active and not one person seems bored. Vocals, drums, and vocal effects. Spontaneous antics by the Prof$t, including but not limited to jumping around [to an elementary phys ed teacher’s delight] and sitting down in front of the crowd. What tickles my fancy the most of all is this song: (http://www.youtube.com/watch?v=pIaaEmO3hPc&feature=related). SKIMASK — kept alive by the spirit of Cory on drums and Dominic on effects/vocal — were about to conclude with that. But keep playing insisted members of The Coathangers. And they did. And it was wonderful. They are outer-worldly you could say, but it’s them just spinning the rock and roll wheel their own way. Folks in New York and New Jersey, brace yourselves, as the skimask is coming to get u back opening for JEFF The Brotherhood soon. Boston area locals: brace yourselves as well.

The Coathangers: The Coathangers from Atlanta, Georgia! None other. Faced with the burden of no sound check, ahh who needs that?, they blitzkrieged right into their set. And they came hard and displayed no regard for the typical. No need for the typical on a night like tonight. I’m basically talking about their switching of instruments and the infectious bursts of punk rock that came a plenty. The front-woman was a revolving cast of ‘hangers and each brought their own variety to the table. The crowd was loving it and you could tell the band was having just as much fun. Now now now. Here it comes. I’m not extremely knowledgable in the arena of Coathangers material BUT I’ve got their set below. So this means that I will be. I can’t quite describe their set in terms of individual songs; I think I gave a decent gist of the experience. That’s what counts?

Setlist:
Smother
Johnny
Hurricane
Gettin Sick
Call
Arthritis
Jay
Sex
Nestle In My Boobies
Pussy
Cheap
Dims