Recorded ~ a week before he died.
All posts by G. Gordon Gritty
NOBUNNY W/ ALLIE (WHITE WIRES) ON DRUMS
“BONEYARD”
Band Recommendations!

– Myty Konkeror is a straight up noisy/heavy act! The CT/NY dudes have an LP out called I miss the future on Twin Lakes Records. You can take a listen to their rockers here: http://mytykonkeror.bandcamp.com/. They’ve got a video for the instrumental “Cell Division”, check it: http://www.youtube.com/watch?v=1sQARk-S4kA&feature=player_embedded#at=144. The band name lends itself pretty well to the music!
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– M-Tank of South Carolina play a very poppy rock ‘n’ roll by way of fuzz, scuzz, and twang that calls to mind the excellent rock ‘n’ roll/punk that has come out of the Atlanta scene. I’m digging the home-recording esque dynamic to their tunes — they’re not raped by hiss to the point of distraction, but rather to a point of keen suitability. Whatever that means! Check out their reverb nation page which is replete with audio and video: http://www.reverbnation.com/mtank.
Comic of the Day: Jamaica Dyer’s NOBUNNY

SOTD: “This Place” – Maybe, Baby!
FROM WASH D.C, shitty people, shitty shows.
SOTD: “Future Signs” – The Warm Jets
A short lived so called “Brit pop” band — these guys have been described as a British Pavement on AMG and I’ve seen a Jay Reatard comparison here and there. They come out of the clean and catchy Brit era, but I think they sound nice.
SHOW ALERT: Baby Shakes @ PA’s Lounge
Thirsty & Miserable brings us Baby Shakes of NYC/Atlanta. Featured in the WE FUN documentary, Baby Shakes (believe it or not) have never been to Boston. This will be their first time! Check out their girly garage/punk: http://www.myspace.com/babyshakes. Also playing will be Somerville surf-rockers Beware The Dangers Of A Ghost Scorpion (http://www.myspace.com/northtexascobrasquadron), The BFs of Gloucester (who sound especially awesome — http://thebfs.bandcamp.com/), and finally punk ROCK shizzles White Pages (http://whitepages.bandcamp.com/).
When is this thing happening? Well, March 25. In case, y’all don’t know, PA’s Lounge is in Somerville.
More info on the event: http://www.facebook.com/event.php?eid=203434119667193 !
CD Review: Belong [2011]

Band: The Pains of Being Pure at Heart
Release: 3/2011
Label: Slumberland
1. “Belong” – A+
2. “Heavens Gonna Happen Now” – A
3. “Heart In Your Heartbreak” – A
4. “The Body” –B+
5. “Anne With An E” – B-
6. “Even In Dreams” – A-
7. “My Terrible Friend” – A-
8. “Girls of 1000 Dreams” – A-
9. “Too Tough” – B+
10. “Strange” – B
Comments: The first thing that is very noticeable about Belong is that it is more expansive than really anything we heard from their S/T debut. The heavy choppin’/Dino JR sounding guitars on opener “Belong” are a welcome addition, as is simply the flow of the tune. The LOUD catchy chorus transitions into a brief boom before a buiLDING verse leads back to that LOUD chorus. “Heavens Gonna Happen Now” is more like old Pains material. Excellent. “The Body” ain’t the best thing to come out of their discography, pretty solid Pains, a dancey new-wavy number. “Anne” might be their first shoe-gazey slip-up, no problem as the synths in “Even” make up for that. Belong doesn’t have the coy top-to-bottom catchiness that their s/t debut did, but this noisier, longer record does have some fantastic moments (the first three songs).
Grade: B+ (89)
Jay Reatard: Live At Golden Plains [2008]
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Comments: Hundreds of videos have been taken of Jay Reatard’s live performance, but never until now has there been an official live release. This LP captures Reatard’s live assault near perfectly — one song after another, little pause, screamed song titles before each, the occasional extended jam. This is from March 2008, so the set is heavy on Blood Visions and singles material. After “My Shadow” we hear a receptive cheer from the audience, but that is quickly lost after Reatard, Pope, and Hayes reel into “Oh It’s Such A Shame.” I remember seeing Reatard for the first time in July 2009 and thinking damn his set was way faster than this one, but that might be because he made more of an effort in pacing/slower playing for this occasion than during a usual show. Still, though, Jay’s slow is a normal person’s lightning quick. The barebones aspect of the performance really comes through as well. Reatard’s vocals aren’t as perfect (obviously) as they were mixed on record and some singing parts are ommitted like “she creeps me out” on “See Saw” in favor of an instrumental jam. Billy’s drum playing is heavy on the snare, man he loved doing rolls (“Fading All Away”) on that instrument. One song that particularly stuck out to me on this Live LP that never really had much of an effect on me on record is “So Useless.” I never appreciated its beauty. I was missing out! “So useless, I must be, to waste time with you!” “Hammer I Miss You Let’s GO! Hammer I Miss You” shouts Jay. Showing off his vocal varieties — a precursor to the bullshit Nicki Minaj now pulls — he really plays the shit out of that tune. Owning it. Jay can barely keep up the chorus on “Death Is Forming” and by this point in the set he must be exhausted to no end. “Death is forming death is forming death is forming forming death forming death fucking death forming” The set closes on “Let It All Go” with its constant barrage of guitar noise, pop hooks, and unpredictable finish. This is something that I highly recommend sharing with others who maybe never got to see a Jay Reatard show. It’s the closest we’ll ever get to Jay.
New Release: “Thunder & Lightning” – Bloodshot Bill

Out March 29 on Norton Records!