All posts by G. Gordon Gritty

Three Years Ago Today: The Shrines & Mark Sultan @ Paradise

If the time-machine took me back to 8:20 PM on Thursday May 7th 2009, I’d be standing in front of the Paradise Rock Club’s stage waiting in anticipation for the show to start. I had not yet seen King Khan and the Shrines or Mark Sultan in the flesh. But I had waited patiently for my own Jared Swilley moment (refer to the Supreme Genius LP/CD if you don’t get the reference) and yes it happened!

Read a review that Chris and I wrote following that very performance: https://klyam.com/2010/10/13/memory-2-classic-concert-review-shrines-paradise/

On a very related note, both King Khan and the Shrines (July 23, Brighton Music Hall) and Mark Sultan (this SATURDAY, May 12, PA’s Lounge) will be coming back to town.

That Barbaras Record Might Be Coming Out This Year

As Stephen Pope tells New Zealand’s The Corner [LINK]:

Are you planning on releasing the Barbara’s album this year?

We’re shooting for that, yeah. Alicia from Lost Sounds and River City Tanlines is handling that. We recorded an LP with Jay Reatard like three years ago and we thought he’d deleted it in a fit of anger, cause that’s what he told us. Then the band kind of dissolved, but Alicia got hold of Jay’s recording machine, and it turned out that the Barbara’s LP was still on there. She’s been mixing it, and it’s been really slow process, but I think Goner’s going to put it out, hopefully this year.

Review: Best Coast – “The Only Place” (2012)


Band:
Best Coast
Release: 5/2012
Label: Mexican Summer

Comments: Best Coast has been on the KLYAM radar for a couple of years now. Time flies, but it doesn’t seem like 2010 was all that long ago. That Art Fag 7″ was packed to its three song core in terms of really distorted sounding pop. Good stuff. Crazy For You was pretty impressive; it neatly worked around its cliche lyrics and repetitive arrangements. So even though a lot of it sounded the same, a lot managed to sound different. With the The Only Place, things start off on a weird note. The same titled debut single is quite catchy, although it is a bit more of a showcase of the new producer. It never manages to be boring. “Why I Cry” isn’t too far off from the previous track musically with its relatively ‘big’ chorus and right-back-at-ya amount of hooks. “Last Year” tells us what the Vivian Girls did four years prior: “I believe in nothing”. On production display here is what producer Jon Brion might have had in mind for Bobb Bruno, which is to offer assaults of lead guitar that capture the listeners attention. “My Life” has its own fair share of nooks and crannies, like a violin (or something of that nature) and an acoustic guitar.  “No One Like You” has Bethany’s fine voice on display, that damn acoustic guitar, and the words “crazy” and “girl”. It sounds like an oldie, but goodie — country/early rock and roll style. The song that really caught my attention though is the next one, “How They Want Me To Be”. Mainly because of the lyrics. Who is ‘they’? And I thought this about the media or her mom up until ‘you’ came in. I should’ve known! Anyway, this slow ballad is catchy you have to admit. It’s not something you’d want to listen to over and over, but I mean there’s a shit load of extra vocals, glockenspiel, sleigh bells, and guitars that you just don’t usually get from your usual Best Coast song. “Better Girl” has Bethany recalling the “no fun”  line that was popularized by her dude Wavves. The song is forgettable, but serves as a bridge to the next, “Do You Still Love,” which uses the bass as a propelling force. The ending is cool and must have felt pretty good to create in the studio. “Dreaming My Life Away” is a change of pace on this record (it was re-recorded after initially being released a couple of years ago). Some have noted its jazz — the organ and drumming can be thanked. Not my cup of tea as you might expect, but in context it is interesting. And I guess that’s kind of the thing here. In context, everything seems interesting. It is a lot like Crazy For You, but you’d be bold to say this could exist without Bethany starting to ‘settle down’ or having Brion kicking around. “Let’s Go Home” brings us back to “The Only Place” in many ways, or – if you are a cynic – to that ridiculously annoying Magnetic Zeros song “Home”. To end the album is “Up All Night,” which boils down to a new age 8th grade final dance slow song. No wonder to choose a prominent sounding organ and some “ooohhhs”. To call this a wrap, here’s what I think happened on this LP: Best Coast still wanted to sound like Best Coast, but with more tightness, a little less originality, and bunch more appeal. I don’t really see this as a win or a loss for the band or its fans. From what I’ve read so far, it might be all too easy to shit on or all too easy to call an improvement over Crazy For You. I can’t picture a new wave of young adult girls latching on to this as some kind of ‘indie’ answer to Taylor Swift or acoustic Katy Perry. Not out of the question, though.

Check Out Ty Segall Band –> “Wave Goodbye”

Imagine a music video in which Ty and his band set on fire an old TV that is streaming the music video for NSYNC’s “Bye Bye Bye”. Except the flames are the result of pure rock and roll electricity not the direct human hand. That wouldn’t have to be the whole video, just the parts when Ty screams “BYE BYE….BYEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE”

Atlantic Thrills Nominated Best Punk/Garage Act In Prov. Phoenix !

The Providence Phoenix has nominated locals and KLYAM faves Atlantic Thrills for 2012’s best Punk/Garage act!

Check it out and vote Thrills, no matter where you from or who you are: http://contests.thephoenix.com/bmp/providence/2012/vote/punk-garage-act

Also if you haven’t seen these guys live yet and you live close to the Boston area, you ought to go to the Kids Like You and Me Presents show that they are headlining tomorrow (Sunday night) at PA’s Lounge. 8:30 doors. 21 and over. Also performing: The ROACHES and Gangbang Gordon. Link to event

Thirsty & Miserable Spring 2012 Party Program !!

Here is a string of upcoming Boston area shows being put on T&M. Check them out and have fun! Judging from prior shows and these ones, T&M is truly one of the best around in this department.

5/12 – Mark Sultan, Girlfriends, Banditas, New Highway Hymnal, & The BF’s @ PA’s [LINK]
5/18 – Sonny Vincent, White Pages, Foster Care, Guilty Party, & Courters @ PA’s [LINK]
6/15 – Royal Headache, Radio Control, White Pages, & Guilty Party @ PA’s [LINK]
6/19 – Mean Jeans, Hollywood, White Pages & Explanets @ Radio [LINK]
6/30 – Smart Cops, Ex Humans, White Pages, & Beach Cops @ Rosebud [LINK]

Enjoy!

ONE WEEK FROM TODAY: Atlantic Thrills, The Roaches, Gangbang Gordon

Reminding all Boston area KLYAMers, come on down!

Sunday April 29th at 8:30 PM at PA’s Lounge in Somerville (directions here)

Kids Like You and Me Present………….Gangbang Gordon’s live debut! Local heroes The Roaches and Rhode Island’s finest garage rockers, Atlantic Thrills, cap off the bill. The Thrills have opened for Thee Oh Sees, The Black Lips, The Vivian Girls, Those Darlins, and many other bands. This is going to go down in history as a legendary show, so you don’t want to miss it!

LP Review: “Hair” (Ty Segall and White Fence)

Release Date: 4-24-2012
Label: Drag City

Comments: The way to underground rock and roll stardom can be confusing sometimes. Not to mention that there isn’t much ‘star’ in the kingdom of balls out rock and roll. And nobody really cares. Ty Segall has been well on his way to worldwide recognition for a few years now but it has only been in the past two years that this is becoming more and more evident to people besides his Goner devotees and his West Coast pals and supporters. Another thing worth mentioning early on is that this isn’t solely a Ty affair. So starting off a review like I just did might have been more suitable for Goodbye Bread, but let me continue. Tim Presley of White Fence has been on a colossal pace in terms of releasing new material. Is it only in San Francisco where the self-proclaimed rock and roll warriors roam? Thee Oh Sees, Mikal Cronin, and now these two guys. Releasing stuff at a pace that would cause Jay Reatard to maybe even raise an eyebrow. Collaborations are rampant in the Bay Area as well. You knew that. That leaves us to Hair. Listening to this album from the get-go, it’s hard to not imagine the fun these guys had during this process. They create a pretty distinct setting on this record, which is near the geographic center of Ty’s most psychedelic Goodbye Bread stuff and White Fence’s are-you-sure-this-is-not-an-old-recording-of-’60s psych- stuff. Besides the rush of charged guitar solos and full-on drum bashing, this album isn’t totally different from say the Grateful Dead. Maybe I’m wrong, and there are only a couple examples (“Time”, “The Black Glove/Rag”) of this. Or whatever. “Crybaby” is the most concise example of rock and roll fever that I’ve heard from Segall since Bread. It’s incredible refreshing. There comes a point, too, listening to this record where you just have to wonder: what if rock ‘n roll was as popular as hip-hop and electro-pop? Not to turn this into a Nirvana kind of thing…I wasn’t around then (or at least not in the form of a capable, developed being) so to even ponder something like this is incredibly exciting. And yes I know Ty AND White Fence played on this record. It’s scary the talent that’s out there. Then there will be people who want to themselves Ty, they want their White Fence, their Oh Sees. Those days are over. Is that a bad thing? Ty and Tim have such a handle on things, that they can effortlessly fuck around with the left-right channels to make it sound like you are surfing through a TV set that only plays real RnR stations. An incredible TV set that is. That song is “Scissor People,” by the way. By the end of “Tongues,” all I’m left with is the sentiment of damn. This record is more of a statement than a batch of fun-loving ditties a la Matador Singles ’08 or Arabia Mountain, to name a couple. It’s a statement that things can be subtle and low-key or things can be brash and in your face. It’s all good! The un-expected ending of “Time” is case and point. It seems like most of the greats get around to realizing this — looking at you Jay. Another thing is that Hair probably didn’t take much thought. Not the little organ part at the end of “I Am Not A Game”, not the increasing chaos of the other two guitars. It’s crazy to think. I wasn’t the biggest “I Am Not A Game” fan when it was first released to the general public, but listening to it in context can really change things. “Easy Ryder” is like revisiting Melted, but with a new perspective on lead guitars and the guitar solo construct in general. Is that not amazing? Hair is insane. A KLYAMer would be crazy to not check this out. Hope you speak as highly of this as I do!

Grade: A/A+

“Easy Ryder”