My Top Shows Of Twenty-Twelve

I saw more shows this year than any other (47 total) and all of them were FUN . The following is a list of my top ten (most fun) shows all year:

10) The New Highway Hymnal, Creaturos, Leamers, The Migs, Nice Guys @ Big Stink (10/6/12)
Damn, this was a solid night. I mean with the bands on this bill, how could it not be? Going in to this show I only knew NHH and The Migs, but I came out a fan of local stalwurts, Creaturos and Nice Guys, and our neighbors to the North, Montréal’s Leamers. Kids bashing and bopping around like they ought to. I’ll link you up to the KLYAM review: https://klyam.com/2012/10/09/concert-review-nice-guys-the-migs-leamers-creaturos-new-highway-hymnal-big-stink-10612/

9) The Migs, Nice Guys, Cult Fluorescent, Slimers, Chillcity Icon @ Wilder Zangcraft (11/24/12)
Best Migs show I’ve seen! Nice Guys played a sick set of Coachwhips covers and it was great to see the experimental one mon band Cult Fluorescent again. This show was also my introduction to the mighty Migsian two piece, Slimers and the twisted no wave/noise duo, Chillcity Icon. https://klyam.com/2012/12/06/concert-review-the-migs-nice-guys-cult-fluorescent-slimers-chillcity-icon-wilder-zangcraft-112412/


8) Hunx and His Punx, Heavy Cream, Radio Control @ Great Scott (4/2/12)
I’m a Hunx freak, so words can’t describe my excitement for this show. Having missed the past two Hunx Boston gigs :( I’ve waited for two and a half years to see the band live again. The first time back in October ’09 was opening for Jay Reatard and this served as my intro to Hunx. This time around was even better because I actually knew and loved all of the songs. Throw in Infinity Cat noise makers, Heavy Cream and Somerville rockers, Radio Control and you have one of the finest shows all year. https://klyam.com/2012/04/04/concert-review-hunx-and-his-punx-great-scott-4212/


7) Fat Creeps, Earthquake Party, Fedavees, Fagettes Halloween Show @ Rosebud (10/13/12)
2012 very well could be called the year of the Fat Creeps, especially on this site. We’ve seen a dozen Creeps shows this year, more than any other artist. In fact, I think I’ve seen them more than any other band I’ve seen. Every show has had its own special quality, but for Halloween they played a set of Ramones covers and the crowd ate it up. It was the marriage of two of my favorite bands, and on top of that there were stellar sets from Earthquake Party! (Nirvana), Fedavees (The Wipers), and The Fagettes (Nancy Sinatra & Lee Hazlewood).
https://klyam.com/2012/10/16/concert-review-halloween-show-featuring-fat-creeps-earthquake-party-fedavees-fagettes-rosebud-101312/


6) On Broadway Fest 2008 @ Dirty Douglas/Ant Cellar (5/5/12)
I haven’t been to any music festivals, except this one, well and the first On Broadway Fest, but I arrived at night for that one. Therefore, this show was a unique experience. It was a blast seeing 15 or so bands all in one day, especially with memorable performaces from Fat History Month, Big Mess, The New Highway Hymnal (shit water yay!), and Guerilla Toss – I literally felt the Guerilla Toss, woooo. https://klyam.com/2012/06/08/concert-review-onbroadway-fest-2008-5512/


5) No Age, Make It Up @ Chum’s Coffeehouse (3/10/12)
KLYAM and No Age go way back, way back before there even was a KLYAM. The first show we saw at Middle East was No Age, and that took place in 2008. They were one of the first of our beloved, HONORARY KLYAMERS. As popular as No Age is, they still carve out their own DIY aesthetic and playing a little Coffeehouse in Waltham is a testament to that. Some of the best moshing/crowd surfing I’ve seen all year! https://klyam.com/2012/03/12/concert-review-no-age-chums-brandeis/


4) Ty Segall, Thee Oh Sees, K-Holes @ The Well (9/22/12)
This is one of the few shows I have seen outdoors. I need to experience more of these! Outside on a rainy night in Brooklyn with a thousand or more bodies. I usually prefer smaller gigs, but Ty Segall’s music is so gigantic it feels right in this setting. Of course, this show is also special because this marks my first and only experience with Thee Oh Sees, one of America’s greatest live bands. Can’t wait for the next NYC trip and/or Ty/Oh Sees show. K-Holes, stay solid. https://klyam.com/2012/09/23/concert-review-ty-segall-thee-oh-sees-k-holes-the-well-92212/

3) Ty Segall, White Fence, Strange Boys @ Space Gallery (5/14/12)
Ty it is again! You just can’t stop this guy from popping up on our year end lists. Ahh, our first Ty Segall show ever! An event in heavy anticipation for nearly two years. The Space Gallery is one of the finer venues in the New England area that I have attended: larger capacity without that corporate rock feel, art gallery, steady rock ‘n’ roll, and two dollar PBRs! Yeah, so if the show above at the Well felt like a big time House of Blues event, then this Space Gallery show was more akin to a rowdy, packed Black Lips show at the Mid East Downstairs. And of course, Strange Boys were better than ever!
https://klyam.com/2012/05/15/concert-review-ty-segall-white-fence-strange-boys/


2) King Khan & The Shrines, Hector’s Pets @ Brighton Music Hall (7/23/12)

As far as showmen go, you’d be hard pressed to find anyone that competes with King Khan. We were blessed this year to catch Khan and all the classic Shrines at a sweaty, fun filled show this past July. It’s just one big party y’all. https://klyam.com/2012/07/25/concert-review-king-khan-the-shrines-brighton-music-hall/

Who will be number 1?…..

NO NO NO NO NO!!!
NobunnyTyOhSeesNYCSep2012 009
NOBUNNY!!!!

1) Nobunny, Bad Sports, Xray Eyeballs, Liquor Store @ Living Bread (9/21/12)
For the past three years, the almighty Black Lips have filled the number one slot in this category. Alas, we did not see them this year, they had bigger plans – touring the Middle East. Beautiful, those kids need em’ more. Fortunately, we witnessed somebunny else on stage, this bunny we’ve also consistently seen the past 3-4 years, and he’s never let us down. 5 Nobunny shows deep and this was the best. I felt like I was watching Darby Crash or Keith Morris, but singing bubblegum and garage. I love that feeling, when you look up at a bunnyman in his underwear and say to yourself “this is the only kind of rock ‘n’ roll that matters.” https://klyam.com/2012/09/24/concert-review-nobunny-bad-sports-xray-eyeballs-liquor-store-living-bread-92112/

Ahh what a year, 2012, the best I’d say. In this year I saw the following exceptional/favorite bands for the first time (some of which I noted above): SKIMASK, Bleached, Smith Westerns, Dirty Virgins,  Fat Creeps, The Migs,  Ty Segall, Beach Boys,  Bent Shapes (as Bent Shapes), Colleen Green (two nights in a row!), Thee Oh Sees, Nice Guys, The Fagettes, The Electric Street Queens, Yankee Power.

And now I’m off to bring in 2013 with Fat Creeps,  The New Highway Hymnal, Color Channel, and Yale, MA at Great Scott. Peace.

My Top 5 LPs Released In 2012


1. The Barbaras – 2006-2008 – The Barbaras exist in my music collection as a very revered band. I had been playing their fuzzy, sunshiny 7″ since October 2010. They were gone, of course, by then, off doing things like being in Magic Kids and Wavves. Then the news of this came along. About two years later I was able to hear some clearer renditions of tracks from that 7″ and even better…twelve new songs. The new ones (and the old ones) simply put are some of my favorite tracks ever. I can’t really even delve into specific favorites, because they all such hard hitters. Some are kind of wimpy (“Bluebirds”, “Only One”), while others (“Devour the Jungle Deer,” “Grief Touches Everyone”) are barn-burners from 0:00 ’til the last note. The Barbaras nailed the ‘pop’ part of garage pop in a way that is truly unlike any of the bands the Barbaras would eventually join. These are songs you listen to daily, that capture your attention from the very second they begin. There was something real special about this group from Memphis. They paid as much of a debt to their contemporaries like producer Jay Reatard while maintaining a keen appreciation for both the obscure and popular golden melodies of the ’50s and ’60s. I haven’t heard a modern band perfectly nail that down like the Barbaras. This is a record that I doubt will reach #1 status beyond us… the fanatics that run this website. That’s a shame, though, because a complete and thoughtful listen (yes, just one) makes a grand impact.


2. Ty Segall/White Fence – Hair – This is another record that I’m as excited to talk about now as I was when I first heard it many months ago. I think those early listening sessions included a good amount of bewilderment. Ty Segall and White Fence. One record. Two fantastic garage/psych songwriters coming together. I didn’t know much about White Fence back then and frankly I still do not really. Tim Presley can jam. Hair isn’t really a traditional “record” because – yes – it is brief (8 songs) and the songs range from extremely well done jams (“I Am Not A Game”, “Scissor People”) to the more straightforward (“Easy Ryder,” “Crybaby”)…thanks Ty! I remember hearing “Scissor People” maybe the second or third time and really starting to “get” it. The riffs. The shuffling of sounds. Damn, I thought. Rumors have it that there will be more from the Ty Segall/White Fence collaboration. That’s awesome, because they got it right the first time.


3. Black Lips Live @ Third Man – Black Lips do many things well. Their entire discography is filled to the brim with killer track after killer track, killer album after killer album, killer single after killer single. Yeah, they are the best band. Them doing a follow-up live record after the outrageously special Los Valientes Del Mundo Nuevo might only seem natural given their talent in front of crowds. Of course, this is a fantastic record. This one was without question recorded at Third Man (ya, you know what I’m talking about) and the dudes have the stage banter to prove it. They mix the real old with the real new and throw in some material from in between. While this doesn’t flow as nicely as Los, it sure as hell proves why Black Lips have had IT for more than a decade. Keep it simple stupid and let the rock and roll do the talking. Listening to  “Fad” and “Modern Art” in the same set is something that  I had long wanted (and luckily got to experience), but now with this LP – that can happen any time. Good stuff. Thanks Black Lips.


4. Ty Segall – Twins – Surprise, surprise! Twins is crazy good. Ty’s been on a tear since Melted, at least in the sense that people from semi-mainstream media outlets are in on the awesomeness as much as we little dudes have been in for a much longer time. But a great songwriter is a great songwriter and Ty’s been there for some time now. This one sounds better than all of ’em. While Melted absolutely shredded and was extremely catchy at the same time, this one furthers Segall’s sonic exploration and crunches everything together oh so nicely. Up until now, we never really got the “You’re The Doctor” side of Ty, at least not this great. The straight fuzz package in “Ghost” is like what “Melted” accomplishes but without the wait. Pure immediacy. For long time listeners, Twins satisfies, and for newcomers, it surely must have you wondering you’ve been missing out on. It’s all right.


5. Ty Segall Band – Slaughterhouse – I know, I’m obsessed with this dude’s music. With a musician like Ty, you can go from listening to Lemons to Slaughterhouse and just nod in appreciation at how much more he has added to his arsenal. He had been doing the straight up old time rock and roll thing for a while, but with each release leading up to this, it seems as though he kept adding more and more weapons. For Slaughterhouse, Ty and band blasted full into heavier territory, leaving behind the two minute song for lengthy fuzzed out solos and pounding rhythms. The result is a wild success. While the Hair collaboration was a short and sweet affair through-and-through, Slaughterhouse is likewise full o’ goodies, but it beats out that album by containing Ty’s best song yet, “Wave Goodbye.” If the chorus doesn’t do it for you (why wouldn’t it?), there’s the “oooh-ooooh-oooh” part and duh…that solo. There aren’t any duds on this one and if the faster and more sinister stuff is more up your alley, I could easily understand why you’d rank this higher.

Honorable Mention


The Hussy – Weed Seizure – The Hussy have been impressing me with their studio output for a good while now and you guessed it – Weed Seizure is the pinnacle of their greatness so far. What the Hussy does so well is very much like what the bands above do so well: present you with a real strong melody and never have you looking back. The Hussy take their love of the beloved Jay Reatard and Segall, but cut out the loose ends and recorded some mighty quick numbers that definitely stack right up to the aforementioned. The whole album is unforgettable and sticky: the interestingly titled back-to-back  tunes “FUDje” and “SFB” are highlights, right up there with opener “Undefined” and the primal “Dog Said Yeah”. The Hussy have been on a roll, touring relentlessly and releasing a whole lot of quality material…the prospects are looking great for ’em and all the best. They are a lesser known band that you oughta know…now!

Concert Review: Ty Segall, Thee Oh Sees, K-Holes @ The Well (9/22/12)

Bands: Ty Segall, Thee Oh Sees, K-Holes
Date: September 22, 2012
Venue: The Well (Brooklyn, New York)

Comments: Heading far away from Beantown to see show isn’t a frequent occurrence for us at KLYAM, but when we do, it always ends up being a fun time. When I first saw in June that Ty and Thee Oh Sees were playing in Brooklyn, but not in Boston (or Portland or Providence), it was a no-brainer to make the voyage. Not to mention that Nobunny shortly thereafter announced a date in Brooklyn for the night before. So yeah, what a nice weekend.



Act I
K-Holes – By the time the K-Holes hit the stage, The Well had filled right up. I could tell the crowd didn’t want to miss any of the action, and why would they? K-Holes are what I call mainstays as openers for some of the rock ‘n roll underground’s bigger bands. I’ve seen them open for Black Lips twice in New York and once for King Khan and the Shrines in Boston. They’ve certainly built up a reputation as a band that brings all they’ve got to the stage. On this night, the stage is quite large for them (“I feel like I’m at the Emmys” singer/guitarist Jack Hines informs us), but this of course doesn’t change their performance. They plow right through several dark, saxophone crazed songs, which to me sound even better than in the past. Also, I’ve never seen a band with their set-up (saxophone, vocalist/tambourine, guitar, bass, a drum kit with three floor toms). They are interesting. I enjoyed closer “Rats,” off their most recent LP Dismania [Hardly Art], the most. It’s a full steam ahead ass-kicker, fitting in perfectly with what’s to come.


Act II
Thee Oh Sees – Finally! It took me three years (approximately) to see these guys and finally I can say it…I saw them. Seeing a lot of live footage on YouTube and hearing people rave incessantly about the live shows – not to mention my very many listens to the records – all of this is awesome, but you’ve got to be there. So I was there along with about a thousand others and we witnessed the same thing. A band that truly has it together and quite easily engages the audience’s attention to something that makes blue shirted security guards want to join in on the fun. Thee Oh Sees got it started with “The Dream,” which is an insane tune, but there’s so much more build-up in the live setting that it is really hard to describe to be honest. After that we were blessed with “Lupine Dominus,” a stand-out off just released Putrifiers II. Then came that song that sounds like “Have Love Will Travel” — oh yes — “Tidal Wave,” which is just as cool as it sounds. They also got in “Carrion Crawler/The Dream,” the wild and quintessential sing-along “I Was Denied,” the superbly lengthy a-a-a-a-a-ah-ah-ha-ha-ha-a-a-a-a of “Contraption/Soul Desert,” and some others which I can’t quite remember right now. Either way, this was one performance that I will surely remember and I can not wait to see them again. It would be cool to catch them in a littler place, but they are at the point where they’ve got a pretty sizable and energetic fan base so I’m not sure what’s to come. No one does.


Act III
Ty Segall – Ty (and band) – if you read this site, you know there is a whole bunch o’ coverage, so disregard the obvious – are near the top of the charts as far as the kind of music I really love. It’s not even one sound – it’s more of the experience and variety of selections that gets me pumped. Whether it is the cuts from Slaughterhouse that they opened with, a throwback classic like “Standing at the Station,” or the many Melted jams “Imaginary Person,” “Finger,” “My Sunshine,” “Caesar,” “Girlfriend,” the current Ty set is all over the place categorically, but it’s all marked by an unbeatable combination of loudness, fuzz, and pop. It is no wonder why more and more people are being turned onto Ty and his band. And they’ll continue to be. The heavy rains that came during “Finger” seemed to coincide with the intensity of the song and they never really stopped. I was pleasantly surprised by “My Head Explodes,” my favorite from Goodbye Bread, which the band hasn’t really played too often. You could say more surprises came with a little “Sweet Home Alabama” and an encore of The Doors “The End”. It should be said that the first couple of rows represented a danger zone for crowd surfers. There was one fan who took a particularly gruesome fall near the stage that drew the concern of Ty, who requested medical attention for the man. We all hope he is okay. Ty shows shouldn’t be dangerous and apart from that incident, everything went pretty smoothly. There were also several photographers and a cameraman on hand – and they were having just as great of a time as the crowd. It was a cool sight!  Back to the songs. Closer “Wave Goodbye” and oldie “Skin” bear mentioning along with the finale of all finales, “The Drag”. Hope to see these guys soon in Boston, but you know, if New York is the only option, New York is the only option. That’s easy.

Watch Ty Segall’s Pitchfork Set

Ty’s set begins at 1:19:25. Click play on the video below and then the ‘Ty Segall’ button or just skip to the time.

Set-List:
“Death”
“I Bought My Eyes”
“Slaughterhouse”
“Finger”
“Imaginary Person”
“Standing at the Station”
“Doctor Doctor”
“You Make The Sun Fry”
–Cover–
“Skin”
“The Floor”
“Girlfriend”
“Wave Goodbye”

Blog Recommendation: Girls On Drums

Hey fuckheads, while your spending endless hours of your worthless life drooling at pics of girls on the net, carve out a minute or thirty and check out this dynamite blog: Girls On Drums and see some real action! You can see the likes of  KLYAM faves Erin Emslie (Hunx and His Punx), Emily Rose Epstein (Ty Segall Band), and loads of covers. CLICK CLICK CLICK http://girlsondrums.tumblr.com/