This was a poem I wrote for my Creative Writing class describing the Shrines show I saw on 6/7/09.
How Do I Keep You Outta Harm’s Way? (King Khan)
Soulful Supreme Genius spread in the air
The King came decked out in his white suit and slicked back hair
Accompanied by his lady, an ever-grinning cheerleader
And eight Sensational Shrines in their black Shrine Uniforms
The King ordered his minions to give him
A Loud and Proud response
They Roared
Unsatisfied, he Demanded again
This time the King was blown away
He and His Shrines exploded right into “Land of the Freak”
An apropos title for this setting
The fanatics hopped up and down
Side to Side
On the Stage
Off the Stage
The blissful cheerleader sprinkled glitter into the pit
As a cute little complement to the soulful music and funky dancing
As soon as the performance ended
Excessive crowd response ensued
Just when you think it’s over…
ENCORE!
Description: While probably best known for the hit single “C’mon C’mon” or the fight between lead singer and lead guitarist Jason Stollsteimer and Jack White, The Von Bondies actually have three very solid studio albums behind them Lack of Communication (2001), Pawn Shoppe Heart (2004), and Love, Hate And Then There’s You (2009). They are also one of the few Garage-Rock revival bands to actually survive (despite numerous line-up changes) and adapt to the times without changing their sound.
Sounds Like: The Pixies, The White Stripes, and Louis XIV
Full Title: Almost Famous Director: Cameron Crowe Year: 2000 Comments: Almost Famous is perhaps the greatest portrayl of Rock and Roll ever to hit the silver screen. What I really dig about this flick is that it takes place in 1973 as the era of Great Rock and Roll was gasping for air. We see these last precious moments of rebellion through the eyes of William Miller (Patrick Fugit) a fifteen year old journalist and a devout fan, experiencing this transition from music of the people to “industry of cool,” as real life Rock Critic, Lestor Bangs (Phillip Seymour Hoffman) puts it. With great performances from Kate Hudson, Frances McDormand, Jason Lee, Billy Crudup, (a young) Zooey Deschanel, amongst others, this is a Must See for Rock fans and non fans (but who cares about them?!) alike.
Grade: A/A+
Full Title: One Flew Over the Cuckoo’s Nest Director: Milos Forman Year: 1975 Comments: This has been a favorite of mine for about six or seven years now and I can’t imagine anyone walking through life and not seeing this at least once. Granted, the novel is better and I can understand why those who love the book would detest this. With that being said, I prefer the adaptation so much more because the brilliant performances of Jack Nicholson and crew truly bring all of these colorful characters to life in ways that for me personally are not as effective in the written form. The classic ending is so triumphant and beautiful that I have rarely seen another film top it; easily one of the greatest final shots in the history of cinema. Funny, passionate, disturbing, and inspiring- what else can you ask for? It should also be noted that after thirty-five years this movie has not dated at all; I watched it in one of my Psychology classes and nearly all of the class appreciated and/or loved it. How a film stands the test of time is to me a major factor of quality and Cuckoo’s Nest appears to be timeless.
Grade: A+ (in my top ten)
Full Title: Do the Right Thing Director: Spike Lee Year: 1989 Comments: So, it was after 1 A.M. on a Monday night, a school night, junior year of high school, and I’m lying in my bed, watching this Spike Lee joint (bad idea for any first time viewing of a film) struggling to stay awake. Then all of a sudden, as the film is reaching its climax, I rose and walked toward my TV set and stood there for the remainder of the film (a good 15-20 minutes) just glued to the screen. This has never happened to me before. I couldn’t sleep after what I had just seen; my brain was overloaded with numerous thoughts, questions, impressions, etc. The next morning in my Algebra class, I put forth a valiant effort to focus on whatever it was we were covering in the Math world, but my mind was just fixed on DTRT, particularly the ending (one of the greatest I’d wager). If you haven’t surmised already, this is an extremly thought provoking film and unleashes the most heated of debates, even amongst its participants (disagreements have risen between Lee and some of the actors). To spare the suspense, the movie depicts the lives of those in a Brooklyn neighborhood on the hottest day of the Summer and like the heat, the racial tension between blacks, whites, hispanics, and asians is driving everyone crazy. Though, this a black film, Lee does not shy away from portraying black characters with many flaws (there are also several black characters that fight prejudice and are quite respectable) as well as both racist and non racist characters of other ethnicities. Lee’s perspective as black director is essential to this film as it distinguishes itself from other race related films such as American History X (1998) and Crash (2004), which have less of a point of view, in this respect. I could go on all day about all the various, super factors that make this a terrific film, but in short, it’s the little things that Lee incorporates that makes this joint Spike Lee’s distinctive piece- from Rosie Perez (ready to go with her boxing gloves) dancing to Public Enemy’s “Fight the Power” (1989) over the opening credits to DJ Mister Senor Love Daddy (Samuel L. Jackson) listing off the roll call of the radio station’s many, essential, black artists “that make the day just a little brighter.” Suffice to say this film makes you think.
Grade: A+
Three great dramedies (though they are more than that) to check out!
Next: A Full Review of I Am Legend (2007) or a Mini Classic Review of Born On the Fourth of July (1989) and others
“I was really shocked at first. I was like “no way,” he’s just bullshitting with me. When he told me this is a legit thing, I was like “that’s really weird, but, that’s okay, sure, just don’t let me know about it.”
Band: Wheels on Fire Release: 9/2010 Label: Kind Turkey Records
1. “Black Wave” – A 2. “Broken Up” – A 3. “Cherry Bomb” – A 4. “Go Give Yer Love Away” – B+
Comments: This 7″ is just another super fun garage pop nugget in a long line of 2000s/2010s era garage pop nuggets. I’m being constantly blown away by the sheer number of independent bands that are making catchy rock and roll music. It’s an amazing and great time to be a listener and reviewer of this stuff. “Black Wave” is an addictive primitive power-pop number. “Broken Up” has a sweet touch of organ and a flow that should put to shame whatever the hell is mainstream “pop rock” of today. “Cherry Bomb” is slower and bluesier. Good tune. “Go Give Yer Love” is even slower, but serves a solid closer to this fabulous 7″.
Grade: A- (92)
Wheels On Fire are on tour right now in the Netherlands and Germany! Word has it that they will be back in the U.S for a tour sometime soon.
1. “When Tomorrow Comes” – B
2. “Everyone Knows” – A-
3. “I’d Rather Be Alone” – B
4. “Throwing It All Away” – C+ 5. “Down the Tube” – B+ 6. “Showboat” – C- 7. “Miss Apparent” – C+ 8. “June Child” – C- 9. “Woodland Drive” – A- 10. “Lazy Days” – B 11. “Approximately Nowhere” – B 12. “Waiting Too Long” – C+
Comments: Young Jeffrey Novak had a ball on Cheap Time, the self-titled debut release of…Cheap Time! He and his boys created a pretty solid record of garage pop slingers that I thoroughly enjoyed. At his songwriting peak, he is just as awesome as former label-mates Black Lips and Jay Reatard. It’s unfortunately that really none of that great songwriting can be found on this record. Fantastic Explanations is a relaxed vacation on a island where everything is not all about speed. This approach isn’t as winning as I had hoped, but there is a decent moment or two to be listened to on here. Take the lazy “Everyone Knows,” which is simply a disgusted Jeffrey rambling over a hooky garage/grunge riff. The Ramones-esque “Woodland Drive” is a nice listen as well. Besides those songs there aren’t a whole lot of goodies.
Classic! Fun Fact: Paul McCartney wrote this baby. Alas, this is one of those numbers that have fallen through the cracks over the years. Well, KLYAM still acknowledges its high quality.
Full Title: The Social Network Director: David Fincher Year: 2010 Comments: The Social Network has been hailed as a film that defines a generation and to me regardless of whether you like it or not, it is. Facebook is a part of our lives and for many it is our lives. Admittedly, I check my Facebook page at the very least a few times day. Such a phenomenon deserves its own film- even if the events depicted occured less than a decade ago and the plot itself is based on a novel (The Accidental Billionaires by: Ben Mezrich) released just last year. Everything is happening so fast! Yet, this ultra fast, in out, in out :) pace is perfect for the story or message the writers, filmmakers, etc are trying to articulate to the masses: the rampant releases of everything Facebook is a good metaphor for how quickly our modern world functions. Despite the fact that this is extremely recent history, I can’t imagine a more appropos time for its release. Now, it should be known that this film embellishes what happened in real life; it’s part fact, part fiction. In other words, the story was spiced up a bit to make the film a far more fascinating experience for all of us. I suppose one could compare this to the previous film I reviewed, Oliver Stone’s The Doors (1991) in which what appears on screen is more a “vision” of the actual events. So, with a few lines, let me tell you that the story begins in 2003 with Harvard undergrad, Mark Zuckerburg (Jesse Eisenburg) feeling disgruntled after being dumped by his girlfriend, he starts to drunkenly blog about her “lessr” qualities and soon finds himself creating a new internet sensation in “Facesmash,” in which his fellow male Harvard students can compare pictures of their female counterparts and vote for which one is more attractive. Within mere hours the site receives thousands of hits and ends up crashing the system. Mark is sentenced to six months of academic probation and understandably becomes a pariah. Not too long after this incident Mark is approached by a trio of Harvard students: Identical twin brothers- Cameron Winklevoss and Tyler Winklevoss (Armie Hammer) and their friend Divya Narendra (Max Minghella) looking for a programmer for their upcoming website, Harvard Connection. Mark accepts their offer, but eludes their subsequent calls, meanwhile he enlists his buddy, Eduardo Saverin (Andrew Garfield) in assisting him with his latest project, “The Facebook,” essentially initiating the social network phenomenon we know of today. The rest of the film consists of simultaneous court cases with the Winklevoss brothers and Eduardo filing lawsuits against him over Facebook. Literally, we are bombarded with both cases at the same time; the movie goes back and forth, back and forth, leaving us feeling as overwhelmed as Mark. As a character he is quite fascinating, throughout the movie he is always searching for the meaning of “cool” and in many ways that is exactly what Facebook is: the supreme network of cool. Oddly enough, from start to finish Mark, it seems, never actually is “cool,” always an outsider (sometimes physically as metaphorically suggested in one of the party scenes where everyone is celebrating inside his house, while he is on the outside, simply observing. In essence, that is in actuality what Mark’s life becomes. He may not be cool himself, but he is the one who has created cool. Grade: A, the best (or at least my favorite) film I’ve seen all year.
This was one of my favorite trailers from this year, so rarely do trailers entice you with something else besides the actual scenes themselves.
Kids Like You & Me (KLYAM) 