Tag Archives: Garage Rock

CD Review: Be Brave [2010]

Band: The Strange Boys
Release: 2/2010
Label: Rough Trade/In The Red

1. “I See” – A
2. “A Walk on the Beach” – A-
3. “Be Brave” – A+
4. “Friday in Paris” – A
5. “Between Us” – A-
6. “Da Da” – B+
7. “Night Might” – A
8. “Dare I Say” – A
9. “Laugh At Sex, Not Her” – A
10. “All You Can Hide Inside” – A-
11. “The Unsent Letter” – A-
12. “You Can’t Only Love When You Want To” – B+

Comments: Strange Boys: you either love them or hate them. You can’t fault them for their classic R&B and garage sound. Ryan Sambol, the lead vocalist, might wear you out with his scratchy middle school girl southern hollers, but for me it’s just tea in a kettle. Sambol’s vocals “suggest a young Bob Dylan had he spent more of his formative years in juvie halls than coffeehouses.” 2009’s The Strange Boys and Girls Club was a top 10 album for me because it “brought back the old times.” The first two dits are noice, but “Be Brave” is of unprecedented quality. I can’t remember everything, but I don’t remember organs and horns on Club. Those are on here. Country music never sounded better! I spent most of my formative years listening to 50 Cent and Nsync so if I sound unreasonably excited about albums like this, don’t get all uppity! Through and through, I don’t find myself dissatisfied. Familiar tricks are rehashed on this album, but that’s absolutely okay. I find Sambol’s discourse of intercourse on “Laugh At Sex” particularly amusing. “Sex is like laughter, you do it differently with different people, sometimes you feel sick after.” The piano on “The Unsent Letter” reeks of Daniel Johnston, whom the Boys have toured with. This record isn’t as prolific as the band’s debut, but it’s nice!

Grade: A- (92)

Merry Christmas KLYAMers

Happy Birthday to Jesus Christ, whose birth is the most universally celebrated in the entire world. Where would we be without Jesus? That’s my question of the week.

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Since this is mainly a music blog (but it’s obviously more than that), I’d thought I share with you a 7″ that I just discovered. Two years ago King Khan helped his six year old daughter Saba Lou record her first CD.  Jared Swilley coaxed Saba Lou into releasing it on Die Slaughterhaus and the rest is history.

Here is a link to the music video for her song “Physical Nothing” which was penned completely by her; daddy Khan is just playing the music: http://www.youtube.com/watch?v=YJ13hSUWKSc

Recommended Listens

If you are a fan of far out garage/noise/punk then you ought to head over to the blog Teenage Lobotomy and download their Mix Volume 2. Most of the songs on the Mix are by unknowns, at least to me anyway.

Acid Eater‘s “Top of Spot” is straight up noise-punk. Rat Traps‘ “Tennessee Rock ‘N Roll” is precisely the type of song that I am influenced by. It’s lo-fi garage pop to the max. AH Kraken‘s “Axe Vertical” shouldn’t claim to be anything except a really lo-fi cut of a repetitive psychedelic riff. Nice Face‘s extremely quick “Beater” reminds me of good old Thee Oh Sees and No Bunny. Watch out for FNU Ronnies‘ “Meat” because it’s crackly, noisy, and threatening to your personal security. Human Eye‘s “Rare Little Creature” is a manifestation of the band’s alien punk attitude, which doesn’t actually tell you too much about their sound, but that’s fine. It’s got keyboards like the Spooks do, but HE is more notorious. “Mental Shark Bite” by Final Solutions isn’t too awesome, but it gets the job done much like a band called  Scouflaws does. The Spaceshits, yes Mark Sultan/King Khan Spaceshits, were hailed as one of the best garage bands north of the border and I can see that as fact even though the recording of “Bacon Grease” is exactly that. The Homosexual Police Officers (okay…Fag Cop… for short) sound like a Black Lips side project, but no no they aren’t. Their “Skull Splits” is a glass shattering, mumbling, noise tune that gives their mom a kiss, but fucks your sister too. Check out the evolving beats on the spoken word garage popper “The Nihilist” by TV Ghost, an In The Red groupie. Wolfdowners‘ “Tooshie Bagel” doesn’t really present anything new and exciting to the table, unfortunately. Francis Harold and the Holograms is a damn mouthful and so is their song “Glitter Girlz,” which is a bit too hardcore for me. Lamps “Rototiller” is buried so deep in the grave of garage punk that you’d be a hero to dig this Electric Eels-esque shit up. Homostupids (are they homo or what’s up?) “Beneath the Blackman” is a Circle Jerks B-Side or something. Well, it could have been. Monoshock is an acid trip gone bad, or at least that’s what they said about songs like “Mexican Dentistry” from these ’90s ‘cisco psych-punks.

Just listening to this Mix reminds me that I know near- nothing about the type of music I like.