Tag Archives: Compilations

‘Why Pick On Me Mixtape Vol. 1’ Available Now!!!!

Featuring the likes of a couple bands we could not recommend more: THE MIGS and CUMSTAIN. Fuzzy and loose, this is a compilation for the ages. These groups come from all over the map – most haven’t received the kind of attention they very much deserve.


Check it outhttp://whypickonme.bandcamp.com/album/why-pick-on-me-mixtape-vol-1

Classic Album Review: The Rich Man’s Eight Track Tape

Artist: Big Black
Full Title: The Rich Man’s Eight Track Tape
Year: 1987
Label: Touch and Go
Grade: B+

1) Jordan, Minnesota- 9
2) Passing Complexion- 7
3) Big Money- 7
4) Kerosene- 10
5) Bad Houses- 8
6) Fists of Love- 8
7) Stinking Drunk- 8
8) Bazooka Joe- 9
9) Cables (live)- 9
10) Heartbeat (Wire cover)- 9
11) Things to Do Today- 8
12) I Can’t Believe- 8/9
13) My Disco- 9
14) Grinder- 8/9
15) Ready Men- 8/9
16) Pete, King of the Detectives- 9

This record is a compilation consisting of the LP Atomizer (tracks 1-9), the single Heartbeat (track 10), and the EP Headache (tracks 11-16).

Comments: Having been a huge fan of Big Black’s magnum opus, Songs About Fucking, my thirst for pure fucking noise grew into dehyrdration. With RMETT I feel stuffed and then some! In terms of the chaotic nature of Big Black’s music, this compilation showcases head spinning material far more than SAF. Now, I’m not saying it’s better, but if noise rock is your thang, then you will really dig this piece. The whiplash begins with “Jordan, Minnesota,” a terrifying ditty about a child molestation ring in said community; Albini hollers, “This is Jordan, we do what like… this will stay with you until you die and I will stay with you until you die.” I’m still baffled as to why Disney never returned his phone calls to feature Big Black’s music on one of their film’s soundtracks?! Musically, Roland, the drum machine is hard at work throughout the record, complementing the chainsaw guitars, literally, these motherfuckers sound closer to chainsaws than most wimpy musician’s guitar playing. Other lyrical themes include domestic abuse (“Fists of Love,” “Stinking Drunk,”), the innocent hobbie of watching cattle slaughtered at a local ranch to pass the time (“Cables”), and racism (“Pete, King of the Detectives”), where Albini roars in his deliberately, white liberal hipster, offending lyrics, “I am Pete!… I’m a hard working man, I ain’t no drunkard, I ain’t no coloured man!” Don’t worry kids, it’s all good fun… Moving on, “Kerosene,” is the best track and by far Big Black’s greatest offering, in fact, I’d say it’s Albini’s “Let It Be,” with Shellac’s, his other band, “My Black Ass,” being a potential rival. Kerosene features everything that made Big Black kick ass and harsher than just about any other band one cares to name: musical intensity through violent, slashing, guitars, pounding drum beats, extremely morbid subject matter (some kiddies decide to burn themselves to dust because it’s “something to do”). Other notable treats include, “Heartbeat,” a catchy cover of the Wire number of the same name and “My Disco,” a tune that puts a whole spin (ha!) on said genre. Overall, this record is for the Ready Men, not for you wee, little pussy wussies out there, I insist y’all find some kerosene.


Recommended Listens

If you are a fan of far out garage/noise/punk then you ought to head over to the blog Teenage Lobotomy and download their Mix Volume 2. Most of the songs on the Mix are by unknowns, at least to me anyway.

Acid Eater‘s “Top of Spot” is straight up noise-punk. Rat Traps‘ “Tennessee Rock ‘N Roll” is precisely the type of song that I am influenced by. It’s lo-fi garage pop to the max. AH Kraken‘s “Axe Vertical” shouldn’t claim to be anything except a really lo-fi cut of a repetitive psychedelic riff. Nice Face‘s extremely quick “Beater” reminds me of good old Thee Oh Sees and No Bunny. Watch out for FNU Ronnies‘ “Meat” because it’s crackly, noisy, and threatening to your personal security. Human Eye‘s “Rare Little Creature” is a manifestation of the band’s alien punk attitude, which doesn’t actually tell you too much about their sound, but that’s fine. It’s got keyboards like the Spooks do, but HE is more notorious. “Mental Shark Bite” by Final Solutions isn’t too awesome, but it gets the job done much like a band called  Scouflaws does. The Spaceshits, yes Mark Sultan/King Khan Spaceshits, were hailed as one of the best garage bands north of the border and I can see that as fact even though the recording of “Bacon Grease” is exactly that. The Homosexual Police Officers (okay…Fag Cop… for short) sound like a Black Lips side project, but no no they aren’t. Their “Skull Splits” is a glass shattering, mumbling, noise tune that gives their mom a kiss, but fucks your sister too. Check out the evolving beats on the spoken word garage popper “The Nihilist” by TV Ghost, an In The Red groupie. Wolfdowners‘ “Tooshie Bagel” doesn’t really present anything new and exciting to the table, unfortunately. Francis Harold and the Holograms is a damn mouthful and so is their song “Glitter Girlz,” which is a bit too hardcore for me. Lamps “Rototiller” is buried so deep in the grave of garage punk that you’d be a hero to dig this Electric Eels-esque shit up. Homostupids (are they homo or what’s up?) “Beneath the Blackman” is a Circle Jerks B-Side or something. Well, it could have been. Monoshock is an acid trip gone bad, or at least that’s what they said about songs like “Mexican Dentistry” from these ’90s ‘cisco psych-punks.

Just listening to this Mix reminds me that I know near- nothing about the type of music I like.