“What do you say we lighten things up and talk about abortion.”
CD Review: Interpol S/T [2010]

Band: Interpol
Release: 9/2010
Label: Matador Records
1. “Success” – B+
2. “Memory Serves” – B
3. “Summer Well” – B
4. “Lights” – B+
5. “Barricade” – A-
6. “Always Malaise” – B-
7. “Safe Without” – C+
8. “Try It On” – B-
9. “All of the Ways” – B-
10. “The Undoing” – B
Comments: I started listening to Interpol a few short years ago, a few short years after their so called glory days. Paul Banks’ crazy voice was really great and the band basically shit out a bunch of excellent tracks over a two year span. Then they signed to Capitol and people accused them of sucking. The songs on their major label debut didn’t suck; they just weren’t as good. Now, the band is back on Matador. Last year Banks recorded a solo album Julian Plenti Is Skyscraper, which had a couple of really awesome songs. I think Interpol have had their day by now. They’ve already gotten to the outer reaches of their musical limit. If you can’t stand this band to begin with, good luck trying to like this! Fans will probably find a few songs particularly worthy of attention. It’s not as terrible as the online community is making it out to be. It’s exhausted and boring with a few somewhat catchy hooks here and there. It drags. I’ve always been able to tolerate Interpol at their weakest, which may be why I’m attempting to stick up for them here. “Lights” has a good build-up and becomes pretty solid. “Barricade” is the most memorable and most catchy tune on this album.
Grade: B- (83)
Classic Album Review: Superfuzz Bigmuff

Artist: Mudhoney
Full Title: Superfuzz Bigmuff plus Early Singles
Year: 1988 (recorded), 1990 (released)
Label: Sub Pop
Tracks:
1) Touch Me I’m Sick– 10
2) Sweet Young Thing (Ain’t Sweet No More)– 9
3) Hate the Police (The Dicks)- 8
4) Burn It Clean- 8
5) You Got It (Keep It Outta My Face)– 9
6) Halloween (Sonic Youth)- 8
7) No One Has- 8/9
8) If I Think- 8
9) In “N” Out of Grace– 9
10) Need- 8
11) Chain That Door- 7/8
12) Mudride- 7/8
NOTE: “The album contains the entire Superfuzz Bigmuff EP, the A-sides and B-sides of 2 singles, and 2 covers from split singles with Sonic Youth and The Dicks.”- Wikipedia.
Comments:
For those of you youngsters out there that are strugglin’ with the ladies, here’s a new pick up line for y’all to try out. Tell em’ “Touch Me I’m Sick!” So, after you get clocked in the face, grab a case of beer and get rowdy with this sucker. Here we have the legendary Mudhoney at their muddiest. Loud, fuzzy, muzzy guitars, pouding drums and the distinctive, apathetic drone of singer, Mark Arm. These songs have that filthy feel to them, but at the same time the riffs are memorable/catchy and Arm’s vocals are pretty damn clear, especially for this kind of music. As we all know this became the template for the Seattle Scene and what would become known to the rest of the world as “Grunge” (yes, I hate the term too, but it’s useful as a point of reference). This record and this band are without a doubt influential, but a tad bit overrated. Don’t get me wrong, most of the songs on here are good, it’s a very good record, but there are only a few great, stand out tracks, and yes they are exquisite. “Touch Me I’m Sick,” is fucking great for headbanging and I can imagine moshing; as a whole Mudhoney is great for an intoxicated state, particularly “Touch.” It’s a classic for a reason, well many reasons. Of course sonically it showscases the garagey Seattle sound better than any other tune in their catalog, but for me, the lyrics and presentation of those lyrics are also extremely vital. It’s a song I can relate to, a different kinda love ballad, if you will. You see it’s the honest male emotion that’s key here- “I’m a creep and I’m a jerk”- Arm’s nastiness and brutal delivery turns girls off, while spineless blokes like John Mayer sing about your daughter and tell the females exactly what they want to hear, so they can love him, at least they used to. But enough of that ranting and raving, “Touch” is complemented by its B-Side, “Sweet Young Thing,” which is the second track on this compilation, making it one of the greatest singles of all time. “In ‘N’ Out of Grace” is certainly one of my favorite tracks and exemplifies the group’s excellent guitar playing; one of the best riffs I have ever heard. All in all, this is a really good record, but not exceptional. I feel like Mudhoney is more of a “sound” band, like they have a great sound to almost all of these songs, but for me to love this thang, I need more fabulous tracks. It’s definitely worth a few listens and if you like “grunge” music, then well, you suck if you haven’t heard this and shouldn’t call yourself a fan of said style, but I’ll give you a break and let you listen to this and impress your average mainstream listening friends.
Grade: B+
“Sinking” – Bobby Ubangi

Bobby Ubangi looked death in the eye for months. He was supposed to die in a timetable of six…he lasted nine. Somewhere in there, he recorded his last full length. It’s a cunning work, especially considering the circumstances. Even though death was forming for Ubangi, he never let its imminent approach eat away what he wanted to get done. That’s admirable and inspirational. After eleven straight dirty lo-fi gems, including my favorite “Another Girl Like You,” there’s “Sinking,” an introspective of what’s nearing. Here are the words:
Sinking.
Everybody knows that I’ve been sinking.
Everybody knows that I’ve been sinking.
Nobody can turn me down.
Sinking.
Everybody knows what I’ve been thinking.
Everybody knows what I’ve been thinking.
Everything’s been bringing me down.
Standing out and S.O.S is my last sign of distress.
Maybe there’s somebody near who can save me from this mess.
Sinking.
Everybody knows that I’ve been sinking.
Everybody knows that I’ve been sinking.
Everybody’s watching me drown.
Everybody’s watching me drown.
Everybody’s watching me drown.
Dick Dousche
As always random and bizarre skits from Tim and Eric Awesome Show
How Popular Are The Bands?
This by no means is an official indication of popularity…that’s something that can only roughly be estimated. This looks at number of last.fm listeners around the world.
– Radiohead: 2,872,982
– Bob Dylan: 1,511,558
– Pixies: 1,336,206
– Arctic Monkeys: 1,717,157
– Editors: 1,062,559
– Sonic Youth: 1,000,586
– Spoon: 924,767
– Morrissey: 746,011
– Animal Collective: 725,900
– Hot Hot Heat: 714,748
– Elvis Costello: 633,258
– Built to Spill: 538,664
– Dinosaur Jr: 459,611
– The Walkmen: 451,744
– Head Automatica: 299,834
– Deerhunter: 299,689
– Psychedelic Furs: 295,214
– Paul Weller: 294,751
– Louis XIV: 273,512
– The Rifles: 239,431
– Meat Puppets: 224,973
– The Pains of Being Pure at Heart: 215,931
– Sunset Rubdown: 206,829
– Girls: 202,386
– Black Lips: 190,777
– No Age: 152,179
– Mission of Burma: 152,216
– High Places: 117,942
– Handsome Furs: 102,755
– Wavves: 102,375
– Cymbals Eat Guitars: 94,518
– Real Estate: 81,680
– Jay Reatard: 80,453
– Here We Go Magic: 70,184
– The Feelies: 63,382
– The Warlocks: 63,041
– Harlem: 53,371
– Trevor Hall: 47,675
– Kurt Vile: 44,522
– King Khan and the Shrines: 42,623
– Dum Dum Girls: 42,483
– Strange Boys: 30,882
– King Khan & BBQ Show: 29,590
– The War on Drugs: 19,583
– Mark Sultan: 11,798
– Nobunny: 6,413
– Hunx and His Punx: 5,185
– Box Elders: 4,334
– TV Smith: 4,106
– Uninhabitable Mansions: 3,334
– The Dig: 2,561
– Faces on Film: 1,080
– The Big Big Bucks: 598
– The Maine Coons: 67
Cole Talks About New Black Lips Record
Recap:
1. More Country
2. More Ian Singing
3. More Commercial
4. The Skull
5. More Pedal Steel Guitar
Classic Review: Is This It? [2001]

Band: The Strokes
Label: RCA
1. “Is This It?” A+
2. “The Modern Age” – A+
3. “Soma” – A
4. “Barely Legal” – A+
5. “Someday” – A+
6. “Alone, Together” – A+
7. “Last Nite” – A+
8. “Hard to Explain” – A++
9. “When It Started” – A+ / “New York City Cops” – A+
10. “Trying To Your Luck” – A+
11. “Take It Or Leave It” – A+
Comments: The best of the bunch of so-called revivalists that spawned in the late ’90s and early ‘2000s, The Strokes weren’t really revivalists at all. What were they reviving? These guys weren’t punks, either. This album is vintage pop-rock gold. Pop-rock gold that completely triumphs the dumb, uninspiring, and utterly boring, pop-rock of bands of today like…The Script. Despite widespread media coverage of this record and The Strokes legacy in general, it’s a shame they’ve never really crossed over into mainstream pop radio’s heart. Just a few years ago I was informed of this band, so I’m not going to try to pretend these guys were a favorite when I was eleven. I’d heard odds and ends off this album…most amazing to me, initially, were “Someday” and “The Modern Age”…but this was my first time listening to in its entirety. There’s hardly any bands that have produced a better start-to-finish(er). The little bursts of distortion and Casablancas’ distinctive voice are awesome moments on so many of these tunes. Even the songs that I’ve heard only a few times vs. hundreds of times for the others are immediately likable.
Grade: A+ (97)
Funny Pic of the Day

Classic Review: Weezer [1994]

1. “My Name Is Jonas” – A
2. “No One Else” – A
3. “The World Has Turned and Left Me Here” – A
4. “Buddy Holly” – A++
5. “Undone (The Sweater Song)” – A+
6. “Surf Wax America” – A
7. “Say It Ain’t So” – A+
8. “In The Garage” – A
9. “Holiday” – A
10. “Only In Dreams” – A-
Comments: Before a bunch of shitty bands entered the “alternative rock” or “power-pop” fray, there was Weezer. Before Weezer was Pixies and Pavement…their distinct musical styles come through on a lot of these songs. The thing about Blue Weezer is that Blue Weezer is pure mid-tempo heavy fun. Do debuts get better than this in terms of quantity/quality of hooks? “Buddy Holly,” maybe because I’ve known it for years and years, is just pure pop genius. From start to finish, it’s a listening experience that’s really one of a kind. “Undone” follows a groundbreaking “talk-verse-chorus-talk-verse-chorus” format that makes it extremely hard not to like. Also, the ending’s awesome. “Say It Ain’t So” is one of those songs that doesn’t really hit you until the chorus hits. And then it’s all fine and dandy from there. I’ve realized I’ve only brought up the hit singles in this little comment space, but every song on here is a winner.
Grade: A (95)