Category Archives: Music

“Sinking” – Bobby Ubangi

Bobby Ubangi looked death in the eye for months. He was supposed to die in a timetable of six…he lasted nine. Somewhere in there, he recorded his last full length. It’s a cunning work, especially considering the circumstances. Even though death was forming for Ubangi, he never let its imminent approach eat away what he wanted to get done. That’s admirable and inspirational. After eleven straight dirty lo-fi gems, including my favorite “Another Girl Like You,” there’s “Sinking,” an introspective of what’s nearing. Here are the words:

Sinking.
Everybody knows that I’ve been sinking.
Everybody knows that I’ve been sinking.
Nobody can turn me down.

Sinking.
Everybody knows what I’ve been thinking.
Everybody knows what I’ve been thinking.
Everything’s been bringing me down.

Standing out and S.O.S is my last sign of distress.
Maybe there’s somebody near who can save me from this mess.

Sinking.
Everybody knows that I’ve been sinking.
Everybody knows that I’ve been sinking.
Everybody’s watching me drown.
Everybody’s watching me drown.
Everybody’s watching me drown.

How Popular Are The Bands?

This by no means is an official indication of popularity…that’s something that can only roughly be estimated. This looks at number of last.fm listeners around the world.

Radiohead: 2,872,982
Bob Dylan: 1,511,558
Pixies: 1,336,206
Arctic Monkeys: 1,717,157
Editors: 1,062,559
Sonic Youth: 1,000,586
Spoon: 924,767
Morrissey: 746,011
Animal Collective: 725,900
Hot Hot Heat: 714,748
Elvis Costello: 633,258
Built to Spill: 538,664
Dinosaur Jr: 459,611
The Walkmen: 451,744
Head Automatica: 299,834
Deerhunter: 299,689
Psychedelic Furs: 295,214
Paul Weller: 294,751
Louis XIV: 273,512
The Rifles: 239,431
Meat Puppets: 224,973
The Pains of Being Pure at Heart: 215,931
Sunset Rubdown: 206,829
Girls: 202,386
Black Lips: 190,777
No Age: 152,179
Mission of Burma: 152,216
High Places: 117,942
Handsome Furs: 102,755
Wavves: 102,375
Cymbals Eat Guitars: 94,518
Real Estate: 81,680
Jay Reatard: 80,453
Here We Go Magic: 70,184
The Feelies: 63,382
The Warlocks: 63,041
Harlem: 53,371
Trevor Hall: 47,675
Kurt Vile: 44,522
King Khan and the Shrines: 42,623
Dum Dum Girls: 42,483
Strange Boys: 30,882
King Khan & BBQ Show: 29,590
The War on Drugs: 19,583
Mark Sultan: 11,798
Nobunny: 6,413
Hunx and His Punx: 5,185
Box Elders: 4,334
TV Smith: 4,106
Uninhabitable Mansions: 3,334
The Dig: 2,561
Faces on Film: 1,080
The Big Big Bucks: 598
The Maine Coons: 67

Classic Review: Is This It? [2001]

Band: The Strokes
Label: RCA

1. “Is This It?” A+
2. “The Modern Age” – A+
3. “Soma” – A
4. “Barely Legal” – A+
5. “Someday” – A+
6. “Alone, Together” – A+
7. “Last Nite” – A+
8. “Hard to Explain” – A++
9. “When It Started” – A+ / “New York City Cops” – A+
10. “Trying To Your Luck” – A+
11. “Take It Or Leave It” – A+

Comments: The best of the bunch of so-called revivalists that spawned in the late ’90s and early ‘2000s, The Strokes weren’t really revivalists at all. What were they reviving? These guys weren’t punks, either. This album is vintage pop-rock gold. Pop-rock gold that completely triumphs the dumb, uninspiring, and utterly boring, pop-rock of bands of today like…The Script. Despite widespread media coverage of this record and The Strokes legacy in general, it’s a shame they’ve never really crossed over into mainstream pop radio’s heart. Just a few years ago I was informed of this band, so I’m not going to try to pretend these guys were a favorite when I was eleven. I’d heard odds and ends off this album…most amazing to me, initially, were “Someday” and “The Modern Age”…but this was my first time listening to in its entirety. There’s hardly any bands that have produced a better start-to-finish(er). The little bursts of distortion and Casablancas’ distinctive voice are awesome moments on so many of these tunes. Even the songs that I’ve heard only a few times vs. hundreds of times for the others are immediately likable.

Grade: A+ (97)

Classic Review: Weezer [1994]

1. “My Name Is Jonas” – A
2. “No One Else” – A
3. “The World Has Turned and Left Me Here” – A
4. “Buddy Holly” – A++
5. “Undone (The Sweater Song)” – A+
6. “Surf Wax America” – A
7. “Say It Ain’t So” – A+
8. “In The Garage” – A
9. “Holiday” – A
10. “Only In Dreams” – A-

Comments: Before a bunch of shitty bands entered the “alternative rock” or “power-pop” fray, there was Weezer. Before Weezer was Pixies and Pavement…their distinct musical styles come through on a lot of these songs. The thing about Blue Weezer is that Blue Weezer is pure mid-tempo heavy fun. Do debuts get better than this in terms of quantity/quality of hooks? “Buddy Holly,” maybe because I’ve known it for years and years, is just pure pop genius. From start to finish, it’s a listening experience that’s really one of a kind. “Undone” follows a groundbreaking “talk-verse-chorus-talk-verse-chorus” format that makes it extremely hard not to like. Also, the ending’s awesome. “Say It Ain’t So” is one of those songs that doesn’t really hit you until the chorus hits. And then it’s all fine and dandy from there. I’ve realized I’ve only brought up the hit singles in this little comment space, but every song on here is a winner.

Grade: A (95)

Walkmen POV Videos

Everyday now and then the Bitchdork Media machine comes out with a worthwhile feature. That’s the case today with their POV Concert Series. The Walkmen perform four songs off their new great record Lisbon in some vacant studio. The thing that makes this awesome is that you get to see the band from six points of view…hence the title. So if you want a rough (or pretty good) idea of how to drum like Matt Barrick does on “Angela Surf City,” you can go to the POV (#4) that mainly focuses in on him.

Check it out: http://pitchfork.com/tv/pov/the-walkmen/#5-angela-surf-city

Classic Album Review: You Turn Me On


Artist: Beat Happening
Full Title: You Turn Me On
Label: K/Sub Pop
Year: 1992
Track List:
1) Tiger Trap– 9
2) Noise– 9/10
3) Pinebox Derby– 10
4) Teenage Caveman– 10
5) Sleepy Head– 9/10
6) You Turn Me On– 9
7) Godsend- 8
8) Hey Day– 8/9
9) Bury the Hammer– 9

Comments:
Right off the bat, this is definitely my favorite Beat Happening album and one of my all time favorite albums altogether. From the first chords of “Tiger Trap,” you know you are in for something special. The song is nearly seven minutes long, much longer than previous BH tunes and yet the simple, endearing, and always fascinating quality to their music is reatained. Most of the tracks here are longer than their previous LPs, but they don’t drag and you never feel bored. I take that back, “Godsend,” is wayyyy longer than necessary. It’s a great song…. for the first few minutes. 9:28 is too long! Besides that, I have nothing bad to see about this record. It is fantastic and proves that Beat Happening can utilize cleaner production to their advantage. Overall, the music sounds better than ever (though this was not the first cleaner sounding album), but specifically the vocals are phenomenal. Heather’s singing is the best, better than Calvin’s; “Noise” and “Sleepy Head” showcase her talent. Calvin’s classic baritone is prominent in catchy numbers like “Pinebox Derby,” “Teenage Caveman,” and “You Turn Me On.” On Teenage’ when he holds the “oneeeeeeee” in alone, it is easily one of the greatest musical moments ever recorded. For me, this album simply conists of amazing pop songs, what would be hits in another universe where earnest and quality music is appreciated on a grand scale. On first listens, that’s all I heard. I really had to pay attention, to notice the lo-fi, primitive nature of the music that was more obvious in other BH records. They did not feel like simple, Daniel Johnston esque, musically limited creations (not to say there is anything wrong with that stuff). My point being: the power of this album is in its presentation. I just hear a fabulous pop record with songs that hit you as complete ideas. I have to make a real dedicated effort to key in on that lack of musicality, which is clearly there, no doubt, but these songs are so damn excellent that it becomes of little concern. Though You Turn Me On may not be as seminal as their earlier work, it certainly continues that very same spirit and demonstrates the consistent awesomeness in their catalog.

Grade: A/A+

Band Spotlight: The Barbaras

History: Five best friends who’ve been making jamz since 2006, at the latest. Maybe even earlier than that. It’s a band that features members of The Boston Chinks and possibly some other dudes, though we’ll never know for certain.
Years Active: 2006-Present
Label: Goner/In The Red
Genre: Bubblegum/Psychedelic Pop
Line-Up: Will, Billy, Alex, Bennett, Stephen, Ben, Michael, and Ray.
Musical Style: Like others have said, they sound like the Beach Boys with a little bit more of an experimental knack. I’m sure a notable portion of King of the Beach was inspired by these recordings that Billy and Stephen were in on. They also sometimes sound like a happy Jay Reatard. Huh?
Best Album: I don’t think they’ve released a full length yet.
Top Songs: All of the songs on their Myspace page are pretty grand.

LINK: HERERERHEREEHERETEHERETRE