Category Archives: Music

Chris On…

Gangsta Rap and Hip Hop in General:
There are many aspects of (QUALITY) Rap and Hip-Hop that I love, but two things have always stood out to me more than anything: 1) The harshness in the lyrics, sometimes sound, and most definitely the delivery. This is what I adored in old school Gangsta Rap groups like N.W.A. and Wu-Tang Clan, amongst several others. In general, I really have an affinity for confrontational art and these artists certainly got the job done and scared all the White Folks. 2) The dark, caustic and occasionally absurdist humor that one can find in said harsh lyrics. One of the first rap songs I ever heard that hit me hard was Eminem’s “My Name Is,” I saw its video on MTV when it was “Brand Spankin’ New” at the wholesome age of 8. I then went out and purchased the entire record. I fell in love with the Slim Shady “character.” I was frightened and simultaneously amused. And the rest is history… Nowadays, I don’t like as many rap artists, especially those that call themselves “Gangsta Rap.” Now, it could just be my taste and I’m sure there are plenty of awesome underground rappers, but certainly the state of mainstream hip hop has taken a turn for the worse in the past 10-15 years or so. Modern rappers that I dig include Immortal Technique, Dead Prez, and Necro. All of those artists have been around for a while however, but they are still holding the intimidating/militant character of rap music/culture that I cherish. I’m sure there are others out there as I already said, but they simply haven’t caught my attention; rap/hip-hop is a style of music I enjoy, but makes up a small percentage of my eartime. Anyway, in mainstream hip pop the production is far too clean, commerical and the songs are just poppy dance numbers. Really wimpy, pussy shit. Even people like L’il Wayne do very little to nothing for me. ME! I’m a privileged, little, white suburbanite that knows nothing of “street life” and has no gangsta credibillity whatsover (don’t want any for that matter) and yet these supposedly tough guys on the radio do not initmidate me with their craft. There’s nothing threatening about it. I’m sure in real life they are “tough,” but with their music they have no balls. In short, for me Hip-Hop shares the same story as Rock and Roll, but in way less time and far less pleasing too my taste, albeit some very classic material. It’s like both started out as small, underground, regionally based, black music that was threatening and rebellious to white people. The style became popular and hit the mainstream, then matured (sonically, lyrically, aesthetically,etc), then slowly became more and more mainstream until there was a massive chasm between commercial and underground Hip Hop, with the former sucking massive Corporate Cock. The only thing is the Rock story lasted way longer (Early 50s- Mid 70s- started to go downhill in the mainstream) than Hip Hop (Early 80s- Early-Mid 90s). I know I know Hip Hop technically started wayyyy before then, but it didn’t really take off until the early 80s. So, in other words to the silly Mainstreamers out there in Rap and/or Rock and Roll, in the fine words of N.W.A. “EAT SHIT AND DIE!”

EP Review: Out of Nowhere [2010]

Band: Prismo Perfect
Release: 2010

1. “TV Dream” – A+
2. “Summer In The Kitchen” – A+
3. “Dead Shadow” – A-
4. “Enable Stop” – A-
5. “Wired Feelings” – A

Comments: Prismo Perfect is a band from France. They’re really good. Like they say, they play fast, but poppy rock music. They seem to be influenced by noise, punk, and garage and no track wears such influences on its sleeve greater than “TV Dream.” I only had to listen to it a couple of times before deciding that it’s amongst the best tracks I’ve heard in this young decade. That’s pretty remarkable for an obscure band from France! Combine one part No Age, three parts Ponys, and two parts Deerhunter (like on “Dead Shadow” really really) and the result might just be Prismo Perfect. I highly recommend people check out this band. They could easily become the next breakthrough Goner act or something.

Grade: A (94)

KLAHAM JOKE ;)

What does Hamilton Leithauser say when someone calls him up for a ride?

“You’ve got a nerve to be asking a favor.You’ve got a nerve to be calling my number!”

And when the guy tells him where to pick him up….

He says, “I know,We’ve been through this before.”

When he arrives and the dude isn”t ready…

He screams, “Can’t you hear me I’m, Pounding on your door?!Can’t you see me i’m, calling out your name?!”

So now he always laments:

“I go out alone if I go out at all.”

My Favorite Singers


In no particular order after the first few.

1) Jay Reatard
2) Mark Sultan
3) Black Lips- Jared Swilley, Cole Alexander, Joe Bradley
4) John Lennon
5) Joey Ramone
6) King Khan
7) Zack De La Rocha
8) Bradford Cox
9) Kurt Cobain
10) Beat Happening- Calvin Johnson and Heather Lewis
11) Roy Orbison
12) Paul McCartney
13) Lou Reed
14) Lou Barlow
15) Freddie Mercury
16) Paul Simon
17) David Bowie
18) Seth Bogart aka “Hunx”
19) Paul Westerberg
20) Morrissey
21) Clayton McIntyre
22) Dean Allen Spunt
23) Jim Morrison
24) Roger Daltrey
25) H.R.
26) Glenn Danzig
27) Jello Biafra
28) Maynard James Keenan
29) Thom Yorke
30) Johnny Cash
31) Tammy Wynette
32) Patsy Kline
33) George Jones
34) Johnny Rotten
35) J Mascis
36) Michael Nau
37) Animal Collective- Panda Bear and Avey Tare
38) Nathan Williams
39) Bobby Vinton
40) Karen Carpenter
41) Dean and Gene Ween
42) Darryl Palumbo
43) Sonic Youth- Thurston Moore, Kim Gordan, and Lee Renaldo
44) Pixies- Black Francis and Kim Deal
45) Ian Mackaye
46) Steve Albini
47) David Byrne
48) Ronettes
49) Supremes
50) Beach Boys- Brian Wilson, Carl Wilson, Mike Love
51) Tom Gabel
52) Conor Oberst
53) Win Butler
54) Bob Marley
55) Leonard Cohen
56) Elvis Presley
57) Daniel Johnston
58) Perry Farrell
59) Elliott Smith- can’t believe I haven’t mentioned him yet!
60) Nick Cave
61) Frank Zappa
62) The Nightwatchman (Tom Morello)
63) Alex Turner
64) Shane MacGowan
65) Chino Moreno
66) Jesus and Mary Chain- Jim and William Reid
67) Meat Puppets- Cris and Kurt Kirkwood
68) Christopher Owens
69) Kip Berman
70) Milo Aukerman

I’m probably forgetting many others….

CD Review: Everything In Between [2010]

Band: No Age
Release: 9/2010
Label: Sub Pop

1. “Life Prowler” – A-
2. “Glitter” – A
3. “Fever Dreaming” – A
4. “Depletion” – A+
5. “Common Heat” – A-
6. “Skinned” – A-
7. “Katerpillar” – B-
8. “Valley Hump Crash” – A
9. “Sorts” – B
10. “Dusted” – B+
11. “Positive Amputation” – B
12. “Shed and Transcend” – A
13. “Chem Trails” – A+

Comments: No Age is back in No Age form. Once again! What that means is the same as it has ever meant for Dean and Randy: 1)  catchy noise-punk and 2) atmospheric experimentalism. The dudes could have definitely abandoned the filler atmosphere stuff like they did, to an extent, on Nouns. The instrumental sample heavy tracks on that album fit well. Not really so much the case here, but that’s fine! “Life Prowler” is a harmony of the sampler, the drum kit, and the guitar. Dean’s drums hammer away…Randy’s guitar enters a short while later. Dean sings. The samples come on. Noise. This is pretty cool introductory fare; a little taste of what the band is all about. It’s not a life changing track or even close to a great one, but it serves its purpose well. “Glitter” is the first song off this album that we all got to listen to. I’ve heard better, but it captures the “sound” so to speak of the band’s 2009 Losing Feeling EP. I really like how it comes together (via noise assault) toward the end. Y’all want punk No Age? Good. “Fever Dreaming” is moshing material a la “Brain Burner.” It shreds so great, though it doesn’t seem to be mixed as soundly as it could be.  “Depletion” is another heavy yet catchy number. “Common Heat” is slower, but still a really good track. The shaker really stands out! “Skinned” changes up so often it’s almost hard to keep up with, but that’s nearly the beauty of it. “Katerpillar” is a decent little sound collage. “Valley Hump Crash” is lyrically cheesy, but the Minutemen-esque guitars compliment the surfer rock sampling very nicely. “Sorts” is really good. “Dusted” is just as good as “Katerpillar.” And “Positive Amputation” is not too positive. “Shed” is at first a mere noise explosion, but it picks up and becomes…so so fun. I love the back-and-forth on the verses of the closer, “Chem Trails.” The firecracker sound effects are cool, as well. I contemplated not counting some of the atmospheric tracks, but in the end I decided that since they are an inevitable part of the album, I must. Had I not included them, this would be amongst my very very favorites. The songs that rock on here…rock hard. So the tell-tale question…is this better than Nouns? Nope! It’s well-rounded effort, but even the best tunes on here are a few light years behind 75% of the Nouns LP.

Grade: A- (90)

Belated Album Review: (500) Days of Summer

Full Title: (500) Days of Summer
Artists: Various
Year: 2009
Label: 20th Century
Tracks:
1) “A Story of Boy Meets Girl” – Mychael Danna and Rob Simonsen
2) “Us” – Regina Spektor– 9/10
3) “There Is a Light That Never Goes Out” – The Smiths– 9
4) “Bad Kids” – Black Lips 10!!!
5) “Please, Please, Please Let Me Get What I Want” – The Smiths – 9
6) “There Goes the Fear” – Doves-9/10
7) “You Make My Dreams” – Hall & Oates- 8
8) “Sweet Disposition” – The Temper Trap – 10
9) “Quelqu’un m’a dit” – Carla Bruni- 8
10) “Mushaboom” – Feist- 8
11) “Hero” – Regina Spektor- 8/9
12) “Bookends” – Simon & Garfunkel – 10
13) “Vagabond” – Wolfmother- 7/8
14) “She’s Got You High” – Mumm-Ra- 8
15) “Here Comes Your Man” – Meaghan Smith – 9
16) “Please, Please, Please Let Me Get What I Want” – She & Him- 8

Comments:
First things fucking last, this review will be centered on the actual record itself and not the placements of the songs in the film, which for the record (no pun intended lol) is executed quite well. Ok, so here we have a great ensemble of “Indie” pop artists with music that reflects the various themes of love and loss in the gem, (500) Days of Summer. Things kick off with Regina Spektor’s spectacular “Us.” I really dig her vocal range and the odd nature of her singing; yet despite its idiosyncracies the song still feels very pop like and indeed catchy. Being a huge Smiths fan, I enjoy their offerings on here. I admire Zooey Deschanel and her group She and Him for covering “Please.” Naturally, it does not match the original, but it is not too far off and in fact, some of it’s flaw (though it has very little flaw) is due to it sounding too much like the original and not really venturing in its own direction. I appreciate the fact that my favorite band, the Black Lips (like y’all didn’t know!) are receiving more exposure with the inclusion of their triumphant song, “Bad Kids.” Those that like this ditty, please check out the rest of their discography. Check it out on here! Alright, that’s enough KLYAM promotion midway into a review. “There Goes the Fear” (Doves) and “Sweet Disposition” (The Temper Trap) rank as some of my favorite tracks and definitely some of my favorites of recent times. I feel like those two songs, especially, the latter have hit potential, if they are not big enough already. Simon and Garfunkel’s “Bookends” completes the coming of age, twenty-something feel of this album/film and Meghan Smith’s cover of the Pixies’ “Here Comes Your Man” is amazing and truly brings out the tune’s pop hooks, even more than the original. All in all, one of my favorite soundtracks from one of my favorite films.

Grade: A/A-