Category Archives: Entertainment

Song Review: “Post Acid”

Band: Wavves
Label: Green Label Sound
Upcoming Album: King of the Beach [8/2010]

Comments: It’s clean and clear blah blah blah blah blah blah. Wavves has fun with this song clearly and it has a what/the/fuck-i-heard-this-in-the-1990s-on-pop-radio verse-chorus dynamic. It’s brief enough that I do get some pleasure from listening to it. It’s nice to know that this just wasn’t Nathan Williams fucking around on his computer to make this. Or was it? At any rate, it seems like quality mattered on this one. Was the band going for the 1990s pop-rock card or does it just sound that way? It’s memorable, but it fades fast.

Grade: B+

Thom Yorke predicts end of mainstream music

Radiohead frontman Thom Yorke has said in a rare interview that young musicians shouldn’t latch onto the mainstream music industry, saying it will fold onto itself in a matter of months. He says band should release music themselves and not look to get a major record deal. Radiohead set an example of this with the release on 2007’s In Rainbows album, which had a “pay-what-you-want” method of purchase. Since then, thousands of bands and even movies have done this. What do you think of Thom’s prediction? Is it really a matter of months before teenagers will have to work a little bit harder to get the latest Lil’ Wayne track?

The Problem With Music

Speaking of horrifying, disgusting behemoths, such as major labels, I thouhgt I’d post a link to Steve Albini’s harsh classic, “The Problem With Music.” I searched “Fuck Major Labels” on Google and this was the first thing to come up lol. I don’t agree with all of it, but he makes many good points and has the knowledge to back it up, plus it’s quite humorous in the Albini sense.

http://www.negativland.com/albini.html

Major Labels Are Not So Major

Here’s a random rant I wrote a while back:

I often hear artists say they must sign to a major label to gain commercial success in the music world. Supposedly with such corporate support they are able to reach more people with their music, people they would otherwise never reach. Perhaps, this is true. Of course, this would not be the punk rock way of going about things. Signing to a major label is a sign of selling out to most fans of the punk orientation. By the early 1990s, we witnessed various underground (many of the punk variety) artists make the leap from independent labels to major labels. Some achieved the commercial and artistic success they sought, others saw little to no change in album sales or fan base. In fact, several groups have abandoned or have been dropped by their major labels and have made a return to the underground. What really fascinates me is that some of these bands have sold more records on their independent labels than on their major counterparts. This makes one question the earlier assumption that higher status means higher chart positions. There are numerous examples that disprove this theory. Sonic Youth fans recently enjoyed the release of their latest, sixteenth studio album, The Eternal. This album is particularly significant because it marks the first time in twenty years the experimental rockers released a studio album under an independent label; this time it was the prominent and well-respected, Matador Records. Previously they were signed to Geffen Records, a major label. But, naturally, none of this matters because it does not matter if you sell a hundred records or a million or whatever. What matters is if you have integrity in your art and that you are enjoying yourself. Then again, various miserable fucks have made fantastic music over the years, so I guess you don’t even have to enjoy yourself, but you deserve it!

Thank God, I managed to write X amount of words on the music industry without using the bland term “indie,” until now. I hate that word (even though I am guilty of its use) it’s too vague. If anyone has an actual definition for said word. Pitch it to me. For now, keep on rocking (independently) in the free world.

My Top Faves That Are Due Back to Boston

The following need to hit up Boston ASAP, but not when I am away!

No Age (last seen April ’09)

Mark Sultan (May ’09)

King Khan & The Shrines (May ’09)

Animal Collective (May ’09)

The Pains of Being Pure At Heart (Sept ’09)

Hunx and His Punx (Oct ’09)

King Khan & BBQ Show (Oct ’09)

amongst others…

Sorta Question of the Week

As you all should know I have championed Michael Azzerad’s Our Band Could Be Your Life as one of the finest books on music and particularly 80s underground music. Many of my favorite bands are chronicled here and I’ve seen a good chunk of them live. Reading all of their stories and the historical background Azzerad shares with us truly inspired me in various ways. Being a massive fan/supporter of several modern underground bands I have considered writing my own little ditty. Now, how would I go about this? Save the obvious dedicated work of researching, interviewing, writing, etc. I’m not referring to that. I mean how would I tell a general story with an overall theme like Azzerad does? Which bands would I choose? If I leaned more towards my favorites would I be featuring artists with too many similarities, i.e. Garage Rock sound? Is it too soon? Most of these bands have not broken up or jumped to major labels or what have you, so their stories haven’t really ended like those in OBCBYL. He also had years behind him to observe the influence of the groups he was studying and the fact that the era he was focusing on was the first era of a unified, anti-corporate, underground. I’m not really looking for someone to tell me what to write or how to write, I guess these are more like questions I’m asking myself. Either way, what are some bands you would like to read about or think is important enough to be chronicled?