All posts by Chris DeCarlo

Great Chomsky Quote

“The United States hasn’t faced a threat probably since the War of 1812.” Noam Chomsky, 1994 from Demystifying Democracy, here is a link for the interview.
http://www.chomsky.info/interviews/1995—-.htm

What do y’all think of that statement? Naturally, in light of the tragedy on 911 it makes you question such a thing (as you should normally anyway), but I probably agree with Noam. I don’t know enought about my history to point to the War of 1812, but certainly the fact that we have a massive military budget for defense from possible threating forces is a joke. Now, like everyone else I don’t want to see another 911, of course. But, to me, that doesn’t constitute as a “threat” as in a threat to the preservation of our entire nation and/or government as it is for some other countries. The attack on 911 was murder on a grand scale and the perpetrators should be held accountable, but that doesn’t appear to be an objective of our goverment, sadly. So, I highly doubt we have to worry about another coutnry threating our overall security, but how do we prevent future, heinous, acts of terror? Well, we stop committing terror ourselves. What do other people think about Chomsky’s quote and my little rant?

The Problem With Music

Speaking of horrifying, disgusting behemoths, such as major labels, I thouhgt I’d post a link to Steve Albini’s harsh classic, “The Problem With Music.” I searched “Fuck Major Labels” on Google and this was the first thing to come up lol. I don’t agree with all of it, but he makes many good points and has the knowledge to back it up, plus it’s quite humorous in the Albini sense.

http://www.negativland.com/albini.html

Major Labels Are Not So Major

Here’s a random rant I wrote a while back:

I often hear artists say they must sign to a major label to gain commercial success in the music world. Supposedly with such corporate support they are able to reach more people with their music, people they would otherwise never reach. Perhaps, this is true. Of course, this would not be the punk rock way of going about things. Signing to a major label is a sign of selling out to most fans of the punk orientation. By the early 1990s, we witnessed various underground (many of the punk variety) artists make the leap from independent labels to major labels. Some achieved the commercial and artistic success they sought, others saw little to no change in album sales or fan base. In fact, several groups have abandoned or have been dropped by their major labels and have made a return to the underground. What really fascinates me is that some of these bands have sold more records on their independent labels than on their major counterparts. This makes one question the earlier assumption that higher status means higher chart positions. There are numerous examples that disprove this theory. Sonic Youth fans recently enjoyed the release of their latest, sixteenth studio album, The Eternal. This album is particularly significant because it marks the first time in twenty years the experimental rockers released a studio album under an independent label; this time it was the prominent and well-respected, Matador Records. Previously they were signed to Geffen Records, a major label. But, naturally, none of this matters because it does not matter if you sell a hundred records or a million or whatever. What matters is if you have integrity in your art and that you are enjoying yourself. Then again, various miserable fucks have made fantastic music over the years, so I guess you don’t even have to enjoy yourself, but you deserve it!

Thank God, I managed to write X amount of words on the music industry without using the bland term “indie,” until now. I hate that word (even though I am guilty of its use) it’s too vague. If anyone has an actual definition for said word. Pitch it to me. For now, keep on rocking (independently) in the free world.

My Top Faves That Are Due Back to Boston

The following need to hit up Boston ASAP, but not when I am away!

No Age (last seen April ’09)

Mark Sultan (May ’09)

King Khan & The Shrines (May ’09)

Animal Collective (May ’09)

The Pains of Being Pure At Heart (Sept ’09)

Hunx and His Punx (Oct ’09)

King Khan & BBQ Show (Oct ’09)

amongst others…

Sorta Question of the Week

As you all should know I have championed Michael Azzerad’s Our Band Could Be Your Life as one of the finest books on music and particularly 80s underground music. Many of my favorite bands are chronicled here and I’ve seen a good chunk of them live. Reading all of their stories and the historical background Azzerad shares with us truly inspired me in various ways. Being a massive fan/supporter of several modern underground bands I have considered writing my own little ditty. Now, how would I go about this? Save the obvious dedicated work of researching, interviewing, writing, etc. I’m not referring to that. I mean how would I tell a general story with an overall theme like Azzerad does? Which bands would I choose? If I leaned more towards my favorites would I be featuring artists with too many similarities, i.e. Garage Rock sound? Is it too soon? Most of these bands have not broken up or jumped to major labels or what have you, so their stories haven’t really ended like those in OBCBYL. He also had years behind him to observe the influence of the groups he was studying and the fact that the era he was focusing on was the first era of a unified, anti-corporate, underground. I’m not really looking for someone to tell me what to write or how to write, I guess these are more like questions I’m asking myself. Either way, what are some bands you would like to read about or think is important enough to be chronicled?

Classic Film Review: Shield Around the K

Full Title: The Shield Around the K
Director: Heather Rose Dominic
Year: 2000
Comments:

The title says it all. The metaphorical shield truly represented K’s mythical way of battling the corporate ogre in a unique and highly confrontational manner. For those sad souls out there that are unfamiliar with K, here’s a brief breakdown. K was and still is a defiantly and charismatically independent label; one of the greatest models for how an indepedent label can successfully operate. Calvin Johnson (K founder and Beat Happening frontman) challenged his audience and contemporaries by creating and documenting music that was unabashedly simple, coy, and as far away as possible from the mainstream. These kids challenged the mold of expecation of what a Punk band should look, sound, or act like. By making poppy, “twee,” love rock (as some call it), artists like Beat Happening distanced themselves from not only the corporate world, but also the oft-macho hardcore scene, which was dominating underground music at the time. All in all, this doc does a great job of articulating this important aspect of K Records as well as offering some great archive footage, interviews, and music videos and ultimately a detailed, informative backgound of said topic. One thing I (sorta) didn’t like was the fact that the film focused too much on Beat Happening; after all it was supposed to be about the K label and not about Beat Happening solely. Then again, they and their history are obviously vital to the K tale and since they are one of my all time favorite bands, I don’t mind seeing them on screen. Lastly, this doc features various key figures including, Ian Mackaye, Gerad Cosloy, Slim Moon, John Foster, amongst others. So, if you dig cutting edge (well, then cutting edge) Punk Rock or want to learn more about seminal, underground music then grab some black candy and check it out.

Grade
: B+

Honorary Klaymers

1) Black Lips

2) Jay Reatard

3) King Khan

4) Mark Sultan

5) No Age

6) Box Elders

7) Hunx and His Punx

8) Walkmen (for Glen)

9) Animal Collective

10) Bradford Cox

11) Harlem

12) Nobunny

13) Girls

14) Pains of Being Pure At Heart

15) Almigthy Defenders

16) Wavves

We feature many artists here, some far more than others, but these very few guys hold the highly prestigious title of “honorary klaymers,” even if they don’t know it.

Chris