Quote of the Day

” I knew that I could never again raise my voice against the violence of the oppressed in the ghettos without having first spoken clearly to the greatest purveyor of violence in the world today — my own government. For the sake of those boys, for the sake of this government, for the sake of hundreds of thousands trembling under our violence, I cannot be silent,” Dr. Martin Luther King Jr.
This was and still is the harsh truth. At this site, there are other thought provoking quotes from King, mostly in his final years, when he turned radical; unfortunately( but purposely) much of this of this wisdom is anonymous in the mainstream media. http://www.brainyquote.com/quotes/authors/m/martin_luther_king_jr.html

Chris

Classic CD Review: Hind Hind Legs

Band: Lovely Feathers
Label: Equator
Release: 2006

1. “Pope John Paul” – A+
2. “In the Valley” – A+
3.  “I Really Like You” – A
4. “Frantic” – A+
5. “Wrong Choice” – A+
6. “Mildly Decorated” – A+
7. “Photocorners” – A+
8. “The Only Appalachian” – A
9. “Ooh You Shocked Me” – A
10. “E Man Sorrow” – A+
11. “Rod Stewart” – A++
12.  “Breakfast Cake” – A+
13. “Lion Eats The Wildebeest” – A+

Comments: Talk about a fun album! Lovely Feathers are overflowing with energy and power-pop charisma. It’s sort of synth-pop meets straight up garage-pop. A fun combination! Although it looks like I am worshiping this album or what have you, I am not. It’s damn good, though. If I was doing a normal review for this, it’d probably end up as a best album of the year candidate, not to mention one of the best albums of the decade. There is nothing epic about this one. What you hear is what you get. Fast, quirky, pseudo-dance numbers. “Rod Stewart” sort of exemplifies the spirit of this album. Heavy and catchy. Unfortunately, haters might decline to take this album seriously. That’s unfortunate for them, because sometimes sappy is much needed in music. Most of the tracks on here are multi-layered. So inevitably some parts are catchier and better than others. But I tell you that the catchy parts are really really really catchy.

Final Grade: 96 (A)

Classic CD Review: The Libertines

Band: The Libertines
Release: 2004
Label: Rough Trade

1. “Can’t Stand Me Now” – A+
2. “Last Post on the Bugle” – B+
3. “Don’t Be Shy” – B
4. “The Man Who Would Be King” – A-
5. “Music When The Lights Go Out” – A-
6. “Narcissist” – A
7. “The Ha Ha Wall” – B
8. “Albeit Macht Frei” – B+
9. “Campaign of Hate” – B-
10. “What Katie Did Next” – A
11. “Tomblands” – A
12. “The Saga” – B
13. “Read to Ruin” – A
14. “What Became of the Likely Lads” – A+

Comments: Our band could be your life. For a short period of time, this band was my life. Well, not quite, but I regarded them as my favorite of all time. “Can’t Stand Me Now” was quite the anthem for me, with just enough post-punk and garage pizazz. Sidenote: I’d love to see this band live and it just might be possible. At least a few credible sources have it that the ‘Tines will fully re-unite for the first time in six years in 2010. This record isn’t the band’s best because, principally, it lacks flow and direction. There are some real gems to be found, but a good chunk of these tunes aren’t really memorable. For Pete’s sake (pun intended), Grace/Wastelands kicks this album’s ass. Speaking of album closers and such, “What Became”  is among my favorites. It’s arguably the best song on here.

Final Grade: A- (90)

Classic CD Review: Funeral

Band: Arcade Fire
Release: 2004
Label: Merge

1. “Neighborhood  #1 (Tunnels)” – A+
2. “Neighborhood #2 (Laika) – A+
3. “Une Annee Sans Lumiere” – A-
4. “Neighborhood #3 (Power Out)” – A-
5. “Neighborhood #4 (7 Kettles)” – A
6. “Crown of Love” – A+
7. “Wake Up” – A+
8. “Haiti” – A++
9. “Rebellion (Lies)” – A++
10. “In the Backseat” – A

Comments: As the good man Matt alluded to a few posts back , this is truly a beautiful record. It does have tear-jerking attributes as well as uplifting pump-your-fists kind of moments. There isn’t much to critique, though I’d opine that some tracks definitely have more of an epic factor than others. Take “Crown of Love,” for instance. I don’t know whether to feel happy or sad. It’s like one of those feelings you get when you feel like you are going to pull through, yet you still feel a shitload of remorse. I guess that’s the best quality of this album: you can connect with it in a plethora of ways. I’m not good at interpreting songs from a lyrical point of view (at least the first time around), so I can’t comment too much on what’s actually going on during these ditties. It’s something amazing, though. Don’t know about your thoughts, but the transition from “Crown” to “Wake Up” is fucking incredible. You know the little old school jitter-and-jive on “Wake Up” gets me every time. It’s so random, yet so fitting. I’m going to wager “Haiti” to be my favorite song on here. It’s just about perfect. Not quite there, but just about. Ask your average AF fan, and they’ll probably say “Rebellion” is their flava-fave and it’s damn great, don’t get me wrong. In fact, it’s probably the most epic song of all time. Or something like that.

Final Grade: A (96)

Movie Review: Ink

Let me start off this review by saying: OOOOHHHHH MMMMYYYYY GGGGGOOOOODDDDDD!!!!!!!! I can’t describe how PERFECT this film is. I can’t even describe the plot that does it justice. Here is the plot as told by Netflix: “Late one night, a lost soul named Ink snatches 8-year-old Emma (Quinn Hunchar) into the world of dreams. There, he hopes to use her soul to join the ranks of the evil Incubi. In the real world, Emma lies comatose, to the despair of her father, John (Chris Kelly). But the Incubi’s benevolent opposites — the Storytellers — rally to help Emma, motivating John to wage war for his daughter. Jessica Duffy co-stars in this dark fable.” After I finished this movie, I couldn’t breathe. It’s one of those. I’ve never seen anything so beautiful and horrifying at the same time. The Storyteller characters will warm your hearts. The Incubi will give you nightmares (its kinda their job). Director Jamin Winans has given a gift to the cinema world. I dare you to watch this film and not want to watch it as soon as you finish it.

Overall Grade: A++++++++++++++++++++++++. Words cannot describe this film. I’ll let the film do it itself.
Here is the trailer.

Movie Review: Nine

This Christmas with all the movies opening, I decided to go against the what’s expected of me going to see Sherlock Holmes and instead going to see Nine. And might I say I’m glad I did. Nine is a movie-musical based the 1983 Broadway musical “8 1/2.” Nine tells the story of Italian director Guido Contini (Daniel Day Lewis) as he struggles to pen his latest film “Italia.” Meanwhile, his personal life is in shambles, in particular all the women in his life. These women are his wife (a phenomenal Marion Cotillard), his mistress (an equally as phenomenal Penelope Cruz), his assistant (Dame Judi Dench), his mother (Sophia Loren), a journalist (Kate Hudson), a whore from his childhood (Fergie) and his leading actress (Nicole Kidman). This super woman ensemble is perfect to a T. Most of the songs are heart felt looks into the character. I was on the verge of tears during “My Husband Makes Movies” which is sung by an aforementioned phenomenal Marion Cotillard. Rob Marshall, who directed the Oscar-winning Chicago, does the musical numbers like Chicago with his music video like editing. I personally loved it. It made it look really polished. My only real problem with it is that they added a song that was not in the original musical, “Cinema Italiano.” I like the song but it kind of goes against the theme of the rest of the music which is kind of Jazzy like. But overall a very good film worth the price of admission.

Overall Grade: B+

Nine poster

Why Top 5?

1) Black Lips- Los Valientes Del Mundo Nuevo (2007, Vice)-
“This is going to be the best live record of all time!” I couldn’t agree more with you Jared. The album begins with the perennial shouting “ohhhh,” then we are held in suspicion as some Mexican dude is rapidly shouting something in Spanish, which culminates to him shrieking “THE BLACK LIPS!” Then we get strapped in for the roller coaster that is “MIA.” Next we float around like Boomerangs until we slide down the “Sea of Blasphemy.” More classics follow, including “Stranger,” “Not A Problem,” “Hippie, Hippie Hoorah,” and others. Particularly, for me the tracks “Fairy Stories” and “Dirty Hands” always get me going. FS is a great dancing number and is the closest the Lips get to a Beatles song. I love how lyrically this song is sooo menacing: “My daddy has a gun, it’s not a toy, but it’s loads of fun!” and yet musically, it’s completely joyous. DH is one of the best sing a longs ever, perfect for campfires. Lastly, the group finishes with their signature song (if they have one) “Juvenile.” Every track is a classic and this is the closest you get to the live experience on a Black Lips album. As with their shows, on this record there is never a dull moment.

2) Jay Reatard- Matador Singles ’08 (2008, Matador)-
This was the first Jay Reatard album I ever heard; prior to hearing this record, I knew very little of Jay’s music. I had seen some youtube videos, but that wasn’t enough. Even seeing him live, didn’t shake me. So, I tossed on this compilation and I was blown away at how catchy these songs were. I know most people will disagree with me, but this is seriously one of the greatest pop records of all times. These motherfuckers stick to your brain! The repetitious vocals, the simple guitars, memorable lyrics. it’s all here. Favorites include “See/ Saw,” “Screaming Hand,” “An Ugly Death,” “Always Wanting More,” “Trapped Here,” “I’m Watching You,” amongst others. Two tracks in particular should be noted: “No Time” and “You Were Sleeping.” These softies are incredible. Sure, they are probably the wimpiest diddies Reatard has ever had the courage to release to his garage punk aficionado fans, but that’s what makes this LP a classic.

3) The King Khan & BBQ Show- What’s For Dinner? (2006, In the Red)-
Baayyyy Beee Why Don’t You Lie like Rolling Stone magazine when they didn’t include this masterpiece amongst their bests of the decade lol. Seriously though, if you are looking for fun filled old school rock n roll, doo wop, garage punk numbers, this is your album. Unlike their garage rock revival counterparts, the Black Lips and Jay Reatard, the KKBBQS, both lyrically and musically is all about the good old times when kids were kids and danced their ass off with the Zombies at the hop. This LP includes numerous classics: you have the great doo woppy sensitive pop numbers in “I’ll Never Belong,” “Into the Snow,” and “Why Don’t You Lie?” Then you have your fast rockers with “Treat Me Like a Dog,” “Zombies,” and “Dock It#8.” And then there’s the in-betweens. Specifically, “Too Much In Love” is my favorite tune and is soo damn catchy. I could complain more about the severe lack of recognition this LP and this band in general does not receive, but then again , I DON’T GIVE A FUCK!

4) Jay Reatard- Blood Visions (2006, In the Red)-
So, you name your debut Blood Visions and the cover is you naked covered in (real) blood; does it get more badass than that? I hope not! You don’t even need to listen to this album to know what it is about. Just look at the cover. It’s a portrait of a man, who is giving you his internal emotions in his music, he’s not hiding anything from we, creeps. In this sense, there’s plenty of vulnerability in his music, but it never gets the best of him. To this day, his set lists comprise mostly (or at least a good chunk) of BV songs and it’s not hard to see why with such essential, vintage Reatard: “Blood Visions,” “It’s So Easy,” “My Shadow,” “Nightmares,” “Fading All Away,” “Waiting For Something,” and others. It’s a pop classic, it’s a punk classic, but it’s not pop punk lol. Great, unpolished, garagey production. Just the way I like it.

5) Jay Reatard- Singles ’06-’07 (2008, In the Red)-
Ok, I’ve sucked enough Reatard and Garage Rock dick like Rolling Stone gives Radio head. So, I’m going to make this short and sweet. More classic, essential singles and new acoustic, low fi versions of old favorites, as well as some of Jay’s best love/pop songs: “I Know A Place,” “Don’t Let Him Come Back,” “It’s So Useless,” “Let It All Go.”

Chris

EP Review: Behave Yourself (2010)

Band: Cold War Kids
Release: 2010
Label: Downtown/Universal

1. “Audience of One” – A+
2. “Coffee Spoon” – B+
3. “Santa Ana Winds” – A
4. “Sermons” – A+
5. “Baby Boy” – N/A

Comments: “Audience of One” is pretty damn slick. The bridge is absolutely fantastic, but in general it’s a great song. “Coffee Spoon” is pretty chill with a neat drum sequence, but it’s nothing worth going crazy over. “Santa Ana Winds” is reminiscent of “Audience of One” in terms of what it has: a great flow and a great bridge. “Sermons” is the foremost soul/gospel number on this EP and is quite addicting. I didn’t really want to assign “Baby Boy” a grade because it’s over before it is started and is three sentences long. This probably will turn out to be one of my favorite EPs of 2010, but considering it’s Christmas Day 2009, it’s still early.

Final Grade: A (94)

Boston based shows/fests – DIY, punk, noise