Bitchfuck Hacked Or Not?

I’m probably blogger number 532 to point this out, but whatever: Go read Pitchfork’s review of Eminem’s The Eminem Show. The “ryan” character refers to the founder of that site:

ryan loves it and he likes mmlp too so he’s all sonning me now with this ‘well ethan yes perhaps i’d allow you to give the marshall mathers lp a 10.0, i mean that particular record was perfect, but not this one’ yeah well you were busy talking about at the motherfucking drive in back then so let me redeem your godawful site now. jeez unless he went back on his dumb-ass ‘policy’ theres a nine dot one up there but i promise you ‘the eminem show’ is really a ten, know that

oh my darling eminem! how i love you marshall, spittin shiny massive magnetic acrostics to fit the thrillest rhyme style ever invented (ugh yeah i’m trying not to explain his quote unquote flow in those meaningless autechre words like architectural and labyrinthine but SHIT) but yeah although em’s lyrics arent usually quotably evocative for rock reviews like wu or jay here i’m not even going to try, you have to hear him spit at it live or on record

7″ Review: Something In The Way

Band: Best Coast
Release: 2/2010
Label: PPM (Dean Spunt’s Label!)

1. “Something In The Way” – A
2. “Wish He Was You” – A
3. “The Road” – A

Comment: Sure, the lo-fidelity can get to your ears and concentration, but that’s only if you let it. “Something” starts with a rad drum beat and a catchy Dum Dum meets Vivian Girls chorus. The comparison isn’t too unfounded because all three bands have similar production and sound aesthetics. My first and ending impression is that this is great! It’s not something I’m going to listen to continuously, but it will never disappoint or get boring. Surely, Best Coast is a band to keep an eye on.

Grade: A (94)

JONATHAN FIRE*EATER

BEFORE THE WALKMEN EXISTED, THERE WAS A BAND CALLED JONATHAN FIRE*EATER THAT FORMED IN 1995. THEY WERE PRETTY DAMN SWEET UNTIL THEY SOLD OUT BY SIGNING TO DREAMWORKS. PUKE. THREE MEMBERS (WALTER MARTIN, HAM’S COUSIN, AND PAUL MAROON AND MATT BARRICK, THE DRUMMER) OF JFE JOINED FORCES WITH MEMBERS OF THE RECOYS TO FORM THE WALKMEN IN 2000. THE REST IS HISTORY, DAMNIT.

WATCH A YOUTUBE OF A JFE SONG HERE: http://www.youtube.com/watch?v=Vm6ryXXq5Sw

TOUR CONSTANTLY

Jared Hondo Isaac Swilley says it all the time, but Beach House’s Alex Scally knows what’s up as well:

NYMAG
Since we started in 2006, the only way we’d have enough time to spend on music is to tour constantly. I kind of like it … it’s not like we’re Black Flag or anything, but it’s like a manta for us that the only way to survive is to tour constantly because that’s income and that spreads your name. I’m into what’s happening: There aren’t supermassive bands, the way it was in the sixties when the major labels rolled out twenty things and you chose the four that suited you. People that make music aren’t these weird gods that have a ton of money. I really like that we have all these sites where we can post pictures and have discussions and weird personal connections to all these people. Ultimately, we’re very lucky to have stumbled upon this thing, to get this music out there, to have it to mean something to people. People are always going to find way to support artists so that they’ll live.

A QUESTION…

I was sitting back pondering about culture and globalization and business. You know how some anti-globalization advocates argue that individual nation states should not go with the flow of current modernist, commercial, and economic trends? That these nation states have sovereignty over “global” trends? At what point should we stop respecting culture? In a sense Western business is culture-jamming others countries with our consumerist nonsense. How do we (or should we) balance international business and economic affairs while respecting culture or disrespecting culture? For example, should McDonald’s have gone into France even if the French don’t want our shit? Should we be open economically and culturally to our global brothers and sisters or should we cut ourselves off and just deal locally? There’s no denying that businesses are playing on a “global” field as the textbooks and pundits call it. Is that always a bad thing? Somebody (you know who you are) once told me that we should trade guitars for apples and live in a moneyless society. True story. Ask yourself these questions. It’s interesting.

Boston based shows/fests – DIY, punk, noise