CD Review: The Rainwater LP [2010]

Band: Citizen Cope
Release: 2/2010
Label: RainWater (Self-Release)

1. “Keep Askin” – B
2. “Healing Hands” – B
3. “I Couldn’t Explain Why” – C
4. “Lifeline” – B-
5. “Off The Ground” – C+
6. “Jericho” – B-
7. “The Newspaper” – C
8. “A Father’s Son” – C+
9. “Lifeline (Barefeet Version)” – B
10. “Keep Askin’ (Acoustic)” – B-

Comments: Cope. Yeah, that guy. The guy that Matt Hurton loves. The guy that lands three consecutive nights (Thu-Fri-Sat) at the Paradise Rock Club. The guy that realized major label releases are over-rated and releases an album all by himself on his own record label. Cope’s got a funky acoustic swagger that is a little more digestible than what you’ll get in the mainstream. Speaking of which, other than a plethora of TV spots, Cope remains relatively unknown to the public eye (besides his fairly large cult following). His songs are ripe for media picking because of their flexible usage potential and flow. I like what Cope is doing most of the time here, but it’s obviously just not my style. It’s not exactly what I’d consider depressing, but Cope’s heavy delivery has that component almost built in. He’s not afraid to experiment with tropical genres, hip-hop, and electro-pop.

Grade: C+ (79)

Classic Album Review: Revolutinary Vol. 1

Artist: Immortal Technique
Full Title: Revolutionary Volume 1
Label: Viper Records
Year: 2001
Grade: B+

Keyword: REVOULTIONARY. Many refer to themselves as revoltuionaries, whether it be a Republican Congressmen from Texas or a radical nerd on his blog, but few can back it up. Immortal Technique is part of this rare breed. He is the closest example of a musical Che Guevara, if there ever was one. Before the listener even hits play, he/she is already bombarded by tech’s intense dissidence in the cover art: masacred police officers and the hammer and sickle a la Soviet Union. But, unlike dem pinko commie fags, tech’s Revolution (at least musically) succeeds because as he says it is, “built out of love for his people and not hatred for others.” The album opens with a solid 9 in “Creation and Destruction.” It basically foreshadows everything the MC is notorious for: violent lyrics, intimidating delivery, and uncompromising politics. This continues throughout the record, while he delves into such untouchable topics as police brutality, corporate media bias for the elite (“The Getaway”), the racist, White, economic, class structure which leaves poor people, mostly blacks and latinos, but also whites, and millions in the Third World concerned only with day to day poverty rather than developing Socialista philosophy to rise out of this trap (“The Poverty of Philosophy”- Spoken Word), and the harsh and regrettable reality of thug life, (“Dance With the Devil”). The latter is arguably one of the most horrifying tracks I have ever heard. Tech’s disturbing lyrics paint a petrifying picture of rape and murder. Overall, this is a sound record one of the finest from today’s greatest hip hop star. You would be hard pressed to find another rapper with as much skill, integrity, and hardcore style. To add to this hardcore reputation, all of the raps were created while he was in prison. Take that Fat Joe, you Fake, Fat, Fuck! Not that I’m in any position to criticize, with absolutely no street credibility WHATSOEVER! But, that’s alright, at least I’m not Billy Jacobs. You’ll have to listen to this album to know who Billy Jacobs is!

VIVA LA REVOULTION!!!

Chris

Malcolm X’s Final Scene

This is the final scene in the epic, Spike Lee film, Malcolm X (1992), one of my all time favorite movies. Sorry, to give away the ending ahhahaah. I highly recommend watching the ENTIRE film, reading his Autobiography and Malcolm X Speaks , watching his sppeches, as seen on Youtube, etc.

Chris

Negro

Langston Hughes:

Negro (1958)

I am a Negro:
Black as the night is black,
Black like the depths of my Africa.

I’ve been a slave:
Caesar told me to keep his door-steps clean.
I brushed the boots of Washington.

I’ve been a worker:
Under my hand the pyramids arose.
I made mortar for the Woolworth Building

I’ve been a singer:
All the way from Africa to Georgia
I carried my sorrow songs.
I made ragtime.

I’ve been a victim:
The Belgians cut off my hand in the Congo.
They lynch me still in Mississippi

I am a Negro:
Black as the night is black,
Black like the depths of my Africa.

Chris

Chris On…

Gross Out Videos/Pictures In the Online Age: In my last edition of “Chris On…” I observed the distinctions between high and low culture, well here we have perhaps the lowest of cultures: Shock Sites. But, without a doubt it is a burgeoning subculture and has had an impact on our entire culture as a whole. Perhaps it all began with the projectile vomit inducing “Tub Girl,” I don’t recommend you check this out unless you want to be sick to your stomach. That was the Gone With the Wind for disgusting media. Since then you have your Lemon Parties, Pain Olympics, and the chick that farts out peanut butter and other shit lol, I forget the name, but yeah it’s all there. Oh and who could forget the most notorious, the Casablanca of the genre, if you will, Two Girls, One Cup. So, are these vile videos an impending sign of decline in Western Civilization? or is it merely the tech age’s opportunity to profit on centuries of repulsing fetishes by posting it in the privacy of everyone’s home? I’d say a little bit of both. Personally, I do not in any way, “get off” ahaha on these little ditties of sexual macabre, but at the same time they sure are intriguing and in some bizarre way worth analyzing! Even more importantly, it’s worth observing others’ reactions to such videos, funnier too! All in all, it’s nice to get a cheap and crude laugh, if at least once. And believe me, with said genre, you most likely won’t come back for more! Finally, I’ll admit, I am one to partake in the voyeristic journey of “how far will this go?” video and apparently I’m not alone, as millions of Americans, from young to old, are viewing the latest,”dude, this shit is nasty, you gotta check it out!” as we speak. What this specifically, does to our culture is a whole other story…

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Mumia Abu-Jamal: I bet it seems pretty odd that I shift from discussing an extremely wacky topic like videos displaying coprophillia and emetophillia to an infinitely more serious topic, such as the jeopardy and constant abuse of one man’s life, but that’s how it works here with “Chris On…” With that being said, I actually did make an attempt to connect certain topics from the last post, i.e. death penalty to Mumia. Mumia Abu-Jamal is an excellent “journalist” and/or commentator on current affiairs and essentially how this system is completely fucked up and filled to the brim with injustice, as he is living (possibly not for long :() proof of this. His courage and dedication to “waking up” the public and specifically blacks is a massive inspiration. Oh, did I forget to mention, that he is (and has been for nearly thirty years) wrongfully sitting on death row?! Over the years, his conviction has been reviewed and appeald throughly for it’s undeniable flaws, but the Cracker Courts, won’t let up. In a nutshell, Mumia was charged with the murder of a police officer, Daniel Faulkner and subsequently was given an unfair trial, clearly marked with prejudice. Whether he committed the crime or not, is insignifcant, even though I don’t think he did. There is not enough evidence to point to him. And let’s say that he did?! Just for the fun of it; Mumia, himself was wounded by Faulkner’s gunshot. I’d bet all my money that if Mumia was the one that died, Faulker would be a free man. In other words, even if Mumia did kill him, isn’t that self-defense. But, no a Black Man is inferior to a White Cop in the White Courts of White America. You can say that’s playing the “race card,” but how come it’s not playing the “race card” when black people are given an all white jury? The Constitution entitles us to the right of a “jury of one’s peers.” Now, I need to do more research, cause I don’t know for sure if Mumia’s trial had all white jurors, but I have a positive feeling it did. Either way, FREE MUMIA!

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The Recent Surge Of Often Untimely, But Not Always the Case, But Still Sad Celeberty and Not So Famous to Use That Term, But Still Vital To The Arts Deaths… PHEW!: Jay Reatard, Howard Zinn, J.D. Salinger, Bobby Ubangi, Patrick Swayze (not as cool as the others, but still, worth mentioning lol), Farrah Fawcett, Billy Mays, Carol Chomsky, and I apologize if I forgot anyone else, feel free to comment on others. Yeah, so I don’t give a fuck about MJ or Teddy Kennedy! Hahaha! Yeah, I know the sancitty of life and all that jazz, but if they weren’t famous then they would not receive the same amount of respect and grief. I’m not happy their dead, but in the grand scheme of things, people die all the time, so I don’t feel particuarly saddened when some criminals die. We did however lose some folks that seriously meant something to me! Chiefly, the most shocking, Jay Reatard, my favorite singer and one of the most promising artists of the past decade. He is sorely missed for his intensely catchy music and high energy live shows. On the same token, other fun rockin guys in Bobby Ubangi left us far too soon as well. Bobby played alongside the great, Jared Swilley in the Gaye Blades and had his own solo material, both of which were nothing short than brilliant bubble gum pop magic. He will be “Forever” remembered for his “Dirty Hands.” Hahah. Now, for Howard Zinn and J.D. Salinger, perhaps these deaths were not as untimely and therefore not as shocking, but certainly not less important in any way. I didn’t really follow Salinger all that much, but his most famous work, The Catcher In the Rye is my favorite book of all time and has strongly influenced countless writers including myself. Mr. Zinn was the highest model citizen and always discussed politics, history and various social issues in terms of how it meant to the “people.” His works and speeches have had a major influence on my own views and writing. Check out “My Main Influences” post for further reading. And of course, fame doesn’t measure value, so we must remember those who have died in Haiti and still suffer. Alas, we don’t mention them all that much here on the KLYAM, but that doesn’t mean we do not care about them.

Chris

Boston Walking Distances

I’ve been making several jaunts around the city for the past 30 days since I got here. Generally speaking, you can easily cover a lot of distance around town if you know where you are going.

If you are walking from Northeastern towards Fenway Park, you must realize that there is a pretty decent sized green area called Fenway that could fuck you up along the way. Basically the big thing on one side of it is the Museum of Fine Arts and the big thing on the other side is Fenway Park. If you are near the Museum, keep walking until you get to the outer edge of park, make a turn, and keep walking straight ahead until you get to what is called Landmark Center (a big ass art deco building). Along the way you should pass Simmons College and Emmanuel College. Once you get to Landmark, keep heading straight down Brookline Avenue and you’ll end up very close to Fenway Park. You’ll have to take a right down Landsdowne or Yawkey…the choice is yours. The walk is about 20-25 minutes which is really nothing in the grand scheme of things.

If you are walking from Northeastern to Boston Common, you shouldn’t run into any problems. It’s about a 25-35 minute walk down Huntington, Columbus, or Tremont. If you walk down Huntington, you are going to have to change direction a little bit and travel up Boylston because Huntington stops near the Convention Center. I think Columbus is faster and more convenient than Tremont, but Tremont is a pretty fun walk because it’s a bit less “urban” in the sense that there are more antiquated small housing residences. Once you get to the Common you can keep walking straight past the Financial District and Faneuil Hall until you get to the North End.

There’s really not much going on Northwest of the Common. There’s hospitals and old little housing units. If you head past Northeastern to the West, you’ll end up in Allston, Brookline, Newton, or some other place like that. If you keep walking past Boston University that is.

This may be of no interest to you, but if it is then cool!

Boston based shows/fests – DIY, punk, noise