CD Review: Stay Home [2011]


Band:
The Beets
Release: 1/2011
Label: Captured Tracks

1. “Cold Lips” – A-
2. “Dead” – B
3. “Hens and Roosters” – A-
4. “Watching T.V.” – B
5. “Pops N’ Me” –  A-
6. “Floating” – A-
7. “Eat No Dick 2” – C
8. “Let It Dim” – B-
9. “Knock On Wood” – B-
10. “Just A Whim” – A-
11. “Your Name Is On My Bones” – A-
12. “Young Girls” – B+
13. “Flight 14” – A-

Comments: The Beets of Queens, New York (word to Queens — the best borough in NYC), a staple in the NYC DIY community, have followed up their first collection of songs with Stay Home, thirteen new songs about staying home. The coy, stripped down nature of these tunes are typically inviting and catchy. Stay Home is definitely meritorious of better acclaim than it will probably get. The more ‘professional’ music personalities will most likely brush this to the side given its home recording quality. The songs themselves have a Beat Happening feel to them, driven by neat vocal harmonies (“Floating”) and puerile topics (“Hens and Roosters,” “Pops and Me”). What separates The Beets from the rest of them is the singer Juan Wauters…his accent and delivery, specifically.

Grade: B (86)

Who to See: Neko Case or Tapes n’ Tapes

I was as going to go to the Tapes n’ Tapes concert at the Paradise on February 3, but instead I am considering going to go see Neko Case at the Wilbur. It is a tough decision actually I never saw either of them live and you never know what can happen, bands break up, Neko Case could not tour for another 5 years, stuff happens. I remember the first concert I was going to see was Elliott Smith, I ended up missing the show which turned out to be his last tour before he died. So I figured I would take this oppurtunity to occasionally take a look at who is playing at various places in Boston in a new feature “Who to See” . The idea is simple, you listen to a song from a couple of artist playing in the area on that date (date will be chosen based on who’s playing and how far in advance) and you decide who you would rather see.

First Up: Neko Case “People Got A Lotta Nerve”

Next: Tapes n’ Tapes “Insistor”

So let me know what you think!

2010’s Most Dedicated Radio Journalist/DJ: Ben Tan


The first annual KLYAM Most Dedicated Radio Journalist/DJ Award goes to Ben Tan of Emerson College’s WERS 88.9. Ben is probably the most dedicated (volunteer?) staff member at that station as he is News Director in addition to being a reporter for news segment You Are Here (interviewing the likes of anti-war protester Cindy Sheehan and economist Jeffrey Miron, etc) and being a DJ on programs such as the Playground and late-night slow jamz Secret Spot. Ben even braves blizzards to show up behind the microphone. This guy deserves a round of applause for his dedication.

KLYAMer Shuffle: Chris

Pixies– U-Mass (1991)- One of my favorites from one of my favorite bands.

Gheorghe Zamfir– The Lonely Shepherd (don’t know actual year of release, but it appears on the Kill Bill Volume 1 sountrack, released in 2003)- Epic as fuck!

Mark Sultan– Cursed World (2007)- A decent tune from one of my top singers.

Dinosaur Jr– Pieces (2009)- Solid opener from last year’s Farm.

Arctic Monkeys– Cornerstone (2009)- I love this song! My favorite from also last year’s Humbug.

Tool– Parabola (2001)- Tool (and I feel like this song specifically) always seems to come up on these shuffles :)

Big Black– Bazooka Joe (1986)- Another fucked up, but sonically sound number from one of the best bands to come out of the 80s by far.

Lou Reed– Perfect Day (1972)- Lou’s finest solo work.

Black Lips!– Transcendental Light (2007)- Ian on Vocals! which we will be seeing again soon :)

Weezer– Island in the Sun (2001)- A fairly decent song from post-classic Weezer.

Dubstep: The Sound of the Future?

Throughout EDM’s moments of popularity, there have been two styles that have withstood the test of time: House and Trance. Various subgenres of those two have come along (Acid House, Electro House, Goa Trance, etc….) some have lasted, some haven’t but nonetheless those two “umbrella” genres have stayed.  On the other hand, many have come and gone. From Drum N’ Bass to Happy Hardcore to Techno, various genres have attempted to make the big two a big 3, yet none have truly succeeded.

The next contender has arrived, and it is known as dubstep. Dubstep, for those who don’t know, is a predecessor of Drum N Bass music (though at a much slower tempo). It often features syncopated shuffles, bass drops, reggae vocals, and lots of “wobble” and sub bass sounds.  Its knows for its “filthy” sounds, and is very bass heavy.

It has achieved a lot of popularity in the UK dance scene, and is slowly making it over to American shores, and is gaining popularity.  Artists such as Rusko and Skream are becoming more and more well known in the dance music community.  Canadian progressive house artist Deadmau5 recently dropped two dubstep tracks on his last album. Dubstep has even cracked the Billboard charts with Skrillex’s Scary Monsters and Nice Sprites currently at #11 on the Dance/Electronic charts (one position ahead of David Guetta! ).

But will it last or is dubstep just a flash in the pan? In my opinion, I don’t see dubstep ever truly lasting or reaching its potential. I think what kills dubstep is that it automatically makes itself a niche category. Traditionally dance music is in a roughly 130-bmp tempo with a “four to the floor” pattern.  This is simply because this drum pattern is the easiest for people to dance to. Dubstep uses much more obscure rhythms and as someone who frequents clubs often, I can’t really see dubstep making people want to dance. Away from the dance community, I don’t see the appeal for the general public, as it’s generally a very dark style without much pop appeal (I definitely don’t see dubstep hitting the radio any time soon). In the end, I see dubsteps legacy being closer to that of drum n bass than that of trance. I do believe, however, that if used properly dubstep can be a useful influence in the development of other genres.  The sub bass and drops could be used very easily in hip-hop beats and various forms of pop music.

Ultimately, the future of dubstep depends on how it’s utilized, it’s a style with great potential and time will tell its future.

Boston based shows/fests – DIY, punk, noise