From I’m Not A Musician:
Throughout EDM’s moments of popularity, there have been two styles that have withstood the test of time: House and Trance. Various subgenres of those two have come along (Acid House, Electro House, Goa Trance, etc….) some have lasted, some haven’t but nonetheless those two “umbrella” genres have stayed. On the other hand, many have come and gone. From Drum N’ Bass to Happy Hardcore to Techno, various genres have attempted to make the big two a big 3, yet none have truly succeeded.
The next contender has arrived, and it is known as dubstep. Dubstep, for those who don’t know, is a predecessor of Drum N Bass music (though at a much slower tempo). It often features syncopated shuffles, bass drops, reggae vocals, and lots of “wobble” and sub bass sounds. Its knows for its “filthy” sounds, and is very bass heavy.
It has achieved a lot of popularity in the UK dance scene, and is slowly making it over to American shores, and is gaining popularity. Artists such as Rusko and Skream are becoming more and more well known in the dance music community. Canadian progressive house artist Deadmau5 recently dropped two dubstep tracks on his last album. Dubstep has even cracked the Billboard charts with Skrillex’s Scary Monsters and Nice Sprites currently at #11 on the Dance/Electronic charts (one position ahead of David Guetta! ).
But will it last or is dubstep just a flash in the pan? In my opinion, I don’t see dubstep ever truly lasting or reaching its potential. I think what kills dubstep is that it automatically makes itself a niche category. Traditionally dance music is in a roughly 130-bmp tempo with a “four to the floor” pattern. This is simply because this drum pattern is the easiest for people to dance to. Dubstep uses much more obscure rhythms and as someone who frequents clubs often, I can’t really see dubstep making people want to dance. Away from the dance community, I don’t see the appeal for the general public, as it’s generally a very dark style without much pop appeal (I definitely don’t see dubstep hitting the radio any time soon). In the end, I see dubsteps legacy being closer to that of drum n bass than that of trance. I do believe, however, that if used properly dubstep can be a useful influence in the development of other genres. The sub bass and drops could be used very easily in hip-hop beats and various forms of pop music.
Ultimately, the future of dubstep depends on how it’s utilized, it’s a style with great potential and time will tell its future.
“Our emotional state of choice is Ecstasy. Our nourishment of choice is Love. Our addiction of choice is technology.
Our religion of choice is music. Our currency of choice is knowledge. Our politics of choice is none.
Our society of choice is utopian though we know it will never be. You may hate us. You may dismiss us. You may misunderstand us. You may be unaware of our existence.
We can only hope you do not care to judge us, because we would never judge you. We are not criminals. We are not disillusioned. We are not drug addicts. We are not naive children…
We are one massive, global, tribal village that transcends man-made law, physical geography, and time itself.
We are The Massive. One Massive.
We were first drawn by the sound. From far away, the thunderous, muffled, echoing beat was comparable to a mother’s heart soothing a child in her womb of concrete, steel, and electrical wiring.
We were drawn back into this womb, and there, in the heat, dampness, and darkness of it,
We came to accept that we are all equal. Not only to the darkness, and to ourselves, but to the very music slamming into us and passing through our souls: we are all equal.
And somewhere around 35 Hz we could feel the hand of God at our backs, pushing us forward, pushing us to push ourselves to strengthen our minds, our bodies, and our spirits,
Pushing us to turn to the person beside us to join hands and uplift them by sharing the uncontrollable joy we felt from creating this magical bubble that can, for one evening, protect us from the horrors, atrocities, and pollution of the outside world. It is in that very instant, with these initial realisations that each of us was truly born.
We continue to pack our bodies into clubs, or warehouses, or buildings you’ve abandoned and left for naught, and we bring life to them for one night.
Strong, throbbing, vibrant life in it’s purest, most intense, most hedonistic form.
In these makeshift spaces, we seek to shed ourselves of the burden of uncertainty for a future you have been unable to stabilise and secure for us.
We seek to relinquish our inhibitions, and free ourselves from the shackle’s and restraints you’ve put on us for your own peace of mind.
We seek to re-write the programming that you have tried to indoctrinate us with since the moment we were born.
Programming that tells us to hate, that tells us to judge, that tells us to stuff ourselves into the nearest and most convenient pigeon hole possible. Programming that even tells us to climb ladders for you, jump through hoops, and run through mazes and on hamster wheels.
Programming that tells us to eat from the shiny silver spoon you are trying to feed us with, instead of nourish ourselves with our own capable hands.
Programming that tells us to close our minds, instead of open them.
Until the sun rises to burn our eyes by revealing the dis-utopian reality of a world you’ve created for us, we dance fiercely with our brothers and sisters in celebration of our life, of our culture, and of the values we believe in:
Peace, Love, Freedom, Tolerance, Unity, Harmony,
Expression, Responsibility and Respect.
Our enemy of choice is ignorance. Our weapon of choice is information. Our crime of choice is breaking and challenging whatever laws you feel you need to put in place to stop us from celebrating our existence.
But know that while you may shut down any given party, on any given night, in any given city, in any given country or continent on this beautiful planet, you can never shut down the entire party.
You don’t have access to that switch, no matter what you may think. The music will never stop. The heartbeat will never fade. The party will never end.
I am a raver, and this is my manifesto.”
Eric Prydz – Pjanoo
For a fan of EDM, its refreshing to see true house music making a comeback. For a while in the late 2000’s it was all about Trance and Electro, while true house was kind of left in the dust. Surprisingly, house’s comeback is emerging from an unexpected location. When most people think of house the first two places that come to mind are Chicago and France, though Sweden has now become the hotbed of true house music with artists such as AN21, Max Vangelli, Axwell, Steve Angello, Sebastian Ingrosso and Eric Prydz bringing back the old traditions.
Posted above is a favorite song of mine, “Pjanoo” by Eric Prydz. It’s one of those feel good songs to me, always puts me in a good mood. Long live house music, and may this revival continue.
Taste is subjective, and palates grow with time. Like many of you, throughout my life my tastes in music have changed. Different factors ranging from emotion to just pure appeal and lifestyle can change this. For most of my life though, the one constant had been Rock music. Granted in various different forms (from nu to punk to classic rock to indie rock) but nonetheless it was a constant for me until recently.
It was about a year and a half ago that I began to love what I once hated and despised. In my mind, music wasn’t real unless it had bass, guitar and drums in it. “Techno” (as I used to say, incorrectly) all sounded the same and took no talent. So how does one transition from The Who and Animal Collective to Tiesto and Deadmau5? What is the appeal of dance music?
Like I said previously, our palate and tastes grow and change. My first exposure to any sort of dance music came from the band Death From Above 1979. Though perhaps not dance music in the traditional sense, their use of syncopated drum patterns and synthesizer had a hidden house music background. You could say this exposure was blind; it introduced elements of dance music in a package that I could recognize and not judge right away.
From there I got introduced to another band, Kasabian. Again, although not dance music, Kasabian’s self-titled album opened me to the amazing possibilities of electronic music. I was shown that perhaps there is more to life than a guitar and a couple of chords. Soon after I discovered what I’d say was my first true dance artist that I enjoyed, Digitalism. I first heard “Pogo” at a good friend’s house and was blown away. What I heard was reminiscent of Death From Above 1979 (with the same distorted bass sound) but in a much cleaner sounding package. I loved that unique sound from DFA1979 and thought they were the only artist that had it, and I had all of a sudden found a whole genre, electro house, of artists with a similar sound.
Id say the transition was complete when I began to research the origins of Electro House. I had read more and more about house music, and discovered the classic group Daft Punk. I had downloaded their Alive 2007 album on a whim, and it was one of the most mind blowing musical experiences I have ever had. I was always used to 3-minute songs with an ending, and this was a whole album of different familiar songs chopped and spliced together to form new songs, one blending seamlessly into the next. From there on I discovered trance, and progressive house, and dubstep, and I was hooked.
So what’s the appeal? Well, first off, I find that there is much more freedom in dance music than in other styles. The main purpose of a dance song is in its description: it must make people dance. I’ve heard DJs manipulate everything, from Slipknot to Christian music to the Verve to Samuel Barber, and make people dance from it. I’ve never heard another genre that can take influence from so many other genres in one set.
One comment I often hear disparaging dance music is that it has no emotion or soul. Perhaps beauty is in the eye of the beholder, so to speak, but I find there to be a lot of emotion in dance music. Maybe not in every club banger, but I find that the dramatic build ups and come downs of dance music extrude so many feeling from me as a listener.
In addition, the different styles of dance music often have their own unique feel and sound. Traditional house music, for example, often is very uplifting in lyrical content and sound and purveys an image of glamour (the same as disco). Progressive house, on the other hand, can be a very somber sounding music, as can trance (though trance often has the ‘mind opening’ feel reminiscent of late 60’s psychedelic). Dubstep and Electro house are often more aggressive sounding, and more angry (like metal music for example).
As my tastes have grown my activities have as well. I used to be a concert guy, and would hit up Terminal 5 or Webster Hall for shows in the city, though now I find myself going to clubs more (Pacha being my favorite). I used to think clubs were full of assholes and didn’t see any fun in it, so what’s the appeal?
Clubs, first off, are a completely different environment than concerts (for those who aren’t aware). Going to a club, people generally dress their best where as a concert is more free form in appearance. A lot of people dislike clubs because of ‘bouncers’ but I can tell you from experience that I’ve never seen one person not admitted into a club because of appearance. Inside the club you’ll find something much different than you’ll see at a concert, you’ll see people giving feedback to the music, truly enjoying it. I’ve been to so many concerts where the crowd either stands there with a blank stare listening to the music or feels the need to incite a near riot because pushing during music is cool I suppose. At a club, the most important thing is that everyone has a good time, dancing all night and enjoying the company of friends, drug of choice. and most importantly the music.
So before you write off dance music please give it an honest chance. Go to a club and experience the atmosphere, listen to the songs with an open mind. The truth is it may not be too far from what you currently listen to, and who knows, you may even like it, Though I haven’t been too active at KLYAM so far I hope to post more, and will be posting EDM recommendations. So look out for my posts and I hope you enjoy!
20. Oasis – Don’t Believe The Truth
19. Army Of The Pharoahs – Ritual Of Battle
18. The Last Shadow Puppets – The Age Of The Understatement
17. Kasabian – Kasabian
16. Death From Above 1979 – Your A Woman, I’m A Machine
15. Justice – †
14. Swedish House Mafia – Until One
13. Mando Diao – Ode To Ochrasy
14. MGMT – Oracular Spectacular
12. Radiohead – Kid A
11. Mando Diao – Never Seen The Light of Day
10. Animal Collective – Merriweather Post Pavillion
9. Cannibal Ox – The Cold Vein
8. The Beatles – Abbey Road
7. The Streets – A Grand Don’t Come For Free
6. Deadmau5 – Random Album Title
4. The Beatles – Sgt. Pepper’s Lonely Hearts Club Band
3. Daft Punk – Alive 2007
2. Pink Floyd – The Dark Side of The Moon
1. Daft Punk – Discovery
Ale Forza Palermo Ale
Forza Palermo Ale
Vincere Vincere Vincere
According to various sources Palermo ( my favorite club ) are close to bringing Swiss Midfielder Blerim Dzemaili to La Favorita. President Maurizio Zamparini has essentially bought us a new midfield with Pastore, Bertolo, and now Dzemaili. Should this move happen, Palermo could possibly have the one of the most attacking starting 11’s in the league.
Possible Palermo starting 11 with Dzemaili
If any of you are like me and suffer from seasonal and/or pet allergies, look no further than Zyrtec. This shit is fucking amazing. I’m allergic to cats and dogs and I went to my aunt and uncle’s house who happen to own 6 cats and 2 dogs. I used to take Claritin which was ok ( wasn’t able to sleep while on it, and it really dried out my sinuses ) but holy shit, one Zyrtec and I didn’t feel any allergy symptoms.
So next time your looking for allergy relief, Zyrtec.
Some damn good electronica.