Classic Soundtrack Review: American Graffiti

Full Title: American Graffiti
Year: 1973
Tracks:

Side One
:
1) (We’re Gonna) Rock Around the Clock by Bill Haley & the Comets (1954)- 9
2) Sixteen Candles by The Crests (1958)- 9
3) Runaway by Del Shannon (1961)- 10
4) Why Do Fools Fall in Love? by Frankie Lymon & the Teenagers (1956)- 10
5) That’ll Be the Day by Buddy Holly (1957)- 9
6) Fanny Mae by Buster Brown (1959)- 7/8
7) At the Hop by Flash Cadillac & the Continental Kids (1973)- 9
8) She’s So Fine by Flash Cadillac & the Continental Kids (1973)- 8
9) The Stroll by The Diamonds (1957)- 7
10) See You In September by The Tempos (1959)- 10

Side Two:
1) Surfin’ Safari by The Beach Boys (1962)- 9
2) He’s The Great Imposter by The Fleetwoods (1961)- 10
3) Almost Grown by Chuck Berry (1959)- 7
4) Smoke Gets in Your Eyes by The Platters (1959)- 10
5) Little Darlin’ by The Diamonds (1957)- 7/8
6) Peppermint Twist by Joey Dee and the Starlighters (1961)- 7
7) Barbara Anne by The Regents (1961)- 8
8) Book of Love by The Monotones (1958)- 9
9) Maybe Baby by Buddy Holly (1958)- 8
10) Ya Ya by Lee Dorsey (1961)- 6
11) The Great Pretender by The Platters (1955)- 8

Side Three :
1) Ain’t That a Shame by Fats Domino (1955)- 8
2) Johnny B. Goode by Chuck Berry (1958)- 9
3) I Only Have Eyes for You by The Flamingos (1959)- 8
4) Get a Job by The Silhouettes (1958)- 7
5) To The Aisle by The Five Satins (1957)- 9
6) Do You Wanna Dance by Bobby Freeman (1958)- 5
7) Party Doll by Buddy Knox (1957)- 8
8) Come Go with Me by The Del-Vikings (1956)- 7
9) You’re Sixteen – You’re Beautiful (And You’re Mine) by Johnny Burnette (1960)- 7
10) Love Potion No. 9 by The Clovers (1959)- 7

Side Four :
1) Since I Don’t Have You by The Skyliners (1958)- 8
2) Chantilly Lace by The Big Bopper (1958)- 7
3) Teen Angel by Mark Dinning (1960)- 9
4) Crying in the Chapel by Sonny Till & the Orioles (1953)- 7/8
5) A Thousand Miles Away by The Heartbeats (1957)- 8
6) Heart and Soul by The Cleftones (1961)- 8
7) Green Onions by Booker T. & the M.G.’s (1962)- 8
8) Only You (and You Alone) by The Platters (1954)- 8
9) Goodnight, Well it’s Time to Go by The Spaniels (1953)- 7/8
10) All Summer Long by The Beach Boys (1964)- 9

Comments: This is pure, good old, fun Rock and Roll from one of the best eras of music! Since, the film American Graffiti is set in 1962 all of the music is from 1950s and early 1960s. We hear a wide variety of hits, but overall the soundtrack has a cohesive, consistent sound. Mostly hoppin and boppin rockers (“Rock Around the Clock,” “Barabara Anne,” etc.), teen oriented love and dance numbers (“Sixteen Candles,” “At the Hop,” etc.), some slow ballads (“He’s the Great Imposter,” “Smoke Gets In Your Eyes,” etc.), and best of all the advent of surf rock in the form of the legendary Beach Boys (“Surfin’ Safari,” and “All Summer Long,”), a genre new at the time of the story’s setting. For my money, this is one of the greatest soundtracks of all times and the music is perfectly placed in each scene, literally. It should be noted that the film’s use of music is significant in the history of cinema for it was the first or at least one of the first movies to strictly use populars songs as its sole soundtrack instead of a more conventional score. Nowadays, this is more common, but at the time it was unheard of. On the other hand, looking at this in terms of a record, the second half is not nearly as contagious as the first and not all the songs on here are as strong as some of the others, but I suppose that’s custom. The top tracks for me are “Runaway,” (the structure of this song is incredible, there’s at least four or five stand out, pop hooks) by Del Shannon, “Why Do Fools Fall in Love?” by Frankie Lymon and the Teenagers, “See You in September” by The Tempos, “He’s the Great Imposter” by The Fleetwoods, and “Smoke Gets in Your Eyes,” by The Platters. All in all, this is simply a great record to just kick back, relax, and rock out to!

Grade: 8/10- I highly recommend you pick this up if you’re a huge fan of early Rock and Roll and/or the movie.

Jay’s Greatest Hits?

Clearly, Jay Reatard never had any “hits,” but he had numerous memorable songs and fan favorites alike. The concept of a “Best Of” or “Greatest Hits” for Jay seems a bit odd to me, but in light of the fact that Shattered Records will be releasing one soon, I decided to make my own playlist, entitled “Best of Jay.” At first, I wasn’t sure if I wanted to go the route of his most popular songs, which is hard to measure, or simply my favorites. Ultimately I went with the latter. Enjoy! I highly recommend looking them up.

1) See/Saw (Matador Singles ’08)
2) No Time (MS08)
3) Haunting You aka “Fading All Away”- falsely listed as “Searching For You” (Singles ’06-’07)
4) I Know A Place (S0607)
5) An Ugly Death (MS08)
6) Nightmares (Blood Visions)
7) Screaming Hand (MS08)
8) I’m Watching You (MS08)
9) Oh It’s Such a Shame (BV)
10) Feeling Blank Again (S0607)
11) My Shadow (BV)
12) Hammer I Miss You (S0607)
13) Rotten Mind (Watch Me Fall)
14) It’s So Easy (BV)

I think I’ll take Glen’s tip and limit it to fourteen tracks. What do Reatard fans think? What would be your best of?

RIP Jay…

Today marks the year anniversery of the legendary Jay Reatard’s death. Looking back, I remember when Glen informed me of this tragedy, I couldn’t believe it. I thought it was just another one of his bullshit shenanigans, only to discover it was the truth. Sadly, I just started getting into Jay’s music in the six months before his passing. Luckily however, I had the privilege of seeing him live three times and particularly had the pleasure of attending a memorable show during the Shattered Records Tour. Now, a year later Jay still remains my favorite singer and my second overall favorite artist (second to the Black Lips!) and I don’t think that will change anytime soon.

Later today, Glen and I will make more Jay related posts. Stay tuned.

KLYAMer Shuffle: Chris

Neil Young– Like a Hurricane (1977)- not one of my favorites from NY, but still a great tune.

The Beatles– All You Need Is Love (1967)- The title says it all, pretty much sums up their message.

The Pogues– Everyman Is a King (1989)- I play this every Fourth of July.

The Shaggs– My Pal Foot Foot (1969)- Classic outisder art.

The King Khan & BBQ Show (2004)- Get Down- A fine track from this KLYAM favorite’s debut record.

Johnny Cash– Flushed From the Bathroom of Your Heart (live at Folsom) (1968)- Badass Cash! Folsom is the perefect setting for this song/album.

Alice in Chains– Would? (1992)- I’m glad we still hear kickass bands like Alice on the mainstream radio, since most of the time they (the radio stations) play absolute rubbish! Layne’s vocals are powerful here.

Frank Zappa– Are You Hung Up? (1968)- A bizarre opener to a bizarre album from a bizarre man.

Anti-Flag– Turncoat (2003)- Admittedly, a little bit too punk poppish for my taste at times, but still a decent tune.

Rage Against the Machine– War Withing a Breath (1999)- “Every official that comes in, cripples us, leaves us maimed, silent and tamed, and with our flesh and bones he builds his homes.” I often think of these words when a new official is elected to office, like Obama.

The Replacements– Careless (1981)- Old School, wild rowdy, Mats!

Classic Album Review: It Came From Here [1982]

Band: Boys Life
Label: SECO

Side One
1. “It Came From Here” – A
2. “Water” – A
3. “From A To Z” – A

Side Two
1. “Happy People” – A
2. “True Believers” – A
3. “Person I Want To Be” – A

Comments: Boys Life rose to prominence in the early ’80s. You must be thinking well who’s Boys Life?  They were (technically are since according to their Myspace they’ve recently reformed) a group from Malden, Massachusetts, just a few few miles from where many of us here at KLYAM call home. According to a local magazine at the time, “their rock ‘n’ roll is inspired by the 1976-1977 generation of British punkers – most specifically the recently broken up Jam.” The Jam influence is ultra apparent on this, their debut EP. Singer John Surette’s vocals recall any number of British singers. They also bear a decent similarity to Mission of Burma and comparable post-punk rockers from the area. In fact, they caught the eye of Paul Weller, who has proclaimed himself a fan of the band. They ended up opening for The Jam a few times. Props to my dad for buying this record at one of those shows. Perhaps the band’s strength was in its saxophonist Neal Sugarman. Sugarman’s sax playing served as both a source of steady rhythm and creativity, complimenting the pulsing bass guitar. Sugarman’s fine musicianship did not go unnoticed as he has played tenor for the likes of Amy Winehouse. For a short-lived band, they did get a decent amount of notice in there. This record (I’m guessing) is a rarity but it looks like they’ve made a MySpace page where you can listen to some of their older stuff. This is a local classic.

Grade: A

Truly a Master Plan

New York rockers seem to be setting the path for 2011.  Glassjaw officially released the “Our Color Green EP” to kick off the new year. As if that wasn’t enough you can visit www.glassjaw.com to hear a new song off their second 2011  EP release “Coloring Book.” This EP is only available at venues currently.

Ryan Hunter (ex member of Envy on the Coast) just released his first single with NORTH KOREA. So rather than just mourning the loss of EOTC, check this out. It’s raw, fast and kick ass!

http://vimeo.com/18138313

Classic Album Review: Survival [1979]


Band:
Bob Marley & The Wailers
Label: Island

Side One

1. “Wake Up and Live” – A
2. “Africa Unite” – A
3. “One Drop” – A
4. “Ride Natty Ride” –  A-
5. “Ambush” – A

Side Two
1. “So Much Trouble in the World” – A
2. “Zimbabwe” – A
3. “Top Rankin” – A-
4. “Babylon System” – B
5. “Survival” – B+

Comments: This isn’t Marley’s most recognizable album by any stretch, but it is ripe with politically charged and rhythmic songs. Basic, easily communicated dissident sentiments came from the mouth of Marley from “Ambush” (they say what we know is just what they teach us) to “Zimbabwe” (no more internal power struggle; we come together, to overcome the little trouble) and that’s what made the man such a legend. Survival didn’t need a “Stir It Up” or a “Could You Be Loved” to achieve greatness. There’s hardly a low point to be found on here, even “Babylon System” keeps up the groove just fine, despite being less of an immediate catch.

Grade: A-

Final Pieces of Jay’s Shattered Record Club

From Jay Reatard’s Official Website

The final pieces of the Jay Reatard Shattered Club are in manufacture and will be ready to be shipped in 2-4 weeks.

We had promised an original 7″ exclusively for Shattered Club members. Two days before Jay passed away he recorded two songs at home: “You Get No Love” and “I Am Growing.” They were to be his final recordings. They have never been heard before now. We have pressed these songs onto a 7″ and it will be available only to you. It will not be for sale in any shops, not given to blogs for free download, and will not available digitally. Inside the 7″ you’ll find a personal note written by Jeffrey Novak.

We had promised a live 7″ exclusively for Shattered Club members. Instead we are sending you a full live album from an incredible set at the Golden Plains Festival in Australia in 2008. This is a full-length 14-song LP, again only for Shattered Club members.

We had promised a t-shirt exclusively for Shattered Club members. Nicholas Gazin, the artist who created the images for Jay’s final tour – The Shattered Records Tour – has painted a watercolor that we are printing on t-shirts. This will only be available to Shattered members.

Shattered Club members have also received Watch Me Fall on CD or LP, and MP3s ofWatch Me Fall, the 25-song Greatest Messes: The Shattered Club Edition, The Reatards’Teenage Hate, Jeffrey Novak’s “Home Sweet Home” and Hunx & His Punx’s “Teardrops On My Telephone.” We will also be sending  MP3s of the final Shattered Records 7″ from Useless Eaters entitled “Hear/See.”

Expect more goodies at random in these packages, including test pressings, Shattered Tour t-shirts, and other items we have been saving up.

In 2011 there will be a full slate of Jay releases, including a feature-length documentary film, Reatards and Lost Sounds reissues, and a definitive greatest hits record.

Thursday is first anniversary of Jay’s passing.
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There is a link to buy a $75 subscription to the SRC and receive all of the above goodies, but it says there is no shipping to the US. Hopefully that was just an error or there will be eventually.
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Boston based shows/fests – DIY, punk, noise