Category Archives: Video

My Favorite Singers


In no particular order after the first few.

1) Jay Reatard
2) Mark Sultan
3) Black Lips- Jared Swilley, Cole Alexander, Joe Bradley
4) John Lennon
5) Joey Ramone
6) King Khan
7) Zack De La Rocha
8) Bradford Cox
9) Kurt Cobain
10) Beat Happening- Calvin Johnson and Heather Lewis
11) Roy Orbison
12) Paul McCartney
13) Lou Reed
14) Lou Barlow
15) Freddie Mercury
16) Paul Simon
17) David Bowie
18) Seth Bogart aka “Hunx”
19) Paul Westerberg
20) Morrissey
21) Clayton McIntyre
22) Dean Allen Spunt
23) Jim Morrison
24) Roger Daltrey
25) H.R.
26) Glenn Danzig
27) Jello Biafra
28) Maynard James Keenan
29) Thom Yorke
30) Johnny Cash
31) Tammy Wynette
32) Patsy Kline
33) George Jones
34) Johnny Rotten
35) J Mascis
36) Michael Nau
37) Animal Collective- Panda Bear and Avey Tare
38) Nathan Williams
39) Bobby Vinton
40) Karen Carpenter
41) Dean and Gene Ween
42) Darryl Palumbo
43) Sonic Youth- Thurston Moore, Kim Gordan, and Lee Renaldo
44) Pixies- Black Francis and Kim Deal
45) Ian Mackaye
46) Steve Albini
47) David Byrne
48) Ronettes
49) Supremes
50) Beach Boys- Brian Wilson, Carl Wilson, Mike Love
51) Tom Gabel
52) Conor Oberst
53) Win Butler
54) Bob Marley
55) Leonard Cohen
56) Elvis Presley
57) Daniel Johnston
58) Perry Farrell
59) Elliott Smith- can’t believe I haven’t mentioned him yet!
60) Nick Cave
61) Frank Zappa
62) The Nightwatchman (Tom Morello)
63) Alex Turner
64) Shane MacGowan
65) Chino Moreno
66) Jesus and Mary Chain- Jim and William Reid
67) Meat Puppets- Cris and Kurt Kirkwood
68) Christopher Owens
69) Kip Berman
70) Milo Aukerman

I’m probably forgetting many others….

Belated Album Review: (500) Days of Summer

Full Title: (500) Days of Summer
Artists: Various
Year: 2009
Label: 20th Century
Tracks:
1) “A Story of Boy Meets Girl” – Mychael Danna and Rob Simonsen
2) “Us” – Regina Spektor– 9/10
3) “There Is a Light That Never Goes Out” – The Smiths– 9
4) “Bad Kids” – Black Lips 10!!!
5) “Please, Please, Please Let Me Get What I Want” – The Smiths – 9
6) “There Goes the Fear” – Doves-9/10
7) “You Make My Dreams” – Hall & Oates- 8
8) “Sweet Disposition” – The Temper Trap – 10
9) “Quelqu’un m’a dit” – Carla Bruni- 8
10) “Mushaboom” – Feist- 8
11) “Hero” – Regina Spektor- 8/9
12) “Bookends” – Simon & Garfunkel – 10
13) “Vagabond” – Wolfmother- 7/8
14) “She’s Got You High” – Mumm-Ra- 8
15) “Here Comes Your Man” – Meaghan Smith – 9
16) “Please, Please, Please Let Me Get What I Want” – She & Him- 8

Comments:
First things fucking last, this review will be centered on the actual record itself and not the placements of the songs in the film, which for the record (no pun intended lol) is executed quite well. Ok, so here we have a great ensemble of “Indie” pop artists with music that reflects the various themes of love and loss in the gem, (500) Days of Summer. Things kick off with Regina Spektor’s spectacular “Us.” I really dig her vocal range and the odd nature of her singing; yet despite its idiosyncracies the song still feels very pop like and indeed catchy. Being a huge Smiths fan, I enjoy their offerings on here. I admire Zooey Deschanel and her group She and Him for covering “Please.” Naturally, it does not match the original, but it is not too far off and in fact, some of it’s flaw (though it has very little flaw) is due to it sounding too much like the original and not really venturing in its own direction. I appreciate the fact that my favorite band, the Black Lips (like y’all didn’t know!) are receiving more exposure with the inclusion of their triumphant song, “Bad Kids.” Those that like this ditty, please check out the rest of their discography. Check it out on here! Alright, that’s enough KLYAM promotion midway into a review. “There Goes the Fear” (Doves) and “Sweet Disposition” (The Temper Trap) rank as some of my favorite tracks and definitely some of my favorites of recent times. I feel like those two songs, especially, the latter have hit potential, if they are not big enough already. Simon and Garfunkel’s “Bookends” completes the coming of age, twenty-something feel of this album/film and Meghan Smith’s cover of the Pixies’ “Here Comes Your Man” is amazing and truly brings out the tune’s pop hooks, even more than the original. All in all, one of my favorite soundtracks from one of my favorite films.

Grade: A/A-

Classic Film Review: Slacker

Full Title: Slacker
Director: Richard Linklater
Year: 1991
Fun Facts: “The average movie has 500-1,000 cuts in it. This movie only has 163. And almost a third of them come from the last five minutes during the super 8 film scene.” and “Was the movie that directly inspired Kevin Smith to become a filmmaker; inspired the movie Clerks. (1994).”- http://www.imdb.com/title/tt0102943/trivia
Comments:
I’m not one to jump on this or that marketing ruse, but in this rare instance, the so called “Generation X” phenomenon of the early 90s seems pretty damn accurate in Slacker, the 1991 debut of the gifted writer/director, Richard Linklater. From start to finish, this entire flick is simply scene after scene of random, anti-climatic, yet infinitely fascinating (at least to me) conversations from lazy, twenty-something layabouts in the city of Austin, Texas (Linklater’s hometown). To most folks this film is probably tedious or simply too boring. There are no sequences of action or really drama of any kind. The film basically offers the viewer a slice of everyay Austin life for these quirky, colorful characters. The scenes have no connection to one another (in the narrative sense) and no character appears more than once, at least to my memory. In many ways each scene is its own short film that one could view on its own or as a collective with the other scenes. All of these little stories are tied together under the overall theme of apathy and reluctance to get one’s shit straight, so to speak. Because this film is unorthodox in this manner, it will surely turn off most viewers. For dialouge based film junkies like me, I find it to be a unique and intriguing movie. Characters that stand out to me specifically include an aging, kind hearted anarchist that sports a framed phot of Leon Czolgosz on his wall, a enthusiastic Kennedy Assasination theorist, a fierce “anti-artist,” amongst other characters. Honestly, I can’t say much bad about this film; it is what it is and for me, I seriously do not find it even a tad bit boring, but then again, I suppose Linklater could have thrown in a thing or two to grab everyone’s attention. On the other hand, his laidback filmmaking (in this picture) and/or storytelling stands as an astonishing reflection of the lifestyles of the people he is depicting.

Grade: A-

High Praise for High Art

This is somewhat of a Question of the Week sorta… Ok, so can anyone think of a band or an artist that has consistently put out high quality, evolving music for decades? For my money, Sonic Youth probably beats them all. In fact, I have often proclaimed them to be the most “successful” band of all time, but that’s a whole other story. Certainly some SY albums are stronger than others, but overall, they have an initimidating discography consisting of nearly thirty years worth of material. Very, very few bands can boast such a claim. So, what do others think? What other artists do you feel should be mentioned? Do they rank higher than SY and Why? You know where the comment section is. Peace.

The Simpsons!

Classic Review: Locust Abortion Technician

Artist: Butthole Surfers
Full Title: Locust Abortion Technician
Year: 1987
Label: Touch and Go/Latin Buggerveil
Tracks:
1) Sweat Loaf– 9
2) Graveyard- 8
3) Pitsburg to Lebanon- 7/8
4) Weber- 5
5) Hay- 7/8
6) Human Cannonball- 8
7) U.S.S.A.- 8
8) The O-Men-7
9) Kuntz– 9
10) Graveyard- 8
11) 22 Going on 23- 8/9

Comments
: Early Butthole Surfers equals Music made for, by, and of heavy psychedelic drug use and Locust Abortion Technician is no exception. This is the pinnacle of the Buttholes’ highly experimental music. They dabble in Punk, Heavy Metal, Noise Rock, and definitely psychedlia. Without a doubt this is the group’s best offering up until then and since. I really dig the humor and chaos of “Sweat Loaf,” it is certainly a fantastic opener and really sets you up for what is to come. “Kuntz,” a remixing of an old Thai song and “22 Going On 23,” a disturbing/awkwardly amusing recount of a sexual assault case and its effects on the victim, round out my favorite tracks on this record. Overall, this is the kind of album that should be heard for its experimentation and the overall sound collage, oh and yeah, also for you and your pals to giggle and say “WTF?!!!” Turn it up at loud volumes, blast it as high as you can and freak out the whole neighborhood! In short, I feel like this serves better as a handbook for those who want to make experimental music, rather than an album you listen to again and again. With that being said, it is quite listenable and worthy of praise for it’s somewhat brave and unquestionably unique style. Basically, the Buttholes entered the studio and fumbled around with what they had (which was limited), took tons of acid (amongst other substances I can imagine) and ultimately created a really cool, trippy experience for all of us music lovers.

Grade: B

Classic Album Review: Superfuzz Bigmuff


Artist: Mudhoney
Full Title: Superfuzz Bigmuff plus Early Singles
Year: 1988 (recorded), 1990 (released)
Label: Sub Pop
Tracks:
1) Touch Me I’m Sick– 10
2) Sweet Young Thing (Ain’t Sweet No More)– 9
3) Hate the Police (The Dicks)- 8
4) Burn It Clean- 8
5) You Got It (Keep It Outta My Face)– 9
6) Halloween (Sonic Youth)- 8
7) No One Has- 8/9
8) If I Think- 8
9) In “N” Out of Grace– 9
10) Need- 8
11) Chain That Door- 7/8
12) Mudride- 7/8

NOTE: “The album contains the entire Superfuzz Bigmuff EP, the A-sides and B-sides of 2 singles, and 2 covers from split singles with Sonic Youth and The Dicks.”- Wikipedia.

Comments:
For those of you youngsters out there that are strugglin’ with the ladies, here’s a new pick up line for y’all to try out. Tell em’ “Touch Me I’m Sick!” So, after you get clocked in the face, grab a case of beer and get rowdy with this sucker. Here we have the legendary Mudhoney at their muddiest. Loud, fuzzy, muzzy guitars, pouding drums and the distinctive, apathetic drone of singer, Mark Arm. These songs have that filthy feel to them, but at the same time the riffs are memorable/catchy and Arm’s vocals are pretty damn clear, especially for this kind of music. As we all know this became the template for the Seattle Scene and what would become known to the rest of the world as “Grunge” (yes, I hate the term too, but it’s useful as a point of reference). This record and this band are without a doubt influential, but a tad bit overrated. Don’t get me wrong, most of the songs on here are good, it’s a very good record, but there are only a few great, stand out tracks, and yes they are exquisite. “Touch Me I’m Sick,” is fucking great for headbanging and I can imagine moshing; as a whole Mudhoney is great for an intoxicated state, particularly “Touch.” It’s a classic for a reason, well many reasons. Of course sonically it showscases the garagey Seattle sound better than any other tune in their catalog, but for me, the lyrics and presentation of those lyrics are also extremely vital. It’s a song I can relate to, a different kinda love ballad, if you will. You see it’s the honest male emotion that’s key here- “I’m a creep and I’m a jerk”- Arm’s nastiness and brutal delivery turns girls off, while spineless blokes like John Mayer sing about your daughter and tell the females exactly what they want to hear, so they can love him, at least they used to. But enough of that ranting and raving, “Touch” is complemented by its B-Side, “Sweet Young Thing,” which is the second track on this compilation, making it one of the greatest singles of all time. “In ‘N’ Out of Grace” is certainly one of my favorite tracks and exemplifies the group’s excellent guitar playing; one of the best riffs I have ever heard. All in all, this is a really good record, but not exceptional. I feel like Mudhoney is more of a “sound” band, like they have a great sound to almost all of these songs, but for me to love this thang, I need more fabulous tracks. It’s definitely worth a few listens and if you like “grunge” music, then well, you suck if you haven’t heard this and shouldn’t call yourself a fan of said style, but I’ll give you a break and let you listen to this and impress your average mainstream listening friends.

Grade: B+