Category Archives: Video

Concert Review: Black Lips, Box Elders, Movers and Shakers @ Middle East Downstairs (3/25/10)

Bands: Black Lips, Box Elders, Movers and Shakers
Venue: Middle East Downstairs (Cambridge, MA)
Date: Thursday, March 25, 2010

Pre-Show: Once a year or so the Black Lips come to town. For me, Chris, and all big fans of the best band in the world, a Black Lips show is always highly anticipated. 2 months away! 1 month away! 2 days away! The day! The excitement builds intensely and progressively as the day nears. This time around was special though; Box Elders, openers for Jay Reatard at Harpers Ferry in October and favorites among Chris and I, were opening for the Lips! So we arrived at our favorite venue, the Middle East Downstairs, way before doors opened to secure a cozy spot in front of what would be Jared Swilley’s stage monitor. Doors at 8. Show at 9:30. We’re used to that. I always thought that was kind of lame, but not on this night. Chris spotted what he thought were the Box Elders hanging around the merchandise table at back. He was right. First, we killed a good deal of time chatting with Clayton, the long blonde hair guitar player and singer. Clayton explained to us, amongst many things, the meaning of a couple of songs like “Ronald Dean” and “2012.” Chris pointed out his particular admiration for “Atlantis” calling it his favorite and Clayton agreed with him on that account. He also said that his mother was NOT the drummer for Box Elders in the early stages. All she did was sing. The internet is wrong! After a short little break from discourse, we spoke to another member of the Box Elders, drummer Dave Goldberg. Our conversation with Dave was another great one and included a short discussion about Our Band Could Be Your Life and the late great Jay Reatard.

Movers and Shakers: Pretty boring. Some pretty good songs, but still pretty boring.

Box Elders: They are one of our favorites because they play brief and incredibly catchy ditties. They don’t fuck around. If the drum beats aren’t good enough for you, then you are a sad sad person. Dave has incredible command of his set and his left side organ, which doesn’t sound as apparent as it does on record, but is definitely pretty damn obvious and fun. As I’ve said before, just watching Dave do his aerobics and drumstick biting is a joy. Listening to the songs themselves, I felt, at the moment, as if Box Elders were the main act. The crowd certainly got more into Box Elders than pretty much all other openers I’ve ever seen. Whether they actually knew the songs is a different story, but whatever! They played all my favorites, which is pretty much every song on Alice & Friends. The most memorable song for me was “Hole in My Head” for no particular reason. “Atlantis” and “Jackie Wood” were just as entertaining as well. I’m just eagerly anticipating the next Box Elders show! Hopefully it will come sometime this year.

Black Lips: Chris and I were having some discourse after the show about watching the Black Lips from a non-moshing/standing view. I looked yesterday and somebody put up a video of a recent Lips Canadian show and had in the description that the boys are getting sloppy. Accusations of their alleged musical sloppiness have been tossed around for years, be it from Raconteurs fans or sidelined cinematographers. Screw all that garbage. You haven’t seen a Black Lips show until you’ve been in the center of crowd craziness. Great tunes and fun times. As customary, the guys opened with “Sea of Blasphemy” which instantly started up the chaos amongst fans. After that they played two tracks off their most recent release 200 Million Thousand, “Drugs” and “Short Fuse.” That was it for 200 Million Thousand cuts and nobody really seemed to give a shit, considering they toured behind that last year and played more numbers from that release at that time. They made up for not playing “Take My Heart” or “Starting Over” by performing B-Side “Make It” along with “Raw Meat” (which will be off their forthcoming release). As far as their 2004 We Did Not Know The Forest Spirit Made The Flowers Grow LP is concerned, they played “Stranger,” which I did not expect. Of course, they ended their set off with usual classic “Juvenile.” More on that in a few sentences. Magic time, another staple in Black Lips live performances, began with the playing of “Hippie Hippie Hoorah” and never really ended to be honest. It was all magic at that point. The band loves re-hashing Let It Bloom/Los Valienteles Del Mundo Nuevo classics and this night was no different with “Not a Problem” (my favorite Lips song!), “Take Me Home (Back to Boone)”, “Fairy Stories,” “Dirty Hands,” and “Buried Alive” all played. As far as Good Bad Not Evil is concerned, we got to enjoy a few really great pieces like “O Katrina,” “I Saw a Ghost (Lean),” “Lock and Key,” “Cold Hands,” and the Lips most recognizable track in catalog: “Bad Kids.” By the time the first chords of “Juvenile” were struck, I was sad! The Black Lips were potentially playing their last song until next time. I had memories of last year when Ian handed beers to us, Jared crowd surfed, and the worst: security getting all uppity and dismantling all equipment on stage at the end of “Juvenile,” before the band could even come back. Normally one to just hang back and watch others climb on stage or do whatever, I decided mid-song to pull myself on stage and jump off. I was expecting this song to be the band’s last (if last year was any indication) so why not? Well, security got really pissed and got me down from people’s hands. He walked me over to the exit, but instead I made a little turn to the merch table where who else but Dave from Box Elders was sitting! Dave kindly explained to security that I was with his band and that it won’t happen again. After sitting the rest of the song out, I made my way to the front as the Lips were coming out of the back room to play the Encore. And what an encore! We got surprised with “Ghetto Cross,” a We Did Not track which one can only expect to be a live rarity, as well as a brand new ditty. That was it. Side note: this was definitely one of the most exhausting and rough concert experiences I’ve had. The crowd was as tightly packed as can be and there was a tremendous amount of contact amongst all of us. That’s fine, though. We’re troopers.

Post-Show: Fun stuff didn’t end there. Chris got to chat with Cole and Joe after the encore and I got to hang with Dave behind the merch table. He said that that night was the best of the tour, performance wise and merch sales wise. He also hooked me up with a customized Black Lips t-shirt, personally painted and presented to me by Lips very own guitarist and vocalist, Cole Alexander. Cole’s the man. Dave’s the man. I’m very grateful of their showing of kindness to a random fan.

Grade: A+ – I’m not going to lie. I don’t remember much of Black Lips set and only fragments of Box Elders set. Nevertheless, I knew I had fun. I had a lot of fun…pre, during, post. Best concert experience? Definitely. There weren’t as many song memories as in past shows, but based on everything else it’s the best I’ve had.

Chris– Yep, Glen pretty much covers my sentiments. It was absolutely the greatest concert experience! To me, concerts are measured musically, viscerally, visually, and as an overall experience. I’d say the viscreal is the key ingredient in the memorable concert dish. That’s the difference between most seated concerts and “crazy” shows like the Black Lips. It’s like an altered state of consciousness, for me at least, for others this is literally the case! Seemingly, time is suspended and everything is possible. You feel more alive than ever. An amazing feeling. If you have experienced viscreally, what I am speaking of, and if you attended last Thursday’s show and was amongst the fun, wild, bedlam, then you know what I’m saying. I’m making no exaggeration, when I say, you do not know what will happen next. That’s exactly the appeal, and yeah sometimes it’s a challenge, sometimes you get thrown back and forth and lose your spot, or sometimes you can rest your head on a smokin’ femme :) I can’t imagine it any other way. And what better a band then the Black Lips to experience this visceral abandoment with?! In short, the Black Lips are synonimous with Rock and Roll today. They are our Beatles.

P.S. Box Elders rocked as well and if I had only seen them it would still probably be amongst my top ten favorite shows.

Concert Review: Spoon, Deerhunter, Strange Boys @ House Of Blues (3/27/10)

Artist(s): Spoon, Deerhunter, Strange Boys
Venue: House of Blues, Boston, MA
Date: Saturday, March 27, 2010

Note: Glen and I basically came to see the Strange Boys and Deerhunter, the opening acts and some of our current favorites, not to discredit Spoon in any way, but this was most likley different from other concertgoers.

Act I: Strange Boys– These garage rockers, for lack of a better face, excuse me, word, were one of the tightest bands I have ever seen live. Considering, their garage label, one would think they were sloppy and what have you like the Black Lips (not an insult!). But, in fact, quite the opposite, the band actually resembled their recordings pretty damn well. I suppose this is kind of a weakness, because live performances are naturally better when they are different from their recorded counterparts. But, then again, the boys were rather entertaining. They played several classic dittties, such as “Woe Is You and Me,” (my favorite SB tune!) “Should Have Shot Paul,” “Be Brave,” “A Walk On the Beach,” and others. ‘Woe’ was nearly perfect; the vocals were astonishingly accurate (if you know what I mean) and the guitars roared in unisen as we all know and love it. ‘Walk’ showcased SB soft side; seriously no fucking up the vocals or anything! and the crew exceptionally erupted into the heavy part of the song. Unfortunately, it seems like most kiddies and oldies in attendence were unaware of SB existence and during the soft part of the latter number, you could hear some creeps chi chi chi chatting away. Boring fucks! Looking back, the group did a great job, that I did not fully appreciate immediately due to their somewhat short set, under 30 minutes (at least through a fan’s point of view) and the fact that they did not play as many of my favorites as I expected them to. Overall, it was great and they are now amongst the kickass artists I have seen live.

Glen: Exactly what Chris said. Also, I can’t wait to see them headline someday (or open again).

Act II: Deerhunter– LOUD! and when I mean loud, I mean reverberate through your mind, body and soul and shake real low inside the lowest drums of your ears. Seriously, loudest band I’ve ever seen! and this time, unlike Dinosaur Jr, I was standing right next to the speakers lol. It was an incredible audio assault, real gorgeous, sonically and visually. The lights were fantastic and nicely complemented the bizarre music/performance, which, by the way, was easily the most technically sophisticated performance I have seen live, with Sonic Youth as the only contender. Singer/guitarist, Bradford Cox, the “nicest guy in Rock and Roll,” as Glen calls him, demonstrated some serious skill in the field of showmanship. This included, direct eye contact, hiding behing his guitar, then pretending to gobble it up, whilst posing for the cameras, and don’t forget that he loves Boston! as he proclaimed numerous times. Musically, Cox and crew played some Cryptograms tracks, but mostly Microcastle songs including “Never Stops,” “Nothing Ever Happened,” and the title track. Unfortunately, they didn’t play many of my favorites and they played nothing from their last release, the EP, Rainwater Cassette Exchange. The Atlanta rockers finished their exqusite set with the classic, dance track, “Operation.” Deerhunter was definitely my favorite from the night, no surprise. I can’t wait to experience their Supreme Genius again.

Glen: Loudest for sure. Bradford was the man. All members of the band were. Drummer Moses Archuleta really pounded hard and with fine precision. My favorite two songs were “Nothing Ever Happened” and “Operation.” “Nothing Ever Happened” was awesome because it was loud and featured an extended jam. “Operation” was just pure dance-rock or dance-punk. It’s way better live than on record.

Act III: Spoon– Not being a fan of Spoon (actually never listening to them prior to the show), I don’t have much to say here. I enjoyed their performance very much and I thought they were quite entertaining and displayed the right chops as a great Rock act. I could tell the crowd was really engaged with their performance and the musicians were equally interactive with their audience. Usually, with most bands I see live that I don’t know well, I lose interest, but with Spoon, I appreciated what I was seeing/hearing and greatly admired their performance.

Glen: I agree with Chris. I was really only vaguely familiar with Spoon prior to this show. I feel like it’s a must for me to research their earlier discography because there were definitely some songs that connected with me during this show. Even the new stuff off Transference, which was a decent at best studio album, sounded much much better live. Songs that stuck out to me (ones that I knew from before and/or caught my attention) were “You Got Yr. Cherry Bomb,” “Got Nuffin’,” “Don’t Make Me A Target,” “Written in Reverse,” “Don’t You Evah,” “Who Makes Your Money?,” “I Turn My Camera On,” and opener “Before Destruction.”

Set-List:

    1. Before Destruction
    2. Nobody Gets Me But You
    3. Rhythm & Soul
    4. You Got Yr. Cherry Bomb
    5. They Never Got You
    6. Stay Don’t Go
    7. Vittorio E
    8. Got Nuffin’
    9. Metal School
    10. Don’t Make Me A Target 
    11. Written In Reverse
    12. The Beast And Dragon, Adored
    13. Don’t You Evah 
    14. Who Makes Your Money
    15. I Summon You Play Video
    16. Trouble Comes Running 
    17. I Turn My Camera On
    18. The Underdog
    19. Encore:
    20. Is Love Forever
    21. Finer Feelings

Grade: A, definitely this will go down in my top ten favorite concerts! A night of three highly diverse, exciting, independent artists, what more can you ask for?

the Black Lips! but we saw them two days earlier suckas!!!

Glen: I haven’t figured it out yet, but this is definitely a top show. In the A/A- range.

Chris

Classic Album Review: Lost Sounds

Artist: Lost Sounds
Full Title: Lost Sounds
Year: 2004
Label In the Red
Tracks:

1) There’s Nothing- 9
2) Destructo Comet- 9
3) I Get Nervous- 9
4) Clones Don’t Love- 9
5) I Sit I Watch I Wait- 8
6) Ophelia- 8
7) Your Looking Glass- 8
8) Let’s Get Sick- 8/9
9) And You Dance?- 8
10) We’re Just Living- 8
11) Mechanical Feelings- 9
12) Bombs Over M.O.M.- 9

Grade: A
Comments: I’m always glad to hear “new”- meaning music I’ve never heard before- material from my favorite artists. Being a massive Jay Retard fan, I had to check out his earlier, Synth Punk band, The Lost Sounds. This was their last record and it is simply a delight. Much of it sounds nothing like Jay’s previous and later works. This is obviously due in part to the excessive (in a good way!) use of keyboards and vocalist/guitarist/synthist lol, Alicja Trout. “There’s Nothing” is a solid opener and sets the mood for the rest of the album. In fact, the songs do not really vary in sound/presentation all that much, but I do not see that as a flaw, it works very well here. The songs nicely flow into one another, creating an entire experience, rather than simply some songs thrown together, which often happens with other records. With that being said, the best tracks are at the beginning and the end, as indicated above. Most of this record, as I mentioned before, to me, does not resemble other Reatarded music, but the track “Mechanical Feelings” really does, especially the lines “don’t count me out, don’t count me out, I’ll scream and shout, don’t count me out.” The “ohh no no no, they won’t get me, they won’t get me” in Jay’s “Waiting for Something,” but faster and more intense. Anyone? Well, for me they sound alike. The LP concludes with the triumphant, “Bombs Over M.O.M.” one cannot help but chant along to the impassioned chorous, “All the Walls are Falling, Falling DOWN!” Trout then continues to sing, “FALLING FALLING FALLING….” for what seems like an eternity. Excellent closer, one of the best I have ever heard. Most closers are weak, in my opinion, parce que, they make overly ambitious attempts to floor the listener with an EPIC! ending. BOM is just right. This record honestly sounds like it could be a follow-up to 2009’s Watch Me Fall , if Jay added synth and a feamle vocalist. In other words, it’s nothing like his earlier Reatards work and in some ways sounds futuristic, if you will. All in All, I recommend this to Jay fans and anyone else. It’s KLYAM RECOMMENDED, but I’m not grabbing that little logo lol.

Chris