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Review: The Orwells & Palma Violets @ Brighton Music Hall (5/6/13)

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Bands: The Orwells, Palma Violets
Date: Monday, May 6, 2013
Venue: Brighton Music Hall (Brighton/Allston, MA)

Before I kick into this evening’s performances, let me flash back a few months to Wednesday, February 27. The Orwells, an up and coming rock ‘n’ roll band from Chicago, made their live debut in Boston at T.T. the Bears, where my KLYAM co-conspirator, Glen, a long-time Orwells fan/early supporter (https://klyam.com/2011/01/31/band-spotlight-the-orwells/) was enthusiastically in attendance and ecstatic to finally meet the men behind one of his favorite bands. Local pizza punks, Nice Guys opened. It was a great show (https://klyam.com/2013/03/03/concert-review-the-orwells-tt-the-bears-22713/) or so I am told, for I could not be in attendance that night. Alas, for the last few months Glen has had the bragging rights to say he’s seen The Orwells live and I have not. Now, as the Spring semester is coming to a close, I am outside the realm of academic requirements and ready to take in one of the music world’s most promsing bands: The Orwells

Not to make it seem like The Orwells are this untouchable force, they are actually just mellow, fun loving dudes, appreciating their time on the road, being able to play for fans – new and old – and spreading the gospel of Black Lips stylized rock ‘n’ roll. Like last time, as Glen noted, the boys are playing a quick round of pool before they hit the stage. I briefly chat with Mario Cuomo (vocals) and Matt O’Keefe (guitar) and we discuss the Chicago punk scene/HoZac Blackout Fest, their current tour with Palma Violets, and opening for our favorite band, the Black Lips this past New Year’s Eve at One Eyed Jacks in New Orleans (http://artofcl.com/features/photos-nye-black-lips-king-louies-missing-monuments-orwells/).  But, before diving too in depth into a conversation, Matt politely says, “alright man, I’m going to do my thing, we’ll talk to you after the show.” Five minutes later, The Orwells  are up on stage.

They blast right into Remember When classic, “In My Bed.” The whole band rocks like they are seasoned veterans, it is nuts to think that this is a band that formed just a few years back. The quality sound system (minus the vocals, which aren’t bad, but could be better) further amplify the loud, firece delivery of The Orwells.

Lead vocalist, Mario Cuomo best captures the rock’n’roll/garage attitude of the band. He is an energetic performer and he never slows down for a moment. His charisma brings even more life to the group’s already vibrant songwriting. Mario rolls his eyes back like they are two inches away from dropping out of their sockets. His showmanship nicely complements his vocals, which are naturally loud, baritone, almost doomy. Unfortunately, the mics are not nearly loud enough to capture his vocals and other members of the crowd agree with me on this account. You can hear pretty much everything he sings, but I want it to be a bit higher. Overall, not a big deal and merely a flaw of the PA, not the band.

My favorite part of the show is when they play my top Orwells song, “Halloween All Year,” a slow, epic ballad that shows how Orwells can expand far beyond the typical, youthful garage band making noise. It’s like a dark, slow dance number from a derranged 50s-60s pop group meets the poppiest cuts from New England based garage rock revivalists, The Migs and Atlantic Thrills. The band also plays a new song entitled, “Other Voices,” which can be heard here – http://www.youtube.com/watch?v=uS9VrCmM3iI. This is one of the quintet’s best songs to date, drawing comparisons to crisper, cleaner sounding “garage” bands such as Arctic Monkeys, The Strokes, and The Libertines, while still maintaining some punk slime flavor, perhaps easier for a Spaceshits fan to digest. The band closes with a cover of The Stooges’ “I Wanna Be Your Dog,” and to quote a fellow attendee, “What else can you ask for?” Gentlemen, well done.

We came to see The Orwells. Just to make that clear to anyone reading this. We don’t know much about Palma Violets, but it’s only 10 P.M. why not stay for the headlining band?

Palma Violets are a UK based rock band, and I stress rock. No “and/’n’ roll.” If rock ‘n’ roll is like The Ramones soaking up the sounds of the 50s and 60s with bubblegum, surf, and garage, then just plain rock is like hard rock or to be pejorative, generic rock. That’s how I feel about Palma Violets. Very generic, too commerical sounding, almost like wannabe rock stars or wannabe Arctic Monkeys or Editors. They appear to be too in love with themselves, like this is the greatest rock and roll show ever! I appreciate the enthusiasm, but I am not feeling it. I feel no connection with these songs at all. Most of the crowd, however, does. People mosh and dance and sing along to the songs of the apparently great Palma Violets. It looks like a mini soccer riot on the dance floor of the Brighton Music Hall. Seriously, one of the most enthusiastic, yet small, crowds I have seen in a Boston club. Despite my apathy, Palma Violets put on a fun show (for the fans) and they crowd surf and play their instruments in the crowd at times, and I’m jealous. I’m jealous that I can only muster a few headbangs, for this isn’t The Migs, this isn’t my music. Or as the English would say, this isn’t my cup of tea.

Here’s a video of The Orwells performing “Mallrats (La La La)” from their last Boston show at T.T. The Bears (2/23/13).

Art, concert review, Local Music, Music, Nice Guys, pictures, Punk, reviews, Video

Review: Nice Guys, Teenanger, The Soupcans, Thigh Masters @ Discovery Zone (4/12/13)

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Bands: Nice Guys, Teenanger, The Soupcans, Thigh Masters
Date: Friday, April 12, 2013
Venue: Discovery Zone (Allston, MA)

Thigh Masters – Correct name? I hope so. Thigh Masters aka Kurt opens the festivities with some mind bending one mon noise.  Noise – kind of a vague term, but I think noise enthusiasts would dig this. It certainly is loud, so I will call it noise to make it easy for all of us. Kurt Thigh Masters plays guitar and I believe he is accompanied by a drum machine. He also wears a mask and within this mask is a microphone attached to Kurt’s mouth a la Lightning Bolt/Black Pus. I’ve never seen this set up before, so that’s a plus. With that being said, I feel like I’ve seen this performance before and I’ll see it again, just different names. That isn’t to say it’s bad. Kurt Thigh Masters is cool and any local venue/DIY space would be happy to have him.

Soupcans – I’ve always loved Canada. Only been there once and like a good, little American I watched pornography on late night television and ate McDonalds every day. I also bought a present for my grandmother. Soupcans are from Toronto and they are tall, kind-hearted gentlemen. They too enjoy icy cold beers, rock ‘n’ roll music, and perhaps late night pornography and fast food. They will shotgun a beer with your brother, make love to your sister, but when they come home at night they’ll kiss their mothers, and I’m positive that when they are away they buy gifts for their grandmothers.

Fine gentlemen, who aggressively knock your ass out cold on the dance floor with their punk rock music that just greeted my ears in recent weeks. The nicest guy in Allston, Matt Garlick (shake his hand, buy him a drink, give him a high five) introduced me to the mighty Soupcans at approximately 9 P.M. on Friday, March 15, 2013. Fresh off a Nice Guys/Fagettes tour himself, Garlick spoke of a band heading on tour to Boston in the following month. Not usually one for band recommendations, I didn’t know what to expect. I know the guy that recommends bands all of the time doesn’t like band recs, Slutever. What happened next, however, was “a great moment in rock ‘n’ roll history.” Only hearing half of what Garlick said, I was instantly hooked when he mentioned that one of the Soupcans (at this point I thought he was saying “suit cans” too) sings through a beer can! And then when I found out that they were Canadian, my God, that’s it. No more descriptions needed. Perfect band rec. Most kids will tell you something along the lines of “they’re post-punk fused with psych garage punk.” No! We all do it though. But, beer guzzling, swinging, rowdy, Canadian nuts is all I need. It planted an image in my head of the almighty Soupcans. Bandcamped it up and here I am now. Ready to rock ‘n’ roll and you can’t erase those words from history.

Jumping back to this evening, Soupcans open with “Shocked,” a pulsing slammer that shows off the trio’s (classic guitar, bass, and drums y’all) ability to produce fast, pummeling, difficult to describe, but undeniably catchy, raw, punk. Punk in the purest sense. Bestial, no nonsense, straight to the point, simple, but not dumb. No fancy smanchcy bullshit, but not sloppy either, you’re gonna wanna kiss and tell after seeing this band. Lead singer Dave’s vocals are monotone, reminding me of hardcore punk legends, DOA and Joey Shithead’s vocals – also Canadian! Low, baritone, monotone  but simultaneously chaotic, exciting – shouts and screams that captivate my heart. The guitars smoothly roar like a serial killer that poetically hacks his victims to death. Right up in your face – raw – but calculated like the work of Jay Reatard in just about all of his bands. The drums are equally frenetic, drummer Gideon slams his kit with extreme precision, kind of feels like my attempts at playing drums, the thrill of hearing the stick smack the snare drum like a slap across the face, except this guy actually knows what he is doing and can control his destruction.

Soupcans play a sound show and they bash out some of my favorites from their LP Good Feelings http://thesoupcans.bandcamp.com/releases including “Shocked,” “Outlander,” and “Deadbeat.” Great to meet the dudes, especially chatting about other sick Canadian bands like The King Khan & BBQ Show and Vomit Squad. Nick knows his Alice Cooper too haha! Great performance, but I wish more people would move and mosh and what not, but still a fun show. Next time will be a wild, drunken, Soupcans riot.

Teenanger – I’ve been calling them Teenager this whole time! What a waste of breath. Ahh well, in the line for the bathroom I notice a bald dude wearing a yellow Suburban Lawns shirt. I vaguely know who they are, late 70s punk band I think. I ask the dude if this is correct and he confirms this. At the time, not knowing much about Teenanger other than the name, which I fucked up anyway, I do not realize who this man is. Moments later, I notice he is singing with his band Teenanger. They blast through a fast, 70’s punkish set. Their music fits very well on a bill with Soupcans and Nice Guys. The singer is enthusiastic, prowling around, hopping into the crowd, making use of the living room space around him. I dig it, but Glen seriously digs it, even more than Soupcans. Speaking of Soupcans, Teenanger also hails from Toronto, Canada. https://soundcloud.com/teenanger

Nice Guys – Nice guys, eh? Just how nice are these guyz you may ask. Sweethearts. Pizza punks from Bawlston – proudly reppin’ the Boston underground. Tonight, the foursome celebrate one of the best first years I have seen for any band. I thought they had been around for a few years. Over the past twelve months, these pizza punks have played many a show, toured twice, and won over the hearts of Kids Like You & Me, in the process making a name for themselves around town.

Nice Guys are like The Beatles. Four Beatles, four Nice Guys, and everyone’s got their favorite. Ahh, I like them all: Drummer Cam (rhymes with Jam, easy enough), Alex “sick moustache dude” Alexson on guitar, Matt Garlick on guitar – hey isn’t that the guy from Fagettes?!, and Jake Gilbertson – vocals/bass. He reminds me of a young Jared Swilley (Black Lips). Hopping and bopping about, right slab in the middle. He and his bandmates get the crowd moving a little bit with their Germsian take on sludgey garage punk. Alas, we KLYAMERS, have to make it to that damn train station, so we only catch the first few tunes. I want to say I hear “Pizza Bong,” one can only hope. You can hear it and all the jaw droppingly exquisite Nice Guys numbers here: http://niceguys666.bandcamp.com/album/mean-songs-demo

Here’s a big shout out to some of the kewl cats we ran into tonight. So Onam/ Fast Apple (who put on the show! like their page – https://www.facebook.com/fastapplebooking?fref=ts), Jen Knight – really nice to meet you!, DJ John Freeman, always spinning the classics like Vivian Girls, Daniel Johnston, George Baker, Tina Turner, you name it.  Tim, if you’re reading this, keep drinking those 40s son. Then, my boy Ian, you and your acid tales. You represent the youth of America, the wave of the future. And of course, the Prof$t, who is always lurkin in the shadows at the best shows.
Here’s a video from this show of the nice dudes playing my favorite NG song, “Cop Walk.”

Art, Bloodshot Bill, concert review, Honorary KLAYMERS, King Khan, Local Music, Mark Sultan, Music, music video, pictures, Punk, reviews, The King Khan & BBQ Show, Video

Review: The King Khan & BBQ Show, Bloodshot Bill, Aykroyd @ The Sinclair (4/10/13)

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APRIL 2013 013

Bands: The King Khan & BBQ Show, Bloodshot Bill, Aykroyd
Date: Wednesday, April 10, 2013
Venue: The Sinclair (Cambridge, MA)

First time at the Sinclair, place gives me the willies! What is this monstrosity before me? I almost feel like I’m at some quasi House of Blues. For a few moments, I forget where I am, I think I am in some other city, some foreign land. Then I see King Khan and Mark Sultan/BBQ at the merch table and all is well. I am in the right place, it’s April 10, 2013 and The King Khan & BBQ Show are back in Boston! Last time, we  saw these two on stage was way back in October 2009 at the Middle East Downstairs. Great times! One of the finest shows we have ever witnessed. Since then, we’ve seen King and Mark separately several times as King Khan & The Shrines and Mark Sultan solo, respectively and those were all kick ass shows, but KKBBQ is superior. After saying some hellos, we make our way to the stage.

Aykroyd plays first and you may remember them as The Needy Visions, y’all know. The one from that Maine Coons song, “Fast and Easy Livin.” Maine Coons, you know, one of the greatest bands of all time. Quick, here’s their bandcamp page: http://themainecoons.bandcamp.com/album/s-t We’ll just act like this never happened. But, enough of those dogs, I mean cats, I mean that dude, ehhhh, Aykroyd/Needy Visions is the topic of discussion and they totally rule, looking like mighty beings on top of this massive stage in front of me. I look up and see lead vocalist/guitarist Dan Shea making bizarre faces and awkward, uncomfortable, high pitched shrieks that are oddly appealing. The whole band sounds top notch, like a blend of 90’s “college rock,” right cause everyone who plays music goes to college – err like Dinosaur Jr, Sebadoh, and other bands of that era that didn’t hail from our great state of Massachusetts mixed with classic rock.  It’s ginormous  Sam Potrykus flails about and passionately rocks out on bass, whilst he boogies around in his funky, unusual dance style. With all of this eccentric behavior in mind, it brings me back to nearly three years ago when I first saw The Needy Visions opening for No Age. That was a sick performance, but I enjoy this one even more.

Sam and Dan are the masterminds behind Bodies of Water Shows, Boston Hassle, and the Boston Counter Cultural Compass. They represent the Boston underground better than anyone else and best of all they have a killer taste in music. Dan name drops the Compass, which is available at the merch table and the band expresses their gratitude for being on this bill tonight. Dan says, “We love King Khan & BBQ, A LOT.” So, do we, Dan!  You guys rule and promote so much great music around here that I probably would have never heard of otherwise. In fact, any Boston garage/punk slime KKBBQ fans reading this, if you haven’t heard of Boston Hassle or B.O.W.  check it out. I’ll bet you a PBR that you will dig at least one if not numerous fun loving rebel rousers making plenty of punk slime noise in your very own backyard. Here’s some links:
http://www.bostonhassle.com/
http://bowaac.blogspot.com/
http://www.bostoncccompass.com/
http://theneedyvisions.bandcamp.com/

And then there was Bloodshot Bill… Bloodshot Bill has appeared on my list of people to see live for at least two years now. Much like King Khan and Sultan, who he has collaborated with in Tandoori Knights and The Ding Dongs, respectively, Bill is no bullshit, real, old school, greasy rock ‘n’ roll. No trendy, mindless fluff; it’s not a haircut band to paraphrase one, Ian St. Pe. Though he does slick his hair with his own brand of grease known as “Nice ‘n’ Greasy!”  But, greasy hair aside, also like his Canadian comrades, he is an incendiary performer, and tonight is a blistering, steamy show.
Bloodshot Bill has the Mark Sultan set up: stomping the drums with his feet, clutching his guitar real, real close, and melting everyone’s brains with an incredible voice. It’s an obvious comparison, considering both men are collaborators, they play solo, and they play this raw, original style of rock ‘n’ roll. The original rock ‘n’ roll as it was meant to sound. But, the comparison should end there, because they are actually quite different. Bill channels Chuck Berry, Elvis, country, and rockabilly with a nasty, fiery punk edge. Dude sweats and spits unlike any other performer. He spits more than that lady in Heavy Cream!

What I love about Bloodshot Bill is his interaction with the audience. He can hold a crowd real tight and when he wants to let them loose, he can. When he tells them to shout “YEAHHHH!” They do it on command. It’s hard not to obey Bill, with his enigmatic, unique sounding voice. His range is unbelievable and he switches back and forth from high to low, low low. Sounds like an animal at times. How is a human making these noises? It’s not just Bill’s voice, however, that entices me. The musician sounds like a full band all by himself and he puts his entire body and soul into his performance. He shakes his hair violently and taps on his guitar, banging on the strings. You can tell he’s having fun, everyone’s having fun, that’s the idea. One woman even throws her black bra up on stage haha. Definitely one of the more distinct and skilled performers I have seen to date. Catch Bloodshot Bill live or on record. Check him out here: http://www.bloodshotbill.com/

The King Khan & BBQ Show is one of the original KLYAM beloved bands. King Khan and Mark Sultan/BBQ are legends, responsible for much of the music I have come to love over the years. As usual, the duo come out on stage, dressed up in some wacky, colorful attire. King Khan stands towards the front of the stage, on guitar and vocals, while Mark sings, plays guitar, and plays drums with his feet. Together, the two rip through three albums worth of rock ‘n’ roll classics, getting everyone in the Sinclair to dance and mosh in the process. KKBBQ represent the fun spirit of rock ‘n’ roll as a whole. Their mixture of punk and doo wop is unmatched. Some bands may be able to master these styles and combine them in an effective way, but this duo’s music ranks up there with the best of the best themselves. Sultan’s crooning is comparable to that of Sam Cooke, while King Khan’s deep, doo woppy voice harkens back to 50s groups like The Five Satins.

In between songs, there is constantly inner band banter in which the pair crack jokes, amusing themselves even more than the crowd itself. You can tell these two are good friends and there’s a sarcasm to them that is pure entertainment. The set tonight is not too different from the one we experienced three and half years ago, which isn’t a bad thing, because the band plays most of the songs a die hard KKBBQ fan would want to hear. Some of my favorites include fast, punk driven bohemoths, “Fish Fight” and “Zombies,” sing a long, doo wop anthems, “Waddlin’ Around” and “Invisible Girl,” or soft, gentle, love songs such as “Into the Snow,” which display Sultan’s vast, intimidating vocals. Then there’s the straight up funny songs like “Tastebuds.” I love screaming out the filthy  nonsensical lyrics to this song (“Tastebuds on your cunt/So you can lick my booty from the front”), but I get an even better kick out of hearing most of the kids around me completely fucking up the words. They also play one of my favorite songs from Invisible Girl, “Truth Or Dare,” a great, heavy punk number with some of King Khan’s best vocals tonight. I don’t recall this one from the previous Boston show, so it’s a pleasure to finally hear it live.

The moshing is fun, definitely a sweaty, beer flying frenzy, but not nearly as chaotic as I expected. I never lose my sense of place or whatever. Per usual, King and Mark are exciting, lively performers, but I feel like King is more animated when he is performing with The Shrines. Mark, on the other hand, seems to be more fervent in this setting than when he plays solo. That’s just my reaction anyway. I’ve seen Mark Sultan only a few times and he’s just as passionate, but I feel like he is more entertaining when he interacts and plays beside King Khan. In some ways, they bring out the best in each other. At the end of the day, these two are legends and they bear their souls for rock ‘n’ roll. This show is a lot of fun, but not nearly as marvelous as that initial KKBBQ performance I experienced several years ago. Still, I’m always grateful to see one of my favorite bands live and I look forward to the next show.

Set List (in no particular order):
“Fish Fight”
“Zombies”
“Too Much In Love”
“Waddlin’ Around”
“I’ll Be Loving You”
“Into the Snow”
“Pig Pig”
“Hold Me Tight:
“Treat Me Like A Dog”
“Dock It #8”
“Invisible Girl”
“Tastebuds”
“Truth Or Dare”
“Shake Real Low”
“Why Don’t You Lie”
There may have been more…

KEWL CATS: This is the latest segment in KLYAM live reviews. A shout out to the new and old pals we encounter at shows. It was terrific seeing Eric and Kelly from the Atlantic Thrills, Ryan from Fagettes, Justin from Earthquake Party!, Dan from Aykroyd/Needy Visions, and of course Kiyal, the KLYAM guardian angel. Y’all rule.


This was the first song I ever heard by The King Khan & BBQ Show!

Durt Dog The Band, Music, reviews

Review: Durt Dog The Band – “Weight”

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Artist: Durt Dog The Band
Release: 2012

Comments: Durt Dog The Band makes a home in Lowell, a fine city in the Merrimack Valley (in north/eastern Massachusetts) that has living in it various talented young and veteran musicians and artisans. I’ve had the opportunity to make it out to a few shows in Lowell; KLYAM’s other half, Chris, has essentially called the City home for the past four years, all while soaking in several, all memorable Lowell based musical performances at a variety of locales. And while there isn’t a “Lowell sound” that audibly unites its performers, there is definitely a sizable body of individuals who enjoy the shared experience of eccentric, varied, and underground (often literally) entertainment.

Durt Dog The Band on Weight epitomizes a nostalgia that to me is specific to Lowell. A soundtrack to a place that is mysterious, but oddly familiar. That is the feeling I get on Durt Dog’s acoustic compositions. The strumming, the melodies, and the apparent minimalism on Weight are not very far away from the eclectic musings of accomplished acoustic guitar lovers like Christopher Owens or similarly light Walkmen and Tapes ‘n Tapes offerings a la mid-2000s. But let us not get weighed down on such big name comparisons… Durt Dog The Band finds a way to tinker with quite a few styles, production values, and song structures. Weight, nevertheless, sounds delightfully consistent from the beginning. “Things I Do Care About” never strays from its poppy beginning melody, only building upon it with increasingly pleasant additions such as drums, a layered guitar lead/solo, and some choice vocals/ear panning (starting as the line “Adjust what my voice sounded like” is sung). This is playful material. The instrumental tracks on here, while perhaps not as immediately intriguing as the other songs, are delicate pieces, fragile as blown glass art and just as colorful, and not unnecessarily intricate.

Such a knack for relaxed and friendly sounds carry on the next two tracks. “Ashes” affects itself as equally stream-of-conscious as personal and random. It ends (to my surprise) with the second verse repeated, its dream inducing imagery, and its second-to-last-word stresses. This would be my favorite track on the album, if it wasn’t for “Rat Traps”. This prolific, triumphant tune is comprised of a ton of layers – vocals and guitars making up most of them, but there’s also some percussion, and let me not forget – Weight’s most prominent display of hefty bass work. AND those last two lines, sung in unison. The album’s chin rubbing realization: “There’s nothin’ that pirates can’t do /You will never kill piracy and piracy will never kill you.” Rat traps, I see. I hear. Weight is peculiar and psychedelic, alert, not spry. Not once boring. It’s the most interesting album I’ve heard of its kind.

You can listen to Weight on Bandcamp: [LINK]

klyamrecommended

Art, concert review, Fat Creeps, Honorary KLAYMERS, Local Music, Music, pictures, Punk, reviews

Review: Fat Creeps/ZEBU! Split 12″ Release Show @ Discovery Zone (4/5/13)

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Bands: Guerrilla Toss, Fat Creeps, ZEBU! Omnivore, Don Gero
Venue: Discovery Zone (Allston, MA)
Date: Friday, April 5, 2013

It is like running through a maze to get to this place, but thanks to some friendly Allstonites, we finally land on our desired location.  Making our way into the space, I start to hear blistering, ear splitting noise.  This assault on my deafened ears is brought to you by one man powerhouse, Don Gero. Dude smashes the drums with lightning fast precision and has some sort of electronic set up as well.  We come into the set mid way, so I hope we didn’t miss much, but from what we see it is pretty nuts.  He has this siren sounding thing, which adds to the sheer noise that’s still ringing in my eardrums. Towards the end of the set, he provides vocals on one of the songs. Meanwhile, random movies are being projected behind Don Gero (this occurs during each of the band’s sets). I recognize a young Sly Stallone and some actors I’ve seen in John Waters films, but I don’t know what the actual movie is. Looks kooky and campy and most likely the product of vast amounts of cocaine use. In any case, Don Gero is a sweet soundtrack to the images being projected on the screen. I’ve never seen him before or listened to any of his music, but I am going to give it a listen right now. Oh, and I should probably inform you that Don Gero is Zack D’Agostino (of Arvid Noe). Here, read this exciting review from Boston Hassle, they always know what’s up: http://www.bostonhassle.com/tag/don-gero-review/  http://dongero1.bandcamp.com/

Omnivore plays next and it is a bit of a departure from Don Gero and most performers I see live. It’s a quiet, calm experience and nearly everyone is sitting on the floor, gazing up at the woman behind the music, Glenna Van Nostrand. I don’t know too much about this kind of music, but it is heavy in loops and experimental pop, if you dig that sort of thing. In the background, there are shots of nature, animals, waterfalls, and more that appropriately complement Omnivore’s music. Check out her bandcamp here: http://omnivoresounds.bandcamp.com/

ZEBU! is Ted Lee (vocals/drums) and Steve D’Agostino (guitar) and they are the dudes behind Northampton’s Feeding Tube Records, responsible for a vast amount of weird noise rock over the years including their latest release a split with Fat Creeps!  I’ve never listened to ZEBU!, so this is my introduction to them.  I can’t say I’m instantly hooked, but they are intriguing, no doubt. They remind me a lot of fellow two piece, experimental noise poppers and Feeding Tube boys, Great Valley, who I saw for the first time a few weeks back opening for Peach Kelli Pop. This duo shares similar eccentric tendencies and they lean toward the messy side of pop and that’s what I like. But, a lot of the time I feel like the songs get lost in the chaos, which may be appealing to some, but I’d like to hear them pursued. This is still just my first experience though and I don’t know much about the group, so I am curious what I will think after hearing this split record and perhaps other releases. In terms of the performance itself, it was pretty rad, rather physical and entertaining. Ted, I believe, leaps into the audience and tears off his shirt. He also jams the mic in his mouth like a teenage Jay Reatard, ha what a character. Check em’ out they’ve been around for ten years now, that’s quite a feat. http://zebu.bandcamp.com/

At this point, does the world need another Chris DeCarlo Fat Creeps review? *Insert bitch slap from another struggling, young band that wants, perhaps deserves, more attention.* Well, you’re gonna get one! Anywho, it’s cool to see Fat Creeps tonight in a different setting than usual.  This crowded living room is smokey and sweaty, balls sweaty. In the midst of this hot mess, the Creeps blast through a sick set of signature originals and two gut busting covers. In fact, they open with a cover of X’s “Nausea,” which they played at their New Year’s Eve show at Great Scott, if any of y’all recall.  X is a legendary LA punk band for those that are illiterate in nasty rock ‘n’ roll music from the 80’s. It’s a groovy, heavy song that sets the tone for this performance: heavy, sludgy, sweaty. They also perform another vintage 80’s hit with Devo’s “Gates of Steel,” a notable cover in past Fat Creeps sets.  But, enough of those old dudes, to the originals! Like I said, it’s a louder set and keeping in that style they play some of their faster, slimier songs such as “Secrets,” “Fooled,” “Going to the Party,” and “Daydreaming,” which appears on the split with ZEBU! which everyone should pick up; I’m enjoying it very much. http://fatcreeps.bandcamp.com/

Guerrilla Toss closes the show and they destroy like they always do. Well, actually I have only seen them once before, but it was one of the more memorable show experiences in my young life. It was nearly a year ago when I saw Guerrilla Toss at the Ant Cellar in Lowell, it was unforgettable, just read the review: https://klyam.com/2012/06/08/concert-review-onbroadway-fest-2008-5512/. Guerrilla Toss is one of the most notable and original bands in the current Boston scene, but more importantly they put on a kick ass, crazy, amped up show that gets people moving instantly.  Some nice moshing ensues and barely stops. All of the members of G Toss frenetically rock out, but vocalist Kassie Carlson is the best. She stands in the middle of all the bedlam, jumping up and down and passionately screaming as she puts her entire body and being into her performance- unlike anyone else I have ever seen.  Her brutal enthusiasm is exhilarating and just gets me more pumped as a member of the audience. I should mention that G Toss’s music can also be genuinely light and danceable (in a slightly more conventional sense) despite its overall brute character and delivery. For the most part,  it’s just  good old fashion FUN!  Listen to their music now or better yet go see them live, so you don’t look like an idiot to the other kids at recess. http://guerillatoss.com/

Seemingly never ending perspiration and a few bruises here and there are always solid indicators that it was a good show. Great to see drummer Pete from Guerrilla Toss again. With all the shows you guys and gal play I can’t believe you remembered the KLYAM. Though we are such sweethearts, it is hard not to. But, Pete, you the man. That was fun in Lowell, walking down Broadway Street to TLC Liquors, offering us love/girl advice. Good times and good times at this show. Speaking of Pete, motherfucker has just co-opened a record store in Jamaica Plain, known as Deep Thoughts:  http://www.deepthoughtsjp.com/ pay a visit when you’re in town. Speaking of good heads, always a pleasure to turn around and see some dudes you know, specifically, Moontowers Taylor and Tim. Last, but certainly not least, a shout out to my boy Jeff from Yankee Power!!! Totally deserves all of those exclamation points.

Colleen Green, Music, reviews

Review: Colleen Green – “Sock It To Me” (2013)

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Artist: Colleen Green
Release: March 2013
Label: Hardly Art

The long awaited Sock It To Me is here and I am a happy camper. I say long awaited because Colleen has mentioned this release being in the works at least since December 2011, when she played two of these tracks on WMBR’s Breakfast of Champions. Those recordings sure were exciting and left me in anticipation for the unnamed release…which we know now is this record! Well well well, Sock It To Me features the likes of Colleen, her trusty drum machine, and some additional support and engineering from Danny Rowland. The guitars are still fuzzy as ever, the melodies go above and beyond previous tracks, and in general, I’d say these are some really fleshed out tunes.

I really really enjoy “Time in the World,” as it is particularly sticky, thanks to a varied drum beat, layers of guitar and sound, and Colleen’s brilliantly stretched out vocals. To continue in the direction of talking about some more interesting tunes, I’ll mention “Close to You,” which is like the ultimate pop song – almost R&B/slow jam style – distinctly CG, but pretty different from a lot of the songs on this record and in her catalog at large. These vibes continue on the title track, which sounds like it is destined to explode into noise, but keeps the pace with a healthy amount of uh-huhs. And that’s fine!

Side B of Sock It To Me is a good degree faster and heavier than the songs I previously mentioned, so if you found yourself previously big into tunes like “Worship You” or “Rabid Love,” Side B might be your side…or if you are into pretty much anything that Colleen composes, it’s all good! In fact, the heavy shit of “Heavy Shit” straight up rocks. The production throughout the record stands out, as I feel that we now get a super sized listening experience, with differentiation between the trebly guitar parts, the bassy guitar parts, and the other instrumentation instead of one chunk of sound. Colleen is such a good songwriter that she can really do a lot with a little (technically speaking) and Sock It To Me is her latest and greatest example of that. The entire record is very catchy. Additionally, I’m not sure that anyone is really doing the kind of stuff that Colleen is. And that’s cool because she does it so well.

klyamrecommended
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Colleen Green is playing with Fat Creeps, Fedavees, and Ronnie Nordac on April 25th at Radio in Somerville, Mass. This will be a show’s show.

Art, concert review, Freak Flag, Honorary KLAYMERS, Local Music, Music, Peach Kelli Pop, pictures, Punk, reviews, The Fagettes, The Scamps

Concert Review: Peach Kelli Pop, The Fagettes, Great Valley, The Scamps @ Radio (3/27/13)

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Freak Flag Presents
Bands: Peach Kelli Pop, The Fagettes, Great Valley, The Scamps
Date: Wednesday, March 27, 2013
Venue: Radio Upstairs (Somerville, MA)

The Scamps – The Scamps are a straight up fun band. KLYAMER Glen likens them to the Meat Puppets and I can definitely see that. Country mixed with pumped up rock and a slight leaning toward the bizarre. As I noted in the past, The Scamps play a fast set, with each tune rolling right through you.  They open with “Stuck On You,” a catchy little ditty that I recall standing out to me last time I saw them all the way back in February of 2012 at the Middle East Upstairs.  That was an intense performance, not so much from the band, but particularly from some diabolical rice krispie treats given to me from KLYAM buds, Atlantic Thrills. Goddamn, I had a love/hate relationship with those suckers (the treats that is). Mini psychedelic experiences aside, I remember “Stuck On You” being highly memorable, so much so that I thought it was a cover of a 70s  hit song that for some reason I really dug. Long story short, The Scamps are a powerhouse band that will sonically punch you square in the balls, when you least expect it. http://scamps.bandcamp.com/

Great Valley – These two chaps from Brattleboro, VT are up next. They are quite different from The Scamps, and well all the bands on this bill. Though, they do have some definite pop elements to them like the other bands. Great Valley is kind of awkward and off kilter, but hey what two piece isn’t? Wait, did I say awkward? I meant off the hook. Certainly, some fun weirdo pop stuff here. They remind me of Sunset Rubdown and High Places in that mellow yet equally deranged sort of way. Unpredictable. Go on a trip with Great Valley here: http://thegreatvalley.bandcamp.com/

The Fagettes– The Scamps and Great Valley are kewl cats, for sure, but The Fagettes are a KLYAM reader’s kinda band. They dish out vintage rock ‘n’ roll that will make your head spin and your hips shake. I’ve been falling in love with their recordings, but the live show is a whole other monster. There’s five of them up on stage (is there a stage? I don’t think so) and it feels overwhelming, like they’re all gonna grab you or eat you, and maybe in a way their music does. Tonight is no different than my previous Fagettes experiences in that it is a sweaty, physical, and visceral performance filled with hit after hit. I know I sound like some jackass for saying “hit,” and you know what I am a jackass, but pop music is pop music to me and when I go to a show I like to hear my favorite songs, which are like pop hits in my little world. For the most part, Fagettes deliver, playing fast punk rock ‘n’ roll numbers like “Water, Tea, and Alcohol,” “Gonna Die Out Here,” and “I Wanna Feel Good,” with the last one really showcasing vocalists, Ryan Major’s and Melanie Bernier’s abilities to scream their lungs out. So glad, Fagettes play along side Peach Kelli Pop on this wonderful evening, since they are perhaps the most fitting Boston band for the bill. They have mastered and in some ways transcended the kind of garage rock, for lack of a better term, that fans of Peach Kelli Pop, Burger Records, Infinity Cat, and similar bands on or affiliated with those labels would seriously dig. That’s your cue to click on the bandcamp page: http://thefagettes.bandcamp.com/

Peach Kelli Pop–  Ohh boy, Peach Kelli Pop! I can’t tell you how ecstatic I was when I found out that Peach Kelli Pop was hitting up Boston.  We saw Peach Kelli a couple of years back and it was marvelous. Just look at this video from Melody Matters: (http://www.youtube.com/watch?v=M-OQSlRc0kY). Those were fun times, but tonight is even better. Peach Kelli aka Allie plays guitar and sings with the rest of her band, bashing out a set chock full of bubble gummy rockers from both of  her albums, which I highly recommend.  Classics like “Do the Eggroll” and “Doo Wah Diddy” are instantaneous and fun to dance to – well that can pretty much be said about all of the songs. I loved hearing those songs before and they sound even better this time around.

In general, this performance is superior and I think the sound system at Radio helps out a lot, but I’m sure relentlessly touring over the past couple of years doesn’t hurt either. The set is like a quick injection of sugary pop goodness. Fast, catchy, rock ‘n’ roll; the songs arrive, tackle you, and then vanish. You’re singing along to “Panchito Blues” at one second and before you know it the riff to “ABC” hits your ears. Other stand outs include “Julie Oulie,”  “Dreamphone,” and “Knockout.”
When the band is about to dismantle their equipment, the crowd demands an encore! To wrap up the show Peach Kelli unleashes a somewhat slower tune and a personal fave in “Lover,” I seriously can’t get enough of those “ooooo ooooo” vocals, alright I know it just looks like Froot Loops in writing, but you have to hear it! I can’t imagine not liking Peach Kelli Pop. What kind of sick, depraved individual despises this kind of music? Killjoys, curmudgeons, mean people, cops, metalheads, ehhh whatever I’ll shut up now, just listen:  http://peachkellipop.bandcamp.com/

Normally, I would be posting a set-list here, but some joker took it before me. Doesn’t he know that I’m the guy that grabs set lists in this town?!

Big shout out to the masterminds known as Freak Flag. They put on this shindig and they put on TONS of  nasty happenings in Boston and they’re the coolest DJs. Get yer grimey hands on their newsletter, it’s zick. http://www.freakflagboston.com/

 

Music, reviews, Thee Oh Sees

Review: Thee Oh Sees – Floating Coffin (2013)

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Band: Thee Oh Sees
Release: April 2013
Label: Castle Face Records

Thee Oh Sees have been cranking out album after album of tremendously crafted rock ‘n roll for a long while, to the point where keeping up with their output is a bit of a task in itself. They are the kind of band that intrigued me pretty early on in the discovery process so it was particularly entertaining to journey from release to release. Partially what makes Thee Oh Sees so endearing a group is the momentum and energy transferred between band and listener. You could say that about any group, I suppose, but if you like rock ‘n roll that stomps you, messes with you, has you moving, etc, etc, this band, as you’ve figured out, does the trick for you.

I look back on releases like Help and even Castlemania and realize those were hard-hitters, albeit in a more retro, more straightforward psych-infused manner. The band throughout Floating Coffin seems much more at ease to indulge in thicker, faster sounds, showcasing jams that aren’t as immediately catchy as say 2009’s “Rainbow” or “Flood’s New Light” from Putrifiers II. There’s almost a perennial sense of teasing on this record, but that teasing is almost always elevated to no bullshit rocking out. I’d say the most prominent example of this is on “No Spell,” which is by no means short on repetition, but hooks right into one of the band’s biggest and best riffs. The song’s only a little over four minutes, but it feels much longer (this is a good thing). Speaking of time, a pivotal moment comes on Floating Coffin‘s lengthiest tune — “Strawberries 1 + 2”.  I say pivotal because in all earnestness, there are not many bands like Thee Oh Sees. I might be talking instrumentally – 12 stringer, guitar as bass, amps, and effects – but no, no, I’m talking sound. I sense a keen level of comfort the band has in all things drone – lingering parts, a wide assortment of effects, solos, and feedback … that kind of stuff. But this isn’t just sort of bob your head slowly drone, this is the kind of drone that could result in chaos and danger.

Thee Oh Sees are at their most intimidating on Floating Coffin when “Night Crawler” commences. It takes a while for the real scary stuff to appear, but it does in the form of alien vibes, glitches, haunting familiarity. A band would have to be really intense to make an album full o’ this kind of stuff; Thee Oh Sees’ particular creation reinforces the fact that they aren’t shy about messing with all sorts of tones, attitudes, and approaches to making rock and roll. I find myself really into this versatility, in addition to having a weird sense of trust in the group’s ability to satisfy. That’s why it is also kind of odd to talk about how I exactly feel, as a lot of that is owed to a relatively recent acquaintance (2009) to a band that has experience greater than my age. So it sounds messed up to say “Tunnel Time” is like Coachwhips with flutes, but that’s what I’m thinking. The closing song – “Minotaur” – was our first taste of this record, the first to be released, and it is beautifully arranged, carefree, and honest. The contrast between Dwyer’s singing style and the rest of the music is amusing and awesome.

I often used to compare albums in my reviews, but Floating Coffin seems to stand on its own turf, a few blocks from civilization (with Warm Slime in nearest vicinity). The album truly is impressive in scope and delivers on several levels. It is not truly mind-blowing either, but who asked for that! Thee Oh Sees are not ones to disappoint and what they’ve done here continues that legacy. The band live is a crazed monster. I am curious to see if they are going to try out some of the more peculiar tracks showcased on Floating Coffin – the ones that might be plenty random in an Oh Sees set. Not like that really matters for a band that rules hard like this one.

klyamrecommended

Art, concert review, Fat Creeps, Honorary KLAYMERS, Local Music, Music, Nice Guys, pictures, Punk, reviews, Video

Review: Nice Guys, Fat Creeps, Guilty Party, Steep Leans @ O’Brien’s Pub (3/15/13)

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Nice Guys Fat Creeps
Bands: Nice Guys, Fat Creeps, Guilty Party, Steep Leans
Date: Friday, March 15, 2013
Venue: O’Brien’s Pub (Allston, MA)

Steep Leans are a new band and in fact this is their third show ever, which is pretty incredible considering how smooth their set is. If I had to guess I would have thought they had been playing shows for at least a few months. Going into the set, I do have somewhat high expectations because moments earlier Moontower/Spacebum, Tim Cushing delivered some serious accolades for these dudes. Indeed, the Steep Leans put on a good show and Tim’s enthusiasm seems to be shared among most  crowd members. There’s a fair amount of folks upfront  dancing and swaying along to Steep Leans’ mellow, tropical, psych rock. I almost feel like I’m on a cruise, like that sort of music but with a bit more experimentation. I also get some Pink Floyd/prog vibes. Lastly, I particularly dig Wakefieldian, Chris Eddleston’s guitar playing, especially when he plays it lap style like Memphis legend, Will McElroy. Solid start to the show. Check out their bandcamp here: http://steepleans.bandcamp.com/

The second band tonight is Guilty Party and they are a three piece. Guilty Party plays loud, fuzzy garage punk, perhaps even leaning towards metal at times. There’s definitely a loud, headbanging, in your face quality to their music, but it’s not overly sloppy or stripped down either. Overall, pretty good, but not exactly the “garage” I adore, I plan on listening to their music more in the future though.  http://guiltypartyboston.bandcamp.com/

Up next is our homies, Fat Creeps, yes I just used the term “homies,” most likely a first for KLYAM. The great thing about being a fan site, if you will, is that we get to see and write about our favorite bands on a consistent basis. As always, I am ecstatic for this Creeps show and they satisfy my expectations. The set begins with a cover of Devo’s “Gates of Steel,” a past staple for Fat Creeps that has been popping up every now and then in their live shows. I love hearing this as the opener and it gets me even more pumped up for the rest of their performance. I’m a big Devo fan, but I honestly prefer their cover, it’s heavy and almost feels like another Creeps song, because they make it their own. With very little breathing room in between songs they transition to their fastest and heaviest cut, “Daydreaming,” and you can watch its badass music video here: http://www.youtube.com/watch?v=pP0l0Xg6-ZQ. They continue with more ear spliters such as “Going to the Party” and “Secrets,” which showcase some of bassist Mariam Saleh’s greatest vocals. At one point in the set, Mariam plays the bass on her knees and even on her back. The trio closes the set with the quick, instrumental jam “Back to School.” If you haven’t  heard or seen Fat Creeps live, YOU FAIL AT LIFE! You can start by listening to their self-titled EP: http://fatcreeps.bandcamp.com/album/fat-creeps-ep Stay tuned for its 10-inch vinyl release on our very own KLYAM Records! Release date TBA.

Headlining the show tonight is one of the city’s finest, Nice Guys. The Nice Dudes are fresh off a tour with The Fagettes, which included stops at the legendary (and apparently smokey) 529 in Atlanta, GA, a vibin’ house show in Charlotte, NC, among other sweet spots in Brooklyn, Baltimore,  Philly, and Richmond.  Happy to hear the tour went swell. Now, to this show. I’m excited to see the Nice Guys again, especially since the first time I saw them I didn’t know who they were and the second time I saw them they did a Coachwhips cover set. This time, I am familiar with most  of their songs and I enjoy all of them. Nice Guys have a calculated ramshackle to them. The sounds they make aren’t pretty in the conventional sense, but they sound beautiful to me. My mom says it sounds like the singer is walking on hot coals, maybe, probably not though because that would hurt a lot. This set consists of some crazy Nice Guys tunes like my favorite, “Cop Walk,” which is like Black Flag meets Black Lips. In general, as I’ve stated before, Nice Guys create a sick marriage of garage and early hardcore punk (early 80’s, the only hardcore style I dig). It’s fast, it’s slimy, it’s noisy, and it’s full of slams and shrieks, but best of all it will give your noggin the perfect floggin. Listen up: http://niceguys666.bandcamp.com/album/mean-songs-demo

Set-List:
“Herb Chambers”
“Unholy Snack”
“Turdburgers”
“Draggins”
“Pizza Bong”
“Mutant Tonsils”
“Cop Walk”
“Creep Slice”
“Finale Dead”

Art, Atlantic Thrills, concert review, Fat Creeps, Gangbang Gordon, Honorary KLAYMERS, Local Music, Music, pictures, Punk, reviews

Concert Review: Fat Creeps, Atlantic Thrills, Gangbang Gordon, Dividers @ Firehouse 13 (3/8/13)

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Bands: Gangbang Gordon, The Dividers, Fat Creeps, Atlantic Thrills, Thee Itchies
Date: Friday, March 8, 2013
Venue: Firehouse 13 (Providence, Rhode Island)

And the award for best house music goes to…… Firehouse 13!!!! Ahh, we should start doing KLYAM awards, it would knock the grammys flat on its fake, fluffy, fat fucking ass. Firehouse is the place to be though, one of my favorite venues. Place is massive, but has a warm, homey, basement feel to it, good for rock ‘n’ roll. And certainly Eric Aguiar’s playlists help set the mood: Black Lips, The Penguins, Frank Zappa, Nobunny. Eric’s got you covered. Soon enough we slip and slide down the punk slime trail, crashing into the first act: Gangbang Gordon.

Gangbang Gordon kickstarts this Burger Revolution, playing his second show ever! GBG would be the right man to kick off a Burger Records showcase, being a Wiener himself. What’s that? Y’all know. I’m Not A Musician Gangbang Gordon’s debut for Wiener Records, a Burger subsidiary. Pick that shit up, before it goes, they are selling like hot cakes!

Tonight,  Gangbang Gordon is decked out in his kooky three dee glasses and he plays in front of the stage alone with his gee tar and a few other tricks up his sleeve. You can call it outsider, amateur-one man band garage, or just plain old noise, either way GBG is unforgettable. I saw his first show at P.A.’s Lounge and while that was odd and memorable, this time around he sounds much better and I can actually hear most of his vocals.

I recognize fan favorites such as “It’s A Damn Shame,” “Lost Touch (With The Youths),” and my fave “Life At The ABC (Abandon Bear Cages).”

His music is fairly diverse and this shows in his performance which includes a recorder, rap, and a drum machine. Way to go bro!  http://www.youtube.com/watch?v=TFbSUmVGj1c

Set-List:
“Blue Jay Road”
“It’s A Damn Shame”
“Lost Touch (With The Young)”
“The Breeze”
“Life At The ABC”
“Shit Geetar”
“I Can Testify”
“Slide Paper”
“Wanna Go”
ENCORE:
“Everybody’s Doing It” (Black Lips)

The Dividers hail from New Bedford and they continue GBG’s trend of garage rock ode. I know, I know I get sick of saying garage too, but I mean this is a Burger showcase. Call it punk slime, if you will. The Dividers champion this style and spirit and they give my ears a fierce pounding. I hear that they have a history with our guys the Atlantic Thrills; it’s fitting. Both bands have played shows together across New England and both bands share the aforementioned slimy flavor of rock ‘n’ roll. The Dividers are fun and they get the people movin’ a little. They kind of remind of The Reatards, so yeah nasty, noisy “garage,” but easy to slam around to ya know? Course you do.  I recommend you check out their music here: http://www.reverbnation.com/thedividers

Set-List:
“Grinder”
“Psych Moshers”
“Contra Band”
“Lester Goodbody”
“Unk’s Jam”
“Smelly Furman”
“White Hot Russian”
“Free Burd! (Robitaile)”
“Justine”
“Winter Weather”

Fat Creeps are our top dogs, so it’s a real pleasure to see them up on the big stage at the Firehouse 13 in Providence. I always love seeing my favorite bands in foreign settings.  The sound is top notch and they dish out several of their classics like “Nancy Drew,” “700 Parts,” and “Secrets.” It’s cool to think that most in attendance proabably haven’t heard these sick tunes before,  and from what I observe everyone seems to dig it, especially one Kelly Riley (Atlantic Thrills). During some of the heavier pop songs like “Daydreaming” and “Going To The Party” I notice Kelly rocking out pretty hard, jumping up and down, reveling in his first Fat Creeps experience. Indeed, this trio is one of the best live acts I’ve seen. They also play a song they don’t play as often with  “Leave Her Alone,” an excellent surfy song,  which  is coming out on their upcoming self-titled 10″ release on our very own KLYAM Records! Listen to the digital version here: http://fatcreeps.bandcamp.com/album/fat-creeps-ep

Fat Creeps and Atlantic Thrills are two of our favorite groups, which makes this show real, real special. We’ve seen both  bands separately a gazillion times, but the two have never appeared on the same bill before. Needless to say, I’m extremely pumped to see the Atlantic Thrills in their hometown. The Firehouse is one of the best places to see the Thrillz do what they do best. Whether it’s Dan’s solo, “meat” playing as Glen would say, Josh’s passionate drumming, Eric’s heroic leaps, or Kelly’s manic behavior, the Thrillz are one of the most enjoyable live bands. There’s like this great fun, party atmosphere to them that is rarely matched, and it comes through not just in their physical performance, but also their music. There is an undeniable familiarity to their songs, we’ve all heard this sound before, but the Thrillz are such characters that they shine through any inkling of cliché.

Alas, this show doesn’t have the same crowd reaction (non stop moshing) as the last Atlantic Thrills show I saw at Wilder Zangcraft in Lowell. But , it’s all good, the Thrillz are just as awesome, people dance and have fun. One soul commends them for their “gang vocals,” I’m with you on that one brah. The Thrillz definitely have a particular quality of camaraderie to them, much like a gang or that of the oft-compared Black Lips. The band describes themselves the best: “Four badass muthafuckers who like to drink whiskey and play dirty garage rock”- http://www.reverbnation.com/atlanticthrills

Set-List:
“Give It Back”
“Holy Mountain”
“Booze”
“Beach”
“On My Mind”
“Lies”
“Gatos”
“Light Shines”
“Hold Your Tongue”
“Shotgun”
“Drugs”

I’ll be square with you guys, I don’t recall the last band Thee Itchies too well, my apologies! I’m sure they killed it.