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Art, concert review, Freak Flag, Honorary KLAYMERS, Local Music, Music, Peach Kelli Pop, pictures, Punk, reviews, The Fagettes, The Scamps

Concert Review: Peach Kelli Pop, The Fagettes, Great Valley, The Scamps @ Radio (3/27/13)

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Freak Flag Presents
Bands: Peach Kelli Pop, The Fagettes, Great Valley, The Scamps
Date: Wednesday, March 27, 2013
Venue: Radio Upstairs (Somerville, MA)

The Scamps – The Scamps are a straight up fun band. KLYAMER Glen likens them to the Meat Puppets and I can definitely see that. Country mixed with pumped up rock and a slight leaning toward the bizarre. As I noted in the past, The Scamps play a fast set, with each tune rolling right through you.  They open with “Stuck On You,” a catchy little ditty that I recall standing out to me last time I saw them all the way back in February of 2012 at the Middle East Upstairs.  That was an intense performance, not so much from the band, but particularly from some diabolical rice krispie treats given to me from KLYAM buds, Atlantic Thrills. Goddamn, I had a love/hate relationship with those suckers (the treats that is). Mini psychedelic experiences aside, I remember “Stuck On You” being highly memorable, so much so that I thought it was a cover of a 70s  hit song that for some reason I really dug. Long story short, The Scamps are a powerhouse band that will sonically punch you square in the balls, when you least expect it. http://scamps.bandcamp.com/

Great Valley – These two chaps from Brattleboro, VT are up next. They are quite different from The Scamps, and well all the bands on this bill. Though, they do have some definite pop elements to them like the other bands. Great Valley is kind of awkward and off kilter, but hey what two piece isn’t? Wait, did I say awkward? I meant off the hook. Certainly, some fun weirdo pop stuff here. They remind me of Sunset Rubdown and High Places in that mellow yet equally deranged sort of way. Unpredictable. Go on a trip with Great Valley here: http://thegreatvalley.bandcamp.com/

The Fagettes– The Scamps and Great Valley are kewl cats, for sure, but The Fagettes are a KLYAM reader’s kinda band. They dish out vintage rock ‘n’ roll that will make your head spin and your hips shake. I’ve been falling in love with their recordings, but the live show is a whole other monster. There’s five of them up on stage (is there a stage? I don’t think so) and it feels overwhelming, like they’re all gonna grab you or eat you, and maybe in a way their music does. Tonight is no different than my previous Fagettes experiences in that it is a sweaty, physical, and visceral performance filled with hit after hit. I know I sound like some jackass for saying “hit,” and you know what I am a jackass, but pop music is pop music to me and when I go to a show I like to hear my favorite songs, which are like pop hits in my little world. For the most part, Fagettes deliver, playing fast punk rock ‘n’ roll numbers like “Water, Tea, and Alcohol,” “Gonna Die Out Here,” and “I Wanna Feel Good,” with the last one really showcasing vocalists, Ryan Major’s and Melanie Bernier’s abilities to scream their lungs out. So glad, Fagettes play along side Peach Kelli Pop on this wonderful evening, since they are perhaps the most fitting Boston band for the bill. They have mastered and in some ways transcended the kind of garage rock, for lack of a better term, that fans of Peach Kelli Pop, Burger Records, Infinity Cat, and similar bands on or affiliated with those labels would seriously dig. That’s your cue to click on the bandcamp page: http://thefagettes.bandcamp.com/

Peach Kelli Pop–  Ohh boy, Peach Kelli Pop! I can’t tell you how ecstatic I was when I found out that Peach Kelli Pop was hitting up Boston.  We saw Peach Kelli a couple of years back and it was marvelous. Just look at this video from Melody Matters: (http://www.youtube.com/watch?v=M-OQSlRc0kY). Those were fun times, but tonight is even better. Peach Kelli aka Allie plays guitar and sings with the rest of her band, bashing out a set chock full of bubble gummy rockers from both of  her albums, which I highly recommend.  Classics like “Do the Eggroll” and “Doo Wah Diddy” are instantaneous and fun to dance to – well that can pretty much be said about all of the songs. I loved hearing those songs before and they sound even better this time around.

In general, this performance is superior and I think the sound system at Radio helps out a lot, but I’m sure relentlessly touring over the past couple of years doesn’t hurt either. The set is like a quick injection of sugary pop goodness. Fast, catchy, rock ‘n’ roll; the songs arrive, tackle you, and then vanish. You’re singing along to “Panchito Blues” at one second and before you know it the riff to “ABC” hits your ears. Other stand outs include “Julie Oulie,”  “Dreamphone,” and “Knockout.”
When the band is about to dismantle their equipment, the crowd demands an encore! To wrap up the show Peach Kelli unleashes a somewhat slower tune and a personal fave in “Lover,” I seriously can’t get enough of those “ooooo ooooo” vocals, alright I know it just looks like Froot Loops in writing, but you have to hear it! I can’t imagine not liking Peach Kelli Pop. What kind of sick, depraved individual despises this kind of music? Killjoys, curmudgeons, mean people, cops, metalheads, ehhh whatever I’ll shut up now, just listen:  http://peachkellipop.bandcamp.com/

Normally, I would be posting a set-list here, but some joker took it before me. Doesn’t he know that I’m the guy that grabs set lists in this town?!

Big shout out to the masterminds known as Freak Flag. They put on this shindig and they put on TONS of  nasty happenings in Boston and they’re the coolest DJs. Get yer grimey hands on their newsletter, it’s zick. http://www.freakflagboston.com/

 

Art, Black Lips, Honorary KLAYMERS, Music, News, pictures

LISTEN: Black Lips Cover “Mamas Don’t Let Your Babies Grow Up to be Cowboys”

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Black Lips
Check out the Black Lips cover of Ed Bruce’s “Mamas Don’t Let Your Babies Grow Up to be Cowboys,” made famous by Waylon Jennings and Willie Nelson. This is a Record Store Day exclusive split 7″ out on Saddle Creek. The other side will be filled with Icky Blossoms’ cover of Siouxsie and the Banshees’ “Arabian Knights.”
Listen here: https://soundcloud.com/saddlecreek/sets/black-lips-icky-blossoms

Art, Honorary KLAYMERS, Music, Nobunny, Punk, Video

Nobunny Interview/Live Footage in Münster, Germany (3/21/13)

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We figured since it was Easter you bunnies could use an extra dose of bunny rock. Here’s an interview and footage of Nobunny in Münster, Germany on 3/21/13; the first day of Nobunny’s current European tour with Bad Sports. The bunnyman and Bad Sports perform hits like “I Am A Girlfriend,” “Mess Me Up,” “Gone For Good,” “Blow Dumb,” and “It’s True,” as well as discussing Nobunny’s origin, first heard records, performing at the Playboy Mansion, and the forthcoming LP Secret Songs out this Summer on Goner. “It sounds just like Nobunny, if you like Nobunny, then you will love this record.”- Nobunny. And there you have it.

Music, reviews, Thee Oh Sees

Review: Thee Oh Sees – Floating Coffin (2013)

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Band: Thee Oh Sees
Release: April 2013
Label: Castle Face Records

Thee Oh Sees have been cranking out album after album of tremendously crafted rock ‘n roll for a long while, to the point where keeping up with their output is a bit of a task in itself. They are the kind of band that intrigued me pretty early on in the discovery process so it was particularly entertaining to journey from release to release. Partially what makes Thee Oh Sees so endearing a group is the momentum and energy transferred between band and listener. You could say that about any group, I suppose, but if you like rock ‘n roll that stomps you, messes with you, has you moving, etc, etc, this band, as you’ve figured out, does the trick for you.

I look back on releases like Help and even Castlemania and realize those were hard-hitters, albeit in a more retro, more straightforward psych-infused manner. The band throughout Floating Coffin seems much more at ease to indulge in thicker, faster sounds, showcasing jams that aren’t as immediately catchy as say 2009’s “Rainbow” or “Flood’s New Light” from Putrifiers II. There’s almost a perennial sense of teasing on this record, but that teasing is almost always elevated to no bullshit rocking out. I’d say the most prominent example of this is on “No Spell,” which is by no means short on repetition, but hooks right into one of the band’s biggest and best riffs. The song’s only a little over four minutes, but it feels much longer (this is a good thing). Speaking of time, a pivotal moment comes on Floating Coffin‘s lengthiest tune — “Strawberries 1 + 2”.  I say pivotal because in all earnestness, there are not many bands like Thee Oh Sees. I might be talking instrumentally – 12 stringer, guitar as bass, amps, and effects – but no, no, I’m talking sound. I sense a keen level of comfort the band has in all things drone – lingering parts, a wide assortment of effects, solos, and feedback … that kind of stuff. But this isn’t just sort of bob your head slowly drone, this is the kind of drone that could result in chaos and danger.

Thee Oh Sees are at their most intimidating on Floating Coffin when “Night Crawler” commences. It takes a while for the real scary stuff to appear, but it does in the form of alien vibes, glitches, haunting familiarity. A band would have to be really intense to make an album full o’ this kind of stuff; Thee Oh Sees’ particular creation reinforces the fact that they aren’t shy about messing with all sorts of tones, attitudes, and approaches to making rock and roll. I find myself really into this versatility, in addition to having a weird sense of trust in the group’s ability to satisfy. That’s why it is also kind of odd to talk about how I exactly feel, as a lot of that is owed to a relatively recent acquaintance (2009) to a band that has experience greater than my age. So it sounds messed up to say “Tunnel Time” is like Coachwhips with flutes, but that’s what I’m thinking. The closing song – “Minotaur” – was our first taste of this record, the first to be released, and it is beautifully arranged, carefree, and honest. The contrast between Dwyer’s singing style and the rest of the music is amusing and awesome.

I often used to compare albums in my reviews, but Floating Coffin seems to stand on its own turf, a few blocks from civilization (with Warm Slime in nearest vicinity). The album truly is impressive in scope and delivers on several levels. It is not truly mind-blowing either, but who asked for that! Thee Oh Sees are not ones to disappoint and what they’ve done here continues that legacy. The band live is a crazed monster. I am curious to see if they are going to try out some of the more peculiar tracks showcased on Floating Coffin – the ones that might be plenty random in an Oh Sees set. Not like that really matters for a band that rules hard like this one.

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