Category Archives: Music

The Nightdancerman

Chart Attack – Kate Harper
Hey, kids. Just for the record, a Harvard degree might not get you employed right away when you’re finished with school.

Tom Morello knows that much, since the Rage Against The Machine guitarist and former Audioslave member says he worked as a male stripper after he graduated from Harvard University with a bachelors of political science degree and moved to Los Angeles in 1986.

“When I graduated from Harvard and moved to Hollywood, I was unemployable,” Morello wrote in a new guest column for NME.com. “I was literally starving, so I had to work menial labour and, at one point, I even worked as an exotic dancer. ‘Brick House’ [by The Commodores] was my jam!

“I did bachelorette parties and I’d go down to my boxer shorts. Would I go further? All I can say is thank god it was in the time before YouTube! You could make decent money doing that job – people do what they have to do.”

Morello also explained how working as late California Democratic Senator Alan Cranston for two years in the 1980s politicized him… but made him never want to go into politics.

“I never had any real desire to work in politics but if there was any ember burning in me, it was extinguished working in that job because of two things: one of them was the fact that 80 per cent of the time I spent with the Senator, he was on the phone asking rich people for money. It just made me understand that the whole business was dirty. He had to compromise his entire being every day.

“The other was the time a woman phoned up to the office and wanted to complain that there were Mexicans moving into her neighborhood. I said to her, ‘Ma’am, you’re a damn racist,’ and she was indignant. I thought I was representing our cause well, but I got yelled at for a week by everyone for saying that! I thought to myself that if I’m in a job where I can’t call a damn racist a damn racist, then it’s not for me.”

You can see Morello perform as The Nightwatchman at a benefit for The Pablove Foundation, an organization that works to improve the lives of children with cancer, at Los Angeles’ Avalon Ballroom on Nov. 21.

That’s right boys and girls, Tom Morello used to be a stripper! Well, it doesn’t change anything, but it sure is hilarious. I wonder if he said “Fuck You, I won’t do what you tell me!” when ladies asked him to get naked haha.

Chris

Khan + Sultan Arrested!

Updated: 7:51 PM

Mark Sultan advised a would-be concert goer yesterday at 1:34 PM to “bring some friends who aren’t wearing jack johnson shirts, please.” He was referring to the King Khan & BBQ Show gig that was supposed to be held in St. Louis at the Off Broadway. Well, Sultan and my boy Arish “King” Khan never played that gig. They missed an early evening sound check and frankly never made an appearance at the venue at all. They somehow got arrested on their way to St. Louis in Oak Grove, Kentucky (home of really cheap gas). Their booking agent inquired that perhaps they stopped to take a piss. For all we know, a trooper may have noticed them and they are now sex offenders. They are out on bail, but their tour manager, Kristin Klein (above right), apparently is still in jail. She’s been driving the boys around on a suspended license. Tonight’s show has  obviously been cancelled. As of 7:51 PM, Kristin is out of jail! The suspected drug found in the vehicle is mushrooms. That’s because Kristin foolishly posted a photo on her flickr of King Khan and Leo Chips with the caption “on mushrooms.”

Keep checking here for more information!

CD Review: What Will We Be

Band: Devendra Banhart
Label: Reprise Records
Release: 2009

1. “Can’t Help But Smiling” – 8.8
2. “Angelika” – 7.3
3. “Baby” – 8.4
4. “Goin’ Back” – 8.7
5. “First Song For  B” – 7.5
6. “Last Song For B” – 7.0
7. “Chin Chin & Muck Muck” – 7.8
8. “16th & Valencia Roxy Music” – 5.9
9. “Rats” – 7.5
10. “Maria Lionza” – 6.8
11. “Brindo” – 7.2
12. “Meet Me At Lookout Point” – 7.8
13. “Walilamdzi” – 7.9
14. “Foolin'” – 7.3

Comments: Banhart is a sell-out; he ditched independent powerhouse XL Recordings for mega-corporation Warner Group. Banhart’s signing brings out a fairly new market for Warner, as he’s equipped with a history of playing softie freak-folk (as opposed to the louder, noisier brand that has made Animal Collective a dime or two in the past decade) that appeals to a weird, but not all too unfamiliar demographic: WERS Daytime cronies, stoned Sam Roberts junkies (same thing as WERS Daytime cronies?), and wanna-be urban college students who desire some kind of “hipster” cred. Essentially Banhart hasn’t really changed his deal too much on What Will We Be. This time around, he will surely get more “mainstream-underground” air time (Album of the Month), but he’ll stay on the margins for just as long because he’s too folky for popular music. Listen to the first few tracks…he’s loosened up on the “freak” part of freak-folk, for whatever reason. The beat and style of a song like “16th & Valencia Roxy Music” is almost a joke that mirrors top 40 electro-pop.  I’m not here to criticize Devendra for not being “indie” enough, but it’s moments like that in an album that make me sit back and go “where the fuck did this come from?” He tries his best Grizzly Bear impersonation on “Meet Me At Lookout Point” and he succeeds (though, in my opinion, it’s of a really non-exciting Grizzly Bear Veckatimest track). In fact, a good part of the album seems like a really wishy-washy Grizzly Bear set. I wouldn’t go so low to call this thing an utter disaster, but a lot of the songs seem to be formula based, whereas the minimalism on his classics (“The Body Breaks,” “Insect Eyes,” etc) is what makes them work.

Grade: 7.6

Great Article On Jay Reatard

“Reatard’s career has of late been characterized by many superlatives, but restraint is not among them. When he learned recently that he was scheduled to perform in the corporate headquarters of Hot Topic, he protested not by canceling the appearance but by arriving dressed only in a Speedo and intentionally so drunk that he walked in, threw up, and passed out on the floor.” – Death and Taxes Magazine

LINK

Best of the Rest (LPs)

Second Tier – Highly Impressionable Albums

In This Light and On This Evening Editors 9.5
Skin and Bones Flashy Python 9.5
Julian Plenti is…Skyscraper Julian Plenti 9.5
Almighty Defenders Almighty Defenders 9.4
The Eternal Sonic Youth 9.4
Living Thing Peter Bjorn and John 9.4
Everything Goes Wrong Vivian Girls 9.4
We Be Xuxa Mika Miko 9.4
Continue reading Best of the Rest (LPs)

Glen’s Top 10 LPs of 2009

#1. Nature Is A Taker by Uninhabitable Mansions [Self-Released]

#2. Merriweather Post Pavillion by Animal Collective [Domino]

#3. Invisible Girl by The King Khan & BBQ Show [In The Red]

#4. Humbug by Arctic Monkeys [Domino]

#5. The Pains of Being Pure at Heart by The Pains of Being Pure at Heart [Slumberland]


6. 200 Million Thousand Black Lips [Vice Records]
7. The Strange Boys and Girls Club The Strange Boys [In The Red]
8. Great Escape The Rifles [Sixsevenine (WMG)]
9. Face Control Handsome Furs [Sub Pop]
10. Wolfgang Amadeus Phoenix Phoenix [V2 (UMG)]

CD Review: Remember That I Love You

Artist: Kimya Dawson
Full Title: Remember That I Love You
Label: K Records
Year: 2006

1) Tire Swing*- 10.0- One of my top ten favorite songs of all time! Very powerful for such a simple song. The guitar is merely a few plinks on a guitar, really just background sounds to Kimya’s ever endearing vocals. The lyrics provide great images of riding back and forth on a tire swing and forgeting “everything that had ever hurt our feelings.” I listen to this song almost every day and I never get sick of it, either I am crazy or it’s that catchy; I think it’s both.

2) My Mom- 9.7- Not quite as uplifting as the premier track, but certainly shares it’s catchiness. There’s a nice little bell sound, perhaps it’s a xylephone? I have no clue, but I dig it. Once again passionate vocals from Kimya. Lyrically this number describes, wait for it… Kimya’s mom and her state of health: dying in a hospital bed, “and there’s something in her blood, and there’s something in her leg, and there’s something in her brain.” You really feel for her and her genuine concern for her ailing mother. She naively commands ghosts to stop haunting her mom, so she can get strong; this is sad and humuorous all at once, a microcosm of Kimya’s discography (at least what I have heard).

3) Loose Lips*- 9.5- A cool protest song of sorts. “Fuck Bush and Fuck this war.” I can picture peaceful anarchsits screaming this song in the streets and dancing around burning flags, trying to persuade bystanders to join them. And when the cops come, they simply will start up again and “pretend nothing ever happened” as the song proclaims. It’s a moldy peachy version of an early Against Me! track I suppose. A fantastic sing along, to say the least. The “dupe” (or doop) thing tickles my fancy quite a bit.

4) Caving In- 9.3- The theme of her mom’s deteriating health arises again amongst other scattering thoughts. There’s a cool eastern guitar (probably not, but sounds sorta like it) in this track. This is sound, but not as good as the three that preceeded it.

5) Better Weather-9.3- Catchy as most of her tracks. In terms of music, for Kimya, as I have said before and she, herself as claimed, it’s all about the vocals. Most of the music is the same, not to say she doesn’t have range. In this tune, she delves into fatherhood, specifically her brother, who is now successfully raising his child. Uplifting :)

6) Underground-9.3- I think of 1960s radicals when I hear this song lol. One of the funniest lines appears in this song: “So, I tattoo instructions on my ass that say don’t ever put this body in a casket.” Kills me every time. She stresses that she DOES NOT want to live underground and who does?

7) I Like Giants*- 9.1-Nice and simple and catchy, like the others. I don’t have too much to say about this track. It’s a solid recording. I will note though, that there seems to be more going on then just guitar, or it’s better guitar playing? I don’t know. That xylephone (?) is back too lol.

8) The Competition- 9.2- Postive track about being special and saying “fuck you, I’m awesome, I don’t care what you think.” At some points, you feel sorry for the, young, poor, Ms. Dawson. Like, when people used to call her “fat” and told her that “she was better off dead.” Assholes. Well, it motivated her to make great music, so she proved them wrong. Yippie!

9) France- 8.9- Decent track, but nothing really stands out here to me. Though, I adore the lines, “David put that seven inch on…” “he said silly ass bitch that’s my favorite song.” David, you showed that silly ass bitch! Since, you got your song.

10) I Miss You- 9.1- An extremely brief, but really catchy tune!

11) 12/26*- 9.4- One of the sadder tracks about a massive earthquake in Indonesia on December 26. 2004. She then delves into the Iraq War and how it’s impossible to understand what these victims go through: losing their families, homes, etc. “A tragedy is a tragedy, no matter where it happens.”

12) My Rollercoaster*- 9.5- A superb finale about the ups and downs of this wacky world. Another fabulous sing along, well towards the end anyway, when abunch of folks sing the chorous and it gets real silly, but that’s the point. Just every day folks making music with their friends. Which brings me to my next point, where she incorporates lyrics from other famous songs like Willie Nelson’s “On the Road Again” and ” Metalica’s “One.”

Overall, I highly recommend this “Outsider” album. I always appreciate ass kicking alternatives to traditional pop music. Remember that I LOVE YA!!! ;)

* appeared in the terrifc film Juno (2007)

Chris

CD Review: Smith Westerns

Band: Smith Westerns
Label: Hozac
Release: 2009

1. “Dreams” – 9.4
2. “Boys Are Fine” – 8.9
3. “Gimme Some Time” – 9.2
4. “Girl In Love” – 8.5
5. “We Stay Out” – 8.8
6. “Tonight” – 8.6
7. “Be My Girl” – 9.3
8. “The Glam Goddess” – 9.5
9. “Diamond Boys” – 9.2
10. “My Heart” – 9.6

Comments: Love the band name! They sound eerily similar to their homosexual counterparts, Hunx and His Punx. What does that even mean? Well, if you are like Benny Boy Tan and don’t get the obscure reference, let’s just say lo-fi garage. If you listen to both bands, you’ll get a great idea. I don’t know if I just got a really crappy quality download or if this is the real deal, but if the vocals were clear this thing would be much better. We got some Herman’s Hermits in here! I would definitely see this guys live, so I better not forget them.

Grade: 9.1

Glen’s Nominations: Top Songs of 2009

Correct me if I am wrong, but I’m pretty damn sure that nothing else noteworthy is coming  out in 2009! So I am going to proceed to figure out what the best songs of 2009 are…okay?

Almighty Defenders
– “Cone of Light” – Mark Sultan (vocals) and Joe Bradley (drums) make this song the beast that it is. Upbeat gospel!

Animal Collective – “Summertime Clothes” – With a heart pounding bass line and incredibly catchy chorus, this is an all around fun psychedelic popper!

Arctic Monkeys – “Dangerous Animals” – Heavy and simple guitar bashing contrasted with Turner’s warm and inviting vocals.

Atlas Sound – “Walkabout” – Panda Bear (Noah Lennox) comes in the clutch here making this a surefire summertime psych-pop classic with unforgettable lyrics.

Black Lips – “Starting Over” – This track hit me way back in February as one of the BL’s best. Listening to it again, it’s not entirely clean-sounding, but might just be the band’s best attempt at garage pop.

Bobby Ubangi – “Back To You” – This Ramones inspired posthumous release exemplifies that basic instrumentation is sometimes best.

Box Elders – “Jackie Wood” – Like “Back To You,” this isn’t exactly revolutionary, but it sticks with you…for a very long time.

Cymbals Eat Guitars – “And the Hazy Sea” – A great opening track that seems influenced by the ’80s post-hardcore scene; it’s the loud-quiet-loud that attracts me to this 6 minute overture.

Editors – “Papillon” – Electro-pop at its finest, at least for this year. For Editors, it’s a change in direction, for me, it’s an impressive classic that makes ya dance.

Flashy Python – “Obscene Queen Bee” – This neo-psych song has been floating around for a while in Alec Ounsworth’s repertoire, but it’s most polished and “epic” when sung as Flashy.

Girls – “Lust For Life” – This song is messed up if you are straight-guy singing along and the video is even more screwed up, but the sound is no b.s instantly memorable jangle pop.

Handsome Furs – “All We Want  Baby…” – Back in the summer, this was the song that I consistently had on repeat; it has a fantastic drum beat and static guitar riffs.

Jay Reatard – “It Ain’t Gonna Save Me” – Jay’s mellowed out a bit here, but essentially he incorporates all of what’s made him a perennial garage hammer in this tune.

Julian Casablancas – “11th Dimension” – Yeah, yeah, the rest of the album’s been getting a lot of hate, but this is Strokes + excessive synths + cowbell. Not a bad combination.

Kid CuDi – “Pursuit of Happiness” – Ratatat is to be surely complimented for providing great electronics, but CuDi transcends what is modern hip-pop and is it’s savior from being near-shit.

King Khan & BBQ Show – “Tryin'” – So many great songs on a fantastic album, it was tough to choose which one really is the best. I feel like this one is most like the songs I’ve grown to love by this duo.

No Age – “You’re A Target” – Sounds like it would belong on “Nouns” but is essentially even noisier (yet poppier) than much of what the duo embraced on Nouns.

Pains of Being Pure at Heart – “Young Adult Friction” – Twee as fuck, as I remarked back when I did this review. This is the group’s chef-d’oeuvre, thanks in part to the clever “Don’t Check Me Out” ending.

Phoenix – “Lisztomania” – Another song of the synth-pop variety that has a very catchy bridge “it’s show-town…” and overall is a complete listening experience.

Rifles – “Sometimes” – A real British tune that plays the post-punk card quite well. The ending is awesome!

The Strange Boys – “No Way For A Slave To Behave” – A ghetto country-punk classic that definitely sounds like a lo-fi best-of leftover.

Uninhabitable Mansions – “The Speed Is Deceiving” – Too many freaking good ones on this, the hinthinthintwinkalbumoftheyearhinthinthinktwinkwink. The vocal harmonies on this one rule.

Wavves – “So Bored” – Snap, crackle, and pop lo-fi surf pop at its optimum level of noisiness.

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With over 20 songs in the running, it will be tough to decide, but decide I will. Stay tuned…