Tag Archives: Ben Tan

A Tribute To Ben Tan



The world lost Ben Tan – age 36 – on May 14, 2026, after a brave battle with cancer. I say ‘the world’ because his impact extends beyond family and friends. I am so incredibly blessed and grateful to call Ben or BBT (as I often called him) a dear friend. I’ve been taking in the outpouring of love and tribute to BBT over the last month, often finding myself at a loss of words to describe how much he meant to me. And words truly do not do BBT justice, because with him it was so individualized. His spirit was, and is, unlike anyone I’ve ever met. So many of Ben’s friends and family have very accurately articulated this sentiment. He lacked ego and any sense of self-consciousness. He was at peace and thriving just being BBT. Though I could not physically be with him as often as I would have liked in his final weeks and days, I regularly kept in touch with my dude via FaceTime and text. I was blessed to visit him in hospice in April. His health was declining, but his spirit and presence remained steady. He wanted to get out of his bed and play music. And that he did – finding the strength to move to the couch, play guitar and keyboard, and sing. I won’t forget how he started playing and singing “Tears on my Pillow,” by Little Anthony and the Imperials – one of the many Little Anthony songs that Ben always took pleasure in encouraging me to sing. He shared so many of these wonderful moments during his final weeks – jamming along with childhood friends and other pals he met through the Boston music scene and beyond. BBT had gone through so much medically in the past few years, but he never lost his spirit and fight. 

I’m not sure when I met BBT, exactly. I knew of him far before I really got to know him. I knew he was incredibly smart and a musical genius. But it was in high school that we began bonding. In those days, we both really liked journalism. Ben wrote for the school newspaper, the Wakefield Spin. His movie review column in particular held legendary status. But he did it all and expanded his efforts online – blogging about politics, local news, and music among many other things. I was delighted when Ben was accepted into Emerson College, where he would study broadcast journalism. Our bond grew stronger once he started his studies at Emerson. He was so excited to room with his childhood friend Mikey Riv freshman year. BBT also started DJ’ing at WERS, the nationally acclaimed college radio station that my dad had long played in the car since I was a kid. On the daytime radio shows, Ben was given very little leeway in what he could play, but sometimes he’d spin something that I would call in and request. The music du jour of 2009 was fine; decades later (as in… earlier this year) Ben would send me audio messages of him in his radio voice announcing Grizzly Bear’s “Two Weeks” off of Veckatimest.

During this period and a bit before, Ben started to learn how to play guitar. Before this, Ben was a gifted classical pianist. He started playing as a young child and was active in various school ensembles and later, more casual bands. I remember going over to his house and watching him jam in the basement with his buds. Music came very easy to BBT! Not so much for me. I was starting to dabble in guitar around the same time as Ben. I could hardly form any chords. I often asked Ben for advice – “Where do I put my fingers for a G chord?” And he would laugh and respond right away. He was on another level and very quickly picked up the instrument. I struggled and pretty much gave up on technicality, but through Ben I had a very decent foundation. All that I needed. I look back on these times as highly influential – here was an accomplished musician giving me the time of day to experiment. We would laugh it off, goofing around quite a bit. He graced me with the moniker ‘King of Slop’. I ran with it, that confidence of just being all ‘whatever – I don’t really know what I’m doing, but I’m just going to do it anyway.’ And that was all BBT. He delighted in my amateurism but never wrote it off. Going for it was BBT. Pure BBT. It was just him. He allowed me to not be so self-conscious. Sure, it sounded weird, off key, and tone deaf. 

Fast forward to April 2012 – my first time performing live. Solo. Who was right there for it? BBT! Not many people were there, but Ben was. Two performances later, BBT joined me on drums at Club Bohemia, a venue that we both held near and dear. Then a short time later at the defunct Radio Down in Somerville, BBT wasn’t playing with me (he played his own solo set), but as our best bud Chris DeCarlo wrote in a review on KLYAM (our blog that Ben named and was an early contributor), “Ben Tan, who wants to start a riot…yanks my Narragansett out of my hand, chugs it, and flips me the bird. I immediately rip the beer out of his hands, but he’s out of control as he swings some sort of cables around frantically dancing.” Yup, classic BBT. A few shows later Ben joined the first full band lineup of mine on tambourine, pacing around a fully packed Middle East Upstairs – and in the words of Chris, “dancing and intimidating the crowd of puzzled on lookers.”  BBT was a consistent force in my (non)musical world – lending his hand through the years additionally on bass, guitar, keyboards (and drums at the same time), as well as backing vocals – most prominently on “The Breeze”. He was always there for a good time, sure, but more importantly he was a supportive friend. He was well aware of the wackiness, weirdness, and amateurism. And who cares? BBT LOVED a good time and is that not the most important thing?

Now on to Johnnie and the Foodmasters. To be historically accurate, the band, the OG lineup of BBT on guitar, Brian on drums, and me on guitar, had our first jam on February 13, 2013. We certainly didn’t intend to form a new band during that session and I’m not 100% that we had the name Johnnie and the Foodmasters figured out (though knowing BBT and his brilliant history of naming things…maybe?). At any rate, we made it a thing on July 4, 2015, our first show. I look back on this day with fondness and appreciation. We were the ‘opening ceremonies’ of the Allston Speed Trials, a DIY festival featuring the day’s local garage/punk bands, such as Nice Guys, Miami Doritos, Black Beach, and many more. We were on first on this cloudy, humid Lower Allston day. Outside under a tent. I remember being a little worried that we were late – BBT picked me up and I think Brian met us there. We were greeted to a nice backline so we just rolled up, plugged in, and played. It was a quick set – I don’t think we had a set list – but the spirit and performance were unlike anything I’d been a part of. For BBT, I believe it was significant because he was stepping into what would be his role for the decade-plus of the band’s existence: steady frontman and backbone of the chaos. He knew how to play the songs and he knew the words. I ran around, rolled in the grass, and played whatever notes or words spoke to me – a real time reaction of the vibe. And Brian, behind the kit, was something to behold. He fell somewhere in between the order of BBT and my chaos. He was a longtime jazz drummer who had been playing with Ben for nearly ten years, including in the oldies loving Revivalists, which included C-Solid, who’d join Foodmasters a short time later. Brian would pound the shit out of the kit, perhaps (definitely) with an intensity above and beyond the standard Malt Shop era covers band. We made for an interesting trio, for sure. Ben was well aware that this was not your ordinary group. But looking over at him laughing and smiling and not caring. That was gold. It never got old, up through our final show with BBT at the Midway in December 2025. He leaned into all aspects of the band, creating such a comfortable environment for us all (Brian, Chris D, C-Solid, Lindie, and me) – to be ourselves. We weren’t playing roles and I’ll always hesitate to say we ‘practiced’. But we jammed. We really jammed. First in Ben’s basement. I’d bring my tiny amp and guitar, and we’d just call out song after song and play for hours. And BBT would record it all. 

Ben pioneered a recording technique that I hadn’t heard of or seen. It was very much Foodmasters specific. He recorded every jam and show with his iPhone, but in his basement and later Sum Studios, was where he would put his audio engineer/producer hat on and stack instrumental and vocal overdubs over the band’s live recordings. There was a method to all this as the iPhone recording usually was dominated by abrasive guitar and Brian’s hard charging drums. I rarely if ever saw BBT in action in this specific studio element, but he would always share his product with the band! The result was a cleaned-up version of Foodmasters – think Brian Wilson or Phil Spector – but if you really listened you could hear the tinny live experience in the background. These recordings were one of Ben’s obsessions and we all know that he had many! His commitment was simply impressive, and we all know that for Ben, commitment was such a fundamental aspect of his larger-than-life personality.

To detour from music a bit and expand on this – things came full circle with Ben far more than anyone I’ve ever met. Ben and I established some traditions like meeting up at Legal Sea Foods and Empire Garden in Chinatown. I was beyond thrilled to bring my future wife Ginny to meet us for lunch when we were first dating. A few years later the Foodmasters settled into Sum Studios in Malden; our post pandemic practice space. Ben brought the group to his family’s stomping grounds – Sun Kong restaurant. He joyfully ordered beef and broccoli lo mein, chicken half (“that’s some good bird”) and, of course, the Fried Flounder. To hang out with Ben was special, every time. He was down for just about anything. There are too many moments to share and over time I am sure I will jot down some more, but I’ll leave you with the King Tan and GGG show. 

It was August 2025, shortly before Ginny and I moved to NYC. I had two weeks off from work to prepare for the move and enjoy some moments around town. The Foodmasters 10th anniversary show was coming up at Deep Cuts in Medford – in fact this might have been the day before the show. A month prior, Ben received the truly horrific news that the cancer came back. I hit up Ben asking if he would like to hang out. We both expressed that we do not do well without routine. I told BBT that I was playing golf every day on my vacation and I needed to do something different. I suggested we do something that we had done before – go to Prince Pizza in Saugus, then the Salvation Army nearby, and then to a place I found where we could buy props for our big show. But BBT first suggested that we meet at Sum Studios and jam a bit. I was working on a song that I hoped Ben would be able to lend some kind of accompaniment on or flesh out in some way before recording. I tried playing it for him, but he wasn’t having any of it. Lol. So, we moved into something else. Ben handed me a twelve-string acoustic guitar and grabbed one for himself. He positioned a microphone in between us. We journeyed back in time to 2015 when Ben and I went to the former Johnnie’s Foodmaster location in Melrose and played an impromptu acoustic set in front of the now Whole Foods. I’m sure I asked Ben if he was down to make another spur of the moment trip to our beloved storefront. No such luck. But little did I know that – of course – Ben was recording this on his phone. He was calling the shots, unpredictably launching into whatever he desired. That was all fine by me! I’d look at Ben and he was smiling widely the entire time, laughing as he inserted Krees and Schlees wherever there was supposed to be a ‘Me’. Just going for it, really. BBT had a blast, whenever he was in that room. Our spontaneous session is online. Shortly before Ben passed, I asked him if I could publish these recordings (which he sent to me via email later that August day). His response? “I don’t give a fuck!” Of course. And so, I did. But anyway, we jammed and then our day continued. As I mentioned, Prince Pizza, Salvation Army, and then… we drove separately to a random business park/industrial center in Danvers. The goal was to buy props for our show. We arrived in the hot parking lot and were both terribly confused. Where was the place? We came upon what we thought was the entrance to a big garage. And there would be props galore to choose from. No luck. There was no store. Maybe the office or warehouse, but certainly no store. And our day wrapped up there. We laughed out loud and headed home. I’m blessed I had that moment with Ben. I miss you a lot, BBT. Your reactions to everything. Who else responds to most texts with voice memos? Nothing was off the table for BBT and he had the greatest mix of old reliable and unpredictable. I’m tearing up as I write this, recalling the ease of FaceTiming or texting Ben. I’m thinking how blessed we all are to have had Ben in our lives. Miss you, my friend. As Ben’s bud Andrew said at Ben’s Memorial, let’s all try our hardest every day to be the most Ben Tan that we can be. Love you BBT. 

Benjamin J. Tan Scholarship for the Performing Arts

Ben Tan’s Bandcamp

Johnnie and the Foodmasters Bandcamp

Review: Ben Tan, Alex Marantz, Jasaon Zavala, Yankee Power, Só Sol @ Smokey Bear Cave (11/23/13)

BBT
Hi, I’m BBT. I come in peace.

Bands: Ben Tan, Alex Marantz, Jason Zavala, Yankee Power, Só Sol
Date: Saturday, November 23, 2013
Venue: Smokey Bear Cave (Allston, MA)

So yeah, as you can probably tell by the date above, this is EXTREMELY LATE.  However, as you may or  may not know, it’s okay, we here at KLYAM try to write about every single show we attend. Lately, we have been sucking at this! Too many shows, too much booze, too much school, too much work, and then not enough booze. Alas, I won’t waste anymore of your time droning on about our woes. Just dance to the music, and for a good cause might I add. This show here was a party to raise money for those suffering and starving in the Philippines. So bear with me (no pun intended) while I begin a series of dust blowing mini reviews and here we go…

Só Sol – Só Sol. So sick is more like it. They kill it. They kill it dead. Which, I haven’t decided how I feel about that phrase. It seems redundant. If you kill it, can’t we assume that it is already dead? But, in this instance,  the usage simply feels right. That extra confirmation that Só Sol in fact killed “it” and that “it” is in fact dead. What is it? It is any hint of monotony, tranquility, or apathy. On a freezing November night, this Latin, folk based trio permeate sweaty, sexy, sultry vibes and dance throughout the crowded, yet still comfy basement space.  I’ve seen these cats once before at  P.A.’s Lounge, but this place is a lot cooler. Then again, most places hosting music is superior to P.A.’s Lounge. Either way, catch these people anywhere you can, including PA’s. http://sosol.bandcamp.com/

Yankee Power – Ahh Yom Kipour, the holiest. I mean Yankee Power, so holy. Radically different from Só Sol, but just as sexy. This is a change of pace for these yankees. I am more accustomed to seeing these gentlemen in above-ground settings such as Middle East, Rosebud, and Precinct.  It’s certainly a different experience and an enjoyable one at that. They rock just as hard, but this time around I am not actually looking up to them on a stage or anything. There’s less breathing room. Bassist/vocalist Mark Fallon can attest to that as vocalist/guitarist Jeff Gallagher shreds on his guitar and shakes his booty in classic Jeff fashion, slowly planting himself on top of an uneasy Mark, with nowhere to go. They’re a fun bunch and my favorite song from this evening is “Because It’s Hard,” a Mark tune that always reminds me of Thanksgiving dinner at my house, which is a mere fours days away. Also, on this very night I bought myself a copy of the group’s bodacious rock beast: Zoo Traffic. And I got it on vinyl ooh la la, aren’t you jealous? Well, you can be just as cool as me starting today, starting right now: http://www.theyankeepower.com/

Jason Zavala – I was promised that Jay Z was playing this shindig and I won’t leave until Jay Z plays! I actually don’t even like Jay Z, but if I did then maybe I would belligerently shout this. Maybe. Jason Zavala, on the other hand, is a one man folk machine unleashing songs with his powerful, impassioned vocals. He truly is naturally gifted, which I can’t always say is true about most performers I see up to and including many of my own personal favorites. That aside, this sort of stuff isn’t exactly my thing, it’s too conventional and mainstream for my tastes. Some, if not all, of the songs are political in nature, but frankly half way through the set I find myself more enamored with the socialist, quasi lecture/rant my fellow Wakefieldian Chris Morrill is delivering elsewhere in the house. Still, here’s a shout out to Jason: http://jasonzavala.bandcamp.com/

Alex Marantz – This fucking guy, this fucking guy here. Haha, I don’t know why I just wrote that. It just felt like a “this fucking guy” moment. Often, you’re cocked and twisted and you point at some motherfucker from across the room and you say “this fucking guy.”  It’s a swine’s way of saying “hi, this is Alex. Alex, so and so. So and so, Alex.” Alex is a prolific singer-songwriter dude, a professed “lover of tape recordings and lo-fi bliss,” a fume hood, and a future day. That is to say he is a member of the bands Future Days and Fume Hood, both of which I have seen live. But, this is a solo effort and it’s a bit poppier than his work in those outfits. The set is relatively calm, soft, and dream like. Spacey – musically and lyrically. It’s accessible and not particularly controversial in any way. You could take your mother to see him, if she was hip. Yep, Alex does his thing and does it well, he’s still no Jeremy Piven though. http://alexmarantz1.bandcamp.com/

Ben Tan – Last and if you think least then I’ll knock you right square in the nads TWICE… BEN TAN!!!! Ben Tan, one of my best buddies and a talented multi-instrumentalist closes the show. One man pop guru. He cranks out BBT (Big Ben Tan) classics such as “Marielle,” “Upper Lower Middle Class Blues,” among others. Sadly, most at the party are not present for most of Ben’s performance and there is only a few of us remaining. This has nothing to do with Ben’s music itself, but rather the fact that by the time he goes on it’s  nearing 3 AM. The set skids its way into a peculiar jam session and better yet an impromptu Revivalists reunion. The Revivalists were a high school band in my hometown (Wakefield) featuring Chris Morril, Liz Sullivan, Brian Hickey, and of course Mr. Ben Tan. Check out Ben’s solo work here: http://bentan.bandcamp.com/album/inside-out

Local Music Review: Ben Tan – “Inside Out”

Band: Ben Tan
Release: July 2013
Link To Listen: http://bentan.bandcamp.com/album/inside-out

1. “Come Out”
2. “Marielle”
3. Inside Out”
4. “Upper Lower Middle Class Blues”
5. “Dance The Night Away”
6. “I Will Follow You”
7. “Singulair”
8. “Half A World Away”

Comments: The road to Ben Tan’s debut release Inside Out is a fascinating road. One could argue that the multi-instrumentalist and acclaimed former Emerson College radio host was born a musical virtuoso. I’m not quite sure anyone expected this kind of output from him, though. He had long been a piano man before picking up the guitar and all other such instruments. That he somehow wound up playing keys in a psychedelic rock ‘n roll band (Moontowers) is still a tidbit mind-blowing. At any rate, Tan has played in bands since before his voice cracked. That’s all well and good, but I felt there was always so much unrealized potential. “When’s the Ben Tan solo album coming?” Some years later, here we are. While I’d never expect the dude to include Magic Kids, High Places, and The Lost Sounds on a list of ‘influences’, Ben Tan’s home recordings (with the help of more than a handful of conspirators) are odd enough that it wouldn’t be totally random to think the dude is more informed by the past two decades of underground rock ‘n roll than the real legends Tan adores. ANYWAY.

Inside Out starts out with “Come Out,” which immediately strikes me as one of the finest songs I’ve heard this year. It is totally POP. Multi-track vocals, check. Brian Wilson, check. This song and the next one “Marielle,” are light numbers, playful and straying from complication. The kind of stuff that the Malt Shop Memories minded youth of today (where are you people?) long desire. Tan goes into softer rock mode for “Inside Out,” with unbelievably strong background vocals.  Witty lyrics (sup, Bob Dylan) reign on “Upper Lower Middle Class Blues,” some coming out of the mouth of the man himself, others via vocalist Holly Dalton. This one (along with the haunting, thousand word per minute, no-fi “Singulair”) is one of the oldest songs in Tan’s repertoire. Not my favorite stuff on here when stacked next to stuff like the retro-fitted “Dance the Night Away”; piano bar musicians ought to fear for their jobs with this original nugget. Girl groups of the past ought to blush. Okay so if I venture into superlatives, the “most psychedelic” song award goes to “I Will Follow You,” a sublime experience that doesn’t overstay its heady, nearly six minute existence. On the grand finale, “Half A World Away,” we get to hear Tan hit some crazy notes. Genuine Beach Boys worship.

Inside Out hits the spot as far as rock ‘n roll with bursting pop sensibility go. Originality isn’t so much the star on this one as it is Tan’s ability to work in and around walls of sound that long have had lasting power. Stuff like this ought to be more widely appreciated.

klyamrecommended

2010’s Most Dedicated Radio Journalist/DJ: Ben Tan


The first annual KLYAM Most Dedicated Radio Journalist/DJ Award goes to Ben Tan of Emerson College’s WERS 88.9. Ben is probably the most dedicated (volunteer?) staff member at that station as he is News Director in addition to being a reporter for news segment You Are Here (interviewing the likes of anti-war protester Cindy Sheehan and economist Jeffrey Miron, etc) and being a DJ on programs such as the Playground and late-night slow jamz Secret Spot. Ben even braves blizzards to show up behind the microphone. This guy deserves a round of applause for his dedication.