Category Archives: Fat History Month

Fat History Month- “Bad History Month” Demos/ June Midwest Tour


Man, that is so goddamn sexy…

http://fathistorymonth.blogspot.com/2012/05/june-midwest-tour-bad-history-demos.html

Alright, now let me break it down.

Support Fat History Month! Check out these bad boys: http://fathistorymonth.bandcamp.com/album/june-tour-tape-bad-history-demos

“Everyday is Christmas, on tour. We’re burning our box and hitting the road a gain in early June and then we’re going back into the box of the studio to keep working on the new album. We’re putting out this tape of 10 new demos and a live acoustic set, and a live radio set, to help us raise some cash to pay the beautiful dreamy angels of the sex dungeon. 70 minutes of music, zounds!!!”- Fat History Month

But wait there’s more!!!

A show tonight- Freak Flag Benefit/Tape Release at ZuZu in Cambridge

And of course the June Midwest Tour:
May 30th Boston Butchershop w/Habitat(New Orleans), Disco Doom(Switzerland), Pile
May 31st Montclair, NJ The Meat Locker
June 1st PA, TBA
June 2 Athens OH Lobsterfest
June 3 Bloomington IN Rockits Pizza
June 4 Gallatin, TN TBA w/Dust From 1000 Years
June 5 Nashville, TN TBA w/Dust From 1000 Years
June 6 Carbondale Skihaus? w/Dust From 1000 Years, Guerilla Toss, Sediment Club
June 7 Chicago at CASA DONDE 21st n Kedzie w/ Dust n Guerilla Toss N Sediment Club +
June 8 Chicago Plaines Project 1822 S Desplaines St
w/ Giving Up and Life Partner.
June 9 Bloomington IN The Sound Workshop w/Dust n Ponyboy
June 10 Cleveland, Castle Greyskull w/Guerilla Toss n Sediment Club
June 11 NYC, Death By Audio, 49 South 2nd Street Brooklyn, NY w/Guerilla Toss, Sediment Club

June 19th Philly at Teri’s w/ Giving Up and Life Partner +1(ZZ Bottom?)

Here’s a great live video of one of the new demos, “Bald History Month” from last Summer.

*SHOW ALERT* NATURAL CHILD @ GREAT SCOTT (7/30/12)!

Rock and Roll giants and KLYAM faves, Natural Child are hitting up Allston’s Great Scott on Monday, July 30, 2012!. I was so excited to hear this. I have been waiting to see Natti Child for a while now. Then I realized that I won’t be in town for this :( Fuckkkkkkkk. Hopefully at least one half of the KLYAM will be in attendance.
BUT WAIT THERE’S MORE! Fellow Nashville rockers, Liquor Store and local faves SKIMASK round out the evening’s bill. SKIMASK are playing some nasty shows this Spring/Summer with the likes of Fat History Month, JEFF the Brotherhood, and The Coathangers! Check out their fine china at the link below.
http://skimaskmusic.blogspot.com/

More Info TBA. Stay tune, turn on, take over.

Review: Fat History Month, ONSLO, Big Mess, Fat Creeps @ O’Brien’s Pub (4/13/12)

Artists: Fat History Month, ONSLO, Big Mess, Fat Creeps
Date: Friday, April 13, 2012
Venue: O’Brien’s Pub (Allston, MA)
Comments:

Seeing a show at O’Brien’s Pub has been on the KLYAM to do list for roughly two years now. Yes, it is true, this is our first time at O’Brien’s tonight as I imagine it sounds like blasphemy to some of you. Well as Glen always points out, there is a first for everything. Before even entering OBs I did a little research which translates into me looking at the site’s archives. I’m an archives aficionado, so  I literally read every event from the present all the way  back until the first show documented at OBs back in 2006. Over the past six years, this Allston venue has been committed to both local (and national)independent music and various KLYAM favorites have  graced the pub with their prescence: Box Elders (3 times in ’09!), Maine Coons, Colleen Green, Growlers, Mika Miko, and tonight’s headliner Fat History Month (with shows dating as far back as ’07). The venue is small, but there is plenty of room. Upon entrance we meet Chett, who checks our IDs, and gives us those little hand stamps.  Per usual Glen has his barrage of questions, and to a lesser extent so do I, which Chett happily answers. We discuss the ins and outs of booking and promoting shows, and the prospect of a Kid Like You & Me Presents! show at OBs, which will hopefully happen in the near future as soon as we get everything straightened out, cool.  Doug, the “sound guy,” tells us  a little more about his plesant experience at OB’s, playing  in and booking local bands, and just a general overview of how things work in such settings. This is not all new to us, but it is certainly helpful. Thanks for the info guys, much appreciated. By this point, I am knocking back a few PBRs, thanks Jim! and I am ready to hear some fine rock and roll music. Just like you are probably wondering why I have not said anything yet about the music, if you have made it this far. Well, back to what I said earlier, we have had our eye on O’Brien’s Pub as a notable host  for excellent, KLYAM oriented bands, for about two years now, and for various reasons (mainly us being underage until recently) we have not had a chance to see any of the shows we have recommened on KLYAM, but now is our time.  April 13, 2012, I am going to go out on a limb and say this is the best Friday the 13th I have ever had. Fat History and Big Mess, my two local favorites, on a bill with two other, highly visible, Boston bands (Fat Creeps and Onslo) for six bucks in a self-described “cozy” bar in Allston, I’ll take it. So, finally let’s get to the show.

Act I: Fat Creeps– “When I walked in it looked like something out of a Quentin Tarantino movie,”- Cory Bell from SKIMASK, a band you should check out if you have not already. That might be parphrasing, but that is the gist of Mr. Bell’s sentiments. And, I agree with him. Though, I myself do not instantly conjure up an image related to a Tarantino flick, I think I know what he means. There is something visually striking about the Fat Creeps. Green hair aside, they are kinda weird and their music and overall presentation seems to distinguish itself from other bands. This is the first time I have seen the Fat Creeps and I honestly never checked out their music until a few hours before the show, but I have noticed that their name has popped up a lot recently in local listings and recommendations. So, going into this performance I am excited. They have a new drummer and he is pretty tight, almost a contrast to the other two members. But, I don’t mean that in any negative way. I think their lack of musicianship (if you want to call it that)  is part of their charm. It is the Fat Creeps’s imperfections that make them unique. For example, when the band begins their set they have a few false starts, but when they get it right, they kill it.  The songs are great, the riffs are simple, but strong and definitely catchy. And the vocals, damn! Probably my favorite part of their music is the vocals. Sometimes they sound whiny, almost cranky, but it fits perfectly with their music. I remember Cole Alexander from the Black Lips once said that kids need to hear NOT American Idol voices in music. Kids need to hear Fat Creeps! Their energy and attitude is always present. I recognize some of the songs, which I want to point out as another trait that separates Fat Creeps from most bands I see: their songs are easily recognizable. I only had to hear some of the songs once for me to remember them tonight, a rare quality indeed. I will definitely pay attention to Fat Creeps from now on and I plan on seeing them again the next time I get a chance. Check out their band camp page!  http://fatcreeps.bandcamp.com/

P.S. they are pretty easy on the eyes ;)

Act II: Big Mess– I listen to Big Mess a lot these days, so it is always a pleasure of mine to see the band in action. In fact when they begin playing I start to realize how much I miss seeing them live; it has been about five weeks and I am going through withdrawal.  The recordings are sound, but Big Mess live is a whole other beast. The songs focus heavily on volume and since they are instrumental you pay attention more to the sonic side of music or at least I do because I typically do not listen to strictly instrumental music. Live, the songs hit you harder, and well come alive. Having seen them several time now, I know their set, but with this performance they really switch it up and play around with their songs, while still unleashing the classics. They open with a nice little jam before smoothly kicking into “The Hook.”  It just gets me more pumped up for the song and their entire set even more than usual. Also,  on this evening bassist Josh Tracy provides some sick vocals, which is new to me. If you have not seen Big Mess yet, then you FAIL AT LIFE. They have been together since 1993! You’ve had your whole FUCKING life to think things over. You can redeem yourself by listening to their Band Camp page. Do it! http://bigmessma.bandcamp.com/album/big-mess

Act III: ONSLO– Onslo keep the energy high with a fun, loud, rocking performance. All of the members look like they are having a lot of fun, laughing amongst each other and cracking jokes about the lack of females in the audience, at some moments as little as three! Overall, Onslo is a decent band, but they just don’t do a whole lot for me. I really cannot put my finger on it, but I guess for my money they are not as distinguishable as the other three bands this evening. But, don’t take my word for it, see for yourself. Here’s their band camp page: http://onslo.bandcamp.com/

Act IV: Fat History Month-When Fat History Month hit the stage more people come up front, practically standing over the band, making it feel more like a show at a basement venue, which is where I usually see Fat History Month. The band opens with Fucking Despair classic “No Safe,” which has a great Pavement flavor to it. Short, but sweet and gets me pumped up for the rest of their performance. Fat History are one of the finest live acts I have seen in the past year and their performances are always intimate. I honestly cannot imagine seeing them on a big stage, that would be a real buzzkill. I love standing inches away from Mark’s drum kit. Mark (not Jeff contrary to popular opinion)  is a steady drummer, always keeping his head low and keeping in touch with the music. The duo quickly run through Fat History anthems “Old Lady Smokers” and “Things I Enjoy,” which always bring a smile to my face. I think these particular songs sound better on record, because the “hooks” are not quite translated live. But, that’s the thing, Fat History is not the kind of band that gives you what you expect or perform the songs as they sound on the record. And I am glad for that, that would be boring, after all. They are performed well live, let’s not mince words here, but it is certainly different. With that being said, if you saw them live and have not listened to their music,  seriously pick up Fucking Despair and/or  watch some of their amusing music videos. They also play some new material or perahps old material I have not heard yet? They close the set, asking the audience what they want to hear. It seems like most (including myself) want to hear “Nature,” especially the ladies (the very few of them!). They play “Nature,” and as always it is invigorating. I love the build up from the repeated line “It gets better” to “and then it gets WORSE.”  There is something really cathartic about that line, especially hearing it live. Five Fat History Month shows deep, for me it never gets worse.  http://fathistorymonth.bandcamp.com/ Check out Fucking Despair as well as their other releases Gorilla and the Safe and Sound 7″

Also, here’s a link to an awesome Dig Boston interview from February 8, 2011: http://digboston.com/listen/2011/02/gimmie-shelter-fat-history-month/

Concert Review: Fat History Month@ UML Fox Common (3/8/12)

Artists: Gypsy Blood, Onslo, Fat History Month, Settler
Date: Thursday, March 8, 2012
Venue: UMass Lowell Fox Common (Lowell,MA)
Comments: NOTE: This is not the full review! A more complete review from our pal Justin Cole will be up before you can say fuck your yankee blues jeans… okay maybe not that fast, but fast. Read it and then send us money, just kidding, but it would be a lot cooler if you did.

Act I: Settler– “Instrumental fun rock from Massachusetts.”- Settler Band Camp page. Check it out! http://settler.bandcamp.com/

Act II: Fat History Month– The one  and only, Fat History Month, New England’s greatest band! For you newcomers, Fat History Month is a Boston based duo consisting of Sean on vocals and guitar and Mark on drums, and together they are two wild and crazy guys, and by wild and crazy I mean kind, courteous, upstanding gentlemen. FHM is easily one of the hardest working, DIY bands right now and for that I have a lot of respect. Though, there are a lot of bands out there that are dedicated to their craft, but few can mesmorize me the way these guys do. This is the fourth time I have seen the band and in my previous three experiences I saw them in basements, so the Fox Common is definitely a change of pace, but I like it.  The two look great on a stage, albeit a very small stage.  The Fox Common is clearly intended for full size bands, so seeing the duo together, almost cramped up in the corner of the stage is a perfect image. Well perhaps not the corner, but they are simply positioned in this classic Fat History set up and as always it is as striking as the music itself. Speaking of which, tonight the duo produce some of their greatest offerings from one of 2011’s finest LPs, Fucking Despair.  One of my favorite moments is when they play “Nature,” and Sean roars, “Your balls are on display!” I love hearing the song on record, but when I hear that line live it just brings home what makes Fat History Month Fat History Month: that fantastic juxtaposition of goofball humor and serious, genuine, emotion. Earlier in the night, Sean himself stated that he “went to clown college,” haha! In fact, the sound check consisted of the words “COCKS! BIG ONES!” Unless, I am losing my mind and it is only me hearing this, which could be true, what with my wacky imagination and all. Two other excellent staples are “No Safe” and the title track itself “Fucking Despair.” If you have not seen Fat History Month yet, you are missing out. They play all the time, go to one (or many) of their shows or else….
http://fathistorymonth.bandcamp.com/

Act III: Onslo–  LOUD, some  loud motherfuckers right here.

Act IV: Gypsyblood– If you like Jesus and Mary Chain, then you will probably love these guys. http://gypsyblood.bandcamp.com/

Upcoming SKIMASK Shows!


Photo from http://skimaskmusic.blogspot.com/ Check it out!  Here are some awesome, upcoming SKIMASK shows:

Wednesday, April 4 @ Middlesex Lounge Central Square Cambridge w/ Bugs and Rats

Thursday, April 12 @ Butcher Shoppe (Allston) w/ Mounds, Black Pus (Lightning Bolt), Buck Gooter

Tuesday, April 17 @ ….. somewhere in Brooklyn, NY w/ Arvid Noe

Friday, April 20 @ Twin Towers (Allston) w/ New Highway Hymnal, The Terribles, and Rotten Apples

Saturday, April 28 @ Paradise w/ Future Islands, Ed Schrader’s Music Beat

Wednesday, May 2 @ O’Brien’s Pub w/ Fat History Month, Pile, Ugh God

Two Cool Fat History Month Reviews + Interview & Upcoming Shows

Here are two cool reviews and one interview for my favorite Boston band, Fat History Month.

http://www.bostonhassle.com/2012/01/03/luke-einsiedlers-top-whatever-list/ They always know whats up around here!

http://www.radioutd.com/2012/02/05/reviewinterview-fat-history-month/ Nice!

and here’s the band’s  awesome blog, a real treat for fans of FHM:

http://fathistorymonth.blogspot.com/ 

and lastly, here’s their band camp page with a BUNCH of upcoming shows!

http://fathistorymonth.bandcamp.com/

P.S.  the line “I abuse myself  to amuse myself” from the song, “Things I Enjoy” has been in heavy rotation in my every day speech as of late.

Best of 2011- Chris’s Favorite Albums

10) GirlsFather, Son, Holy Ghost (True Panther Sounds): This is undeniably the most ambitious album on this list, probably one of the most ambitious pop records of the year, and I would say definitely the most ambitious sophomore effort I have heard in a long time. Album (2009) was/is one of my favorite records and this LP definitely shares a similar sense of outstanding pop features. With that being said, I do not love this album and in fact I think it is a bit too epic, too diverse, too much. At least for my taste, I am sure there are plenty of people out there that will love every second of it. I really enjoyed this record, but more imporantly I have a lot of respect for the band for making it. Girls really pushed themselves, exploring all sorts of areas of the music world; it really feels like a gigantic, classic rock record, especially with tracks like “Vomit.” If you have heard this, you know what I mean, when it explodes into the “looking for loveee” part(s) of the song. Good stuff. I would have prefered shorter songs, but that’s alright, this list is supposed to be devoted to praise anyway, so nevermind me. “Honey Bunny” is an essential, fucking amazing pop ballad.

9) Fat History MonthFucking Despair (Sophomore Lounge): Fat History Month is representing Boston (KLYAM’s hometown) and the Boston underground on this list, and if you don’t know anything about any bands from this area, then Fat History Month is an excellent place to start. I myself only know some bands, but FHM is the cream of the crop and Fucking Despair showcases everything that is awesome about this duo. It is often hard to describe their music and it seems like everyone comes up with their own little, weird interpretations, so I’ll leave it up to you, because I have faith in you. “Old Lady Smokers” and “Things I Enjoy” are constantly racing around my psyche, seriously these suckers are having fun being stuck in my head. They are short, but sweet, you just want them to never end, kind of like an orgasm. So, yeah it’s a musical orgasm.

8) Atlas SoundParallax (4AD): Bradford Cox is the best songwriter of our generation, at least in my book. Parallax is a great pop record, not the best from Bradford, but that is like asking Scorcese why one of his films is not as good as Taxi Driver; they cannot all be amongst the greatest records of all time, but that does not take away from the fact that this an above average album. “The Shakes,” is my favorite song. I know it sounds extremely cheesy, but I literally am shaking when I hear this song. It is so damn powerful as with nearly all of Bradford’s material. His songs just have that emotional effect that a lot of other artists lack. He can make things sentinmental witout making them come off as lame. Rock and Roll is alive and well.

7) Natural Child1971 (Infinity Cat): I just mentioned about rock and roll being alive and well, Natural Child is a further testament to this. Another artist, I cannot promote more. Seriously, if you dig this “garage” revival kind of stuff like the Black Lips, Ty Segall, Nobunny, etc, then Natural Child is up your alley. But, even if you do not dig those artists and you are one of those bastards that only listens to rock and roll that was created at least twenty-thirty years before you were born and you scoff at others that drink PBR, while you yourself are only drinking Bud Light, well then Natti Child can and will serve a dish you cannot refuse. The name of the record is 1971, just think of it that way. If you really love the Stones, I do not see why these Nashville boys deserve any less of your attention. It’s only rock and roll.

6) Ty SegallGoodbye Bread (Drag City): Need I say more? Okay fine. Ty Segall expands upon the reputation he has built up thus far as a fun, frat rockin’, psychedelic artist. Per usual, the record is sonically amazing, and just engulfs the listener. Strong pop hooks ensue.

5) Smith WesternsDye It Blonde (Fat Possum): Here is a band I really started getting into this year and rightfully so; Dye It Blonde is fantastic pop record, an ode to pop music. Each song is a carefully constructed, melodramatic ballad. Listening to this album is like shooting up pop music, you get that instantaneous pop sensation rumbling through your body from the first few moments of “Weekend.” I can picture Smith Westerns lyrics being plastered all over the facebook walls of bratty, depressed teenagers all across America. “I should’ve realized life is such a joke, it makes me wanna choke,(“Smile”). Mmmm gotta love them at that age!

4) Mark SultanWhatever I Want (In The Red):
I am big fan of Mark Sultan’s past two LPs, The Sultantic Verses (2007) and $ (2010), but I think this LP is even greater, exemplifying Mark’s strengths as a songwriter. The hooks are stronger than ever especially on tracks like “Axis Abraxas,” “Just For a Moment,” and “Song In Grey.” “Axis Abraxas” is an incredible opener and just gets the listener pumped for the whole record. I wish more opening tracks were like this. Definitely one of the year’s finest and one of the most underated.

3) Shannon and the ClamsSleep Talk (1-2-3-4 Go!): One of my new favorites from twenty eleven. Another truly kick ass rock and roll band that is totally underated. I remember hearing this about six months back and thinking this would probably end up on my list and I was right, not much can top it. First and foremost, Shannon Shaw is a fabulous singer, one of the best living today. Secondly, the band are masters at creating (or recreating) early 60s esque rock and roll both in songwriting and in sound quality with really nice, clean, analog. They also add an extra umpph to several of their songs, giving them an old school punk sound as well. All in all, there is not much you can hate about this band/album, they just represent what is great about the music I enjoy. Alas, you will not see this record on any of the major magazines’s or web sites’s end of the year lists like several other underappreciated records on this list.

2) Hunx and His PunxToo Young to Be In Love (Hardly Art): If Sleep Talk has a companion twenty eleven LP then it is Too Young to Be In Love. Shannon Shaw provides vocals in both bands and just like on Sleep Talk, she sings with incredible force and control. In general, all of the girls shine more on this album than the band’s debut, Gay Singles. That is probably the best part of this record, the fact that the band sounds fuller and more complete. Admittedly, I am a bigger fan of the first record, but I adored and still cotinue to greatly adore this record. In many ways, it is completely different: slower, more serious, and more 60s based. If you dig 60s girl groups, I highly recommend this album as it is quite reminiscent of that era. “Lovers Lane,” the opening track is a great example of this and my favorite from the whole record. Hunx’s lead vocals are better than ever and the girls’ backng vocals nicely complement his. Hunx and His Punx are doing something truly unique and unlike anyone else today.

1) Black LipsArabia Mountain (Vice):
What do you expect? Of course, Arabia is number one. Of course, Black Lips are number one, they always are! I have to say though I am not a robotic fan or anything like that, they are not an automatic number one for me by any means. This year they simply released their greatest studio album in my eyes. Like Glen and other punk slimers, I greatly anticipated this release, probably more than any other album in my life. When I heard Mark Ronson was on board, I was not sure what to make of it, but knowing the Lips, I felt we were in good hands. They stayed true to themselves and simply used Ronson’s skill to enhance what already made them great. I see this record as a salute to what makes the Black lips a kickass band: Cole’s weird, raspy vocals (sounding better and clearer and more effective than ever) on “Family Tree,” the band’s simple committment to fun in “Go Out and Get It,” indeed an incredibly simple, but catchy tune, and overall a striking personality that no other band can match. Personality is what makes bands memorable and the Lips have mythologized themselves into the greatest rock and roll band currently in existance.

Best EP of 2011?


Still never going stop him… and his band from appearing on my lists!

WavvesLife Sux EP (Ghost Ramp)

Yep, there should be no surprises here. We spend the whole year yapping about our favorite artists, so when it comes to these year end lists, it should all look familar.

Best of 2011- Chris’s Favorite Songs

I like what Glen did for his end of the year song list, so I am following in this new direction.

Atlas Sound– “The Shakes,” “My Angel Is Broken,” and “Parallax”
The Beets– “I Think I Might Have Built A Horse”
Big Mess– “The Hook,” “No Good Time,” and “Gueule de Bois,”
Black Lips– “Family Tree,” “Spidey’s Curse,” and “Don’t Mess Up My Baby,”
Colleen Green– “Dance the Night Away”
Fat History Month– “Old Lady Smokers,” “Things I Enjoy,” and “Free As A Cat”
Girls– “Honey Bunny,” “Magic,” and “Saying I Love You,”
Hunx & His Punx– “Lovers’ Lane,” “Too Young to Be In Love,” and “Keep Away From Johnny”
Mark Sultan– “Just For a Moment,” “Axis Abraxas,” and “Song In Grey”
Natural Child– “Easy Street,” “Hard Workin’ Man,” and “White People”
The Orwells– “Halloween All Year”
The Pains of Being Pure At Heart– “Belong,” “Heart In Your Heartbreak”
Peach Kelli Pop “Eeenie Meenie Minie Moe,” “Do the Eggroll,” and “Doo Wah Diddy”
Shannon and the Clams– “The Cult Song,” “You Will Always Bring Me Flowers,” and “Sleep Talk”
Saralee– “Circle of Hands,” “Ceiling,”
Silhouette Rising– “Don’t You Hear Me Calling”
Smith Westerns– “Smile,” “All Die Young,” and “Weekend”
Those Darlins– “Screws Get Loose,” “Be Your Bro”
Ty Segall– “Comfortable Home,” “Goodbye Bread,” and “California Commercial”
Wavves– “Nodding Off (Featuring Best Coast),” “Bug,” and “I Wanna Meet Dave Grohl”

Review: Fat History Month, Florida=Death, Big Mess, SARALEE @ Gay Gardens (11/19/11)

“Is this G.G. Allin’s broken dick?” Glen shouted as we stumbled upon our desired location. Upon hearing the confirmation that it was in fact G.G Allin’s Broken….you name it, we entered the Allston venue, hoping to see some kick ass local bands, and as always we did.

Artists: Fat History Month, Flordia=Death, Big Mess, Saralee
Date: Saturday, November 19, 2011
Location: Gay Gardens/G.G. Allin’s Broken Home/Nose/Dick (Allston, MA)
Comments:
Act I: Saralee– Ahh I saw this cute duo before and they were pretty sick that first time. I remember truly enjoying their set, but for whatever reason I never really checked out their material, a high crime indeed. Anyway, when I heard they were playing this show (which was only news to me like an hour before their set!) I was excited. When their set began I was still upstairs, but as I was walking down the steps, they were kind of fucked up steps as one other G.G. Allin disicple had noted, the music sounded incredibly familar. I recognized the song from their last set, which is weird because that never happens, unless I check it out again, but I knew it and I loved it! The song is called “Circle of Hands,” and it is fantastic, my favorite Saralee song by far. The song exemplifies what is great about this band. Just really warm, almost comforting music; simple, steady drums from lee and Sarah’s amazing, unique voice. Her vocals are probably my favorite part of the band because they are simultaneously in the background, but also in your face. At least that’s how I hear it. Anyway, it was a chill set, and has stuck with me since the show. I listen to them frequently now, one of the best bands in Boston. See them live if you get a chance.

Act II: Big Mess– Big Mess is another highly notable local band. This instrumental trio hails from Lowell and I have seen them four times now and they get better each time. Big Mess is easily one of the tightest bands I have seen recently, just no fucking around, here we go, let’s rock kinda music. Both live and on studio recordings, but especially live, the band evokes various thoughts in my brain. Firstly, I always think these guys are fucking badass, like this is the soundtrack to what it is like to be badass and/or live a badass lifestyle. You know those horrible car ads with terrible country rock/overly masculine singing, well it is nothing like that, but it is just as badass, if not more. Just take the cheesiness out of that formulaic music and insert the pulsing guitars and pounding drums of early metal greats like Black Sabbath and AC/DC at their prime and you have Big Mess. The purest style of badass rock, like Shellac. Get up, crack open a beer, and crack some skulls. Well, maybe not that harsh, but you get the picture hopefully.

Act III: Florida=Death: First off, wonderful band name! I dug these Connecticut natives, but I did not feel as big of a connection to them or their music than the other bands. I feel like they were going for an electronic sort of thing, not sure, maybe I have to give them another chance. They were decent, just did not stand out to me at the end of the day.

Act IV: Fat History Month– Fat History Month is definitely the best Boston band I have seen this past year. I saw them for the first time a few months ago and I could tell from that performance that they were pretty special. I did not fall in love with them right away, but I got the impression that they were a band I could not keep my eyes off. So, I started listening to their music more and more. Saw them again and really dug it. Now, they are one of my favorite bands from twenty eleven. So yeah, I was really pumped for this performance. At the two previous Fat History shows I attended, the crowd was small and people were not overly enthusiastic, but this time around the audience seemed pretty into it and rightuflly so. There was a decent amount of moshing and it was pretty awesome, just the kind of reaction I was looking for. The duo rocked out per usual and I think it is safe to say this was the best show I had seen from them. In particular, “Old Lady Smokers,” was a pleastant experience, as it is a KLYAM favorite for sure. When the set hit its finale, vocalist/guitarist, Sean walked right through the crowd as if we were ghosts, it was pretty cool. Fin.

Grade: 7/10

Fat History Month-Things I Enjoy from Michael Wissig on Vimeo.

Boston Hassle Underground Music Comp/ Release Show!

Boston Hassle is a compilation documenting various, fascinating bands in the Boston underground music scene. In other words it’s a gigantic middle finger to corporate Boston or all those who have shunned these fine artists that lurk beneath the outskirts of the vapid music industry. Needy Vision, Dan Shea– the man behind all of this says it best himself: “Boston Hassle is an underground music comp that is being released exclusively on a wearable button/music player format called PLAYBUTTON.” Indeed, the format for this comp is unique and quite convenient. On top of that, there will be a Boston Hassle Comp Release Show on Sunday, December 11 @ Great Scott in Allston featuring Fat History Month, Saralee, Exusamwa, Needy Visions, Creaturos, Kid Romance, more!!! Excellent.
Here are some choice links:
http://www.bostonhassle.com/ 

http://bodiesofwaterartsandcrafts.bandcamp.com/album/boston-hassle-a-boston-underground-music-compilation-on-a-wearable-button-music-playing-format

http://www.forbes.com/sites/leorgalil/2011/11/10/new-boston-music-compilation-is-a-wearable-tribute-to-underground-culture/

In 1787 it was Shay’s Rebellion. In 2011 it is Shea’s Rebellion.