
From 2007:
Black Lips Interview for Pedestrian.tv from PEDESTRIAN.TV on Vimeo.

From 2007:
Black Lips Interview for Pedestrian.tv from PEDESTRIAN.TV on Vimeo.
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Band: Wolf Parade
Release: 6/2010
Label: Sub Pop
1. “Cloud Shadow on the Mountain” – Krug – A-
2. “Palm Road” – Boeckner – A–
3. “What Did My Lover Say? (It Always Had To Go This Way) – Krug – A-
4. “Little Golden Age” – Boeckner – A-
5. “In the Direction of the Moon” – Krug – B+
6. “Ghost Pressure” – Boeckner – A
7. “Pobody’s Nerfect” – Boeckner – A-
8. “Two Men in New Tuxedos” – Krug – B
9. “Oh You, Old Thing” – Krug – A
10. “Yulia” – Boeckner – B+
11. “Cave-o-sapien” – Krug – B+
Comments: Spencer Krug starts the record off in a manner that I’ll dub uncharacteristic. He does a little spoken-word before singing in his oh-so characteristic way. “Cloud” is (and I hate that I’ll keep referring to it at this) very Sunset Rubdown. Of course, it’s more dynamic and more dance. I like that it’s instantly catchy. It’s the catchiest tune on this LP. The Boeckner-led “Palm Road” is neat. There’s a lot of noticeable instruments going on in the background — some with weird, but cool effects. There’s also the break around the two minute mark that adds some lasting meat to the tune. The upbeat “What Did” contains an array of neat guitar riffs and a constant drum line that insists on you moving around. I absolutely am fascinated by “Little Golden Age.” Hot damn. Krug starts doing his “wa-who-wa-who” deal at the end and then Boeckner kicks back in with the chorus. Just great. “In the Direction” is a bit draggy, I’ll admit, but overall it is pretty consistent in being that, which isn’t bad. There are things I like. As I mentioned in song reviews “Ghost Pressure” features excellent synthesizer notes and a killer bridge/chorus. “Pobody’s Nerfect” has a cool rhythm section. Not breath-taking, but well enough. Too long? It makes the next song, “Two Men,” seem like an extremely short number. Comparatively so. “Oh You, Old Thing” is tight. It’s a very variable tune. It certainly has me not knowing what to expect next. For now, I’ll label it as a grower. Fantastic ending. “Yulia” just keeps getting better and better as it progresses. Matter of fact, that’s how a lot of Dan’s songs are. Cool effects are also present on “Cave.”
Grade: B+ (89)

Click here to read: http://blog.mtviggy.com/2010/05/11/q-a-with-king-khan-i-was-born-naked/
Thanks to XYZ.
Scion Magazine 16: Travel Tips from Scion A/V on Vimeo.

Boston Herald
You know that pole in front of the stage at the Paradise Rock Club, the one that lead singers often take note of – and not in a nice way?
It won’t be a problem after Labor Day.
The pole isn’t going anywhere – it provides structural support – but the Paradise stage is moving about 20 feet toward the Commonwealth Avenue side of the building.
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No concerts from July 1 to September 7. Concerts that would be held at Paradise are probably going to be relocated at fellow Live Nation venues like House of Blues and the Orpheum as well as the new Royale.
I love dreaming up new categories for Songs of the Day!
Chris

Artists: The Big Big Bucks, Uninhabitable Mansions, Thalia Zedek, and Ketman (we did not see)
Location: Middle East Upstairs, Cambridge, MA
Date: Friday, May 7, 2010
Comments:
The Big Big Bucks: They were a decent band and a good start to the show. The guitars were nice and loud, but not too loud. I could sense they had some pop sensabilities, but the songs did not come all the way through as major hooks. One of their jams, “New Socks,” stood out to me as a little catchy and definitely rocking (and not just because they announced its name, Glen!). Alas, there were some technical difficulties, which truncated the group’s set a teeny bit, but they dealt with the mishap with delightful humor and audience interaction. Overall, I liked them and they served as a good act to warm up for the Mansions. I think I am the only one who has ever referred to them that way lol. Maybe not?
Uninhabitable Mansions: Ahh yes the band we came to see! They created some exciting vibes without being over the top in their showmanship; the songs spoke for themselves. I really dug the adorable Annie Hart and her skillful keyboard playing, something I had overlooked previously while listening to their recordings. The group played a relatively quick set consisting of the classic, “Speed is Deceiving,” which was easily one of the best musical performances I have ever seen. I was like in a trance for a few minutes, it was really that outstanding. The vocals particularly stood out to me as they not only sounded extraordinary, but they also did total justice to the recording, which in itself is fabulous and one of the best from 2009. They closed their brief, but invigorating set with “We Already Know,” another classic from their last LP. Okay, I’ve sucked their dick for enough now, better move on before I start deep throating….
Thalia Zedek: Uhh yeah this is simply music I do not have time for lol. They suffered from the Tulsa effect of playing what seems more like a jam session than a performance of songs. The first number was ok and I was a bit interested, but after that, actually by th end of it, my focus was far from fixed! When that shit is broken, I’m mentally finished with an artist. Perhaps, it’s just me and some other musicians would find real meaning and entertainment in their work, but for me there’s nothing fascinating about it. I typically dig exciting, fun, catchy pop music (what I see as pop, i.e. Jay Reatard). So, if you can’t wow me with explicitly “stuck in my mind, sing along” tunes than you should wow me with something else really unique or mind blowing i.e the performances of Deerhunter and Sonic Youth, amongst others, whom have many catchy songs, but clearly they explore further terrirtory outside the pop landscape and do not rely on the hooks and what have you. If you’re band, as in the case of TZ cannot satisfy these two musical needs of mine than you have lost my attention. Now, that does not necessarily mean the band is bad (TZ are probably decent musicians), it just means I have absolutely no desire to listen to them. Alright, alright, I’ve ranted for wayyy too long lol. So, yeah TZ bored the fuck out of me.
Grade: B
Chris
New Split 7″
The world’s spiciest duo, King Khan and Bloodshot Bill offer a currified romper of Gomper (clocking in at 5:09 – the exact time of the Stones version!) on this New Dehli platter! All they ask in return is that you please remove your shoes. Turn it over and dig Scotland’s least likely hit makers as they blaze through everyone’s favorite Nanker Phelge floor packer!
Purchase here for a mere five singles: http://www.nortonrecords.com/index2.html
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Check out this video for “Big Belly Giant”:

Jacuzzi Boys – “Smells Dead”