I got acknowledged by Jay Reatard twice in my life. Two times in the same night, as a matter of fact. The first was admittedly awkward. I saw Jay walk by before the show (at Harpers Ferry, October 2) so I said to him as he passed, “Hey Jay, I love you man.” I didn’t really notice his reaction, because he kept walking, but some people close to me have said that he smirked. The other meeting occured a short time later; Jay was chilling near the front of the stage so I said “Hey Jay, your last record is really awesome.” He responded! He said, “Thanks, man.” Of course, I was a creep, but whatever!
For the rest of the week I plan to make posts solely about the fallen garage legend. Yes, he was a bit of an asshole, but he was our asshole lol. I’m sure he’s freaking out Jesus and and some wimpy angels in Heaven right now.
Memphis garage rocker Jay Reatard, who broke out last year thanks to Watch Me Fall, has died at the age of 29, Reatard’s label Matador Records confirmed. According to Memphis’ Commercial Appeal, Reatard was found dead in his Memphis home at 3:30 am this morning and reportedly died in his sleep. “We are devastated by the death of Jimmy Lee Lindsey Jr., aka Jay Reatard. Jay was as full of life as anyone we’ve ever met, and responsible for so many memorable moments as a person and artist,” Matador Records said in a statement. “We’re honored to have known and worked with him, and we will miss him terribly.” Watch Reatard perform “Blood Visions” last month in Atlanta in the video above.
“Since 1998’s Teenage Hate, Memphian Jay “Reatard” Lindsey, 29, has spit enough pissed-off, low-fi garage punk to become DIY royalty,” Will Hermes wrote in his three-and-a-half star review of Watch Me Fall. “There’s also choral sugar, dub effects, sweet guitar cascades and mad hooks. On the majestic closer, alongside a sad cello, he insists, ‘There is no sun.’ With sound this blazingly bright, who needs it?”
In 2008, Beck recruited Reatard to record a cover of Modern Guilt’s “Gamma Ray” for the B side of that song’s single. For last year’s Record Store Day, Reatard’s “Hang Them All” was featured on a split 7” with Sonic Youth’s “No Garage.” Reatard also recently opened for the Pixies during their run of Doolittle concerts. On their Facebook page, the Pixies wrote “We want to express our condolences to the friends and family of Jay Reatard, on his sudden passing today.”
– Rolling Stone
RIP Jay, you are immortal through your music, some of the best damn rock and roll my ears have had the privilege of hearing.
Memphis garage rocker Jay Reatard, who broke out last year thanks to Watch Me Fall, has died at the age of 29, Reatard’s label Matador Records confirmed. According to Memphis’ Commercial Appeal, Reatard was found dead in his Memphis home at 3:30 am this morning and reportedly died in his sleep. “We are devastated by the death of Jimmy Lee Lindsey Jr., aka Jay Reatard. Jay was as full of life as anyone we’ve ever met, and responsible for so many memorable moments as a person and artist,” Matador Records said in a statement. “We’re honored to have known and worked with him, and we will miss him terribly.”
I’m really stunned. The last two times I saw Jay, he put on an unbelievable show. I’ve been checking daily to see if he was going to be coming back to the area soon, but now I’ll never be able to watch him perform again. That’s tragic, because he was probably the most interesting musician to read about (via his own Facebook statuses, tweets, or on other websites) and listen to. Just on Monday he threatened to kill kids because they slashed his tires. He was just that kind of guy.
Whenever I discuss my sociopolitcaleconmic blah blah blah views with anyone I get two reactions. 1) Quizzical looks and 2) Accusation that I am being far too cynical. Well, perhaps I can explain both here. To start with the latter, I am cynical for a reason: history. If the history of civilization after civilization has taught us anything is that all governments are comprised of lying cocksuckers, as Bill Hicks would say, some worse than others, of course. So, I do not think mine or anyone else’s cynicism is off base or uncalled for by any standards. Cynicism should never be confused with pessimism. In fact, quite the contrary. We, cynical basterds see through the hallow walls of government indoctrination and try to push forward to new and better ways of thinking and living. I would say that’s an optimistic way to think. In brief, cynicism is not a bad thing if you have reason and hope on your side. When discussing such topics I’m reminded of the classic Noam Chomsky/Mr. Lang quote, “If you’re not cynical, you’re not paying attention.”
I recently watched a film called “Phoebe In Wonderland.” I might say this is an excellent movie. “Phoebe In Wonderland” tells the story of Phoebe (Elle Fanning), a “unique” 9-year old girl who gets cast as Alice in her school’s production of “Alice in Wonderland.” Then, the various characters come to her to give her advice on her personal life, for she is as I said before “unique.” Bill Pullman, Felicity Huffman and Patricia Clarkson also are featured in this. This film is done very stylistically. It has a, dare I say, “Wonderland”-like quality to it in the various sequences when Phoebe sees her Wonderland friends. Director/Writer Daniel Barnz really makes you feel sympathetic for all the characters involved. Now, this movie could be categorized as a tragicomedy. At some points, you feel really upset for what Phoebe has to deal with and the lack of understanding expressed towards her. At other points, it is genuinely funny. One point is a certain monologue by Ms. Dodger (Patricia Clarkson), the eccentric director, about how when she was 10-years old, she “played Cleopatra and held the asp to her breast. You could hear a pin drop everyone was so entranced.” Also, one of my new favorite lines, “Is it AIDS?” is in this movie. A very touching film that deals with the modern child and the apparent ADHD epidemic that is sweeping the nation.
1. “Gateway Drug” – B- 2. “Don’t Let Your Enemies Become Friends” – C- 3. “Good Graces, Bad Influence” – C+
Comments: I liken this band to Head Automatica, with evident styles in pop-punk and power-pop. Like HA, the Spill Canvas manages to (mostly) stay outside the obnoxious zone that so many bands of today tend to fall in. HA is a lot catchier, but this definitely is comparable.
Kids Like You & Me (KLYAM) 