By now you’ve heard of FUZZ, maybe you’ve even been fortunate enough to see them live. It’s Ty Segall (drums), of course, and Charlie Moothart (guitar), and Roland Cosio (bass).
The new-ish band has released two singles: Sleigh Ride and This Time I Got A Reason. On October 1, In The Red will put out FUZZ.
Dudes are touring the US hard right after the thing is released…most importantly to people around here AT GREAT SCOTT ON MONDAY OCTOBER 14:
10/2 – Tucson, AZ – Club Congress
10/3 – Marfa, TX – Padre’s
10/4 – Austin, TX – Red 7 Outside
10/5 – New Orleans, LA – Siberia
10/6 – Memphis, TN – Hi Tone
10/7 – Nashville, TN – The End
10/8 – Atlanta, GA – The Earl
10/10 – Raleigh, NC – Kings Barcade
10/11 – Philadelphia, PA – Kung Fu Necktie
10/12 – New York, NY – Mercury Lounge
10/14 – Allston, MA – Great Scott
10/15 – Montreal, Quebec – Il Motore
10/16 – Toronto, Ontario – Parts and Labour
10/17 – Detroit, MI – Lager House
10/18 – Chicago, IL – Logan Square Auditorium
10/19 – Northfield, MN – The Cave (Carleton College)
10/20 – St. Paul, MN – Turf Club
10/21 – Omaha, NE – The Waiting Room
10/22 – Denver, CO – Hi Dive
10/23 – Salt Lake City, UT – Urban Lounge
10/24 – Las Vegas, NV – Beauty Bar
10-25 – Los Angeles, CA – TBD
Bands: Mikal Cronin, Shannon and the Clams, Roomrunner, The Migs
Date: Monday, June 17, 2013
Venue: Great Scott (Allston, MA)
The Migs – HOLY SHIT, IT’S THE MIGS!!! Man oh man, it’s a huge pleasure of ours to see New Hampshire’s finest up on stage once again, it’s been way too long. Wayyyy too long. Vintage Migs Keven, Lukas, and Craig are joined by a new drummer by the name of Alex (well new to us, but apparently he’s been rockin’ with the fellas for several months). What up Alex?!
The Migs are one of the greatest live bands I’ve seen. The songs are solid, if a little bit rough around the edges, but in a live setting the songs simply hit you with a greater force. In addition to The Migs’ undeniable grasp on 60’s garage rock, R& B, soul, blues, and a pinch of doo wop, they provide pure entertainment. It’s the little things that separate them from most other garage/rock ‘n’ roll groups. Their coy, innocent dancing and sudden bursts of laughter effectively match the joyful, tension free style of music they embody. It’s fun. It’s joy, like the Black Lips taught me, joy could be an aesthetic – could be meaningful. And The Migs do their best to make sure everyone has a fun time.
The band’s unhesitating interaction with their audience is a feature of The Migs that I have admired since day one (4/20/12 for me). I remember back then, fanatically telling people about a band I saw the other night (which is what usually happens after I experience a special band). I extensively proselytized my love for The Migs, “you have to see this band, they play in the crowd, they play with the people!” It was like something out of Fugazi or Lightning Bolt or something crazy like that, something I had only seen in videos. Tonight, The Migs don’t play in the crowd or on the floor, but it’s not a big deal because it’s not quite the same unless it’s a grimy, crowded basement. Nonetheless, the enthusiasm and entertainment is still very much intact.
Up until now, I have suffered through endless months of Migs withdrawal, but this performance brings me back to the good old times. The quartet concludes with a cover of The Rolling Stones’ classic, “The Last Time.” I certainly hope it’s not the last time. Go see em’ live! http://themigs.bandcamp.com/
Roomrunner – Naturally, going into a show like this I’m biased. I’ve been a longtime fan of Shannon and the Clams, seen Mikal Cronin in the Ty Segall Band (not to mention liking and enjoying some of his music) and of course I hold The Migs near and dear – taking in several of their shows in the previous year. Roomrunner, on the other hand, is foreign to me. For the first few songs, I can nod along to this Baltimore based band, but after a while I’ve had enough. It’s certainly not as upbeat as The Migs, but Roomrunner do have some power in them and they definitely write some decent songs, but they’re simply too sad for me or not sad enough haha. I did find their in between song banter to be quite amusing though. The vocalist/guitarist even introduces the classic “we have one/two more songs left” ( a line that practically every band utters at one point in their lives) as a phrase that everyone loves to hear; in this instance I concur. That being said, I do appreciate Roomrunner’s sense of humor, even if their sound is not exactly my bag. Apparently, they are also on a string of tour dates with Shannon and the Clams and Mikal Cronin. Kudos gentlemen. Check them out here: http://roomrunner.bandcamp.com/
Shannon and the Clams – I’ve been waiting two years to see this band! I love Shannon and the Clams and tonight I can finally cross them off of my “top 5 bands to see live” list. The trio, which includes vocalist/guitarist Cody Blanchard (King Lolipop), vocalist/bassist Shannon Shaw (Hunx and His Punx), and new drummer Nate are known for creating a raw, analog flavored, bizarre take on 60’s pop music, implementing elements of garage and doo wop – not to mention 70’s punk, making the band a sheer bestial force.
So, with these elements in mind, one can understand why weird, off kilterish pop/rock ‘n’ roll, garage punk rock fans such as myself would simply adore the music of Shannon and the Clams. Their recordings are near flawless, but seeing them up on stage is incredible. They open tonight’s show with 2011’s “Sleep Talk” off the album of the same name and what appears to be the main source of this evening’s set. A solid opener and a favorite of mine at that, they continue with other Sleep Talk tunes such as the soft, doo wop morphed fast punker “You Will Always Bring Me Flowers” to the straight up slower, ballady gems in “Oh, Louie” and “Done With You.”
The finest cut from Sleep Talk/my all time favorite Shannon and the Clams song and the one that seems to generate the greatest crowd response is “The Cult Song.” This number showcases what is fantastic and utterly strange about Shannon and the Clams. The song builds with a fast, pulsing drum beat backed by Cody’s bizarro vocals and Shannon’s seemingly endless chants “one of us! one of us! one of us!” as made infamous by 1932 cult horror classic, Freaks. The band attempts to persuade their audience that they are sane in the lines “WE ARE NOT UNDER MIND CONTROL” but by the end of the song I think most of us would happily join the Shannon and the Clams cult! This song in particular reminds me of why I admire a band like this what with all of their little idiosyncrasies and good old fashioned weirdness. Maybe, it’s not even weirdness. Just taste.
I’ve gone on and on about my love for Sleep Talk, but the band has actually just released their debut for Hardly Art entitled Dreams in the Rat House. I have to admit I am not overly familiar with the songs on this album, having only heard it once or twice now. With that being said, I do recognize them playing the song “Rip Van Winkle” tonight and as expected they kill it.
As I have noted thus far, the vocals are one of the hallmarks of Shannon and the Clams’ music. With this in mind, a rather distinguished moment in the set is when Shannon and Cody both see how loud they can sing with each Clam trying to top the other. This is entertaining, but also shows us just how phenomenal their voices are.
Point is, go see Shannon and the Clams live if you get a chance or better yet pick up one or all of their amazing records.
Mikal Cronin – For starters, I am only vaguely familiar with a couple of Mikal Cronin songs, but Co-KLYAMER Glen is a huge fan. He’s shown me some sweet Mikal Cronin tunes in the past and I agree that it is solid psychedelic pop/garage rock.
I mentioned earlier that we have seen Mikal Cronin before in The Ty Segall Band, well Mikal is joined by fellow Ty Segall band mate Emily Rose Epstein on drums. Mikal and Emily are just as talented as they were with Ty; the whole band is exceptional actually. If you like Ty Segall, then I’d recommend you check out Mikal Cronin, as you will most likely enjoy the similar style. Mikal and crew seem to perform more solos however, which isn’t necessarily a bad thing, but typically not my thing.
I mainly came to see Shannon and The Clams (and The Migs!), but Mikal Cronin and his band are also impressive. The crowd appears to be a bit of a mixture of Clams and Cronin fans with some natural overlap. Considering he is the headliner, more people probably came to see him, but I am positive that all four bands tonight left the sold out crowd with a lasting impression.
Tuesday – May 21
Wednesday – May 22
Juan Wauters is singer, guitarist, song-maker in one of my favorites, The Beets, from Queens. He is also Juan Wauters solo and that is what I have come to tell you about this time.
He’s opening for Veronica Falls and Cold Showers in just under a couple of weeks on Saturday March 9th at the Great Scott. He’s also playing dates with those folks in NYC, DC, and Philadelphia. Juan has a single coming out in March on Wayward Records – Sanity/Nena. You can listen to it now, though, which I do advise ’cause it is great: http://juanwauters.bandcamp.com/
Act I: The Fagettes – The Fagettes are a KLYAM band. Period. There are many styles/genres I could attribute to this band, and pretty much all of them we dig, hence why they are a KLYAM band. Rock ‘n’ Roll, Garage, Punk, Psychedelic, you name it, they got it. Their sound and aesthetic fits perfectly with the punk slime we proudly promote every day on this site, which I honestly can’t say about most of the local bands we see. That isn’t to say other bands around here suck, not at all. It’s just great to see a Hunxian “garage” band in Boston. We saw them once before performing as Nancy Sinatra & Lee Hazlewood for a Halloween cover show, and as much of a blast as that was, we yearned to see them as FAGETTES. Needless to say, I’m pretty excited. As I mentioned earlier, these guys have nailed that fun, fun rock ‘n’ roll sound down pat, but they also have a real cool look to them. Especially Ryan Major (vocals, guitar, harmonica); he is simply one suave motherfucker. He rocks the shades and from a distance he looks like Jared Swilley, but up close he looks more like John Holmes, either way he is the man and he is a great singer. Ryan shares vocal duties with Melanie Bernier (one half of one of the best local bands, The Electric Street Queens – check them out!), who also plays drums. But, Melanie isn’t the only one that sings and plays drums, oh no. A wonderful gentleman by the name of Peaches commands the kit in the back and provides some sick backing vocals. The bass player, who’s name escapes me (sorry dude!) is enthusiastic as he always is, love that guy. But, wait there’s more. Matt “Nice Guy” Garlick is riffing on guitar. In fact, before the band plays their set, I can hear Matt jamming on The King Khan & BBQ Show’s “Waddlin Around,” killer song. I should also mention that Matt is completing the second half of his double header tonight, having just played at the Butcher Shoppe with his other badass punk band, Nice Guys, wowzer! The Fagettes’ set consists of all the fun tunes you’d want to hear, oldies like “Catholic Riff Raff,” “Mystery Pills,” and “Water, Tea, and Alcohol,” as well as their latest offering, “Gonna Die Out Here,” one of their sexiest to date. They also play all three cuts (“If I See Him Again,” “On Drugs,” and “My Girl Looks Like Johnny Thunders”) from last summer’s EP If I See Him Again. With “On Drugs,” they really make it feel like a place you come to visit, where the fun never stops. This song and every song sounds terrific. The Fagettes live is a visual, auditory monster. With all these vocals and percussion jostling me, I feel like I’m being trampled by a lion. The sound is that big, perhaps not that terrifying though, but my ears are equally pleased and damaged. I can’t recommend Fagettes more, going back to what I started saying at the beginning of the review that they are a KLYAM band, meaning they play rock ‘n’ roll the way it ought to be done: short, but simple pop songs, fun, filthy, and catchy. Sweetness meets sickness. Like, Shannon and the Clams, there’s enough loud punk and soft pop for all to enjoy, and usually somewhere in between. I am exhausted, but Fagettes can keep me up all night. Be awesome like me and listen to all their crazy music here: http://thefagettes.bandcamp.com/
Act II: Beware the Dangers Of A Ghost Scorpion!– Now, here’s a sweet band. With a name this enormous and eccentric, they ought to send me into an oblivion. And like their name they are both fun and puzzling, but in a pleasant way. ‘Beware’ is a five piece and each member is dressed the same: bandannas covering their noses and mouths, blue jeans, and black shirts bearing a picture of a presumably dangerous, ghost scorpion. The set is entirely instrumental and with the exception of Big Mess, I typically am not fond of this style of music, but these men capture my attention and entertain me for the next half hour. They rock out pretty hard, playing early 60s surf rock with a bit of an extra kick, in fact a lot of emotion and physical energy. This is especially true of the man on tambourine. This dude bashes away at the tambourine, unlike anyone else I’ve seen before, I can’t imagine what his hand looks like after each gig. But, he goes beyond that in his showmanship. He makes the crowd move and shake and he is the leader of all this hype and excitement in the room, as if he is holding the crowd in the palm of his hand, perhaps a cliched comparison, but he just holds this undeniable command over the crowd. What’s even more fascinating and unique about this man and the group as a whole is the lack of vocals. As I mentioned, they are an instrumental band, but they literally never speak throughout the whole performance. No words, just music. Actually, let me rephrase that, words do appear at various moments, as they are scrawled across a sign that the tambourine player triumphantly holds, reading: BEWARE THE DANGERS OF A GHOST SCORPION! This guy gets an A+ for the night. Solid set, sick band, but I don’t know if this is the kind of music I see myself listening to at home alone in my room, with that being said, I hope to see them again in the future and I hope others catch their set too, for this is a live show you won’t want to miss. http://www.youtube.com/watch?v=8EmoBSVPoXs
“Red River Tombstone Hustle”
“Heads Will Roll”
“The Lover’s Curse”
“The Nameless One”
“We Welcome The Living, But Only If They Come Here To Die”
“Satan’s Invisible World”
“Denton County Casket Company”
“The Legend of Goatman’s Bridge”
Act III: earthquake party!– Earthquake Party’s a perennial rock force in Boston, and a very talented band at that. Their set is loud and noisy, but with some pop beneath the heavy volume. Their keyboard driven songs mixed with grungey/screaming vocals remind me of the Lost Sounds and Yo La Tengo. There’s a harsh quality to it, but it’s also satisfying and never overstays its welcome. Listening to their bandcamp, I hear the songs more clearly, they have some real great pop numbers here. I’ve seen them a couple times before and each show has been an enjoyable experience. Definitely a KLYAM recommendation: http://earthquakeparty.bandcamp.com/
“Nails + Hammertime”
“One More Night”
“Pretty Lil Hand”
Act IV: Bent Shapes – Like earthquake Party! Bent Shapes are familiar faces around the Boston rock scene and they have earned a reputation for creating catchy, mellow, pop songs that rank up there with the finest in music today. So yeah, they’re one of my favorite bands right now and it’s great to see them in front of a packed crowd at the Great Scott. Great Scott is the first place I saw Bent Shapes (well Girlfriends) many, many moons ago, opening for another brilliant, underrated pop band, Harlem. At the time, I didn’t really pay attention to local music, for no particular reason, I just didn’t. Girlfriends stood out to me though, I think the first local band that I really dug. Flash forward to the present. They sound excellent and they play some of their best songs including the sunny “Leave It Till You Need It,” and their recent flexi, “Panel of Experts” and “Bites and Scratches.” They have a somewhat soft pop style to their craft, but they rock just as hard as all the other bands. The set closes with one of my all time favorite songs, “I Was Here, But I Disappear,” which always gets me super ecstatic, there’s just no way of describing my love for this song without sounding over the top. Perhaps, the best performance I’ve seen from Bent Shapes. Check them out, if you haven’t already. http://bentshapes.bandcamp.com/
“Panel of Experts”
“Boys to Men”
“What We Do Is Public”
“Bites and Scratches”
“Leave It ‘Til You Need It”
“I Was Here But I Disappear”
Bands: Atlantic Thrills, Ravi Shavi, Yale Massachusetts
Date: Monday, December 4, 2012
Venue: Great Scott (Allston, MA)
Act 1 – Atlantic Thrills – The Atlantic Thrills, damn, yo! I was blessed with the opportunity to see the Thrills for the sixth time last night. I always reflect on the very first time that I saw them, opening for Black Lips. I was blown away by the fact that they were just a local act. They channeled quite nearly the same energies of the headlining Lips. I couldn’t believe what I had witnessed and really hoped that they would open the next night in Boston. It didn’t happen, but I kept up with them and flash forward to now and yes, here we are a handful of shows deep. There are just a few bands out there that I get to stand in front of on a semi-regular basis. Atlantic Thrills are one of them. Tonight was a night of newness for the band. They kicked off the set with two new songs “Come On,” and “Holy Mountain”. Each had its own catchy hook, sometimes sounding surf, other times more of the garage punk fascination. It was awesome. “Beach,” which they’ve been playing for a while now, is becoming a staple, in my opinion. We got a fine taste of the lead vocal abilities from all three guitarists, a load of sweet solos and ‘meat’ playing from Dan Tanner, and the steady percussion/background vocals of drummer Josh Towers. After some fresh middle of the set jams, the Thrills really turned things up with “Shotgun” and frankly never relented. I’ve seen some fine “Acid Rain” performances in the past, but tonight’s included what seemed like a lengthier jam filled with various noises, knob turning, and simply rocking out. A fast “Give It Back” and the perennial dancer “Light Shines” followed THEN ya-ya-ya cover “Salvaje,” Kelly Riley crooning “Foreign Lands,” and a ‘what you should do with your drink right now’ “Drugs In It”. Was that all? Yes, it was. Some funky dancing, too. But yeah if you like rock and roll old-school style (with Peruvian jolt and small state shenanigans), the Thrills are your band. Or if you just like rock ‘n roll any variety. Word around the street is that more Thrills recordings will be making their way to us soon. I’m excited. Here’s their current stuff: http://www.reverbnation.com/atlanticthrills
“Hold Your Tongue”
“Give It Back”
“Drugs In It”
Act Two – Ravi Shavi – This was my second time seeing Ravi Shavi. The first time was an ultra energetic set a few weeks ago. They were a three piece, drums-guitar-vocals. This time they had a little bit less restriction with the addition of another guitarist and a duo on violin and cello. One thing that struck me about Ravi Shavi first time around was their familiarly distant sound. I thought Lovely Feathers, King Khan and the Shrines, and Adam Green. Just very eccentric, but like the aforementioned…very pop. Frontman Rafay Rashid played some on guitar and then put it down, dancing always. Part of what is really awesome about them is their random nature, at least to a relatively new fan such as myself. Anything is possible, it seems. Soulful. As one man next to me commented in the audience, “Ravi Shavi needs a Rafay in the audience.” They’re just that kind of band. The greatest moment of the set came in the latter half with the sunny, unpredictable power pop of “Accidental Mental”. The chorus could have went on for 20 more times and nobody would mind at all. I was really impressed by the dynamics of the band as a six piece, it was fun to see how well the string instrument players connected with the other instruments, especially during the faster joints. So yeah, this sounds like something you’d want to see? Many did on this night. Listen: http://ravishavi.bandcamp.com/
Act Three – Yale, MA – Wasn’t able to stay to catch them :(. Check ’em out: http://yalemassachusetts.bandcamp.com/
Rock ‘n roll done right will be brought to Great Scott next Monday, December 3 courtesy of Providence’s Atlantic Thrills. We went down to RI a couple weeks back and caught the Thrills playing with opener of this upcoming Great Scott show, Ravi Shavi. READ ABOUT IT.
The Thrills emit some of the finest sounds I’ve heard. You’re in for a great one if the names Dutronc, Black Lips, and Los Saicos conjure up great feelings of joy…and you’re still in for a great one if they don’t! Ravi Shavi is snappy power pop that will get you moving…no doubt! Yale, Massachusetts is also playing on this bill.
Oh yeah and if you’re from the Providence/RI/SE Mass area/wherever, both Atlantic Thrills and Ravi Shavi are playing this Thursday November 29 at The Parlour’s Grand Opening. (FB Event)
I love this flier, for the record, which I’m sure is a surprise to no one.
Bands: Creaturos, Fat Creeps, Grass Widow
Date: Sunday, November 4, 2012
Venue: Great Scott (Allston, MA)
Act I: Creaturos– It’s been a while since my last time at the Great Scott, roughly five months to be exact. It feels good to be back and to be seeing some kickass bands to boot. Creaturos are a nasty garage trio I saw about a month ago at the Big Stink. They were the fourth (out of five) bands to play and at that point in the evening I was heavily intoxicated and I don’t remember much of their performance, though I do remember it being fun and everyone was bopping and bashing into each other, good times. Tonight, there isn’t so much of that, but on the bright side I gain a good sense of what Creaturos are all about. They are some loud motherfuckers and they serve their brand of catchy, psych drenched rock ‘n’ roll with fast, heart pounding intensity, guaranteed to wake up the neighbors. Here’s their bandcamp page: http://creaturos.bandcamp.com/ Knock yourself out.
Act II: Fat Creeps– It’s funny to think that it was only seven months ago when I first discovered this band. Discovered haha, makes me sound like I am fucking Christopher Columbus, I could be. Over the course of the past seven months I have seen the Fat Creeps ten (10) times! That’s right, ten. A personal record that no other artist can touch. So, what is it that keeps me consistently fascinated, you may ask (or not give a flying rat’s ass, I don’t care, either way I’m going to tell you). What I find appealing in the Creeps is what I admire and desire in all bands I/we excessively promote on KLYAM, put simply: strong songs and personality. Maybe it’s just me, but only a handful of music makers can fully satisfy these two standards of mine. Each Creeps song is unique and instantaneous; you can pick them out of the batch immediately. Their memorable quality can be attributed to the strength of the hooks, which are present in pretty much all of their songs. So, I get giddy when I hear those first few gorgeous guitar riffs to tonight’s surfy set opener “Fooled,” one of the trio’s catchiest tunes. They go on to perform some of my other favorite hits and also include two new songs that seem pretty rad, one of which is an instrumental that closes the set. Before the closer, however, they play my favorite Creeps song, “700 Parts.” I always thought it was a dark song, and even after listening to the thing a million times and seeing it performed on numerous occasions, I still get shivers from Gracie’s powerful vocals. It’s just another reminder of how badly more people across America and beyond need to hear this band.
You can start here http://fatcreeps.bandcamp.com/
Go to the Party (*WORKING TITLE*)
Back to School (*WORKING TITLE*)
Act III: Grass Widow– Unfortunately, we missed these San Franciscans (is that the correct nomenclature?) :( next time!
Bands: Natural Child, Liquor Store, Skimask
Venue: Great Scott
Date: Monday, July 30, 2012
Act One: SKIMASK – SKIMASK is a band that I think everyone should have at least checked out by now and by checked out, I’m talking LIVE. They now have a website (HERE) but you still got to do some digging for recordings so for right now, at this very moment, you need to see them. Upcoming shows (Boston area) are on their website. I find myself gaining more appreciation for SKIMASK each time I see them. On this night, vocalist Prof$t Mohamed isn’t as spontaneous and incendiary as I’ve seen him in the past, but he seems more in-tune with the music. Whatever he is saying is as forceful as the drums and effects behind and to the side of him. The chemistry amongst the trio and the sounds they emit is baffling. It doesn’t take too long to realize how good the drummer is at drumming and how good the effects man is at effects. Stuffing the face with three microphones is not something you see at shows these days. The other thing I’d like to say is that even though SKIMASK is not your typical rock and roll band – stylistically and so forth – they set the tone for a night of balls out RnR. They can fit in on any bill really and just pump up the audience for what’s to come (or finish things off right…if they are headliners).
Act Two: Liquor Store – Liquor Store fit in perfectly as openers to Natural Child. While Natural Child is a bit more stripped down and to the point, Liquor Store is more expansive on this night. They build their tracks up, making grand use of the old guitar. This isn’t always the case (“Manchild In Paradise” is a short, sweet, and twisted take on classic rock), but their performance makes it seem like they’ve been around for longer than they probably have. Judging from their set-list, they’ve been playing some of these songs for a while now and a good chunk is from Yeah Buddy, their 2011 2X LP. I’ve got to listen to that record. From what I’ve read, it’s killer. I guess some cynical person could come along and say they are reinventing the late ’70s punk wheel, but with Liquor Store’s passion and sloppy New Jersey precision…that cynical person would be guilty of oversimplification. I’ve taken note and really wanna hear some Yeah Buddy and drink some Narragansett, a beer previously unheard of to one of the guitarists in Liquor Store. But like that guy, you just gotta try it out even if you can’t pronounce it and you play in none other than a band called Liquor Store. Yeah, buddy.
1. Proud To Be An American Man
3. Manchild In Paradise
5. Big Wheels
6. Gas Station
7. Pile of Dirt
8. In The Garden
Act Three: Natural Child – The last time I saw Natural Child (abbreviated Natti Child for whatever reason in a lot of KLYAM postings) was in August 2010 on a packed yacht cruising up Hudson River near the Statue of Liberty. They were opening for Black Lips so needless to say my excitement for the show was through the roof. The members of Natural Child recall that show fondly, describing it as a lot of fun and quite memorable. The other day at Great Scott wasn’t a close replica to that event, we weren’t anywhere near water, there weren’t as many transvestites, and the show wasn’t close to sell-out capacity. Natural Child themselves though – the band, the myth, and the legend – treated the crowd with plenty of spirited numbers, ranging from 1971‘s “White People” to For The Love‘s “8 AM Blues” and “DTV” to 7″ classics “Crack Mountain” and “Dogbite”. It was these last two songs that came toward the end of their set and brought the most willies for me. The crowd was into Natti, but not on the scale as that NY show that finished off with guitarist/vocalist Seth crowd-surfing his way up to the boat’s balcony. There weren’t any moments like that at GS, but I think I was spoiled for that NY gig. Either way, it’s great to see these guys rising through the ranks and chugging out quality records every few months or so. I’ll make every effort to see them next time around and who knows what that show might bring. This was a fun night, but I surmise the most fun is yet to come!