CD Review: The Pains of Being Pure at Heart

Band: The Pains of Being Pure at Heart
Release: 2009

1. “Contender” – Grade: 9.4 – Twee!
2. “Come Saturday” – Grade: 9.5 – Noise pop!
3. “Young Adult Friction” – Grade: 9.8  – Post-punk revival!
4. “This Love Is Fucking Right” – Grade: 9.6
5. “The Tenure Itch” – Grade: 9.6
6. “Stay Alive” – Grade: 9.7
7. “Everything With You” – Grade: 9.6
8. “A Teenager In Love” – Grade: 9.4
9. “Hey Paul” – Grade: 9.7
10. “Gentle Sons” – Grade: 9.8

Comments: Twee as fuck! A cross between the Vaselines and Galaxie 500. This band is so ’90s, yet it totally is ’09.

Final Grade: 9.6 – One of the best albums of 2009.

CD Review: Post-Nothing

Band: Japandroids
Release: 2009

Comments: Sounding like a noisier, less polished Weirdo Rippers, Japandroids have put themselves alongside other noise rock greats with Post-Nothing. With just a guitarist and a drummer, the duo looks like and produces music very similar to the prolific L.A based No Age. Fast guitar riffs and hard drumming result in a noisy-power-pop combination that not only makes your ears bleed, but makes you want to dance. Continue reading CD Review: Post-Nothing

Something to Ponder….

No, this isn’t a philosophical rant concerning a massive social/political issue that plagues our society. No, this merely concerns the music lovers of the world and yet it is still something to ponder. The question I pose is simply this: should artists (especially older artists) play songs all of their fans know and adore or opt to perform lesser known tunes that mostly die hards would know. I think first and foremost artists should play whatever they feel like playing, because if they don’t then it’s fake, hollow, and condescending. On the other hand, I’d rather go to a concert and sing along to all my favorite songs then hear numbers I’m unfamiliar with, albeit usually decent tunes. For example, I saw Bob Dylan a little while back and he put on a decent performance, but I only recognized one song, “Highway 61 Revisited.” He played more modern and obscure songs from his catalog. Had he played all of his classics, I would’ve enjoyed the show far more. But, then again, back to my earlier point, perhaps Dylan wouldn’t have the same passion in his performance. On the same page, inflammatory music pundit, well sought after sound engineer, and rebel rousing singer/guitarist for such noisy punk bands as Big Black, Rapeman, and currently Shellac, Steve Albini feels artists should not “punish” their audience and instead play songs their fans adore. He notes seeing spectacular performances in Neil Young and Cheap Trick, claiming he knew nearly all of the songs. Albini told an interviewer, he plays the Shellac fan favorite, “My Black Ass,” at every show because it pleases the fans and the band still enjoys playing it. When it becomes old and worn out for them, then they’ll stop playing it. So, here’s the message for artists: if you have fan favorites that you love to play then bust them out, but if they’re sucking that passion outta ya, then place em’ on the shelf for now.

Chris DeCarlo

Steal Your Soul!!!


Great Choice by Glen for a song of the day! The Spooks (not to be confused with the rap group that bears the same moniker) are a “ghost rock” band consisting of the Black Lips’ Cole on vocals, Joe on keyboards, and Jared on bass. They came to light way back in 2002 and typically play Halloween shows covered in white sheets. Their first album, Death From Beyond The Grave, was released by Die Slaughterhaus in 2008. Now here’s a SPOOKY video for y’all to shit your pants to. 3D Glasses sold separately.

Chris DeCarlo

Cambridge Gets Publicity!

Christian Science Monitor Reporting…

Atlanta –
The arrest of an African-American professor at his home near Harvard University gives a rare view into racial tensions in a seemingly unlikely place: America’s ivory tower and its liberal environs.

At least in the popular mind, flare-ups between police and minorities tend to occur in the ‘hoods and barrios of poverty-ridden American cities. But the liberal bastion of Cambridge, Mass. (per capita income: $31,156; black population: 12 percent), the home of Harvard and the Massachusetts Institute of Technology, has its own complex encounters with racial attitudes. Continue reading Cambridge Gets Publicity!

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