CD Review: Punk [2010]

Band: Reverend Elvis and the Undead Syncopators
Release: 3/2010
Label: Suzy Q Records

1. “I’m A Blues Punk” – B-
2. “Trouble” – B+
3. “The Angel of Death” – B
4. “Kill! Kill! Kill!” – B+
5. “Never Let You Go” – B+
6. “666” – B
7. “Tainted Love” – A-
8. “I Still Believe” – B
9. “Dead Before You Died” – B+
10. “Boppin’ The Blues” – B
11. “Country Heroes” – B-
12. “Rockabilly Riot” – B
13. “Honky Tonkin” – B
14. “Killer Wolf” – B+

Comments: A cross between Bob Dylan and Bloodshot Bill, Reverend Elvis is a great story teller and his back-up crew, the Undead Syncopators, play some sweet licks behind him. “I’m drinking all night long and getting high/I’m drinking all night long not afraid to die” sings Rev. Elvis on “Kill” with a drunken delivery. The band channels fellow rockers King Khan and BBQ Show on “Never Let You Go” if only because of the line: “Oh, little girl I love you/ I love you so and never let you go.” Side note: singing about little girls never gets old does it? How old is little? 20? Hopefully?  Ever wanted to hear a rockabilly cover of Soft Cell’s “Tainted Love” ??? I was actually expecting a GG Allin cover based on the first few chords, but no go. Rev. Elvis really does the chorus great. Ever bopped the blues? BBT has bopped the blues. Unveiled for the first time: a new KLYAM designation. See below.

Grade: B (85)

EP Review: Night Deacon

Band: The Homostupids
Release: 3/2010
Label: Fashionable Idiots

1. “R Companion” – C
2. “The Donovan (chop chop chop)” – C+
3. “Wearing Sammy” – D+
4. “Our Week Is Ending” – D
5. “Swearing Sammy” – C-
6. “Sea Wolf” – C+

Comments: If this is the group’s self-proclaimed best release, then may I ask what kind of shit came before it? Instrumental sounds of shattered glass and farts? Stick to making hardcore funk and cut the so-easy-even-I-could-fucking-do-it shit on “Wearing Sammy” and “Our Week Is Ending.” Great Lightning Bolt impression on “Swearing Sammy.” Nawt. This isn’t even punx.

Grade: C- (72)

CD Review: Volume Two [2010]

Band: She & Him
Release: 3/2010
Label: Merge

1. “Thieves” – B+
2. “In The Sun” – A-
3. “Don’t Look Back” – C
4. “Ridin’ In My Car” – C+
5. “Lingering Still” – C+
6. “Me And You” – B-
7. “Gonna Get Along Without You Now” – B-
8. “Home” – C+
9. “I’m Gonna Make It Better” – B+
10. “Sing” – B+
11. “Over It Over Again” – B-
12. “Brand New Shoes” – C
13. “If You Can’t Sleep” – C-

Comments: Zooey sounds like some ’50s standalone rockabilly/doo-wop singer. Her voice is pretty yet very limiting. “In The Sun” works really well because it’s not an attempt at alternative country. Most songs on here are just bland throwbacks. I don’t have any recommendations for improvement because there’s a crowd of people who dig this kind of stuff.

Grade: B- (81)

Film Review: Shutter Island


Matt “Bob Matthews” Ramsden post an image of the film to accompany his review of the novel, so I’ll do the opposite.

Full Title: Shutter Island
Director: Marty Scorcesse
Year: 2010
Grade: A-
Here’s Why:

!SPOILERS AHEAD!

COME TO SHUTTER ISLAND! Where there’s always something exciting to do. You will meet a cast of colorful characters. You may have so much fun, you never leave! You could say, you’ll discover you are not actually who you think you are…. ok scratch that one BOSS. Essentially, Matt’s review, sums up the plot real nice, here’s a link, https://klyam.com/2010/01/10/book-review-shutter-island/. So, Leonardo Dicrapio and Mark Rufalo play the leading detectives and perform the fuck out of ther dramatic roles; it’s too bad this flick was released so damn early in the year, because it is worthy of numerous awards, certainly for acting, with regards to the aforementioned actors as well as Ben Kingsley. Not to say that awards measure the substance of a film or any form of art, they don’t at all. But, credit should be given, where it is due and far too many average flicks receive awards. Enough of that rant for now! SI dishes out more than its share of suspense, action, thrills, shills, and skills in just about every area. As the story unravels, we’re just as quizzical as Leo’s character. And since he’s totally mad, fucked in the head :) as viewers we’re all the more left with a “WTF is going on feeling?” But, we never get lost in the bedlam, a key aspect of Shutter’s success. Since, most of these “everyone’s against me andeverythng I ever knew as true was a lie” brand of films get tangled up in their own webs of conspiracy to the point that not even the filmmakers know what they’re thinking. Our umbilical chords to the story are never severed and thus maitain the suspense and our concern for the characters. In the end, the plot twist is pretty damn sweet, but a bit overrated. It ain’t Bruce Willis is a ghost, Vader’s my daddy, Bates is his mommy material! In fact, I thought the ending woudl come sooner; it drags toward the end, not too much, but enough to note. I haven’t read Dennis Lehane’s novel of which the movie is based and Matt wrote his review of, but I hear this stays true to it. Perhaps. Overall, a highly enjoyable experience at one of my favorite pastimes and definitely a KLYAM Recommendation.

Chris

Boston based shows/fests – DIY, punk, noise