CD Review: Dye It Blonde [2011]


Band:
Smith Westerns
Release: 1/2011
Label:
Fat Possum

1. “Weekend” – [A]
2. “Still New” – [A-]
3. “Imagine Pt. 3” – [A]
4. “All Die Young” – [A-]
5. “Fallen In Love” – [A-]
6. “End of the Night” -[A]
7. “Only One” – [A]
8. “Smile” – [A-]
9. “Dance Away” – [A]
10. “Dye the World” – [A-]

Comments: Smith Westerns are a band that, like label-mates Wavves in 2010, benefited immensely from a bigger studio budget. The clarity and direction on Dye It Blonde is a thing of beauty. Stylistically, this is something of a neo-psychedelic or psychedelic pop record, quite a few LSD blotters more psychedelic than the trippiest offerings from Magic Kids, but not as pop-sensible as say former tour partner MGMT. One thing that persists from the start of the record is that clean lead guitar effect, which sounds good, but is a bit overused. “Weekend” and “Imagine Pt. 3” have qualities that immediately hit ‘ya, so with good reason these tracks were made available before the official release. “Dance Away” may be the album’s most experimental track, but in the strangest way possible: it’s the fastest, most accessible, and most randomly discombobulated recording on here. Sounds like it’s going for that Diana Ross “Upside Down” disco meets ’90s Ricky Martin feel. Anyway, this is a record to remember. Fuck, it ain’t even 2011 yet so to make any predictions about this being in contention for Best of 2011 would be wildly erratic and unbecoming. I will say it’s the best thing from 2011 that I heard in 2010. K?

Grade: A- (92)

Dance Song Of The Day

Eric Prydz – Pjanoo

For a fan of EDM, its refreshing to see true house music making a comeback. For a while in the late 2000’s it was all about Trance and Electro, while true house was kind of left in the dust. Surprisingly, house’s comeback is emerging from an unexpected location. When most people think of house the first two places that come to mind are Chicago and France, though Sweden has now become the hotbed of true house music with artists such as AN21, Max Vangelli, Axwell, Steve Angello, Sebastian Ingrosso and Eric Prydz bringing back the old traditions.

Posted above is a favorite song of mine, “Pjanoo” by Eric Prydz. It’s one of those feel good songs to me, always puts me in a good mood. Long live house music, and may this revival continue.


Who Did it Better? “Achilles Last Stand”

Back with another edition of Who Did it Better? and this time I am going back to my rock roots with a little Led Zeppelin on the song “Achilles Last Stand”. The cover is an excellent version by the band Dream Theater.

First up, Led Zeppelin

Next Dream Theater (note “Achilles Last Stand” is in between “The Rover” and “The Song Remains The Same”)

Although a nice Zep melody on Dream Theater’s part, I am still going with Led Zeppelin, its hard to beat a orginal especially when the original is Zeppelin

Electronic Dance Music

Taste is subjective, and palates grow with time. Like many of you, throughout my life my tastes in music have changed. Different factors ranging from emotion to just pure appeal and lifestyle can change this. For most of my life though, the one constant had been Rock music. Granted in various different forms (from nu to punk to classic rock to indie rock) but nonetheless it was a constant for me until recently.

It was about a year and a half ago that I began to love what I once hated and despised. In my mind, music wasn’t real unless it had bass, guitar and drums in it. “Techno” (as I used to say, incorrectly) all sounded the same and took no talent. So how does one transition from The Who and Animal Collective to Tiesto and Deadmau5? What is the appeal of dance music?

Like I said previously, our palate and tastes grow and change. My first exposure to any sort of dance music came from the band Death From Above 1979. Though perhaps not dance music in the traditional sense, their use of syncopated drum patterns and synthesizer had a hidden house music background. You could say this exposure was blind; it introduced elements of dance music in a package that I could recognize and not judge right away.

From there I got introduced to another band, Kasabian. Again, although not dance music, Kasabian’s self-titled album opened me to the amazing possibilities of electronic music. I was shown that perhaps there is more to life than a guitar and a couple of chords. Soon after I discovered what I’d say was my first true dance artist that I enjoyed, Digitalism. I first heard “Pogo” at a good friend’s house and was blown away. What I heard was reminiscent of Death From Above 1979 (with the same distorted bass sound) but in a much cleaner sounding package. I loved that unique sound from DFA1979 and thought they were the only artist that had it, and I had all of a sudden found a whole genre, electro house, of artists with a similar sound.

Id say the transition was complete when I began to research the origins of Electro House. I had read more and more about house music, and discovered the classic group Daft Punk. I had downloaded their Alive 2007 album on a whim, and it was one of the most mind blowing musical experiences I have ever had. I was always used to 3-minute songs with an ending, and this was a whole album of different familiar songs chopped and spliced together to form new songs, one blending seamlessly into the next. From there on I discovered trance, and progressive house, and dubstep, and I was hooked.

So what’s the appeal? Well, first off, I find that there is much more freedom in dance music than in other styles. The main purpose of a dance song is in its description: it must make people dance. I’ve heard DJs manipulate everything, from Slipknot to Christian music to the Verve to Samuel Barber, and make people dance from it. I’ve never heard another genre that can take influence from so many other genres in one set.

One comment I often hear disparaging dance music is that it has no emotion or soul. Perhaps beauty is in the eye of the beholder, so to speak, but I find there to be a lot of emotion in dance music. Maybe not in every club banger, but I find that the dramatic build ups and come downs of dance music extrude so many feeling from me as a listener.

In addition, the different styles of dance music often have their own unique feel and sound. Traditional house music, for example, often is very uplifting in lyrical content and sound and purveys an image of glamour (the same as disco). Progressive house, on the other hand, can be a very somber sounding music, as can trance (though trance often has the ‘mind opening’ feel reminiscent of late 60’s psychedelic). Dubstep and Electro house are often more aggressive sounding, and more angry (like metal music for example).

As my tastes have grown my activities have as well. I used to be a concert guy, and would hit up Terminal 5 or Webster Hall for shows in the city, though now I find myself going to clubs more (Pacha being my favorite). I used to think clubs were full of assholes and didn’t see any fun in it, so what’s the appeal?

Clubs, first off, are a completely different environment than concerts (for those who aren’t aware). Going to a club, people generally dress their best where as a concert is more free form in appearance. A lot of people dislike clubs because of ‘bouncers’ but I can tell you from experience that I’ve never seen one person not admitted into a club because of appearance. Inside the club you’ll find something much different than you’ll see at a concert, you’ll see people giving feedback to the music, truly enjoying it. I’ve been to so many concerts where the crowd either stands there with a blank stare listening to the music or feels the need to incite a near riot because pushing during music is cool I suppose. At a club, the most important thing is that everyone has a good time, dancing all night and enjoying the company of friends, drug of choice. and most importantly the music.

So before you write off dance music please give it an honest chance. Go to a club and experience the atmosphere, listen to the songs with an open mind. The truth is it may not be too far from what you currently listen to, and who knows, you may even like it, Though I haven’t been too active at KLYAM so far I hope to post more, and will be posting EDM recommendations. So look out for my posts and I hope you enjoy!

Sleeping With Mr. Butch

As far as I’m aware Mr. Butch is in a category of his own on Wikipedia. How many homeless people have a Wikipedia page? Mr. Butch was a homeless man who spent somewhere between 20 and 30 years as a hobo in Boston, Massachusetts. He was attached to the Allston community during the latter part of his life. He was killed in 2007. Here is a link to watch a documentary about Mr. Butch:

http://www.youtube.com/watch?v=cWQV_nMoLoQ

Here is a collection of quotes from Mr. Butch:
– “Articulate I am for sure. Yes, I have bought many whore. When I had the money I did it straight. Now I have to masturbate.”
– “Please I need some money. It’s not funny.”
– “Penny, nickel, dime, or quarter. Any way, any order.”
– “Today be drinking, smoking some weed. That’s about all I need.  If I can find a girl to give me a hand-job, I’m not a fool, I’m not a slob.”
– “For me, it’s like I have to screw and lay before I see my guiding day. I go on straight, I go on hard. I hope that I can get a dick at least a yard.”
– “The last woman I had. We screwed and then she said good-bye dude. Broke my heart, made me feel bad. That’s the last woman I had.”
– “Well I got a dollar and seventy-five cents. I guess I get some beer!”

Classic CD Review: Tim [1985]


Band:
The Replacements
Label: Sire Records

1. “Hold My Life” [A-]
2.  “I’ll Buy” [A-]
3. “On The Bus” – [A-]
4. “Dose of Thunder” – [B+]
5. “Waitress in the Sky” – [B+]
6. “Swingin Party” – [A-]
7. “Bastards of Young” – [A+]
8. “Lay It Down Clown” – [B+]
9. “Left Of The Dial” – [A+]
10. “Little Mascara” – [A]
11. “Here Comes A Regular” – [A+]

Comments: The A side of this classic — the first in a string of major label releases by the band — is full of semi-heavy jams that weren’t totally out of place in the mainstream ’80s rock climate. It’s the lighter ones that I prefer though. I guess starting with “Swingin Party” is a helluva a bottom half. Insta-classics include “Bastards of Young,” “Left of the Dial,” and “Here Comes A Regular.” What makes these three so good? Well they are all really distinct. I might be a little prejudice because I’ve been listening to them independently for a couple of years now, but I’ve got to say they all bring a lot to the table. “Little Mascara” is quite close to that kind of level. It’s the acoustic guitar in “Here Comes A Regular” that really tickles my fancy. What a progression, I tell ya.

Grade: A-

Boston based shows/fests – DIY, punk, noise