Arcade Fire Wins Grammy…

Yes, Arcade Fire, a band on an independent label (Merge) won the award for Album of the Year (The Suburbs) at last night’s Grammy Award Ceremony. My thoughts? People on both sides of the fence are making a much bigger deal out of this. Maybe it’s just my perspective as a fan of mostly underground music, to one degree or another, but I don’t see Arcade Fire as being an “unknown” band by any means. So, I find it hilarious the way people are complaining about this obscure band winning Album of the Year instead of their ultra mainstream favorites, i.e. Eminem or Lady Gaga. What is the implication? That music somehow needs to reach a certain level of popularity to warrant acclaim or be valued as fine art and/or entertainment. If that’s your point of view, fine, to each his own. But, for me that’s insane! And to the folks that see Arcade’s win as some sort of “victory,” I have to disagree. I guess it’s cool in a way to see one of my favorite bands and a high quality one at that appear in a mainstream setting on such a grand scale. With that being said, I doubt, especially in this modern age of the internet where exposure to “random” bands is infinitely at one’s hands, a kid or two out there will see Arcade on their TV set and think “wow, what a cool band I’m going to start listening to them now and broaden my musical tastes.” Who knows? Maybe I’m wrong and that has or will occur. But, what is more realistic is AF fan boys and girls getting excited that one of their indie faves won an award at the Grammys and vice versa a bunch of mainstreamers infuriated, perhaps shocked tha their commerical faves did not win… and the majority not giving a flying fuck either way. In short, this changes nothing about how I view Arcade Fire or music as a whole and frankly I don’t think it should for anyone else, but obviously that’s not for me to decide. What do you guys think? Here is a site displaying the obnoxious, yet hilarious! comments of the mainstream, AF haters-

P.S. a special thanks to the Grammys for remembering the life and work of the late, great Jay Reatard…….

Thee King of Limbs = Radiohead New Album

Cover art and release dates for an LP typically are announced a good two or three months before one can hear the damn thing so finding out about an (extremely popular band) album’s release five days before the actual day itself is pretty much unheard of. Radiohead has done some pretty unheard of things in the past and so here it is, their newest album coming in digital form on Saturday, February 19.

CD Review: Smoke Ring For My Halo [2011]


Band:
Kurt Vile
Release: 3/2011
Label: Matador

1. “Baby’s Arms” – A-
2. “Jesus Fever” – A-
3. “Puppet to the Man” – B
4. “On Tour” – B-
5. “Society Is My Friend” – B
6. “Runner Ups” – C+
7. “In My Time” – B+
8. “Peeping Tomboy” – B-
9. “Smoke Ring For My Halo” – B-
10. “Ghost Town” – B

Comments: Vile’s live show (with the Violators) has always been one of noise and layer. On record, however, the childish prodigy has excelled at displaying a softer side that, while layered in realms of noise, is more delicately catchy and intriguing than the in-person experience. Following the KISS [Keep it simple, stupid…not the band] principle that I’ve always been fond of as a fan of music, Vile can really do a lot with a little. Unfortunately, this record is a continuation of a trend I’ve noticed in Vile’s music over the years: lack of differentiation. I don’t really blame him, but just about every song flows and sounds quite similar to the previous/next one. “In My Time,” which was first released as the title track of his 2010 EP of the same name, belongs in the category of Vile’s stronger set of songs. It features a prominent electric guitar and more memorable melody. In the end, this album don’t impress-uh-me much (to quote Shania Twain), but there definitely are some good listens to be enjoyed in the sea of repetition.

Grade: B (84)

EP Review: He Gets Me High [2011]


Band:
Dum Dum Girls
Release: 3/2011
Label: Sub Pop

1. “Wrong Feels Right” – B+
2. “He Gets Me High” –A
3. “Take Care Of My Baby” – A-
4. “There Is A Light That Never Goes Out” – A

Comments: This one begins where I Will Be left off. Like its longer predecessor, He Gets Me High personifies the tag noise/pop that has been applied abundantly to Dum Dum Girls music. The first two tunes are of the variety of rock ‘n’ roll that we’ve gotten a taste of before from the Girls while “Take Care of My Baby” is a blissful rockabilly number — light instrumentation, beautiful vocals, a little tambourine. The production on The Smiths cover “There Is A Light” is absolutely stellar. The studio sound captured on here is something that probably couldn’t really be replicated as well live, but it is what it is and that’s really brilliant.

Grade: A- (91)

Boston based shows/fests – DIY, punk, noise